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Ludlow Published twice a year by Ludlow Civic Society www.ludlowcivicsociety.org HeritageNo 63 Autumn/Winter 2015 NEWS FREE Inside this issue Luck of An Old Programme e ‘Lad’ Welsh Capital and Events LUCK OF THE ‘LAD’ ‘When smoke stood up from Ludlow, And mist blew o from Teme ....’ is stunning shot by Ludlow’s Two memorable views – one in the form of a hilltop vista He not only advised that the title foremost photographer, Gareth and the other by way of a man’s voiced opinion – have be changed but that the hitherto anonymous author be persuaded to omas, is one of nearly one combined to serve the county of Shropshire with its most hundred appearing in his add his name. ‘Shropshire Lad’ illustrated book. generous slice of literary luck. Fame and immortality have By March of 1896, the immortal e publication was launched by been the ospring of the union. title of ‘A Shropshire Lad’ by Merlin Unwin Books in 2009 and Some time in the second half University to read and make A.E.Housman was oered to the has, not surprisingly, enjoyed two of 1895, one ALFRED WILLIAM comment upon a collection of world. e book was initially reprints. Gareth’s striking images POLLARD is said to have crossed poems written by the same student published by Kegan Paul, but at appear in countless other books the threshold of ‘Byron Cottage’ friend. ey were about to be Housman’s expense. It has never and journals and, as prints, hang in Highgate, North London; he oered to a publisher under the since been out of print. in houses worldwide. had been invited there by a former title of ‘Poems by Terence Hearsay’. Exactly what this slim volume student colleague at Oxford What Pollard did next was crucial. of near-monosyllabic verses has Continued overleaf LUCK OF THE ‘LAD’ (continued) meant to Shropshire in terms of for them.’ Laurence further wrote those popular TV world-wide fame, visitor attraction, that the change in title ‘must have detectives, Lewis and even hard tourist-trade cash, may had a considerable eect upon its Frost have included only be guessed at. And guessed fortunes’ (one is tempted to add... ‘Into my heart..... at by, among others, the poet’s upon Shropshire’s too!). Pollard’s blue remembered own younger brother. Laurence inspired suggestion of ‘A Shropshire hills’. A little more Housman, himself a prolic Lad’ was, he said, ‘a piece of good commercially, I may playwright and author, had no advice which the author luckily was now shop at the doubt at all about the great and not above taking’. Ludlow Food Centre lasting service done to this county’s Although the title was initially for ‘Remembered standing. He wrote in his ‘Memoir’ slow in retail uptake, it found Hills’ cheese and, ‘.....that small book of poems has enormous favour in later years. It maybe, wash it down given to Shropshire place-names has been a rich source for musical with a bottle of an added romance comparable to settings such as the 1909 oering ‘Shropshire Lad’ ale that which attaches to the place- ‘On Wenlock Edge’ by Ralph from Edward Wood’s names of Hardy’s novels....but I Vaughan Williams, and has likewise brewery. e same wonder what would have happened proved an inspirational magnet for two-verse poem had the poems been published scores of artists and photographers. allows me to browse under the title originally chosen In the last decade even scripts for a ‘Lost Content’ museum at Craven Photo credit British Library British credit Photo Arms, though for a Alfred W Pollard was the Oxford proper appreciation student friend of Housman who of the poet’s ‘Loveliest of trees, the suggested a change of title to ‘A cherry....’, I should perhaps journey Shropshire Lad’. He joined the further aeld – to the Housman sta of the British Museum in Society branch in Japan! 1883, and by 1919 was Keeper of As much as good fortune Printed Books. From 1893 to 1934 attached to the change of title, it he was Honorary Secretary of the was even more a stroke of luck Bibliographical Society. us TWO that Shropshire was mentioned alpha Alfreds of great scholarly at all. Housman, aer all, was a achievement. Pollard died in 1944. Worcestershire man – born on 26th March 1859 at Fockbury and imaginary.’ In childhood, the near Bromsgrove – and nearly all Housman siblings oen climbed a of the sixty-three poems within local hill which they referred to as the covers of ASL were written in the biblical ‘Mount Pisgah’. Alfred London. He selected Shropshire was ever aer nostalgic about as his landscape of imagery simply views of the distant Shropshire because of emotions experienced hills, and it was happy chance that in youth. ‘I am Worcestershire by the very rst line of the very rst birth,’ he wrote in 1934, ‘Shropshire poem in ASL should read ‘From was our Western horizon, which Clee to heaven the beacon burns’. made me feel romantic about it. But what if the budding poet and I do not know the county well, classicist had expressed a preference except in parts, and some of my for other hills? Or, maybe, become topographical details are wrong emotional about the horizons to A E HOUSMAN at the age of 35 years in 1894. Dyke TRAVELARTS Ruscoe Limited Castle LONDON (Full day) & Hayes Chartered Certified Accountants & Registered Auditors Bookshop £29.00 per person. • Accounts • Audit • Tax • VAT • Payroll • CIS 5 Castle Street, Saturday 28th November. • Business Projections and Forecasts Ludlow SY8 1AS • Inheritance Tax Advice • Company Secretarial Tel: 01584 872562 • Incorporation From Leominster • Business Tax and Planning Fax: 01584 876366 • Tax and VAT Returns Proprietor: Stanton Stephens Bus Station • SAGE Specialists FREE BOOK ORDERING SERVICE Call or visit us at: Please contact: 110 Corve Street Ludlow Shropshire SY8 1DJ BOOKS AND MAPS Justin on: 01568 613836 or Telephone 01584 872 421 Fax 01584 877 603 ART MATERIALS Email: [email protected] email: [email protected] BOOKS OF LOCAL INTEREST Website: www.dykeruscoe.co.uk or call in at Castle Bookshop Ludlow Also at Tenbury Wells 01584 810 322 STATIONERY AND GIFTS Craven Arms 01588 672 776 for a booking form. GREETINGS CARDS Large firm experience - small firm prices - first meeting free TWO Ludlow Heritage News the North, South or East? Clearly a by that eminent Head and scholar Muse of poetry must have climbed of Shrewsbury School, Benjamin in Housman’s footsteps and been on Hall Kennedy. Who could possibly Shropshire’s side. Possibly ‘Sabrina’ have guessed that the schoolboy was hiking as well. clutching his Speech Day prize Housman’s confession of would celebrate 1911 by himself topographical waywardness was being installed as Kennedy very quickly conrmed by the Professor of Latin in the University evidence of his brother. ‘It happened of Cambridge? It placed him at the in the same year ‘A Shropshire Lad’ pinnacle of his chosen profession. was published,’ wrote Laurence. From half a century ago, I recall ‘I went to stay with friends at a remark made by the late Enoch Buildwas; and nding that Hughley Powell MP, who studied under and its steeple were only ve miles Housman, and who described his away, I went over to look at the professor as ‘the most charismatic ‘far-known sign’ (ASL LX1) and of people I knew’. Something the graves of ‘suicides’ on the north altogether lighter came from the late side of the tower. When I reached Ludlow constituency Member, Sir it I found that the ‘far-known sign’ Jasper More of Linley. He chanced was buried away in a valley, and to be dining in hall within earshot that the ‘suicides’ were, most of of Housman when some of the dons them, respectable church-wardens fell to chatting about the ‘new’ form and wives of vicars, all in neatly- of travel, the aeroplane. One don tended graves.’ He then added, stated rmly that aeroplanes could ‘When I reproached Alfred for NOT carry luggage. Housman his romantic falsication of local glanced up from his soup course history his explanation was that the to say, ‘I happen to know they place he really meant had an ugly CAN.’ Surprisingly, the prim Latin name so he substituted ‘Hughley’. scholar who appeared decient ‘I did not apprehend,’ he wrote me, in adventurous body bones, was ‘that the faithful would be making particularly well qualied to know A E HOUSMANS passport photograph when aged 70 years. pilgrimages to these holy places.’ about the new-fangled ying But that is what has now happened.’ machines. From as early as 1920 he A PASSENGER WHO BUTTED Border normally represented by A Shropshire connection – this made annual holiday ights to the HIS HEAD THROUGH THE that name.......it is more that in time with no falsication – lay Continent and, on one occasion, WINDOW TO BE SICK!’ ‘creating’ Shropshire, he produced at the very roots of Housman’s noted the novelty of having a No better comments on the a stage, a little world in which to classical scholarship and love of uniformed ‘waiter’ on board to relationship between Housman’s set in motion the characters, the poetry. One of several prizes which serve him with cheese and biscuits. verse and Shropshire exist emotions and the dramas that he won at Bromsgrove School was However, observations to his sister beyond those of the author and he needed to portray. What he a book which, he said, had rst Katherine aer another such jaunt educationalist, Keith Jebb, who was produced is therefore much closer directed him to classical studies were of a far more alarming nature.
Recommended publications
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  • Shire Lad in "Inside the Whale,"' an Essay He Wrote in 1940.2 He Was Himself

