DOCSLIB.ORG

The Trial of the Catonville Nine: 2009 Brisbane Festival Teacher Resource

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Trial of the Catonville Nine: 2009 Brisbane Festival Teacher Resource This may be the author’s version of a work that was submitted/accepted for publication in the following source: Gattenhof, Sandra, Hewitt, Rebecca,& Brown, Brent (2009) The trial of the Catonville Nine : 2009 Brisbane Festival teacher resource. Brisbane Festival. This file was downloaded from: https://eprints.qut.edu.au/27263/ c Copyright Sandra Gattenhof, Rebecca Hewitt and Brent Brown This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.brisbanefestival.com.au/ Teachers-Resources/ 0,15,346,015. aspx TEACHER RESOURCE MATERIALS FOR The Trial of the Catonsville Nine 24 – 27 September 2009 Teacher Resource Material Writers: Dr Sandra Gattenhof, Rebecca Hewitt and Brent Brown Queensland University of Technology, Creative Industries Faculty (Drama) with thanks to Holly Reif from Brisbane Festival. Copyright – © 2009 Sandra Gattenhof, Rebecca Hewitt and Brent Brown. Brisbane Festival is entitled to use the work for the purpose for which it was commissioned. Any other reproduction must seek the permission of the copyright holders. Contact [email protected] Brisbane Festival 2009 Teacher Resource Materials 2 The Trial of the Catonsville Nine CONTENTS Teacher Resource Materials – How to use this Guide 4 Production Information 5 Synopsis 5 Content Suitability 6 Orientating Activities 7 Enhancing Activities 11 Synthesising Activities 14 Sample Assessment Tasks 14 Performance Analysis 16 Writing a Review Pt. 1 17 Writing a Review Pt. 2 18 Resources to Assist in Understanding 19 Brisbane Festival 2009 Teacher Resource Materials 3 The Trial of the Catonsville Nine TEACHER RESOURCE MATERIALS - HOW TO USE THIS GUIDE Teacher Resource Materials are a guide designed to enhance students’ knowledge about, and responses to, performance experiences. It provides information about the performance, student activities, advice about audience roles and responsibilities, and resources for further investigation by students and teachers. Teacher Resource Materials gives you, the educator, the ability to prepare your students for the process of reading and interpreting a performance whether that is through performance themes, form and style, or design elements. Experience and research indicate that students’ understanding of, and responses to, performance are enhanced through sound educational experiences. This material will help you lead students to discover information, to explore processes, and to respond in critical and creative ways. Because teachers are accountable for how students use time during the school day, time at performances, like time in the classroom, must be justified for educational value. Teacher Resource Materials ensures that learning outcomes for performances are both appropriate and clear. As an educator, you may like to make use of all the activities in this guide to prepare your students to view and unpack the performance. However, Brisbane Festival also understands that your visit to a performance is not a one off event, but forms part of a larger unit of classroom work – an investigation into contemporary theatre, the use of the elements of drama within a theatrical performance, or enabling students to analyze a performance work using the structures of theatre criticism. Therefore you may not wish to use all the suggested activities, but ‘pick and mix’ what is appropriate for your classroom work and your students. Brisbane Festival 2009 Teacher Resource Materials 4 The Trial of the Catonsville Nine The Trial of the Catonsville Nine by Daniel Berrigan Venue: Powerhouse Theatre, Brisbane Powerhouse Directed by Jon Kellam Written by Daniel Berrigan “Part of This” Written and Performed by Cameron Dye CAST Daniel Berrigan: Andrew E. Wheeler Phillip Berrigan: Scott Harris Thomas Lewis: Chris Schultz David Darst: Colin Golden George Mische: Corey G. Lovett Marjorie Melville: Patti Tippo Thomas Melville: George Ketsios Mary Moylan: Paige Lindsey White John Hogan: Ethan Kogan Judge: Adele Robbins