The Monster That Can't Be Defeated Here
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Some Problems in Prosody
1903·] Some Problems in Prosody. 33 ARTICLE III. SOME PROBLEMS IN PROSODY. BY PI10PlCSSOI1 R.aBUT W. KAGOUN, PR.D. IT has been shown repeatedly, in the scientific world, that theory must be supplemented by practice. In some cases, indeed, practice has succeeded in obtaining satisfac tory results after theory has failed. Deposits of Urate of Soda in the joints, caused by an excess of Uric acid in the blood, were long held to be practically insoluble, although Carbonate of Lithia was supposed to have a solvent effect upon them. The use of Tetra·Ethyl-Ammonium Hydrox ide as a medicine, to dissolve these deposits and remove the gout and rheumatism which they cause, is said to be due to some experiments made by Edison because a friend of his had the gout. Mter scientific men had decided that electric lighting could never be made sufficiently cheap to be practicable, he discovered the incandescent lamp, by continuing his experiments in spite of their ridicule.1 Two young men who "would not accept the dictum of the authorities that phosphorus ... cannot be expelled from iron ores at a high temperature, ... set to work ... to see whether the scientific world had not blundered.'" To drive the phosphorus out of low-grade ores and convert them into Bessemer steel, required a "pot-lining" capable of enduring 25000 F. The quest seemed extraordinary, to say the least; nevertheless the task was accomplished. This appears to justify the remark that "Thomas is our modem Moses";8 but, striking as the figure is, the young ICf. -
Seven Theses on the Future of Smart Glasses
Seven Theses on the Future of Smart Glasses A trend analysis of the future of smart glasses in retail “Kapitelnavn” | Seven Theses on the future of Smart Glasses | Synoptik-Fonden side 1 ISBN: 978-87-93300-07-1 This trend report was funded by the Synoptik Foundation and carried out by Brian Due. Published as: CIRCD reports of social interaction, 1(4), 1-34, Centre of Interaction Research and Communications Design, Uni- Executive summary This report shows that opticians and people with interests in the eyeglass business need to be ready to understand, assist with and even sell smart glasses within the next five to seven years. On the background of an analysis based on research, papers, news stories, interviews and surveys, seven theses about the technological devel- opment and nearby future of smart glasses are proposed. The report shows that: • Today’s smart glasses are similar to the first versions of smartphones. But technological development is exponential and smart glasses will soon be mainstream. However, not as widely adopted as smartphones. • Google Glass is an icebreaker product and other products are following in the slipstream. There are already many different smart glass products on the market and on a prototy- pe level. All the big IT companies and many startups are already producing and/or have patents for new products. • Early adopters will start using smart glasses in three years and the early majority in five to seven years. • In terms of use and design, smart glasses will be divided into two types: 1) glasses for industrial, health and fitness purposes that will have many functionalities and thus a more computerized and sporty design, and 2) glasses for the ordinary consumer that will look more like ordinary glasses with fashionable designs. -
Gerard Manley Hopkins and Old English Poetry: a Stylistic Analysis
Gerard Manley Hopkins and Old English poetry: a stylistic analysis Item Type text; Dissertation-Reproduction (electronic) Authors Li, Leshi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 14:04:44 Link to Item http://hdl.handle.net/10150/565498 GERARD MANLEY HOPKINS AND OLD ENGLISH POETRY: A STYLISTIC ANALYSIS by Rebecca Lee A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN ENGLISH LITERATURE . In the Graduate College THE UNIVERSITY OF ARIZONA 19 8 1 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Final Examination Committee, we certify that we have read the dissertation prepared by Rebecca Lee_________________________________ entitled GERARD MANLEY HOPKINS AND OLD ENGLISH POETRY:___________________ A STYLISTIC ANALYSIS and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy Date Date Final approval and acceptance of this dissertation is contingent upon the candidate's submission of the final copy of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. * / ■ ? ■ / Dissertation Director Date / STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library» Brief quotations from this dissertation are allowable without special permission5 provided that accurate acknowledgment of source is made. -
The Poetry Handbook I Read / That John Donne Must Be Taken at Speed : / Which Is All Very Well / Were It Not for the Smell / of His Feet Catechising His Creed.)