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    SHROPSHIRE REVISITED Theodora and Alfred Kroeber, 1959 Our century continues to be much occupied with death, and our creative energies to expend themselves on one aspect or another of death, whether in the waging of war, the invention of implements and devices of war, or in pol- itical and social thinking, or in the plastic arts and literature. Poets are said to speak prophetically. This could mean that, some time before the first World Wiar, their poems had begun to emphasize death over life. Poe, Emily Dickinson, Swinburne, Housman, Kipling, Yeats, and Eliot do indeed use the words death, dead, die, dying, significantly more often than the words life, alive, live, living, and Housman, at the seeming apex of this twentieth- century death-directed interest, is discovered to have employed seventy-one per cent of death words to twenty-nine per cent of life words.1 Since Housman Vrote A Shro shire Lad there has been a world war, and since he published his Last Poems there have been the vertiginous twenties, a depression, and a second World ibr, with their presently complex aftermaths. Reviewing the poetry of the past half-century or so, a style profile, however tentative and incomplete, begins to emerge. We--the English and the Americans--faced what followed on Sarajevo with the bravado and despair of the lads of Housman's balladlike and simple poetry. We volunteered for glory and friendship and death. Never since our immersion in that first world war have values been for us as clear-cut as they were before. It is Housman who gives those lost values their perfect and limited, if astringently negative, voice.
  • Hughley, Easthope and Shipton