Movement Direction: Melina Bielefelt & Jon Kellam Suzuki & Movement Training: Melina Bielefelt Scenic Design: Sybil Wickersheimer Lighting Design: Jacqueline Reid Costume Design: Susan Dalian Original Music and Sound Design: Dave Robbins Original Artwork: Okan Arabacioglu Stage Manager: Jacqueline Reid Assistant Stage Manager: Joel Kimmel Technical Coordinator: Mia Torres Associate Director: Melina Bielefelt Synopsis This acclaimed script written by poet priest Daniel Berrigan brings to life the dramatic 1968 trial of two Catholic priests and seven fellow Catholic activists who committed an act of civil disobedience, burning hundreds of draft files they had seized with homemade napalm, to protest the War in Vietnam. The subsequent trial and publicity galvanized the anti-war movement. While condemned as criminals in a court of law, they were hailed as patriots in the streets. Brisbane Festival 2009 Teacher Resource Materials 5 The Trial of the Catonsville Nine CONTENT SUITABILITY for [NAME OF SHOW] Year Levels 10, 11 and 12 Language Mild level coarse language Sexual References Medium level sexual references Setting 1968 North America CURRICULUM APPLICATIONS Drama Political Theatre Documentary Drama English Privileged voice/Reader (audience) positioning Discourses of War, Law and Religion Studies of Society and Environment Modern History Brisbane Festival 2009 Teacher Resource Materials 6 The Trial of the Catonsville Nine ORIENTATING ACTIVITIES About the Playwright – Father Daniel Berrigan In May of 1968, nine devout Catholic priests and lay followers marched into the Selective Services building in Catonsville, Baltimore, and seized 378 Vietnam War 1-A draft papers. In the car-park outside, they then proceeded to set fire to these drafts with homemade napalm, reciting the Lord’s Prayer as the flames gathered momentum and the police arrived to arrest the group. General public sentiment towards the Vietnam War had started to turn negative by the time of the Catonsville protest, and other political and civil rights movements had come to the fore in America; a month before the burning of the draft papers, Martin Luther King Jr had been assassinated, and protests against the use of nuclear arms was beginning to grow louder. However, to most in middle-America, the Vietnam War was still generally supported. Daniel Berrigan, a Jesuit priest and anti-war political protester, scripted Trial of the Catonsville Nine in 1971, three years after his initial arrest for his involvement in the Catonsville protest. Although he’d been able to evade imprisonment shortly after he was given a three year sentence (earning himself a place on the FBI’s “Top Ten Most Wanted Fugitive” list), he was eventually caught, though released shortly thereafter. Berrigan’s brother, Phillip was also involved and arrested for his participation in the Catonsville protest. The play was produced as a feature film in 1972, and was performed for the first time theatrically in 2009 in Los Angeles. Since the trial of the Catonsville Nine, Father Berrigan has served additional jail time for damaging nuclear warheads and destroying documents with human and animal blood at a General Electric nuclear missile facility. At the age of 88, he still works as a teacher and poet-in-residence at Fordham University in New York. He still actively organises and participates in anti-war, anti-racism and anti-abortion demonstrations and protests. Brisbane Festival 2009 Teacher Resource Materials 7 The Trial of the Catonsville Nine Performance Review In order to engage students with the potential themes and performative aspects within The Trial of the Catonsville Nine, have students read the following review from the production’s opening season. Performance Review of The Trial of the Catonsville Nine from the Los Angeles Journal 16 February 2009 by Ed Rampell The mood was set opening night when octogenarian author/activist Gore Vidal rolled up in his wheelchair to Tim Robbins at The Actors’ Gang’s theatre lobby, extending his hand to the troupe’s Artistic Director, intoning the word: “Solidarity.” Inside, in front of the stage, flanked by Robbins and Managing Director Elizabeth Doran, Vidal and another wheelchair warrior, Vietnam veteran Ron Kovic, spoke out against today’s wars before the curtain rose for the evening’s play. The Trial of the Catonsville Nine is a dramatization of one of the most celebrated acts of resistance against the Vietnam War, which Vidal had been a vocal opponent of. Six years ago this February, at a Sunset Blvd. rally Vidal also spoke out against the then-impending invasion of Iraq as part of the largest mass demonstrations in human history. Robbins,
