The Midlands Essential Entertainment Guide
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Neil Foster Carries on Hating Keith Listens To
April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig. -
Broadcast Bulletin Issue Number 149 11/01/10
Ofcom Broadcast Bulletin Issue number 149 11 January 2010 1 Ofcom Broadcast Bulletin, Issue 149 11 January 2010 Contents Introduction 3 Standards cases In Breach Drivetime Radio XL 1296 AM (West Midlands), 5 October 2009, 15:00 4 The Gospel Truth with Andrew Womack Revelation TV, 7 October 2009, 08:30 8 Live 960 Live 960, 11 September 2009, 22:00 10 Top Shelf TV Top Shelf TV, 17 September 2009, 16:45 13 MTV Live: Isle of MTV music festival, featuring Lady Gaga MTV One, 2 November 2009, 16:00 15 Club Paradiso Club Paradiso, 24 October 2009, 5:30 16 Resolved F1: Grand Prix BBC1, 1 November 2009, 12:10 18 Fairness & Privacy cases Not Upheld Complaint by Ms Emma Czikai Britain’s Got Talent, ITV1, 9 May 2009 20 Other programmes not in breach 30 2 Ofcom Broadcast Bulletin, Issue 149 11 January 2010 The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes which broadcasting licensees are required to comply. These include: a) Ofcom’s Broadcasting Code (“the Code”) which took effect on 16 December 2009 and covers all programmes broadcast on or after 16 December 2009. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/. Note: Programmes broadcast prior to 16 December 2009 are covered by the 2005 Code which came into effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). The 2005 Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode_2005/. -
Ronnie Barker Authorised Biography Free
FREE RONNIE BARKER AUTHORISED BIOGRAPHY PDF Bob McCabe | 272 pages | 28 Aug 2007 | Ebury Publishing | 9780563522461 | English | London, United Kingdom Ronnie Barker Authorised Biography by Bob McCabe - Penguin Books Australia Full of original contributions interviews and illustrations on one of the best-loved entertainers in showbiz. Ronnie Barker is one of the best-loved and most celebrated entertainers in British television history. As well as starring in the ever popular and Ronnie Barker Authorised Biography acclaimed sitcoms Porridge and Open All Hours, he was, of course, one of the bespectacled Two Ronnies, who topped the TV Charts for more than 15 years and are returning to our screens in spring A celebration of Ronnies life and career, published to coincide with Ronnies Ronnie Barker Authorised Biography birthday, this book contains original contributions from people who have worked with and know him best including John Cleese, David Jason who provides the forewordDavid Frost, Eric Idle, Michael Palin. Written with the full consent and collaboration of Ronnie himself, this biography is full of interviews and unseen personal illustrations from his own collection. Bob McCabe is a respected author and journalist and contributes regularly to film magazines and BBC radio arts programmes. He is the author of several books. Bob McCabe. Search books and authors. Ronnie Barker Authorised Biography. View all online retailers Find local retailers. Full Ronnie Barker Authorised Biography original contributions interviews and illustrations on one of the best-loved entertainers in showbiz Ronnie Barker is one of the best-loved and most celebrated entertainers in British television history. Also by Bob McCabe. -
Comedy Benefit Programme
MarkT_24pp_Programme:Layout 1 17/09/2007 13:40 Page 1 A seriously funny attempt to get the Serious Fraud Office in the dock! MarkT_24pp_Programme:Layout 1 17/09/2007 13:40 Page 2 Massive thanks to Mark Thomas and all, the performers whove given their time, and jokes tonight , to everyone whos ,made tonight happen everyone who helped with the programme and everyone who . came to see the show PRINTED BY RUSSELL PRESS ON 100% RECYCLED POST-CONSUMER WASTE MarkT_24pp_Programme:Layout 1 17/09/2007 13:40 Page 3 Welcome to tonight’s show! A few words from Mark Thomas Well, I hope you know what you have done, that is all case. And that should have been the end of it. I can say. You and your liberal chums, you think you Normality returns to the realm. The Union Jack flies are so clever coming along to a comedy night at high. Queen walks corgis. Church of England sells Hammersmith, but do you for one minute understand jam at fetes. Children shoot each other on council the consequences of your actions? The money you estates. All are happy in Albion. paid to come and see this show is being used to put the government in the dock! Yes, your money! You did it! You seal cub fondling bleeding heart fop! This so called “benefit” is going to cover the legal costs for taking the Serious Fraud Office to court and you have contributed to it. Where would we be as a country if everyone behaved like you, if everyone went around taking the government to court? Hmm! No one would have fought the Nazis in World War Two, that is where we would be. -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
