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2488 24-Track, 24-Bit, 36-Channel Digital Portastudio with Built-In CD

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2488 24-Track, 24-Bit, 36-Channel Digital Portastudio with Built-In CD 2488 24-track, 24-bit, 36-channel Digital wenty-four. Finally everyone can have PortaStudio with built-in CD-RW drive ˘ Three aux sends on all channels except the effects access to the magic number of tracks return that’sT the professional industry standard! Twenty-fi ve years after the fi rst 4-track ˘ Loop effect provides reverb, delay, chorus and more cassette tape Portastudio comes the incred- on an aux send and return ible 2488. It’s by far the most affordable 24- ˘ Assignable Guitar multi-effects processor for track recording and mixing workstation ever distortion, chorus, delay, flange and more made for home studios — and the only ˘ Up to eight assignable dynamics processors for model within three times its price range compression during recording or mixdown that can truly do 24 tracks of 24-bit 44.1kHz recording. Eight inputs can be simultaneously recorded into the XLR ˘ Dedicated Stereo Compressor on the stereo output and W" inputs. Twenty physical faders control the mixdown ˘ Eight inputs: 4 XLR with phantom power double as channels; each channel has 3-band EQ and access to three W" mic/line inputs, plus four dedicated W" mic/line inputs built-in effects processors. ˘ Twenty 45mm faders including master fader A large internal hard disk gives the user ample space for multiple 24-track songs and virtual tracks for comping. Plus ˘ LCD display for viewing meters and edit parameters the 2488 has a USB 2.0 port for back-up via home computer. ˘ CD-RW drive to record Red Book CDs, import/export WAV files The 2488’s Standard MIDI player and General MIDI sound and backup hard drive module provide an additional stereo sound source for fuller ˘ 64-voice General MIDI sound module arrangements. Complete waveform editing including cut/copy/paste/loop ˘ Standard MIDI File player gives the user DAW-like fl exibility for building that next hit ˘ High-speed USB 2.0 jack connects to PC or Mac® for data recording. backup and SMF/WAV file transfer And for the fi nal mix, the built-in CD-RW drive can turn your 2-track master mixdown into a Red Book CD, or use it to back up the hard drive or import and export WAV fi les. ˘ 24-track / 24-bit recorder (44.1kHz) ˘ 36-channel mixer ˘ 3-band EQ on 24 channels, 8-inputs, tone generator and stereo bus with high and low sweepable shelving bands and full parametric mid band New for 2004 US-2400 DAW Controller with 25 100mm motorized faders Winter NAMM he worlds most powerful sampler has just gotten better! The new GS3 comes in three paradigmsT Orchestra, Ensemble and Solo each perfectly fi tted to compose for their performance product name. All of the GS3 versions have undergone a complete overhaul with a new GUI and the added functionality of ReWire, VST FX, and a new GigaPiano 2. The GS3.gig sample format has also experienced a ground up redesign with 24 bit/96kHz support, 128 dimension control- lers, ability to embed surround convolution reverb and the addition of Intelligent MIDI rules. GigaStudio 3.0 is the world’s most advanced disk streaming, real time surround convolution, ReWired sampling solution this planet has ever ow you can use your mouse for what it’s good at and use a ˘ Fully-mapped control for any DAW that supports HUI™ or experienced. control surface for what it’s good at: hands-on mixing Mackie® Control protocols ˘ Unlimited Polyphony – Instead of a maximum withN lots of real faders, knobs & buttons. ˘ Twenty-five touch sensitive 100mm CO-DEVELOPED WITH 160 voices, polyphony limits are limited only by The TASCAM US-2400 is the fi rst DAW fader controller with moving faders, each with 10-bit resolution the number of drives, drive speed, and processor enough faders to handle a typical recording session — and feel speed your system has (Giga 3.o Orchestra) like a real mixing console — without lots of bank switching. ˘ Select, Solo and Mute keys ˘ ReWire – GigaStudio 3.0 supports ReWire routing The US-2400 features 24 touch-sensitive moving channel ˘ 24 encoders control pan, aux level of audio streams into applications such as DAW faders and a touch-sensitive motorized master fader, each with or channel strip functions like EQ & Aux 10-bit resolution for precise level control. software like Cubase™, Nuendo® and Sonar™. ˘ LED ring displays around encoders display MIDI from the DAW is routed to GigaStudio. Each channel has dedicated select, solo and mute controls. parameters or channel meters ReWire allows audio generated from GigaStudio Twenty-four rotary encoders are provided, selectable to control ˘ Footswitch jack for punch-ins to be sent into the DAW application where it pan or up to 8 aux sends. Plus all 24 encoders can also be automatically shows up on faders within the employed as one large channel strip for