Load more

Recommended publications
  • Daniel Berrigan SJ and the Conception of a Radical Theatre A
    Title: “This is Father Berrigan Speaking from the Underground”: Daniel Berrigan SJ and the Conception of a Radical Theatre Author Name: Benjamin Halligan Affiliation: University of Wolverhampton Postal address: Dr Benjamin Halligan Director of the Doctoral College Research Hub - MD150g, Harrison Learning Centre City Campus South, University of Wolverhampton Wulfruna Street, Wolverhampton WV1 1LY United Kingdom [email protected] 01902 322127 / 07825 871633 Abstract: The letter “Father Berrigan Speaks to the Actors from Underground” suggests the conception of a radical theatre, intended as a contribution to a cultural front against the US government during a time of the escalation of the war in Vietnam. The letter was prepared further to Berrigan’s dramatization of the trial in which he and fellow anti-war activists were arraigned for their public burning of draft cards in 1968. The play was The Trial of the Catonsville Nine and its production coincided with a period in which Berrigan, declining to submit to imprisonment, continued his ministry while a fugitive. Keywords: Daniel Berrigan, underground, Jesuit, Catonsville, anti-war, theatre, counterculture, spirituality, activism, Living Theatre. Biographical note: Dr Benjamin Halligan is Director of the Doctoral College of the University of Wolverhampton. Publications include Michael Reeves (Manchester UP, 2003), Desires for Reality: Radicalism and Revolution in Western European Film (Berghahn, 2016), and the co-edited collections Mark E. Smith and The Fall: Art, Music and Politics (Ashgate, 2010), Reverberations: The Philosophy, Aesthetics and Politics of Noise (Continuum, 2012), Resonances: Noise and Contemporary Music (Bloomsbury Academic, 2013), The Music Documentary: Acid Rock to Electropop (Routledge, 2013), and The Arena Concert: Music, Media and Mass Entertainment (Bloomsbury Academic, 2015).
    [Show full text]
  • Delve Deeper Into “The Camden 28” a Film by Anthony Giacchino
    Delve Deeper into “The Camden 28” A film by Anthony Giacchino This multi-media resource list, Christian revolutionary perspective Foley, Michael S. Confronting compiled by Susan Conlon of on America in the early 70s. the War Machine: Draft the Princeton Public Library in Resistance during the Vietnam partnership with the American Carroll, James. An American War. Chapel Hill: University of Library Association, provides a Requiem: God, My Father, and North Carolina Press, 2003. range of perspectives on the the War that Came Between Us. Michael Foley tells the story of draft issues raised by the upcoming Boston: Houghton Mifflin Co., resistance, the cutting edge of the P.O.V. documentary “The 1996. A social history of the protest antiwar movement at the height of Camden 28” that premieres on by United States citizens against the war's escalation. Unlike so- September 11th, 2007 at 10 PM the Vietnam War, from the days of called draft dodgers, who evaded (check local listings at the first American involvement in the draft by leaving the country or www.pbs.org/pov/). Vietnam in the early 1960s through by securing a draft deferment by the 1970s. fraudulent means, draft resisters How far would you go to stop a openly defied draft laws by burning war? "The Camden 28" recalls a De Benedetti, Charles, and or turning in their draft cards. 1971 raid on a Camden, N.J., draft Chatfield, Charles. An American board office by "Catholic Left" Ordeal: the Antiwar Movement Gillete, Howard Jr. Camden activists protesting the Vietnam War of the Vietnam Era.
