The AMERICAN TEXTILE INDUSTRY • COMPETITION • STRUCTURE • FACILITIES • COSTS
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', :':':;"Texa's- Agricultural , Ex-Ten '
4> ~ -,' , :':':;"TEXA'S- AGRICULTURAL , EX-TEN ' . ... -:>-.~ -~•• ,....,~ hi.t~.' ~ ___ '>::"'" - 'J. E .. 'Hutchison, 'Director, College:.shlt~QP" Texas GRAHAM HARD NENA ROBERSON RHEBA MERLE BOYLES FANNIE BROWN EATON EXTENSION CLOTHING SPECIALISTS The A. and M. College of Texas THE CHARACTERISTICS OF FABRICS which . give 3. Fabrics made of chemically treated cotton, them the virtues of quick drying, crease re linen and rayon. The resin finishes are the most sistance, little or no ironing, keeping their orig commonly used. These finishes should last the inal shape and size during use and care, retaining normal life of a garment. a look of newness and fresh crispness after being worn and cleaned continuously also create sewing FABRIC SELECTION difficulties. The surface often is smoother and The best guides in the selection of quality harder which makes the fabric less pliable and fabrics are informative labels of reputable manu more difficult to handle. These qualities can facturers. Good quality finishes add to the cost cause seams to pucker. Even in the softest blends of fabrics, but compensate for the extra cost in there is a springiness which requires more care in durability and appearance. handling ease, as in the sleeve cap. Each fabric presents different problems. Look Wash-and-wear fabrics may be divided into at the fabric and feel it. Is it closely or loosely three groups: woven? Is it soft and firm, or stiff and wiry? 1. Fabrics woven or knitted from yarns of Will it fray? What style pattern do you have in 100 percent man-made fibers. These fabrics, if mind? properly finished, are highly crease resistant and The correctness of fabric grain is important keep their original shape and size during use and in sewing. -
The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2012 The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities Nyasha Brittany Hayes University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Hayes, Nyasha Brittany, "The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities" (2012). Theses (Historic Preservation). 541. https://repository.upenn.edu/hp_theses/541 Suggested Citation: Hayes, Nyasha Brittany (2012). The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/541 For more information, please contact [email protected]. The Relationship Between Cultural Heritage Tourism and Historic Crafting & Textile Communities Abstract The tourism industry continues to grow exponentially each year as many First and developing nations utilize its many subsets to generate commerce. Of the many types of tourism, arguably all countries employ heritage tourism as a method to protect their varying forms of cultural heritage , to establish national identities and grow their economies. As it is understood, to create a national identity a group of people will first identify what they consider to be the culturally significant eaturf es of their society that embodies their heritage. Heritage is a legacy that will be passed onto future generations that encompasses customs, expressions artifacts structures etc. This thesis will focus on the production of crafts and textiles as material culture for heritage tourism markets as a segment of cultural heritage. It will examine how the production of material culture is affected when it intersects with large scale heritage tourism. -
Energy Management in Textile Industry
ENERGY MANAGEMENT IN TEXTILE INDUSTRY SARITA SHARMA Department of fashion Technology, International College for Girls, Jaipur, India E-mail : [email protected] Abstract- Energy is one of the most important ingredients in any industrial activity. The availability is not infinite however. Energy crisis globally, as well as high cost of fuels resulted in more activities to conserve energy to maximum extent. Energy crisis globally, as well as high cost of fuels resulted in more activities to conserve energy to maximum extent. The textile industry is one of the major energy consuming industries and retains a record of the lowest efficiency in energy utilization. About 23% energy is consumed in weaving, 34% in spinning, 38% in chemical processing and another 5% for miscellaneous purposes. In general, energy in the textile industry is mostly used in the form of: electricity, as a common power source for machinery, cooling & temperature control system, lighting, equipment etc.; oil as a full for boilers which generate steam, liquefied petroleum gas, coal. And this has made pathway to conservation of energy which can be affected through process and machinery modifications and implementation of technological advancements relating to process optimization as well as development of newer methods to meet the challenge of substantial energy saving in textile wet processing. Keywords– Textile industry, spinning, electricity, wet processing. I. INTRODUCTION II. TYPES OF ENERGY USED IN THE The conservation of energy is an essential step we TEXTILE INDUSTRY can all take towards overcoming the mounting problems of the worldwide energy crisis and In general, energy in the textile industry is mostly environmental degradation. -
