Revitalizing Urban Areas by Small Scale Interventions
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Observing Protest from a Place
VISUAL AND MATERIAL CULTURE, 1300-1700 Knox Giles Knox Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt of Italian Renaissance Art Challenge the Knowledge Sense and FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Visual and Material Culture, 1300–1700 A forum for innovative research on the role of images and objects in the late medieval and early modern periods, Visual and Material Culture, 1300–1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies. Series Editor Dr. Allison Levy, an art historian, has written and/or edited three scholarly books, and she has been the recipient of numerous grants and awards, from the Nation- al Endowment for the Humanities, the American Association of University Wom- en, the Getty Research Institute, the Dumbarton Oaks Research Library of Harvard University, the Whiting Foundation and the Bogliasco Foundation, among others. www.allisonlevy.com. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt Giles Knox Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS This book was published with support from the Office of the Vice Provost for Research, Indiana University, and the Department of Art History, Indiana University. -
1&2 Part B – 2013 ISB Summer School in Neuroergonomics And
JBU III (2013) 1&2 Part B – 2013 ISB Summer School in Neuroergonomics and Urban Placemaking Students’ notes JBU III (2013) 1&2 · 153 2013 ISB Summer School in Neuroergonomics and Urban Placemaking Students’ notes Antonio Caperna, Stefano Serafini [email protected] [email protected] The ISB summer school in Neuropergonomics and Urban Placemaking has been held in Artena from July 21st-28th 2013. Almost 40 people from several Countries attended. The theoretical part focused on a multidisciplinary mix of neurophysiology, complexity, biology, urban sociology and service design so to encourage people thinking out of the box about urban design, and considering the relevance of body, senses, locality, and real people needs. The practical workshop was directed by professor Marco Casagrande, who encouraged students to get in touch with the local environment in order to “become by doing” and act accordingly to what they had learned. Here’s the list of the teaching staff and of the participants: • Philosopher and psychologist Stefano Serafini (I.S.B., Italy) introduced the use of environmental psychology and post-darwinian biological theories to re-orient the approach to design. • Artist and architect prof. Marco Casagrande (Ruin Academy, Finland/Taiwan) led hand- building experiences after listening to the city’s organism (biourban acupuncture). • Design thinker and architect Yulia Kryazheva (Yulia Ink., The Netherlands) introduced the use of sketching & drawing as a tool to get in touch with the complexity of a place. • Professor Antonio Caperna (I.S.B.,Italy),architect,and professor Eleni Tracada (University of Derby, UK), architect, introduced and showed practical examples of Biourbanism and algorithmic sustainable design. -
Rembrandt, Vermeer and Other Masters of the Dutch Golden Age at Louvre Abu Dhabi
REMBRANDT, VERMEER AND OTHER MASTERS OF THE DUTCH GOLDEN AGE AT LOUVRE ABU DHABI SOCIAL DIARY | FEBRUARY, 2019 From 14 February to 18 May 2018, Louvre Abu Dhabi will present Rembrandt, Vermeer and The Dutch Golden Age: Masterpieces from The Leiden Collection and the Musée du Louvre. Jan Lievens (1607-1674) Boy in a Cape and Turban (Portrait of Prince Rupert of the Palatinate) ca. 1631 Oil on panel New York, The Leiden Collection Image courtesy of The Leiden Collection, New York. Marking the 350th anniversary of Rembrandt’s death, this new exhibition at Louvre Abu Dhabi is the largest showing to date in the Gulf Region of works by Dutch 17th-Century masters. This exhibition is the result of a remarkable collaboration of Louvre Abu Dhabi, The Leiden Collection, The Musée du Louvre and Agence France-Museums who have worked very closely to showcase this extraordinary assemblage of 95 paintings, drawings and objects. Also a rare opportunity to see 16 remarkable paintings by Rembrandt van Rijn, along with rare pieces by Johannes Vermeer, Jan Lievens or Carel Fabritius. Not familiar with The Dutch Golden Age? It was a brief period during the 17th century when the Dutch Republic, newly independent from the Spanish Crown, established itself as a world leader in trade, science and the arts, and was regarded as the most prosperous state in Europe. During this period, Rembrandt and Vermeer established themselves at the forefront of a new artistic movement characterized by a deep interest in humanity and daily life. This exhibition is drawn primarily from The Leiden Collection, one of the largest and most significant private collections of artworks from the Dutch Golden Age. -