From Pan-Africanism to Rastafari Giulia Bonacci
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Airspace Transcript Season 4, Episode 9 Chicago Flyer
AirSpace Podcast Season 4, Episode 9: Chicago Flyer Theme music up and under Matt: Welcome to AirSpace from the Smithsonian's National Air and Space Museum, I'm Matt. Emily: I'm Emily. Nick: And I'm Nick. Emily: In the early days of aviation flying was expensive and dangerous. And even if you could come up with the money, there were often establishment barriers like racism and sexism in the way. Matt: In Chicago, a group of Black aviators who called themselves the Challenger Air Pilots Association, created a club and a community that has since helped thousands of Black pilots learn to fly. Nick: And when the government started to invest in civilian and military pilot training programs, the Challenger Club was instrumental in lobbying to include Black aviators in those programs. Emily: We're looking back to the 1930s in the skies above Chicago today on AirSpace. Theme music up and out Emily: So the story of what becomes the Challenger Air Pilots Association starts off with two auto mechanics, and a broken down car in Detroit, Michigan. Nick: If we were making a movie out of this, this would be a really fun scene in the first act. This would be where it all starts to come together. So we've got these two mechanics, Cornelius Coffey, and John C. Robinson. And before this moment, they've got sort of similar paths to each other, but also to what we normally hear as the genesis of a great aviator or pilot later on. They either rode in an airplane at an early age, or they saw a barnstormer at an early age, and they're both interested in this. -
Volltext Als
AAeO, https://www.afrikanistik-aegyptologie- online.de/archiv/2015/4147/ MacLeod, Erin C. 2014. Visions of Zion. Ethiopians and Rastafari in the Search of the Promised Land. New York/London: New York University Press. ISBN: 978-1-4798- 8224-3, 299 pp, 49 $ Andrea Wolvers Global South Studies Center, University of Cologne <1> Visions of Zion is a book that engages with repatriated Rastafari in Ethiopia by focusing on the Ethiopians’ perception of Rastafari. As an in-depth study of Rastafari in Ethiopia but also, and in particular, of diverging narratives within a contested space, the book constitutes a pioneering study looking at issues of integration and attitudes and opinions of the host society. The author investigates the Ethiopians’ perception of Rastafari not only through interviews with Ethiopians but also by looking into different domains which offer a broader perspective, for instance, coverage of Rastafari in the media, theses written at Addis Ababa University dealing with Rastafari and the music business, in particular the Ethiopian reggae scene. In a greater picture, the book contributes to the understanding of the relation between Diaspora and continental Africans in the context of repatriation and integration. <2> Rastafari, which emerged in Jamaica in the 1930s but today constitutes a global phenomenon, embodies a philosophy, which highlights the importance of repatriation to Africa.1 Repatriation has been and continues to be an important theme among the descendants of enslaved Africans in the “New World”. “Shashemene”, the land granted to members of the African Diaspora by Emperor Haile Selassie I in gratitude for the support during the Italian invasion, constitutes a special place for Rastafari (and beyond) and has attracted repatriates since the mid-20th century.2 The Rastafari community in Shashemene, as well as the Rastafari presence in Ethiopia in general have lived through various stages and yielded different reactions within the Ethiopian host community. -
9Th the Ethiopian American