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    Hughley, Easthope and Shipton Our visit was inspired by A.E. Housman's poem 'A Shropshire Lad' was spent exploring the churches of Wenlock Team Ministry. Actually, as far as I'm aware, only one church, Hughley, is mentioned by Housman, but it served as a good starting point for discovering the churches in the surrounding area. Within the Team MInistry there are two discrete geographical groupings, one cluster lying north on the road from Wenlock to Shrewsbury, and the other on the road leading south west from Wenlock in the direction of Craven Arms and Church Stretton. St John the Baptist, Hughley The vane on Hughley 'steeple' - in fact it's a half timbered bell tower. Our first church, Hughley, lies north of the Stretton Road (B4371). Its main claim to fame is the mention in A.E. Housman's poem 'A Shropshire Lad' (see below). It's likely that Housman merely picked the name off a map, because it's said that when he wrote the poem he had never actually visited Shropshire, being in fact born in Worcestershire. Indeed, there is no steeple there, and never has been at Hughley, although there is a half- timbered bell tower, albeit with a vane: The Vane on Hughley steeple, Veers bright, a far-known sign, And there lie Hughley people, And there lie friends of mine... Rood screen at Hughley A colourful post-Easter altar cloth at Hughley. Mary and Rabboni stained glass at Hughley Inside, the church is distinguished by an attractive carved rood screen dividing chancel and nave.
  • Edexcel Aos1: Vaughan Williams's on Wenlock Edge