    [Show full text]
  • Review of at Play in the Lions' Den, a Biography and Memoir of Daniel
    The Journal of Social Encounters Volume 2 Issue 1 Article 9 2018 Review of At Play in the Lions’ Den, A Biography and Memoir of Daniel Berrigan by Jim Forest William L. Portier University of Dayton Follow this and additional works at: https://digitalcommons.csbsju.edu/social_encounters Part of the Peace and Conflict Studies Commons Recommended Citation Portier, William L. (2018) "Review of At Play in the Lions’ Den, A Biography and Memoir of Daniel Berrigan by Jim Forest," The Journal of Social Encounters: Vol. 2: Iss. 1, 96-101. Available at: https://digitalcommons.csbsju.edu/social_encounters/vol2/iss1/9 This Book Review is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in The Journal of Social Encounters by an authorized editor of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. The Journal of Social Encounters At Play in the Lions’ Den, A Biography and Memoir of Daniel Berrigan by Jim Forest. Maryknoll, NY: Orbis Books, 2017. Xiv + 336 pp. $28 US. In 1957 Daniel Berrigan (1921-2016), a thirty-six-year-old Jesuit priest, about to begin teaching New Testament at Lemoyne College in his hometown of Syracuse, New York, published his first book. A book of poetry entitled Time Without Number, it won the Lamont Poetry Award and was also nominated for a National Book Award. At the time, he realized that, “Publishers would now take almost anything I chose to compile; the question of quality was largely in my own hands and my own sense of things” (47).
    [Show full text]
  • The Berrigans: Conspiracy and Conscience
    ":!•,%‘^'. The Berrigans: Conspiracy and Conscience But how shall we educate men to to it," Buck reported. "Phil, who is violence—have now turned to violent goodness, to a sense of one another, to given to putting things in a more earthy and bizarre methods? Or is it possible a love of the truth? And more ur- way, said it was all bullshit." that the Government has drawn mon- gently, how shall we do this in a bad Though one largely Catholic antiwar strous conclusions from flimsy evidence, time? group readily admitted to being the perhaps taking protesters' idle specu- —Daniel Berrigan, East Coast Conspiracy, Anderson de- lations with total solemnity? The first nounced Hoover for attacking the Ber- could help rekindle the fires of protest HE scenario read like an Ian Flan- rigans. If the Justice Department had that have seemed dimmer lately and Ting doodle, a picaresque fantasy. The evidence against them, he said, it should also revive lingering fear and hate of rad- cast: a ragtag band of radical pacifists, be put before a grand jury. Hoover icals. The second could again put in many of them Roman Catholics. some made no reply, but Attorney General question the Government's responsibility priests and nuns, a physics professor Mitchell needed no advice from An- and fairness in dealing with dissent and and a Moslem from Pakistan. The lead- derson. The case was already on its stir new talk of "repression." ing actors: two hotly controversial priests way to court. Last week a federal grand The indictment gave only the bare —Philip Berrigan, 47, a Josephite.
    [Show full text]
  • A Biography and Memoir of Daniel Ber- Rigan
    NOTRE DAME REVIEW THE MIRACLE OF DAN BERRIGAN Jim Forest. At Play in the Lions’ Den: A Biography and Memoir of Daniel Ber- rigan. Orbis Books, 2017. William O’Rourke I first wrote about Dan Berrigan in my 1972 book on the Harrisburg 7. He had been an unindicted co-conspirator in that case. And he showed up in town while the trial was in progress, finally having been freed from prison, paroled, after nearly dying from a botched medical procedure. I de- scribed him then this way: “This Berrigan has a prelapsarian face; creatures of an enchanted forest come to mind.” More followed. It’s not entirely clear to me now, but most likely I was introduced, being one of a small group that surrounded him during a recess of the trial. We didn’t speak directly. But, he would turn up at various events I attended, and, because of my book on the trial, he seemed to know who I was. The last time I saw, spoke with, him was in South Hadley, Massachusetts, when I taught at Mount Holyoke College at the end of the 1970s. I walked into a local coffee place and there he was, sitting with someone I did not know. Berrigan looked up when I approached and his face took on an expression of surprise that flickered momentarily. We chatted for a bit, me filling him in on why I was where I was. It was nearly ten years since the trial, but he hadn’t seemed to have aged much. He was wearing a black watch cap.