The Ethiopian American volume 4 no.4 Aug 2014 9th ETHIOPIAN DIASPORA BUSINESS FORUM Investing in Ethiopia's Emerging Technology Sector Eyes on Ethiopia's ICT Business Developing Mobile Commerce in Emerging Markets The Revolution in Transportation Technology 1 IN THIS ISSUE... COVER STORY SOCIAL LIFE 06 27 Eyes on Ethiopia’s ICT Business Meron Wudneh for Miss Africa USA Pageant 13 Developing Mobile Commerce in LITERATURE Emerging Markets 16 20 The Unsung Hero of Ethiopian Skies The Revolution in Transportation 22 Technology Book Review: “Fabric” 25 FEATURED STORIES Book Review: “All Our Names” 23 dVentus: Powering Ethiopia’s Green Technology Ambition 22 Interview with Zemedeneh Negatu 26 ArifZefen: Digital Access to Ethiopian Songs 18 Tapping to Ethiopia’s Geothermal Potential 2 3 1P FAIRFAX.indd 1 05/04/12 11:24 journey to modernize its economy and will be held under the theme of “Investing in Ethiopia’s Emerging Technology Sector”. Some may not see the various Diaspora investments in the technology sector as small or even trivial. The truth is that many interesting and pioneering Diaspora technology investments are slowly but quietly transforming Ethiopia’s economy in a significant way. It is for that reason that we decided to Publisher’s Note make this year’s Forum about the It is hard to believe that it has been 10 emergence of the technology sector years since The Ethiopian American in Ethiopia. We chose to look at this started publishing as an online and sector also because of the heavy print magazine. This year also marks involvement and leadership of the the 9th year since the magazine began Diaspora in technology investment, organizing the Ethiopian Diaspora knowledge transfer and adaptation in Business Forum. -
Redalyc.BOB MARLEY: MEMÓRIAS, NARRATIVAS E PARADOXOS DE
Revista Brasileira do Caribe ISSN: 1518-6784 [email protected] Universidade Federal do Maranhão Brasil Rabelo, Danilo BOB MARLEY: MEMÓRIAS, NARRATIVAS E PARADOXOS DE UM MITO POLISSÊMICO Revista Brasileira do Caribe, vol. 18, núm. 35, julio-diciembre, 2017, pp. 135-164 Universidade Federal do Maranhão Sao Luís, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=159154124010 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto BOB MARLEY: MEMÓRIAS, NARRATIVAS E PARADOXOS DE UM MITO POLISSÊMICO1 BOB MARLEY: MEMORIES, NARRATIVES AND PARADOXES OF A POLYSEMOUS MYTH Danilo Rabelo Universidade Federal de Goiás, Brasil.2 Resumo Por meio da narrativa biográfica de Bob Marley (1945-1981), o artigo analisa como diferentes imagens e memórias sobre o cantor foram sendo elaboradas durante sua vida e após a sua morte, tentando estabelecer os significados, apropriações, estratégias políticas e interesses em jogo. Como mais famoso porta-voz do reggae e do rastafarismo, as memórias sobre Marley revelam as contradições e paradoxos da sociedade envolvente jamaicana quanto ao uso das imagens elaboradas sobre o cantor. Palavras-Chave: Bob Marley; Reggae; Rastafari; Jamaica; Memória. Abstract Through the biographical narrative of Bob Marley (1945-1981), the article analyzes how different images and memories about the singer were elaborated during his life and after his death, trying to establish the meanings, appropriations, political strategies and interests at stake. As the most celebrated spokesman for reggae and Rastafarianism, Marley’s memoirs reveal the contradictions and paradoxes of Jamaican society surrounding the use of elaborated images of the singer. -
ICC 2019 Tokyo Tentative Program: Oral Session (As of 31 May 2019)
ICC 2019 Tokyo Tentative Program: Oral Session (as of 31 May 2019) Tue 16th July T01-1 Art, History & Design Room: Saturn (Miraikan) Datetime: Tue 16th July 8:30-10:20 Chair: Sharon Hayashi (York University) T01-1-1 Procedural Knowledge of Graphic Design for Analysing Graphic Elements in Historical Urban Maps Chenyang Xie T01-1-2 Who were cartographers of manuscript topographic maps in the Enlightenment? Beata Medynska-Gulij T01-1-3 3D art cartography in Belarus: The historical development and achievements in the modern period Anna German T01-1-4 City maps: Dreams, Art, Cartography, Planning Cosimo Palagiano T02-1 Atlases – Theory and Principles Room: Innovation Hall (Miraikan) Datetime: Tue 16th July 8:30-10:20 Chair: Francis Harvey (Leibniz-Institute for Regional Geography) T02-1-1 National atlases - an atlas type reconsidered Eric H Losang T02-1-2 Atlases and Systems Theory within Systematic Cartography Vit Vozenilek T02-1-3 3D Carto-Graphics – Principles, Methods and Examples for Interactive Atlases René Sieber, Remo Eichenberger, Lorenz Hurni T12-1 Location Based Services I Room: Uranus (Miraikan) Datetime: Tue 16th July 8:30-10:20 Chair: Haosheng Huang (University of Zurich) T12-1-1 Incorporating directional signs into indoor navigation systems Wangshu Wang, Haosheng Huang, Hao Lyu, Georg Gartner T12-1-2 The development of a cognitive indoor route planning algorithm: which aspects to include? Nina Vanhaeren, Kristien Ooms, Philippe De Maeyer T12-1-3 Linking perception to decision point complexity for adaptive indoor wayfinding support -