Curtains and Draperies
Extension Bulletin 264 June 1951 BULLErJN HU()fvt liBRARY, Uf\WERC:ITY Fi>.P.M Selecting and Making CURTAINS AND DRAPERIES planning ideas buying guides construction aids Jfelen Jf. )Uatfteis WitcH Vou Select eurtnifiS and Vraperies ODAY'S homemaker has a world of new ideas and new prod T ucts to choose from when she plans window treatments for her home. She finds tremendous stress placed on the number, size, shape, and placement of windows in rooms in order that they may serve a number of purposes. Among these are, of course, the basic functions of windows-light, air, and vision. In addition windows often are the focal point, or gathering place for people in a room. All these points must be considered when planning windows and window decor. Whatever your light, air, vision, or by the store display of suggested room activity problems, remember that good settings. window treatment will be restful, it In addition, successful shopping calls will harmonize with the room, and lend for accurate information about your ·distinction to the furnishings used room requirements. You supply this by there. This means that good window carrying with you a sketch of your treatment will take its place as a sat room, preferably with wall and floor isfying part of the room furnishings and space indicated in %-inch scale. will also allow flowers, books,' works Salespeople count on this when they of art, and hobby interests of the family prepare merchandise for your selec to accent the character of furnishings tion. They must know about the archi in the room. -
Biobased Polymers Keep Textiles Green
SPECIAL REPORT GREEN AND BIOBASED MATERIALS Biobased polymers keep textiles green a 4% share by 2020, according the nova-insti- Growing demands from brand owners and consumers tute, an organisation dedicated to advancing for fibres and textiles that are more environmentally the use of renewable raw materials. The textile industry share of worldwide friendly are now creating a huge market for biobased biobased polymer production in 2013 is esti- polymers produced using renewable feedstocks mated by the group to be 18%, but expected to decline to 8% in 2020 due to more rapid growth in consumption of biobased polymers/ plastics in the packaging sector (which is attributed to the fast growth of biobased PET). In fact, nova-institute projects production capacity for PET to reach 7m tonnes/year by 2020, while production capacities for PLA and PHA will expand nearly four and tenfold, respectively, between 2013 and 2020. Examples of leading companies producing biobased polymers and fibres intended for use in the textile industry include DuPont, NatureWorks, Invista, Corbion, Kaneka and Cathay Industrial Biotech. DUPONT OFFERINGS GROW DuPont makes Sorona (polytrimethylene tere- phthalate, PTT) biobased fibres (37% renewably sourced by weight) for carpet and apparel applications via continuous polymerisation of bio-PDO (1,3-propanediol), which is made from fermented sugars, and terephthalic acid (TPA). Sorona production uses 30% less energy and releases 63% fewer greenhouse gas emis- sions compared to the production of nylon 6, according to Michael -
Green Chemistry Progression Towards Sustainable Textiles
Textiles and Chemicals • The Textile Industry and Chemical Industry have been linked together since the beginning of the Industrial Revolution Indigo Mauveine 1878 1856 © Sam Moore PhD US Chemical Industry • $720 billion : Chemicals are one of America’s largest industries, a $720 billion enterprise. • 784,000 : The business of chemistry employs 784,000 people nationwide. • Vital : The chemical products manufactured are an essential part of every facet of our nation’s economy. Over 96% of all manufactured goods are directly touched by the business of chemistry. • 10% of all USA exports are from the Chemical Industry • Without the chemical industry, there could be no modern textile industry Chemistry Industry Facts and Figures : American Chemistry Council - July 2011 © Sam Moore PhD Impacts of a Global Textile Industry • Textiles and Apparel sector of the global economy represents 3% of all merchandize trade. • 10% of Global Carbon Output is textile related • 20% of global water pollution is textile related • 68 lbs of clothing per person is discarded to landfill in USA each year • This represents 5% of US landfill capacity © Sam Moore PhD It is estimated that over 5,000 unique compounds are used in the production of textile and apparel products. © Sam Moore PhD “LIMITS TO SUCCESS” AND THE SUSTAINABILITY CHALLENGE - Human Tolerance Despair, + for Toxicity Death, Disease Developed + - Toxicity of Economy Human Health Air, Soil, Water + and Prosperity + R11 B12 + Dispersion Revenues, Industrial of Waste Economic Productivity + Growth Waste Delay + + Generation Copyright 1999, Seed Systems, Inc © Sam Moore PhD © Sam Moore PhD In the Global North • Policy drives regulations enforcing water quality criteria> Example is the USA Clean Water Act (1972) – First actions were building effective Wastewater treatment facilities. -