    [Show full text]
  • Law, Literature and Ethical Responsiveness in Daniel Berrigan’S the Trial of the Catonsville Nine
    ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 32.1 (June 2010): 29–44 ISSN 0210-6124 The Word Made Flesh: Law, Literature and Ethical Responsiveness in Daniel Berrigan’s The Trial of the Catonsville Nine Bárbara Arizti Universidad de Zaragoza [email protected] The aim of this article is to analyse Berrigan’s play The Trial of the Catonsville Nine in the context of the Law and Literature movement, a field of studies that underlines the textual character of the law and the role of literature in interrogating the legal. Particular attention will be paid to the intersection between a certain literary representation of the legal and the tenets of a deconstructive mode of ethics inspired by Levinas and Derrida. By privileging the spirit over the letter of the law, the Saying over the Said, Infinity over Totality, Berrigan’s work exposes the deconstructible nature of legality and opens up a space in which the law can aspire towards justice. I will also draw on Gibson’s ethics of sensibility both in its personal and textual sides in order to investigate the role of excess and vulnerability in this plea against the Vietnam War. Keywords: Berrigan; Derrida; Levinas; law; justice; deconstructive ethics; Vietnam War La palabra se hizo carne: derecho, literatura y sensibilidad ética en El juicio de los nueve de Catonsville de Daniel Berrigan El objetivo de este artículo es analizar El juicio de los nueve de Catonsville en el contexto de la corriente Derecho y Literatura, que pone de relieve el carácter textual de la ley y el papel de la literatura en el cuestionamiento de lo legal.
    [Show full text]
  • “This Is Father Berrigan Speaking from the Underground” Daniel Berrigan SJ and the Conception of a Radical Theatre Benjamin Halligan
    “This Is Father Berrigan Speaking from the Underground” Daniel Berrigan SJ and the Conception of a Radical Theatre Benjamin Halligan Figure 1. Daniel Berrigan with the cast of The Trial of the Catonsville Nine. Salt City Playhouse, Syracuse, NY, 1972. Daniel Berrigan papers, box 1a, folder 1. Special Collections and Archives, DePaul University Library. (Photo by Merton J. Gordon; reproduction courtesy of Special Collections and Archives, DePaul University Library, Chicago, IL) “Father Berrigan Speaks to the Actors from Underground” is, relative to Daniel Berrigan’s very substantial body of published writing across more than 50 years, only a fragment, and some- thing of an incidental fragment in terms of its seemingly limited concerns. It is nominally a let- ter, from the Jesuit priest, poet, academic, and activist to the actors and audiences involved in the production of his play The Trial of the Catonsville Nine ([1970] 2004). The essay was first published in the public domain, in an edited form, in the New York Times on 31 January 1971 (Berrigan 1971b) and, in full, in America Is Hard to Find: Notes from the Underground and Letters from Danbury Prison in 1972, a collection of writings mostly from Berrigan’s four months “on TDR: The Drama Review 62:2 (T238) Summer 2018. ©2018 New York University and the Massachusetts Institute of Technology 97 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/DRAM_a_00750 by guest on 29 September 2021 the run” from the Federal Bureau of Investigation (Berrigan [1972] 1973).1 Such writing came from a period of “underground” existence for Berrigan.