The Funky Diaspora
The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music. -
UTK Trombone Studio F2014
Handbook/Syllabus. F2014. ! Trombone-Studio-Handbook-and-Syllabus! ! ! Music!Performance!MUPF!125/126- Music!Performance!MUPF!225/226! Music!Performance!MUPF!325/326! Music!Performance!MUPF!425/426! Music!Performance!MUPF!525! Trombone!Solo!Class!MUSC!200! ! ! Meeting-Time-and-Place! HMC!306,!TBA! ! - Faculty-Contact-Information- Dr.!Alex!van!Duuren! Natalie!L.!Haslam!Music!Center,!Room!306! Cell!Phone:!352L575L0839! Email:[email protected]! Office!Hours:!By!appointment!(and!see!below!for!more)! - NAME/SIGNATURE:- ! Handbook/Syllabus. F2014. ! THIS-HANDBOOK- ! - This!handbook!contains!a!different,-specific-syllabus!for!each!lesson!level!of!trombone!lessons.!Because!most! of!the!information!in!this!handbook!is!not!levelLspecific,!and!applies!to!all!students!in!the!studio,!we!use!a! combined!document.!However,!there!are!specific!benchmarks!which!separate!the!individual!class!levels,!and! these!are!clearly!marked!in!the!“LevelLspecific!Benchmarks”!pages.!You!will!use!this!same!book!throughout! your!time!in!the!trombone!studio,!and!as!your!progress!to!higher!levels,!a!different!benchmark!page!will!apply! to!you,!as!that!new!set!of!benchmarks!becomes!relevant!(and!therefore,!you!will!have!a!new$syllabus!for!your! advanced!level).!! - MISSION-STATEMENT- ! ! The!Trombone!Studio!at!the!University!of!Tennessee!has!the!singular!goal!to!produce,!by!the!time!of!program! completion,!teachers!and!performers!that!contribute!positively!to!the!larger!field!of!the!fine!arts.!This! contribution!is!made!to!the!best!of!our!individual!abilities,!with!the!best!of!our!personal!integrity,!and!with!a! -
Le Reggae.Qxp
1 - Présentation Dossier d’accompagnement de la conférence / concert du vendredi 10 octobre 2008 proposée dans le cadre du projet d’éducation artistique des Trans et des Champs Libres. “Le reggae” Conférence de Alex Mélis Concert de Keefaz & D-roots Dans la galaxie des musiques actuelles, le reggae occupe une place singulière. Héritier direct du mento, du calypso et du ska, son avènement en Jamaïque à la fin des années soixante doit beaucoup aux musiques africaines et cubaines, mais aussi au jazz et à la soul. Et puis, il est lui-même à la source d'autres esthétiques comme le dub, qui va se développer parallèlement, et le ragga, qui apparaîtra à la fin des années quatre-vingt. Au cours de cette conférence, nous retracerons la naissance du reggae sur fond de "sound systems", de culture rastafari, et des débuts de l'indépendance de la Jamaïque. Nous expliquerons ensuite de quelle façon le reggae des origi- nes - le "roots reggae" - s'est propagé en s'"occidentalisant" et en se scindant en plusieurs genres bien distincts, qui vont du très brut au très sophistiqué. Enfin, nous montrerons tous les liens qui se sont tissés au fil des années entre la famille du reggae et celles du rock, du rap, des musiques électroniques, de la chanson, sans oublier des musiques spécifiques d'autres régions du globe comme par exemple le maloya de La Réunion. Alors, nous comprendrons comment la musique d'une petite île des Caraïbes est devenue une musique du monde au sens le plus vrai du terme, puisqu'il existe aujourd'hui des scènes reggae et dub très vivaces et toujours en évolution sur tous les continents, des Amériques à l'Afrique en passant par l'Asie et l'Europe, notamment en Angleterre, en Allemagne et en France. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
A Performer's Guide to Multimedia Compositions for Clarinet and Visuals: a Tutorial Focusing on Works by Joel Chabade, Merrill Ellis, William O