New Clothes from Old : Extension Circular 4-23-2
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Nebraska 4-H Clubs: Historical Materials and Publications 4-H Youth Development 1951 New Clothes from Old : Extension Circular 4-23-2 Allegra Wilkens Follow this and additional works at: https://digitalcommons.unl.edu/a4hhistory Part of the Service Learning Commons Wilkens, Allegra, "New Clothes from Old : Extension Circular 4-23-2" (1951). Nebraska 4-H Clubs: Historical Materials and Publications. 150. https://digitalcommons.unl.edu/a4hhistory/150 This Article is brought to you for free and open access by the 4-H Youth Development at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska 4-H Clubs: Historical Materials and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. May 1951 E. C. 4-23-2 EXTENSION SERVICE UNIVERSITY OF NEBRASKA COLLEGE OF AGRICULTURE AND U. S. DEPARTMENT OF AGRICULTURE COOPERATING - W. V. LAMBERT, DIRECTOR MAKING NEW CLOTHES FROM OLD Allegra E. Wilkens REMAKING SUGGESTIONS Are there garments hanging in your closet or in the attic that nobody ever wears? Will a. few slight changes make them wearable? Is the design so out of date or so much of the fabric worn that the garment should be ripped apart and completely ma.de over? "A penny saved is a penny earned", is an old saying. An attractive garment made at little or no cost will help to adjust your clothing allowance so that you may have money for better quality in some other garments, or money for some other purpose. Remodeling a garment or making a. -
Tailoring and Dressm King 5 LINING A. SKIRT Or DRESS Today's Fashions
tailoring and dressm king 5 LINING a. SKIRT or DRESS Today’s fashions and fabrics often call for linings. This raises questions among the home seamstresses regarding types of lining and how to attach these to the garment. Lining serves many purposes. It: 0 gives a professional 100k and adds quality 0 adds body and/or opacity to lightweight or thin fabric 0 gives roundness to structural lines where needed 0 prevents sagging, stretch or “sitting " out” in straight skirts (helps to preserve shape of garment) ' 0 gives longer service to the garment 0 helps to eliminate wrinkles A distinCtion should be made among four sometimes confusing terms: 1. Lining refers to a material that partially or entirely covers the inside of a garment. It is assembled separately as though it were a second garment. It finishes the wrong side of the garment as well as serving the purposes listed C above. For better fit and more strength it should be cut on the same grain as the outer fabric. 2. Underlining is a material which is cut in the shape of the garment pieces. The underlining sections are staystitched to- the corresponding outer fabric sections before any seams are joined. This is especially good for loosely woven or thin fabrics. This treatment is usually called “double fabric con- struction.” It is also called backing or underlay. 3. Interlining ,is usually thought of as giving warmth to a coat as well as giving some shape. The interlining is cut' to match the garment pieces and is placed between the lining and the outer fabric. -
Reducing Uses and Releases of Chemicals of Concern, Including Pops, in the Textiles Sector
5/5/2020 WbgGefportal Project Identification Form (PIF) entry – Full Sized Project – GEF - 7 Reducing uses and releases of chemicals of concern, including POPs, in the textiles sector Part I: Project Information GEF ID 10523 Project Type FSP Type of Trust Fund GET CBIT/NGI CBIT NGI Project Title Reducing uses and releases of chemicals of concern, including POPs, in the textiles sector Countries Regional, Asia/Pacific, Bangladesh, Indonesia, Pakistan, Viet Nam Agency(ies) UNEP Other Executing Partner(s) Executing Partner Type BCRC-SCRC Indonesia. Vietnam Centre for Cleaner Production; Vietnam Center for Others Creativity and Sustainability Study and Consultancy https://gefportal2.worldbank.org 1/68 5/5/2020 WbgGefportal GEF Focal Area Chemicals and Waste Taxonomy Chemicals and Waste, Focal Areas, Persistent Organic Pollutants, New Persistent Organic Pollutants, Eco-Efficiency, Green Chemistry, Industrial Waste, Waste Management, Industrial Emissions, Best Available Technology / Best Environmental Practices, Strengthen institutional capacity and decision-making, Influencing models, Convene multi-stakeholder alliances, Beneficiaries, Stakeholders, Private Sector, SMEs, Large corporations, Civil Society, Non-Governmental Organization, Trade Unions and Workers Unions, Gender Mainstreaming, Gender Equality, Sex-disaggregated indicators, Knowledge Generation, Capacity, Knowledge and Research, Training, Knowledge Exchange, Field Visit Rio Markers Climate Change Mitigation Climate Change Mitigation 1 Climate Change Adaptation Climate Change Adaptation 0 Duration 60 In Months Agency Fee($) 840,750 Submission Date 4/7/2020 https://gefportal2.worldbank.org 2/68 5/5/2020 WbgGefportal A. Indicative Focal/Non-Focal Area Elements Programming Directions Trust Fund GEF Amount($) Co-Fin Amount($) CW-1-1 GET 8,850,000 45,000,000 Total Project Cost ($) 8,850,000 45,000,000 https://gefportal2.worldbank.org 3/68 5/5/2020 WbgGefportal B. -