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  • A Shropshire Lad

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    A Shropshire Lad A. E. Housman The Project Gutenberg EBook of A Shropshire Lad, by A. E. Housman Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: A Shropshire Lad Author: A. E. Housman Release Date: May, 2004 [EBook #5720] [Yes, we are more than one year ahead of schedule] [This file was first posted on August 16, 2002] [Date last updated: February 13, 2005] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK A SHROPSHIRE LAD *** This etext was prepared by Albert Imrie, Colorado, USA A Shropshire Lad by A. E. Housman Introduction by William Stanley Braithwaite 1919 INTRODUCTION The method of the poems in _ A Shropshire Lad _ illustrates better than any theory how poetry may assume the attire of reality, and yet in speech of the simplest, become in spirit the sheer quality of loveliness.
  • Analysis of the Song Cycle "On Wenlock Edge" by Ralph Vaughan Williams

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    eno-%IS ANALYSIS OF THE SONG CYCLE "ON WENLOCK EDGE" BY RALPH VAUGHAN WILLIAMS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By John Douglas Pummill, B. B. A., B. A. Denton, Texas January, 1965 TABLE OF CONTENTS Page LIST OF TABLES, e . iv LIST OF ILLUSTRATIONS . v Chapter I. INTRODUCTION . I II. THE AESTHETIC PHILOSOPHIES OF RALPH VAUGHAN WILLIAMS AND ALFRED EDWARD HOUSMAN . * . *0. 7 III. ON WENLOCK EDGE - POETIC AND MUSICAL .. 24 ANALYSIS, . * IV. FROM FAR, FROM EVE AND MORNING - POETIC AND MUSICAL ANALYSIS. 47 V. IS MY TEAM PLOUGHING - POETIC AND MUSICAL ANALYSIS. * . * * . 55 VI. OH, WHEN I WAS IN LOVE WITH YOU - POETIC AND MUSICAL ANALYSIS, . * * . * . 71 VII. BREDON HILL - POETIC AND MUSICAL ANALYSIS. 78 VIII. CLUN - POETIC AND MUSICAL ANALYSIS * . * .102 IX. CONCLUSION . * . * .116 BIBLIOGRAPHY. * . , . * . .124 iii LIST OF TABLES Table Page I. Sectional Divisions of the Song, Bredon Hill...................... 85 II. Division of Section C According to Accompanimental~Texture . 96 IlI. Formal Outline of the Song, Clun.... .107 iv LIST OF ILLUSTRATIONS FiQure Page 1. Cyclical element A. 33 2. Cyclical element B.. 34 . .a .a .a .a .a .a .a .a .a .a 3, Cyclical element C.. 0 . ., 34 " .a .a .a .a .a .a .a .a .a .a 4. Cyclical element D.. 35 . .a .a .a .4 ." ." .a .a .a .a 5.a Cyclical element E. 35 . .a. .a. .a. .a. .o. .a. .a. .a. .a. .a. 6. Cyclical element F..# 35 . .a .a .a .a .a .a .a .a .a .a 7.
  • A Shropshire Lad

    A Shropshire Lad

    A Shropshire Lad & other songs by Finzi § Britten § Copland § Blake Fischer Claire Cooper WINNER OF THE CITY OF MELBOURNE SONG RECITAL AWARD in an intimate song recital that demands source of poetry from folk and traditional, A RECITAL OF great concentration and sensitivity when through Shakespeare and the romantics ENGLISH AND they are constantly being bombarded to the contemporary. Many of the greatest with music in their homes and cars, in British and American composers have AMERICAN FOLK, shops, elevators, restaurants; in fact almost been attracted to the song form and have TRADITIONAL AND anywhere. found inspiration in English language But in the recording and broadcast poetry. ART SONG media the recital seems to have found its saviour. As a bonus to major artists, For years commentators have being the multinational record companies, A SHROPSHIRE LAD trying to tell us that the song recital is a often grudgingly, record recital programs George Butterworth (1885-1916) / dead art form. Nowadays big is better: when the latest all-star opera set is A. E. Housman (1859-1936) the major symphonic repertoire and complete. However, as CDs become grand opera. Chamber and ‘early’ music less prohibitively expensive to produce, The list of Butterworth’s compositions is have loyal followers but, in general, the younger artists no longer have to depend sadly short. Having destroyed many of the larger the musical form, the larger the on contracts with the major record manuscripts of his original compositions audience. Hence the live solo vocal recital companies. And public broadcasting before leaving for the war, he never has become the province of established groups with FM radio band access are returned from the trenches in France.
  • Vaughan Williams: Three Songs from on Wenlock Edge (For Component 3: Appraising)