Social Justice Practices for Educational Theatre
VOLUME 7 ISSUE 2b | 2020 SOCIAL JUSTICE PRACTICES FOR EDUCATIONAL THEATRE ARTSPRAXIS Emphasizing critical analysis of the arts in society. ISSN: 1552-5236 EDITOR Jonathan P. Jones, New York University, USA EDITORIAL BOARD Selina Busby, The Royal Central School of Speech and Drama, UK Amy Cordileone, New York University, USA Ashley Hamilton, University of Denver, USA Norifumi Hida, Toho Gakuen College of Drama and Music, Japan Kelly Freebody, The University of Sydney, Australia Byoung-joo Kim, Seoul National University of Education, South Korea David Montgomery, New York University, USA Ross Prior, University of Wolverhampton, UK Daphnie Sicre, Loyola Marymount University, USA James Webb, Bronx Community College, USA Gustave Weltsek, Indiana University Bloomington, USA Tammie Swopes, New York University, USA ArtsPraxis Volume 7, Issue 2b looked to engage members of the global Educational Theatre community in dialogue around current research and practice. This call for papers was released in concert with the publication of ArtsPraxis Volume 7, Issue 1 and upon the launch of the new ArtsPraxis homepage. The submission deadline for Volume 7, Issue 2b was July 15, 2020. Submissions fell under the category of Social Justice Practices for Educational Theatre. Social Justice Practices for Educational Theatre As of early June, 2020, we found ourselves about ten days into international protests following the murder of George Floyd by police in Minneapolis, Minnesota. Protesters the world over made specific calls to action: acknowledge that black lives matter, educate yourself about social and racial injustice, and change the legal system that allows these heinous acts to go unpunished. In thinking through how we in the field of educational theatre could proactively address these needs, I reminded myself that there were many artists and educators who were already deeply engaged in this work. -
Scott & Bailey 2 Wylie Interviews
Written by Sally Wainwright 2 PRODUCTION NOTES Introduction .........................................................................................Page 3 Regular characters .............................................................................Page 4 Interview with writer and co-creator Sally Wainwright ...................Page 5 Interview with co-creator Diane Taylor .............................................Page 8 Suranne Jones is D.C. Rachel Bailey ................................................Page 11 Lesley Sharp is D.C. Janet Scott .......................................................Page 14 Amelia Bullmore is D.C.I. Gill Murray ................................................Page 17 Nicholas Gleaves is D.S. Andy Roper ...............................................Page 20 Sean Maguire is P.C. Sean McCartney ..............................................Page 23 Lisa Riley is Nadia Hicks ....................................................................Page 26 Kevin Doyle is Geoff Hastings ...........................................................Page 28 3 INTRODUCTION Suranne Jones and Lesley Sharp resume their partnership in eight new compelling episodes of the northern-based crime drama Scott & Bailey. Acclaimed writer and co-creator Sally Wainwright has written the second series after once again joining forces with Consultancy Producer Diane Taylor, a retired Detective from Greater Manchester Police. Their unique partnership allows viewers and authentic look at the realities and responsibilities of working within -
MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 Melbourne 'S Home of Theatre
MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 MElBOURNE 'S hOME OF ThEATRE MELBOURNE THEATRE COMPANY Media Release 28 AUGUST 2016 MTC Season 2017 Melbourne Theatre Company Artistic Director Brett Sheehy ao today revealed MTC’s 2017 Season – a collection of works from around the world that celebrate the art of great, live storytelling. ‘Season 2017 is one of our most exciting yet,’ Brett Sheehy said. ‘The year ahead draws together an enviable assortment of artists to present stories from France, Britain, Ireland, America, India, and, of course, Australia for a season that will bring laughter, empathy, debate and intrigue to all our lives.’ ‘In a season that celebrates and showcases live storytelling at its best, we are especially thrilled that four outstanding new Australian plays will have world premiere productions on our stages,’ Mr Sheehy said. Melbourne Theatre Company’s 2017 Season features eleven mainstage productions, an extensive Education Program and touring education production, plus a range of industry-leading initiatives including MTC’s Women in Theatre Program, NEON NEXT, MTC CONNECT and Cybec Electric. The season opens in grand period style with Garson Kanin’s 1940s Broadway classic Born Yesterday – a screwball romance directed by MTC Associate Director Dean Byrant, starring Christie Whelan Browne and Joel Jackson. The incomparable Helen Morse and Julia Blake return to the stage alongside Ursula Mills making her MTC debut in John, the latest highly acclaimed work from Pulitzer Prize-winning playwright Annie Baker, directed by MTC Associate Director Sarah Goodes. Judy Davis directs Brian Friel’s enduring work of art, Faith Healer – an extraordinary creation presented in four beautifully sculpted monologues – starring Colin Friels, Pip Miller and Alison Whyte. -
Downloads/Bfi-Film- London: Creative Diversity Education-And-Industry- Network
The Journal of Media and Diversity Issue 01 Winter 2020 Sir Lenny Henry, Leah Cowan, David Olusoga, Marverine Duffy, Charlene White, Kimberly McIntosh, Professor Stuart Hall, Kesewa Hennessy, Will Norman, Emma Butt, Dr David Dunkley Gyimah, Dr Erica Gillingham, Dr Peter Block, Suchandrika Chakrabarti 1 REPRESENTOLOGY THE JOURNAL OF MEDIA AND DIVERSITY REPRESENTOLOGY The Journal of Media and Diversity Editorial Mission Statement Welcome to Representology, a journal dedicated to research and best-practice perspectives on how to make the media more representative of all sections of society. A starting point for effective representation are the “protected characteristics” defined by the Equality Act 2010 including, but not limited to, race, gender, sexuality, and disability, as well as their intersections. We recognise that definitions of diversity and representation are dynamic and constantly evolving and our content will aim to reflect this. Representology is a forum where academic researchers and media industry professionals can come together to pool expertise and experience. We seek to create a better understanding of the current barriers to media participation as well as examine and promote the most effective ways to overcome such barriers. We hope the journal will influence policy and practice in the media industry through a rigorous, evidence-based approach. Our belief is that a more representative media workforce will enrich and improve media output, enabling media organisations to better serve their audiences, and encourage a more pluralistic and inclusive public discourse. This is vital for a healthy society and well-functioning democracy. We look forward to working with everyone who shares this vision. 2 ISSUE 01 WINTER 2020 CONTENTS EDITORIAL 04 Lessons from history In the wake of Black Lives Matter, many Sir Lenny Henry and David Olusoga people at the helm of the UK media industry interview. -
Nick 2014 Winter Newsletter
nickelodeon Music Club Crescent Heights Community Hall - 1101 - 2nd Street N.W. Mailing address: P. O. Box 63016, Stadium RPO Calgary, AB T2N 4S5 www.thenick.ca 34th Season: Winter 2014 elcome to the 2nd half of our 34th anniversary sea- Tickets son at the Nick! We will present some old friends • 2014-2015 GOLD CARD renewals will commence (for a and a bunch of terrific newcomers. The home of the limited time) starting February 22nd. There is a waiting list WNickelodeon is the Crescent Heights Community Hall (1101 - 2nd for GOLD CARDS that aren’t renewed - email us if you Street NW). Seating is first-come first serve with the following wish to be added to the waiting list. exception: season’s ticket holders who arrive early will be given Please send your email to: [email protected] preferential admission from 6:50 - 7:00 P.M. Our ticket capacity is 193 patrons, and 110 are season’s ticket holders. Concerts begin at 7:30 p.m. with the doors opening at 7:00 p.m. Online Ticket Sales An evening at the Nick begins with an opening act, followed by • $25 Advance Tickets for ALL January to April 2014 concerts go on sale two sets by our featured performer. Breaks between sets allow December 13 at www.brownpapertickets.com time for socializing and indulging in an entree, great cakes, pop- corn and other refreshments. Advance Ticket Sales At The Nick Guitar Raffle! The Nick will once again conduct a raffle for a Bristol BD-16 • Starting at our first club on January 11th, and at each club Dreadnought guitar and wall hanger, generously donated by Mike MacLeod thereafter, Nick patrons may purchase advance tickets for and The Acoustic Guitar.