Introduction his book is for anyone who wants to read poetry with a better understanding of its craft and technique ; it is also a textbook T and crib for school and undergraduate students facing exams in practical criticism. Teaching the practical criticism of poetry at several universities, and talking to students about their previous teaching, has made me sharply aware of how little consensus there is about the subject. Some teachers do not distinguish practical critic- ism from critical theory, or regard it as a critical theory, to be taught alongside psychoanalytical, feminist, Marxist, and structuralist theor- ies ; others seem to do very little except invite discussion of ‘how it feels’ to read poem x. And as practical criticism (though not always called that) remains compulsory in most English Literature course- work and exams, at school and university, this is an unwelcome state of affairs. For students there are many consequences. Teachers at school and university may contradict one another, and too rarely put the problem of differing viewpoints and frameworks for analysis in perspective ; important aspects of the subject are omitted in the confusion, leaving otherwise more than competent students with little or no idea of what they are being asked to do. How can this be remedied without losing the richness and diversity of thought which, at its best, practical criticism can foster ? What are the basics ? How may they best be taught ? My own answer is that the basics are an understanding of and ability to judge the elements of a poet’s craft. Profoundly different as they are, Chaucer, Shakespeare, Pope, Dickinson, Eliot, Walcott, and Plath could readily converse about the techniques of which they are common masters ; few undergraduates I have encountered know much about metre beyond the terms ‘blank verse’ and ‘iambic pentameter’, much about form beyond ‘couplet’ and ‘sonnet’, or anything about rhyme more complicated than an assertion that two words do or don’t. -
I ' Pyrrhic Stress
" QUANTITATIVE IMPLICATIONS OF THE I ' PYRRHIC STRESS ESPECIALLY IN PLAUTUS AND_TERENCE I “’ BY . LINWOOD LEHMAN A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF VIRGINIA 1924 ._» '7ufu: U ‘x’; U. Va. Damn! Dissertan J a "I ‘33 43601.4 Contents page PART I 7-22 Introducrion - - - ~ - - - - - The Tripudic Theory - - - - - ~ - 11 Introductory Remarks - - - - - - - ll The Tripudic Accentuctl System - - - - 12 .— Further Remarks on the Tripudic Accentual System - 13 The Beginning of the Penultimate Law - - - 14 m.— The Tripudium - - - - - - - - IS The Pynhic Stress - - - - - - - 20 “.v. Necessary Alternation and Coincidence of Accent and lcrus 20 PART II 23-68 . Explanation of Division of Examples 25 Textual Restoration, etc. - - - - - - 28 Manifestations of the Pyrthic Stress - - - - 3O Amphicruo - ~ - - - - - - - 32 Aulula'ria - - - - - - - - - 33 Bacchides - - ' - - ~ - - - - 35 Captiuir - . - - - - - - - 37 Menaechmi - - - - - - - - - 39 Miles Gloriosus - - - - - - - 4-1 Mostellan'a - - - - - - - - Pseudolus - - - - - - - - Rudens - - - - - - - - - Trinummus - - - - - - - - 50 Adelphoe - - - - - - - - - 53 Andria - - - - - ~ - - Eunuchus - - - - - - - - 56 Heauton ‘I'imorumenos - - - - - 57 Hecyra - - ~ - - - - 59 Phrmio - - - — - - - - 61 Piautina Addenda - - - - ~ - 63 Miscellanea - - - - - . - ~67 PART III 69-75 The Iambic Law -- - . - - - 69 Synizesis - - - - - - - _ -70 Lengthening - - - - - . _ . 71 Shortening - - - - - - - 72 . - - _ Nempe, Ille, Quippe, etc. - . 74 Final 5 - - - - .. - - 75 A Mute plus L or R - - - -
Thinking in Song
THINKING IN SONG Prosody, Text-Setting and Music Theory in Eighteenth-Century Germany A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Martin Kuester January 2012 © 2012 Martin Kuester THINKING IN SONG Prosody, Text-Setting and Music Theory in Eighteenth-Century Germany Martin Kuester, Ph.D. Cornell University 2012 Eighteenth-century music theorists habitually used terms that were apparently im- ported from grammar, rhetoric and poetics. While historians of music theory have commonly described these words as reflecting metaphorical attempts to understand music by analogy with language, this study emphasizes their technical value, especially with respect to vocal music, which includes both domains. In the case of Johann Mat- theson, Johann Adolph Scheibe, Joseph Riepel and Friedrich Wilhelm Marpurg, the literal meaning of this common vocabulary can be recovered by viewing their general composition rules���������������������� in the previously une�amined������������ conte��������������������������������t of their theories for compos- ing te�t and music of vocal works. Chapter One questions the applicability of a ‘metaphor of music as a language’ to eighteenth-century musical thought and proposes a new framework, centered on what Scheibe and others considered �����������������������������������������������the origin of both music and language, prosody. Chapter Two e�amines Mattheson’s famous minuet analysis and concludes that a prosodic sub-discipline of music theory provided a vocabulary that applied, in ten- dency, to words and notes of vocal music, simultaneously. Chapter Three traces the interaction of prosodic parameters in the longer history of ‘musical feet,’ pointing out eighteenth-century theorists’ successful efforts to adapt or re-adapt their terminol- ogy to the practice of modern vocal composition. -