    [Show full text]
  • Peace Movements and Religion in the U.S
    PEACE MOVEMENTS AND RELIGION IN THE UNITED STATES • 91 PEACE MOVEMENTS AND the purpose of demonstrating the ways in RELIGION IN THE UNITED which religious resources and faith have STATES mobilized citizens to resist war, challenge im­ perial aspirations, and promote nonviolent forms of conflict transformation. PEACE MOVEMENT ISSUES AND ACTIONS NUCLEAR WEAPONS AND There is a long and rich history of religious DISARMAMENT MOVEMENTS peace movements in the United States. These movements have addressed issues of military Although religious groups had mobilized for conscription, the nuclear arms race, bellicose the cause of peace before World War II, the policies toward other nations, and a variety advent of the nuclear era was transformative. of social justice issues. While there have been The United States demonstrated that it had hundreds of religious peace groups in the the most destructive military capacity of any United States, in this article I survey and high­ nation when it dropped atomic bombs on light ten. I categorize these movements around Hiroshima, Japan, on August 6, 1945, and three the issues of nuclear weapons and disarma­ days later on Nagasaki. Over 100,000 people ment, the Vietnam War, low­intensity warfare were killed instantly, and tens of thousands in Central America, and nonviolent interven­ died over the subsequent months. Others suf­ tion in conflict zones. I selected these ten fered long­term effects from massive radiation movements for the following three reasons. exposure—this included malignant tumors, First, all focused primarily on nonviolent direct various forms of cancer, ophthalmological dis­ action rather than educational endeavors or orders, neurological disorders, and birth consciousness­raising.
    [Show full text]
  • Daniel Berrigan's the Trial of the Catonsville Nine As Mini
    Revue EL-Bahith en Sciences Humaines et Sociales ISSN : 2170-1121 -11 (04) / 2019 Daniel Berrigan’s The Trial of the Catonsville Nine as Mini-jurisprudence Nassima BRAHIMI 1 , Mohammed Seghir HALIMI 2 1 Frères Mentouri University, Constantine 1 , (Algeria) 2 Kasdi Merbah University , Ouargla (Algeria) Date de réception : 29/01/2019 ; Date de révision : 10/06/2019 ; Date d’acceptation : 31/12/2019 Abstract Although the inherent similarity between trial and drama is highly acknowledged among different scholarly fields, in particular among legal and literary scholars, a dramatic work can better speak some critical events and their corresponding legal cases. This is further observed in documentary drama whose fact-based trial form has the capacity not only to comment on or criticize legal history but also the power to reconfigure it. In this paper, one will