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2003 A performer's guide to multimedia compositions for clarinet and visuals: a tutorial focusing on works by Joel Chabade, Merrill Ellis, William O. Smith, and Reynold Weidenaar. Mary Alice Druhan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Druhan, Mary Alice, "A performer's guide to multimedia compositions for clarinet and visuals: a tutorial focusing on works by Joel Chabade, Merrill Ellis, William O. Smith, and Reynold Weidenaar." (2003). LSU Major Papers. 36. https://digitalcommons.lsu.edu/gradschool_majorpapers/36 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A PERFORMER’S GUIDE TO MULTIMEDIA COMPOSITIONS FOR CLARINET AND VISUALS: A TUTORIAL FOCUSING ON WORKS BY JOEL CHADABE, MERRILL ELLIS, WILLIAM O. SMITH, AND REYNOLD WEIDENAAR A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Mary Alice Druhan B.M., Louisiana State University, 1993 M.M., University of Cincinnati -
The Swell and Crash of Ska's First Wave : a Historical Analysis of Reggae's Predecessors in the Evolution of Jamaican Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2014 The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music Erik R. Lobo-Gilbert California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Lobo-Gilbert, Erik R., "The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music" (2014). Capstone Projects and Master's Theses. 366. https://digitalcommons.csumb.edu/caps_thes/366 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Erik R. Lobo-Gilbert CSU Monterey Bay MPA Recording Technology Spring 2014 THE SWELL AND CRASH OF SKA’S FIRST WAVE: A HISTORICAL ANALYSIS OF REGGAE'S PREDECESSORS IN THE EVOLUTION OF JAMAICAN MUSIC INTRODUCTION Ska music has always been a truly extraordinary genre. With a unique musical construct, the genre carries with it a deeply cultural, sociological, and historical livelihood which, unlike any other style, has adapted and changed through three clearly-defined regional and stylistic reigns of prominence. The music its self may have changed throughout the three “waves,” but its meaning, its message, and its themes have transcended its creation and two revivals with an unmatched adaptiveness to thrive in wildly varying regional and sociocultural climates. -
African American Responses to the Second Italo-Ethiopian War
Out of the Ashes African American Responses to the Second Italo-Ethiopian War Richard Blake Romines The University of Oklahoma Dr. Robert Griswold 2 Writing in 1938, two years after Fascist Italy conquered Ethiopia, the eminent African American intellectual and columnist George S. Schuyler proclaimed the Rise of the Black Internationale. Having faced the travails of white imperialism for over a century, Schuyler wrote of a new Negro, a more informed Negro, that is “no longer blindly worshipful of his rulers…" and went on to conclude that, "He has fewer illusions about the world.”1 Schuyler looked forward to the future by looking back into the past, that is, the not too distant past. Three years before writing this particular article, in October 1935, Italy invaded Ethiopia, the last independent nation of Africa. While the world powers watched, African Americans united behind the cause of Ethiopia. African Americans formed committees, filled newly created political and diplomatic spaces with nascent leaders, opened up grass roots fundraising, and thus, in a sense, became aware of their political and social power, aware of their place in world society. Furthermore, Schuyler wrote that the new Negro “believes that to combat this white internationale of oppression a black internationale of liberation is necessary… He [the new negro] sees and welcomes a community of interest of all colored peoples.”2 In a sense, Schuyler got it right. The responses and lessons of the Second Italo-Ethiopian War (1935) had a significant impact on the future of the African American community in every dimension. In the social sphere, African Americans united to a common cause against white oppression in a distant land and discovered their grass roots fundraising ability.