Magis Rythmus Quam Metron: the Structure of Seneca's Anapaests
Magis rythmus quam metron: the structure of Seneca’s anapaests, and the oral/aural nature of Latin poetry Lieven Danckaert To cite this version: Lieven Danckaert. Magis rythmus quam metron: the structure of Seneca’s anapaests, and the oral/aural nature of Latin poetry. Symbolae Osloenses, Taylor & Francis (Routledge): SSH Titles, 2013, 87 (1), pp.148-217. 10.1080/00397679.2013.842310. halshs-01527668 HAL Id: halshs-01527668 https://halshs.archives-ouvertes.fr/halshs-01527668 Submitted on 24 May 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Magis rythmus quam metron : the structure of Seneca's anapaests, and the oral/aural nature of Latin poetry 1 Lieven Danckaert, Ghent University Abstract The aim of this contribution is twofold. The empirical focus is the metrical structure of Seneca's anapaestic odes. On the basis of a detailed formal analysis, in which special attention is paid to the delimitation and internal structure of metrical periods, I argue against the dimeter colometry traditionally assumed. This conclusion in turn is based on a second, more methodological claim, namely that in establishing the colometry of an ancient piece of poetry, the modern metrician is only allowed to set apart a given string of metrical elements as a separate metron, colon or period, if this postulated metrical entity could 'aurally' be distinguished as such by the hearer. -
6.1. Introduction
Between grammar and rhetoric : Dionysius of Halicarnassus on language, linguistics, and literature Jonge, C.C. de Citation Jonge, C. C. de. (2006, June 27). Between grammar and rhetoric : Dionysius of Halicarnassus on language, linguistics, and literature. Retrieved from https://hdl.handle.net/1887/10085 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/10085 Note: To cite this publication please use the final published version (if applicable). CHAPTER 6. THE INITIATION RITES OF STYLE. DIONYSIUS ON PROSE, POETRY, AND POETIC PROSE 6.1. Introduction ‘My next subject is like the Mysteries: it cannot be divulged to people in large numbers. I should not, therefore, be guilty of rudeness, if I invited only “those with a sacred right” to approach the initiation rites of style, while telling the “profane” to “close the gates over their ears”. Some people reduce the most serious subject to ridicule through their own callowness, and no doubt there is nothing unnatural in their attitude.’1 It is with these mystical formulas that Dionysius of Halicarnassus introduces the final chapters of his work On Composition (25-26). In these chapters, he tries to answer the question of how prose can be made to resemble a beautiful poem, and in what way a poem can be made similar to beautiful prose.2 The ‘initiation rites of style’ (tåw teletåw toË lÒgou) constitute the climax of Dionysius’ composition theory, namely the writing of prose with poetic beauty.3 Although word choice plays a role (thus, Plato in particular used poetic vocabulary), Dionysius focuses on rhythm, since the subject of his work is composition.4 His views on prose rhythm reflect Aristotle’s views to a certain extent, but Dionysius goes much further than Aristotle in tracing metrical elements in prose writing. -
Opticians Handbook 2006
20/20 Opticians’ Handbook Second Edition Sponsored by and Advertisement A Jobson Publication EssPHYS.qxd 3/6/06 12:46 PM Page 1 Opticians’ Handbook We are interested in your comments and suggestions Welcome... about this handbook as well as other topics you would like to see covered in the future. Please email us at [email protected]. We look forward to hearing from you. 4 Maximizing Patient Opportunities 7 The Prescription Mike Daley Pierre Fay, Senior Vice President, President, Essilor Lenses Luxottica Group Dear Reader, 9 Pupillary Distance and Segment Height Essilor of America and Luxottica Group are delighted to pro- duce this second Opticians Handbook adding new material 10 Techniques & Technology of Frames critical to the optician in an ever-changing marketplace. This Handbook contains key information about frames and lenses that can improve the knowledge and skills to provide 13 Lenses, Materials, Treatments & Design a better eyewear solution for every patient. And, like Volume I, we’ve included quick reference tables and tools for easy Choose & Use Sunwear More Effectively access to the science of eyewear dispensing. 16 This Handbook can help you meet your professional goals and is a commitment from our companies to provide knowl- 20 Photochromics and AR Lenses edge about existing and especially new products. One of the optician’s jobs is to describe eyewear options and the benefits of those options for every patient. This 23 AR Lenses Handbook provides key details, tools and scripts to get the right eyewear on every patient. This version targets maximiz- ing opportunity, lens prism, sunwear details, improving sun- 26 Putting It All Together wear sales and use of the newest progressive lens tech- nologies to capture business opportunities often missed. -
Mayor Charter Revision Halted