expose how Berrigan’s play serves as a mini - jurisprudence, challenging and exceeding the logic of the court of law and this by triumphing one major tenet in legal theory which is natural law theory’s principles or ethics. Keywords: Documentary Drama, Jurisprudence, Justice, Natural Law. اﻟﻤﻠﺨﺺ ﻋﻠﻰ ﺍﻟﺭﻏﻡ ﻤﻥ ﺃﻥ ﺍﻟﺘﺸﺎﺒﻪ ﺍﻟﻤﺘﺄﺼل ﺒﻴﻥ ﺍﻟﺘﺠﺭﺒﺔ ﻭﺍﻟﺩﺭﺍﻤﺎ ﻤﺘﻌﺎﺭﻑ ﻋﻠﻴﻪ ﻓﻲ ﺍﻻﻭﺴﺎﻁ ﻭ ﺍﻟﻤﺠﺎﻻﺕ ﺍﻟﻌﻠﻤﻴﺔ ، ﻻ ﺴﻴﻤﺎ ﺒﻴﻥ ﺍﻟﻌﻠﻤﺎﺀ ﺍﻟﻘﺎﻨﻭﻨﻴﻴﻥ ﻭﺍﻷﺩﺒﻴﻴﻥ ، ﻓﺈﻥ ﺍﻟﻌﻤل ﺍﻟﺩﺭﺍﻤﻲ ﻴﻤﻜﻥ ﺃﻥ ﻴﺘﺤﺩﺙ ﺒﺸﻜل ﺃﻓﻀل ﻋﻥ ﺒﻌﺽ ﺍﻷﺤﺩﺍﺙ ﺍﻟﺤﺭﺠﺔ ﻭﺍﻟﻘﻀﺎﻴﺎ ﺍﻟﻘﺎﻨﻭﻨﻴﺔ ﺍﻟﻤﻘﺘﺭﻨﺔ ﺒﻬﺎ .ﻭﻫﺫﺍ ﻤﻼﺤﻅ ﺒﺎﻟﺨﺼﻭﺹ ﻓﻲ ﺍﻟﺩﺭﺍﻤﺎ ﺍﻟﻭﺜﺎﺌﻘﻴﺔ ﺍﻟﺘﻲ ﺒﻔﻀل ﺍﺴﺘﻨﺎﺩﻫﺎ ﻋﻠﻰ ﺍﻟﺤﻘﺎﺌﻕ ﻟﻬﺎ ﺍﻟﻘﺩﺭﺓ ﻟﻴﺱ ﻓﻘﻁ ﺍﻟﺘﻌﻠﻴﻕ ﻋﻠﻰ ﺃﻭ ﺍﻨﺘﻘﺎﺩ ﺍﻟﺘﺎﺭﻴﺦ ﺍﻟﻘﺎﻨﻭﻨﻲ ﻭﻟﻜﻥ ﺃﻴﻀﺎ ﺍﻟﻘﺩﺭﺓ ﻋﻠﻰ ﺇﻋﺎﺩﺓ ﺼﻴﺎﻏﺘﻪ .ﻓﻲ ﻫﺫﻩ ﺍﻟﻭﺭﻗﺔ ، ﺴﻴﺘﻡ ﺍﻟﺘﻁﺭﻕ ﺍﻟﻰ ﻜﻴﻑ ﺍﻥ ﺍﻟﻌﻤل ﺍﻟﻤﺴﺭﺤﻲ ل ﺒﺭﻴﺠﺎﻥ ﻴﻤﺜل ﻓﻘﻪ ﻗﺎﻨﻭﻨﻲ ﻤﺼﻐﺭ ﻴﺘﺤﺩﻯ ﻭﻴﺘﺠﺎﻭﺯ ﻤﻨﻁﻕ ﻤﺤﻜﻤﺔ ﺍﻟﻘﺎﻨﻭﻥ ﻭﻫﺫﺍ ﻤﻥ ﺨﻼل ﺍﻨﺘﺼﺎﺭﻩ ﻷﺤﺩ ﺍﻟﻤﺒﺎﺩﺉ ﺍﻟﺭﺌﻴﺴﻴﺔ ﻓﻲ ﺍﻟﻨﻅﺭﻴﺔ ﺍﻟﻘﺎﻨﻭﻨﻴﺔ ﻭﻫﻲ ﻤﺒﺎﺩﺉ ﻨﻅﺭﻴﺔ ﺍﻟﻘﺎﻨﻭﻥ ﺍﻟﻁﺒﻴﻌﻲ.
    [Show full text]
  • |||GET||| the Trial of the Catonsville Nine 4Th Edition
    THE TRIAL OF THE CATONSVILLE NINE 4TH EDITION DOWNLOAD FREE Daniel Berrigan | 9780823223312 | | | | | ‘Catonsville Nine’ Begins Run as Film Did the Geneva convention put its stamp of approval on napalm, or was that just another example of the US disregarding anything resembling a decent act humanity? We have chosen to say With the gift of our liberty If necessary our lives Daniel Berrigan was convicted and sentenced to The Trial of the Catonsville Nine 4th edition years in prison to begin on April 9, Liberated, but not loving. So, he used napalm for "the burning of paper instead The Trial of the Catonsville Nine 4th edition children". I was interested in trying to do it humanely and carefully and nonviolently and let it go. Ended, movement still active. The act was pitiful, a tiny flare amid the consuming fires of war. I cannot. We could not, so help us God, do otherwise. I had the pleasure of hearing you speak, of breaking bread with you. On June 9,while having his teeth examined, he suffered a massive allergic reaction to a misfired novacain injection and nearly died. Just The Trial of the Catonsville Nine 4th edition moment while we sign you in to your Goodreads account. Everybody in the cast was great. Kevin Thompson rated it it was amazing Apr 27, A defining point was the burning of Selective Service draft records in Catonsville, Md. Hidden categories: All articles with unsourced statements Articles with unsourced statements from May Articles with unsourced statements from May Articles containing potentially dated statements from All articles containing potentially dated statements Articles with trivia sections from October Articles needing additional references from October All articles needing additional references Articles with multiple maintenance issues.