four-band EQ, aux and ˘ Fader bank switching and In/Out point buttons pan control. Each encoder has a ring of LEDs that can display DAW’s mixer section. ˘ Assignable Function keys can be set to Autopunch, Record the current setting or double as channel meters during record- ˘ New DSP Station – The GigaStudio mixer section arming, Undo, etc. ing and playback. has expanded to 128 channels and an additional A set of solid-feeling transport buttons are also provided, as ˘ Solid-feeling transport controls 32 channels of group faders and features an well as a shuttle wheel and a joystick for surround panning. expanded processing section including a 4-band ˘ Smooth Jog/Shuttle wheel Compare it to any other controller on the market today (and EQ and compressor on each channel ˘ Joystick for surround panning the extra expanders you’d have to buy to get 24 motorized GigaStudio 3.0 ˘ Quick Edit control – Parameters like tuning, faders) and you’ll discover that the US-2400 gives you more for ˘ Mac OSX and Windows® XP compatible envelopes, filters, attenuation, and sample offset control for the money. are at your fingertips in real-time without having ˘ GSIF 2.0 with Kernel Level to go into the instrument editor MIDI and support for 8 channels of audio input ˘ VST plug-in hosting amd 32 channels of output. ˘ Real Time Surround Convolution Any of the DSP Station’s CD-X1700 & ˘ Intelligent MIDI – New controller rules including 128 channels can be made content can be played back Expanded Legato, Alternation, Round Robin, and active to support input from in any level of GigaStudio Random sample playback. CD-X1500 Dual-CD Players an outside source; our revo- via GigaPulse™ SP. Up to ˘ 24-Bit/96kHz instrument support – GS3 allows lutionary kernel-level audio seven channels of con- creation and implementation of 24 bit/96kHz engine is now available for volution is supported for CD-X1700 CD-X1500 incoming MIDI streams sample libraries with 192K hardware support surround applications. ˘ Anti-shock memory ˘ Anti-shock memory ˘ Sample developers now Resonant body modeling, ˘ Enhanced Capture To Wave (multi channel) – Now have the ability to encode added to mic modeling and simultaneously record 8 audio streams ˘ Seamless LOOP ˘ Seamless LOOP CD-X1700 their instruments with reverb convolution takes ˘ Unlimited Instrument Stacking – Load as many ˘ 3 hot start/cue points ˘ 3 hot start/cue points acoustic space/reverb con- sampled instruments to instruments as you wish on a single midi channel. ˘ 10-Second sampler on each ˘ ±8, 16, 32, and 100% pitch volution and mic model- new heights of realism and Control each of the stacked instruments param- controller side control ing using GigaPulse™ Pro represents the next major eters and even route each stacked instrument to ˘ ±8,16, 32, and 100% pitch ˘ Key Original (master tempo) included with GigaStudio step in sampled instruments its own audio channel. Orchestra. That encoded like GigaPiano 2. control ˘ TT-M1 “Turntable Magic” ˘ 128 Dimensions for cross switches and crossfades ˘ Key Original (master tempo) input on all tempo ranges ˘ Continuous play, single play, ˘ Supports CD-R/RW discs and up to 30 tracks program ˘ Supports playback of MP3 play CD-X1500 encoded discs ˘ BPM count with TAP key ˘ TT-M1 “Turntable Magic” ˘ Digital output TT-M1 CD Scratch Controller for DJ Turntables DJ with a spreadsheet? Strange but true. We created a input chart of every competitive dual-CD player and then set out ˘ Supports CD-R/RW discs toA beat ‘em with more features at lower prices. ˘ Reverse playback o wonder TT-M1 stands for “turntable controls such as start/stop, tempo slider, ˘ Brake The result are the CD-X1500 and CD-X1700. All the neces- Magic.” It retrofi ts onto the edge of just power on/off for winding down and ˘ Continuous play, single play, ˘ Scratch sary features a pro DJ expects such as seampless looping, key aboutN any standard DJ turntable to control winding up, and of course the turntable and up to 30 tracks program original (master temp) 3 hot start/cue points, relay play and ˘ Filter effect the CD-X1500 and CD-X1700 CD players. platter for scratching, pitch bending and play anti-shock buffer. Plus a whole lot more. The compact, durable TT-M1 requires no back-spinning all to control CD audio. ˘ Automatic BPM count with ˘ Auto cue In addition to all CD-X1500 features, the top-of-the-line additional special audio hook-ups, no TAP key ˘ ˘ Retrofits to a wide variety of popular CD-X1700 also has a larger jogwheel, reverse playback, on- Fader Start computer, and no special vinyl records — you DJ turntables with no additional audio board multi-effects, Key Original (master tempo) in all tempo ˘ Digital output ˘ Relay play may even scratch with your turntable’s hook-ups, computer or coded vinyl ranges up to 100%, and a dedicated 10 second sampler on each slipmat if you like! ˘ Brake ˘ Compact 2U controller size side of the controller.
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