7. Wool Combing
7. Wool Combing Errol Wood Learning objectives On completion of this topic you should be able to: • Outline the objectives of wool combing • Describe the design of a typical rectilinear comb • Explain the steps in rectilinear combing – feeding, initial combing, final combing and drawing off, and sliver formation • Discuss the means by which noils are removed, and the balance required in setting the amount to be removed • Explain the purpose of re-combing • Calculate: tear ratio, noil(%), romaine, regain and combing production • Discuss the factors that affect the combing quality of fine wools Key terms and concepts Combing (Nobel and rectilinear), nips per minute, doublings, noils, finisher gilling, packaging, re- combing, tear, noil(%), romaine, percent fibres less than 30 mm, combing production. Introduction to the topic Wool combing is a comprehensive term when used in its widest sense, and it embraces all the operations carried out in a topmaking plant. It includes the processes of raw wool scouring, drying, carding, backwashing and preparer gilling. Then follows the actual combing operation and the sequence of topmaking processes concludes with two gilling steps called top finishing (or finisher gilling). Combing is not included in the semiworsted or woollen processing routes. Wool combing, the single process, is indispensable in the manufacture of a worsted yarn. The card has disentangled the fibres in the mass of scoured wool and has mixed them in a roughly parallel formation. However, during the carding process many fibres will have been broken, and the card sliver will consist of a variety of fibre lengths. Some vegetable matter will have been removed but fragments remain. -
Graded-In Textiles
Graded-In Textiles For a list of each of our partner commpany’s patterns with Boss • Indicate GRADED-IN TEXTILE on your order and Boss Design Design Grades visit www.bossdesign.com. To order memo will order the fabric and produce the specified furniture. samples visit the websites or call the numbers listed below. • Boss Design reserves the right to adjust grades to accommodate price changes received from our suppliers. • Refer to our website www.bossdesign.com for complete pattern memo samples: www.arc-com.com or 800-223-5466 lists with corresponding Boss Design grades. Fabrics priced above our grade levels and those with exceptionally large repeats are indicated with “CALL”. Please contact Customer Service for pricing. • Orders are subject to availability of the fabric from the supplier . • Furniture specified using multi-fabric applications or contrasting welts be up charged. memo samples: www.architex-ljh.com or 800-621-0827 may • Textiles offered in the Graded-in Textiles program are non- standard materials and are considered Customer’s Own Materials (COM). Because COMs are selected by and used at the request of a user, they are not warranted. It is the responsibility of the purchaser to determine the suitability of a fabric for its end use. memos: www.paulbraytondesigns.com or 800-882-4720 • In the absence of specific application instructions, Boss Design will apply the fabric as it is sampled by the source and as it is displayed on their website. memo samples: www.camirafabrics.com or 616 288 0655 • MEMO SAMPLES MUST BE ORDERED DIRECTLY FROM THE FABRIC SUPPLIER. -
TRI-1016-Random-Slub-Rotor-Yarn
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ________________________________________________________________________________ TRI 1016 RANDOM SLUB ROTOR YARN PRODUCTION ON CONVENTIONAL EQUIPMENT © 2004 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. Concept Spinning mills have long desired a way to produce a 100% cotton novelty rotor yarn with slubs of random size and length using conventional mill machinery without any special attachments. New technology provides a method to create very short and small size slubs, which are not attainable with most electro-mechanical designs due to their inherent limitations and the rotor diameter that controls the minimum slub length. This random slub process can be a cost- effective alternative for producing novelty slub yarns on rotor-spinning machines. Introduction Cotton Incorporated developed a process for producing a random slub rotor yarn by using small amounts (10%-25%) of comber noils (0.5 in/12.5mm or less) in the final drawing process (usually two “short cotton” slivers in the creel). The practical count range of yarn from this process is projected to be Ne 20/1 and coarser. The main targets for this yarn include denim, shirting, fashion fabrics for women’s wear, and home products. Fiber Processing Specifications for Producing Random Slub Rotor Yarn General Procedure One or two slivers made from comber noil/short staple virgin cotton are introduced into the drawing creel at the finisher drawing step with six to seven ends of “base” cotton or virgin lint (base cotton slivers can be produced in the normal manner). These short fiber slivers produce drafting waves, which later become random thick places (slubs) in the yarn.