Country Roundup
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
ANNUAL REPORT 2014-2015 School of Sciences and Mathematics Annual Report 2014‐2015
ANNUAL REPORT 2014-2015 School of Sciences and Mathematics Annual Report 2014‐2015 Executive Summary The 2014 – 2015 academic year was a very successful one for the School of Sciences and Mathematics (SSM). Our faculty continued their stellar record of publication and securing extramural funding, and we were able to significantly advance several capital projects. In addition, the number of majors in SSM remained very high and we continued to provide research experiences for a significant number of our students. We welcomed four new faculty members to our ranks. These individuals and their colleagues published 187 papers in peer‐reviewed scientific journals, many with undergraduate co‐authors. Faculty also secured $6.4M in new extramural grant awards to go with the $24.8M of continuing awards. During the 2013‐14 AY, ground was broken for two 3,000 sq. ft. field stations at Dixie Plantation, with construction slated for completion in Fall 2014. These stations were ultimately competed in June 2015, and will begin to serve students for the Fall 2015 semester. The 2014‐2015 academic year, marked the first year of residence of Computer Science faculty, as well as some Biology and Physics faculty, in Harbor Walk. In addition, nine Biology faculty had offices and/or research space at SCRA, and some biology instruction occurred at MUSC. In general, the displacement of a large number of students to Harbor Walk went very smoothly. Temporary astronomy viewing space was secured on the roof of one of the College’s garages. The SSM dean’s office expended tremendous effort this year to secure a contract for completion of the Rita Hollings Science Center renovation, with no success to date. -
Before We Reach the End
ABSTRACT BEFORE WE REACH THE END This novel follows young tenacious Sybil as she navigates her traumatic past, and tumultuous present. Beginning in 1989 Tucson, AZ, Sybil contemplates her identity as a daughter through the lens of a motherless child. The story transitions to her present adolescence where she challenges her expectations of herself, as well as her role as a sister, friend, and daughter. Through her humorous voice which counteracts the overwhelming grief she experiences, we learn about love and loss, friendships and relationships, and the blurring of in-between moments where every end is a beginning, and every beginning, an end. Samantha Kim Rogers May 2017 BEFORE WE REACH THE END by Samantha Kim Rogers A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing in the College of Arts and Humanities California State University, Fresno May 2017 APPROVED For the Department of English: We, the undersigned, certify that the thesis of the following student meets the required standards of scholarship, format, and style of the university and the student's graduate degree program for the awarding of the master's degree. Samantha Kim Rogers Thesis Author Steven Church (Chair) English Corrinne Hales English John Beynon English For the University Graduate Committee: Dean, Division of Graduate Studies AUTHORIZATION FOR REPRODUCTION OF MASTER’S THESIS I grant permission for the reproduction of this thesis in part or in its entirety without further authorization from me, on the condition that the person or agency requesting reproduction absorbs the cost and provides proper acknowledgment of authorship. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
CONGRESSIONAL RECORD— Extensions of Remarks E1611 HON. STEVE COHEN HON. DAVID YOUNG HON. CHRISTOPHER H. SMITH HON. DAVID YOUNG
November 28, 2017 CONGRESSIONAL RECORD — Extensions of Remarks E1611 PAYING TRIBUTE TO MEL TILLIS Cancer Awareness Month. As such, I would TRIBUTE TO BARBARA AND ARLIN like to help acknowledge all those affected by BELL HON. STEVE COHEN this type of cancer and to bring more aware- OF TENNESSEE ness to the medical research needed to help HON. DAVID YOUNG fight this disease. IN THE HOUSE OF REPRESENTATIVES OF IOWA In June 2017, the Pancreatic Cancer Action IN THE HOUSE OF REPRESENTATIVES Tuesday, November 28, 2017 Network reported that pancreatic cancer is Tuesday, November 28, 2017 Mr. COHEN. Mr. Speaker, I rise to pay trib- ranked the ninth most commonly diagnosed ute to country music’s stellar singer-songwriter cancer among women and the 11th among Mr. YOUNG of Iowa. Mr. Speaker, I rise Mel Tillis, the Country Music Association’s en- men, and is the third leading cause of cancer- today to recognize and congratulate Barbara tertainer of the year in 1976, who overcame a related death in the United States. and Arlin Bell of Council Bluffs, Iowa on the lifetime of stuttering through song. Lonnie Mel- In fact, I have been contacted by several very special occasion of their 60th wedding anniversary. They celebrated their anniversary vin Tillis died earlier this month at 85. He had constituents who have lost loved ones to pan- on September 15, 2017. six No. 1 country singles as a singer, including creatic cancer. Barbara and Arlin’s lifelong commitment to ‘‘Good Woman Blues’’ in 1976 and ‘‘Southern According to the Pancreatic Cancer Action Network, pancreatic cancer is often found in each other and their family truly embodies Rains’’ in 1981 and wrote such memorable Iowa values. -
JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
A RESOLUTION to Honor Bill Anderson for His Considerable Contributions to Country Music
Filed for intro on 05/21/2001 HOUSE JOINT RESOLUTION 432 By West A RESOLUTION To honor Bill Anderson for his considerable contributions to country music. WHEREAS, It is fitting that the members of this General Assembly should pause to pay tribute to those individuals, who through their talent and dedication, have made lasting contributions to their respective fields; and WHEREAS, Bill Anderson is most assuredly one such person, who, in over thirty years of performing and composing country music, has become one of the most enduring and popular entertainers of our time; and WHEREAS, Lovingly dubbed “Whispering Bill” for his breathy voice and his soft, warm approach to music, he is one of the most honored songwriters in the history of country music; his back-up group, The Po’ Folks Band, has long been considered one of the finest instrumental and vocal groups in the music business; and WHEREAS, Born in Columbia, South Carolina, Mr. Anderson was raised in Atlanta, Georgia; a sterling scholar, he graduated from the University of Georgia with a degree in Journalism; and HJR0432 00737483 -1- WHEREAS, While working his way through school as a disc jockey, Bill Anderson first started to write and perform songs; at only nineteen years of age, he composed the country classic, City Lights; and WHEREAS, He then moved to Nashville and secured a record contract with Decca Records; with hit songs like, Po' Folks, Mama Sang A Song, The Tips Of My Fingers, and 8 X 10, he began establishing his place in music history; and WHEREAS, Mr. Anderson’s stirring -
Complex, Bloody Bond for Safety on Public
Volume 79, No. 55B ©SS 2020 CONTINGENCY EDITION SUNDAY, JULY 5, 2020 stripes.com Free to Deployed Areas VIRUS OUTBREAK Governors put onus Complex, bloody bond for safety on public BY KIMBERLEE KRUESI Associated Press NASHVILLE, Tenn. — As Tennessee registered what then was its highest single-day coro- navirus case increase, Gov. Bill Lee held a news conference and issued a stern response. It wasn’t a mandate to wear masks in public or clamp down on businesses or social gatherings. Instead, it was a plea for residents to do the right thing. “When we have people dying in this state as a result of this virus, we should be taking personal re- sponsibility for this,” the Republi- can governor said. It was the same message Lee issued in late March as the COVID-19 disease was beginning to spread. He has vowed to stick to the personal responsibility mantra, with no plans to reinstate stay-at-home restrictions or im- pose statewide mandates — even as photos of unmasked people crowding bars and outdoor con- certs across Tennessee spread across social media. Instead, Lee signed an execu- tive order Friday that allows local officials to issue their own mask mandates if they want — as Nash- US, Russia share brutal history in Afghanistan ville and Memphis had already done. Elevating a message of person- al responsibility over statewide BY KATHY GANNON Now both superpowers are linked again country that does not serve as a base for crackdowns on businesses and Associated Press over Afghanistan, with intelligence re- extremists to export terrorism. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary. -
Northbound Single-Lane by Marsha Mathews Finishing Line Press AA Poeticpoetic Traveloguetravelogue Ofof Thethe Heartheart
Issue Number Fifteen Spring/Summer 2012 In Case of Rapture Lefty Frizzell Fiction by William Dockery A story of a one-of-a-kindness The Way ’Twas A memory captured by a snapshot A Flying Elizabeth Family Reunion and Hazel Families that fly together... The women behind the picture Brush With the Law Northbound Non-ignorance of the law is an excuse Single - Lane A collection of Southern poetry Daddy’s in the Closet ...and that’s where he’s going to stay Lisa Love’s Life Where humor and reality hang out Kids and Politics Why Daddy drinks California Itch Go west, young man with apologies to Norman Rockwell E-Publisher’s Corner CaliforniaCalifornia ItchItch found the above picture tucked inside an old college “Because you can’t go any further west,” someone else said. yearbook. It featured the original members of Contents “Can’t go no further—this here’s Under Pressure, a band that we hastily assembled in injun territory.” Copas said, quoting September of 1970 for a freshman talent show at the the California stream-of-conscious- ness comedy troupe, Firesign Theater. East Tennessee Baptist college we attended. All of us were fed up with our par- IIThe only member of Contents not was before holes in jeans were cool). ticular circumstances. Kling and Copas pictured was (Dancin’) Dan (the Man) BoatRamp, the farmdog, was trying were bored with Nashville, and those Schlafer; he had joined us in early 1971, to imitate my stance and smile for the of us finishing up our college careers and by the time this was snapped—in camera.