    [Show full text]
  • The Catonsville Nine Protest and Legacy
    James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2011 "For the fracture of good order," The aC tonsville Nine protest and legacy Timothy Joseph Stefonowich James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the History Commons Recommended Citation Stefonowich, Timothy Joseph, ""For the fracture of good order," The aC tonsville Nine protest and legacy" (2011). Masters Theses. 340. https://commons.lib.jmu.edu/master201019/340 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. i “For the Fracture of Good Order,” The Catonsville Nine Protest and Legacy Timothy J. Stefonowich A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts United States History May 2011 i Dedication This thesis is dedicated to my family. My parents, Joseph and Susie, thank you for all of the help, encouragement, advice, and love throughout this process. My sisters, Mariana and Colleen, you both have provided me more inspiration then you will ever know. ii Acknowledgements This project would not have been possible without a great amount of assistance and encouragement from numerous different people. I would like to thank first, my thesis committee. Dr. Steven Guerrier directed this project and provided valuable insights along the way. Dr. H. Michael Gelfand provided excellent critiques and advice on research.
    [Show full text]
  • Howard Zinn Part 03 of 04
    " 1 OPTIONAL FORMNO. IO chi:UNITED 10:-msGOVE STATES ENT 92 M em om ndum DIRECTOR, FBI 00-360217! DATE! 6/20/69 J;92§Ac, BOSTON00-35505! c! L/t 92 mnqscrz 92923 , ,/ HOWARD ZINN c SM "&#39; "1&#39; Re Legat, Tokyo, letter to Bureau dated 4/29/69, setting forth information to the effect that ZINN had been apparently invited by the Japan "Peace for Vietnam Committee" to visit Japan during June, 1969, on a lecture tour. On 6/16/69, by means of a suitable pretext an invitation to have ZINN participate in a panel discussion on civil rights during the latter part of June or early July, l l969!, it was ascertainedfrom an individual who identified jw himself as ZINN that he had no immediateplans to leave the aw Bostonhe planned area toduring spend Junethis or period July, of1969. ZINN time in the indicatedpreparation that of1 a new lecture plan for his government class at Boston University BU!. .4," *1lLtns&#39;oanmnowcowmmm_92In view of the above, Boston,4»;will 3 placeQ,6 2/ -1 this7 case &,,m92 Q,&#39;592" andin a closedthe instatus. event anyHowever, information sourcesis at developedBU haveregarding been alerta {Jd; proposed trip to Japan by ZINN, the Bureau and Legat, Tokyo, _ will be promptly advised. .. /» sisnmrDmE_ , rsUNc;r_.A3s1FIED _ ¬<9 LG V, ev I I 3 ?~99121 mnaaaa-W-1/ s - 5 Jun 959 . -Qavmwgqnaesvwuarsuui 1 ?3 §}Bureau RM! -Legat, Tokyo 05-4019!! - ! *1»T0 l ~ _i&#39;_* MAY OPTIONALI962EDITION NO.FORM I0 I ? ~ 92_ I &#39; , 4* , 05A Em:1 cm 10141.6 &#39; _ _ 5_ &#39; .
    [Show full text]