    Vaughan Williams: Three Songs from on Wenlock Edge (For Component 3: Appraising)

    Vaughan Williams: Three songs from On Wenlock Edge (for component 3: Appraising) Background Ralph Vaughan Williams (1872–1958) was an English composer of symphonies, operas, vocal music and a variety of other forms. His most famous pieces include The Lark Ascending for solo violin and orchestra, one of the most popular of all classical compositions. Like many other composers of the early twentieth century, he sought to break away from the German Romantic style that had been prevalent throughout most of the previous century. The influences he looked towards to replace German Romanticism included: English folk song. Early in the 20th century Vaughan Williams developed an interest in the English folk song tradition, which was already beginning to die out. Country people sang traditional songs that had been passed down from generation to generation. These songs were often performed at home unaccompanied. Together with other musicians Vaughan Williams travelled around the countryside writing down the words and notation of these songs, so that they could be preserved for posterity. Some aspects of folk music style, particularly modality influenced his own musical style. The English choral tradition, notably the Tudor church music of composers such as Thomas Tallis and William Byrd. This music was also modal in character. The music of the French ‘impressionist’ composers. Vaughan Williams studied with Ravel in Paris shortly before writing On Wenlock Edge. The influence of the impressionist style can be heard right from the first bars of the song cycle, with the use of tremolo strings and parallel harmonies. The bell effects in ‘Bredon Hill’ are reminiscent of Debussy’s piano piece The Submerged Cathedral, though Debussy’s music was written slightly later than this song cycle.
  • A Critical Analysis of “On Wenlock Edge” by Ralph Vaughan Williams

    A Critical Analysis of “On Wenlock Edge” by Ralph Vaughan Williams

    Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1966 A Critical Analysis of “On Wenlock Edge” by Ralph Vaughan Williams Gary Michael Lawler Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Higher Education Commons, and the Liberal Studies Commons Recommended Citation Lawler, Gary Michael, "A Critical Analysis of “On Wenlock Edge” by Ralph Vaughan Williams" (1966). All Master's Theses. 565. https://digitalcommons.cwu.edu/etd/565 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. A CRITICAL ANALYSIS OF "ON WENLOCK EDGE" BY RALPH VAUGHAN WILLIAMS A Thesis Presented to the Graduate Faculty Central Washington State College • in Partial Fulfillment of the Requirements for the Degree Master of Education by Gary Michael Lawler June, 1966 f!l9881 N01!:>3110'J l\11:>3dS 01 APPROVED FOR THE GRADUATE FACULTY ________________________________ Mary Elizabeth Whitner, COMMITTEE CHAIRMAN _________________________________ Wayne S. Hertz _________________________________ Dohn A. Miller TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION . 1 Statement of the Problem 1 Importance of the Study 2 Procedures to be used 2 DEFINITIONS OF TERMS USED IN STUDY . 3 Folk song 3 Song cycle 3 Modes 3 Tremolo 4 Recitative . 4 Pentatonic . 4 Strophe 4 After-song 4 Bar 5 Plainsong 5 Figured bass 5 Ostinato . 5 Pedal tone . 6 Tone cluster . 6 Augmentation . 6 DEFINITIONS OF TERMS USED IN THE POETRY 6 Holt .
  • School of Music