Volume 95 Number 51 | AUGUST 8-14, 2018 | MiamiTimesOnline.com | Ninety-Three Cents FLORIDA HOUSE, DISTRICT 109 McMINN V. BUSH Mayor Battle charter to end revision Aug. 28 halted Both candidates are ready to Miami Commission to take on issues in community discuss further Tuesday FELIPE RIVAS [email protected] K. BARRETT BILALI Miami Times Contributor he race for District 109 of the Florida Not knowing the answers to ques- House of Representatives is gearing tions such as the amount of money a up to be a battle between candidates’ strong mayor would be paid and how experience versus perseverance. much power he would have caused T Miami City Commissioners to table a Young, up-and-comer Cedric McMinn will fight vote, which would bring a strong may- or form of government to the city. I want to look at a former state Rep. James Bush III in the Florida When I look at Brownsville, primary election Aug. 28 to occupy the seat that Four of the commissioners formed a comprehensive job opportunity will be vacated by term-limited and current dis- Overtown, Allapattah, quorum Tuesday and voted at a special act. I want to give every able, trict leader, Cynthia A. Stafford, who has endorsed Wynwood, I see communities meeting to carry over their special capable person, who is willing McMinn to fill her seat. No Republican has that need experienced meeting to the following Tuesday. to work,“ access to a job mounted a challenge. leadership,“ someone who The commissioners had two agenda . it will decrease crimes District 109 includes a swath of northwest Mi- understands the pulse of the items on which to vote. -
Zeuscansion: a Tool for Scansion of English Poetry
ZeuScansion: A tool for scansion of English poetry Manex Agirrezabal1, Aitzol Astigarraga1, Bertol Arrieta1, and Mans Hulden2 1 University of the Basque Country (UPV/EHU), Department of Computer Science, 20018 Donostia, Spain 2 University of Colorado Boulder, Department of Linguistics, Boulder, Colorado (USA) abstract We present a finite-state technology (FST) based system capable of Keywords: performing metrical scansion of verse written in English. Scansion scansion, English, is the traditional task of analyzing the lines of a poem, marking the poetry, out-of-vocabulary stressed and non-stressed elements and dividing the line into metrical words feet. The system’s workflow is composed of several subtasks designed around finite-state machines that analyze verse by performing tok- enization, part-of-speech tagging, stress placement, and stress-pattern prediction for unknown words. The scanner also classifies poems ac- cording to the predominant type of metrical foot found. We present a brief evaluation of the system using a gold standard corpus of human- scanned verse, on which a per-syllable accuracy of 86.78% is achieved. The program uses open-source components and is released under the GNU GPL license.1 1 introduction Scansion is a well-established form of poetry analysis which involves marking the prosodic meter of lines of verse and possibly also dividing the lines into feet. The specific technique and scansion notation may 1 ZeuScansion code: https://github.com/manexagirrezabal/zeuscansion Stress guesser code: https://github.com/manexagirrezabal/athenarhythm Journal of Language Modelling Vol 4, No 1 (2016), pp. 3–28 M. Agirrezabal et al. differ from language to language because of phonological and prosodic differences, and also because of different traditions regarding meter and form. -
Thoreau's Unchained Prosody Noel Sherrard Thoreau's Poetry Is Littered
Thoreau’s Unchained Prosody Noel Sherrard Thoreau’s poetry is littered with moments of ambiguous meter. However, these moments are not examples of Thoreau’s last usage of meter, if such a thing exists. Rather, they are calculated bits of uncertainty, which reflect, inform and complicate the content of his lines. In the mid 19th century, Thoreau was well on the path toward the irregular and metrically indeterminate meter that would become popular in the 20th century. In Thoreau’s poem “Conscience,” ambiguous meter functions to undermine the speaker’s attempt to attain a more pious, simple life. As defined by the OED, “conscience” is “the inner sense of what is right or wrong in one's conduct or motives, impelling one toward right action.” Throughout the poem, the speaker struggles toward what he perceives as God’s mandate for simplicity. However, his own internal compass of right action, his conscience, is at odds with this divine mandate, and incorrigibly leads him astray. “I love a life whose plot is simple,” he says, rather coyly (6). The poem that follows, however, is riddled by very un-simple lines and meter, presenting his quest for simplicity as vain and hopeless. In fact, lines that uphold the poem’s (barely) prevailing meter of iambic tetrameter are few and far between. Because these iambic-tetrameter lines are relatively few, and because they offer antithesis to the chaos of the rest of the lines, they mark moments of clarity for the speaker and merit discussion. By reveling in metrical complexity and discord, Thoreau mocks the prevailing wisdom that “Tis a joy to be simple,” to quote the old hymn, as well the notion that perfect meter is a goal for which to strive.