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    ARIZONA STATE UNIVERSITY School of Music D.JUSTIN CARPENTER -TENOR HAEJUCHOI -PIANO STUDENT RECITAL SERIES KATZIN RECITAL HALL MONDAY, MARCH 14TH, 2016 • 5:00 PM Program Notes In the late 19th century the British Empire began to feel the strain of its massive global reach. The monarchy reached from Canada, to Africa, to India, and to Australia. Growing and maintaining the empire required that many of Britain's finest join the war effort. Some in Britain began to grow weary as they continued to see young men shipped to far off lands never to return again. In this era specifically, the conflict in the South African Republic was beginning to escalate into a war that would claim tens of thousands of lives. This escalation provided the backdrop for Alfred Edward Housman to write his collection of poems titled A Shropshire Lad (1896). This collection of poetry portrays such themes as: a strong connection to the land in Shropshire, the tragedy of war, and the consequences of death in one's youth. Many songs feature the souls of the lost, pondering their misfortune from beyond the grave. Housman's poems resonated so much with British readers, that many composers chose to set them to music. George Butterworth (1885-1916) set eleven of these poems from 1911- 1912, and published them in two installments (just 4 years before his death in WWI). The second of those installments is the first portion of today's recital. Originally composed for baritone, all songs have been raised a minor 3rct. This is possibly the first performance of its kind, as no high-key transpositions of this work have been published, nor have any recordings been made.
  • Newsletter No.33 the Housman Society (February 2011)

    Newsletter No.33 the Housman Society (February 2011)

    Fe br uar NEWSLETTER 2011 y No. 33 Editor: Andrew Maund, 57 Marlborough Avenue, Bromsgrove, Worcs B60 2PH E-mail Address: [email protected] Combined magic of Ricks and Burnett dazzle New York audience Kate Shaw reports on “Passwords” at Poets House on 27th October, sponsored by the Housman Society. Archie Burnett and prison for Oscar Wilde, were Christopher Ricks were on terms used by other poets as sparkling form at Poets well as A.E.H. House,1 New York on October 27, 2010. The Christopher Ricks read ASL dynamic duo had entertained XLI, ‘In my own shire’, to us with Housman letters in show the utter simplicity of Oxford in 2009, now they A.E.H.’s poems but then went called their talk ‘Passwords’. on to dazzle us with the Their combined magic dazzled complexity of the poem with an audience which included its anagrams and alliteration: James Fenton, a previous lines such as ‘The earth Professor of Poetry at Oxford because my heart was sore, who had given a lecture on sorrowed for the son she Housman in the 1996 bore’. celebrations, and Nick Laird, the poet and novelist who has Ricks thinks the literary value of the anagram has been spoilt recently written the introduction to the Penguin Classic edition by crossword puzzles but he pointed out that it has been of Housman’s poems. Archie Burnett explored the relation used by poets as far ranging as Emily Dickinson, Ted Hughes, between biography and poetry in his talk while Christopher Pope, Austen Clark, Byron and T.S.
  • Newsletter 47.Pub

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    OUR BOOK GROUPS OUR BEST-SELLERS in 2017 Information for New Members These are our best-selling titles in 2017 (up to 11th August) Book Review Club We meet on the second Wednesday or Thursday of most 1. OS Explorer 217 Map: Long Mynd & Wenlock Edge months, 2.30pm —4.00pm at Berry’s Coffee House. We will 2. Client Earth by James Thornton & Martin Goodman be reviewing latest releases as well as classics. As space is lim- 3. Historic Church Stretton Walks by Barrie Raynor ited PLEASE BOOK with us if you would like to attend, and NEWSLETTER 47 we can tell you the theme for the next meeting. There is no 4. Dethroning Mammon by Justin Welby charge to join, and you will have a wonderful selection of 5. Lillian Boxfish Takes a Walk by Kathleen Rooney 2017 coffees, teas and cakes to choose from (for which you can pay 6. OS Landranger 137 Map: Ludlow, Church Stretton, Wenlock at the time). Edge 7. The Long Mynd: Its History & Wildlife by Barrie Raynor Book Chat 8. Hill Walking in Shropshire by John Gillham Join us on the third Wednesday of most months, 2.30— 4.00pm at Burway Books for an informal chat about books. 9. BBC Proms Guide 2017 We occasionally have a visiting author, details of which will 10. The Crystal Lake: Part Three of The Journey by Hilary Jane appear on our website and in the shop. Jones & Tracey Swain This event is FREE but please let us know if you would like 11. On the Trail of the Mortimers by Philip Hume to come along as, again, space is limited.