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Bibliography Bibliography Allen, Peter (1978), The Cambridge Apostles: The Early Years (Cambridge: Cambridge University Press). Allingham, William (1967), William Allingham’s Diary, ed. H. M. Allingham and D. Radford (London: Macmillan, 1907); with an introduction by Geoffrey Grigson (Fontwell, Sussex: Centaur Press, 1967). Armstrong, Isobel, Victorian Poetry, Poetics and Politics (London: Routledge, 1993). Auden, W. H. (1944), ‘Introduction’, in Alfred Lord Tennyson, A Selection from the Poems of Alfred Tennyson (New York: Doubleday). Austin, Alfred (1910), ‘A Vindication of Tennyson’, The Bridling of Pegasus: Prose Papers on Poetry (London: Macmillan), pp. 197–217. Bevis, Matthew (1999), ‘Tennyson’s Civil Tongue’, Tennyson Research Bulletin 7.3, pp. 113–25. Blair, Kirstie (2006), Victorian Poetry and the Culture of the Heart (Oxford: Oxford University Press. Bloom, Harold (1976), Poetry and Repression (New Haven, CT: Yale University Press). Brookfield, Charles, and Frances M. Brookfield (eds) (1905), Mrs Brookfield and Her Circle (London: Sir Isaac Pitman & Sons). Brookfield, Frances M. (1906), The Cambridge ‘Apostles’ (London: Pitman). Brooks, Cleanth (1947a), ‘The Motivation of Tennyson’s Weeper’, in Brooks (1947b), pp. 167–75. ——— (1947b), The Well-Wrought Urn: Studies in the Structure of Poetry (New York: Harcourt Brace). Buckley, Jerome H. (1951), The Victorian Temper: A Study in Literary Culture (Cambridge, Mass.: Harvard University Press). ——— (1960), Tennyson: The Growth of a Poet (Cambridge, Mass.: Harvard University Press). Bush, Douglas (1937), Mythology and the Romantic Tradition in English Poetry (Cambridge, Mass.: Harvard University Press). Campbell, Matthew (1999), Rhythm and Will in Victorian Poetry (Cambridge: Cambridge University Press). Campbell, Nancie (ed.), Tennyson in Lincoln: A Catalogue of the Collections in the Research Centre, 3 vols (Lincoln: Tennyson Research Centre, 1971–73). Carlyle, Thomas, and Jane Welsh Carlyle (1970), The Collected Letters of Thomas and Jane Welsh Carlyle, ed. Charles Richard Sanders and K. J. Fielding (Durham, NC: Duke University Press). Carr, Arthur J. (1950), ‘Tennyson as a Modern Poet’, in Killham (1960), pp. 41–64. Christ, Carol (1987), ‘The Feminine Subject in Victorian Poetry’, ELH 54 (Summer), pp. 385–401. Colley, Ann C. (1983), Tennyson and Madness (Athens, Ga.: University of Georgia Press). Collins, John Churton (1891), Illustrations of Tennyson (London: Chatto and Windus, 1999); see also Jump (1967), pp. 447–53. Collins, Philip (ed.)(1992), Tennyson: Seven Essays (Basingstoke: Macmillan, now Palgrave Macmillan). Craft, Christopher (1988), ‘ “Descend, Touch, and Enter”: Tennyson’s Strange Mode of Address’, Genders 1, pp. 85–6. 335 336 Bibliography Culler, A. Dwight (1977), The Poetry of Tennyson (New Haven: Yale University Press). Day, Aidan (2005), Tennyson’s Scepticism (Basingstoke: Palgrave Macmillan). Douglas-Fairhurst, Robert (2002), Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature (Oxford: Oxford University Press, 2007). Eagleton, Terry (1978), ‘Tennyson: Politics and Sexuality in The Princess and In Memoriam’, in Francis Barker (ed.), 1848: The Sociology of Literature (Colchester: University of Essex, 1978), pp. 97–106. Ebbatson, Roger (1988), Tennyson (London: Penguin). ——— (2003), ‘Tennyson’s “English Idylls”: History, Narrative, Art’, Tennyson Society Occasional Paper 12 (Lincoln: Tennyson Society). ——— (2005), ‘Three Dead Men’, Tennyson Research Bulletin , pp. 270–86. Eidson, J. O. (1943), Tennyson in America (Athens: University of Georgia Press). Eliot, T. S. (1936), Essays Ancient and Modern (London: Faber & Faber). FitzGerald, Edward (1980), The Letters of Edward FitzGerald, ed. A. M. and A. B. Terhune (New Jersey: Princeton University Press). Fox, Caroline (1882), Memoirs of Old Friends: Being Extracts from the Journals and Letters of Caroline Fox 1835–1871 (London: Smith, Elder & Co.). Freud, Sigmund, Mourning and Melancholia (1917), in The Ego and the Id (Das Ich und Das Es) (Leipzig, Vienna and Zurich: Internationer Psychoanalytischer Verlag, 1923); English translation: London: Hogarth Press and Institute of Psychoanalysis, 1927. Gladstone, W. E. (1859), Untitled review of the Idylls of the King, Quarterly Review 106 (October), pp. 454–85. Gosse, Edmund (1928), Selected Essays: First Series (London: Heinemann). Griffiths, Eric (1989), The Printed Voice of Victorian Poetry (Oxford: Oxford University Press). Hair, Donald S. (1991), Tennyson’s Language (Toronto: University of Toronto Press). Hallam, Arthur Henry (1831), ‘On Some of the Characteristics of Modern Poetry and on the Lyrical Poetry of Alfred Tennyson’ (unsigned review of Poems, Chiefly Lyrical [1830]), Englishman’s Magazine i (August), pp. 616–28. ——— (1981), Letters of Arthur Henry Hallam, ed. J. Kolb (Columbus: Ohio State University Press). Hardy, Florence Emily (1962), The Life of Thomas Hardy 1840–1928 (London: Macmillan). Harstock, Ernest (1930), Personalist 11, pp. 28–31. Hartmann, Geoffrey (1978), ‘Psychoanalysis: The French Connection’, Psychoanalysis and the Question of the Text (Baltimore: Johns Hopkins University Press). Hough, Graham (1951), in the Hopkins Review, in Killham (1960), pp. 177–85. Hudson, Derek (1954), Lewis Carroll (London: Constable). Huxley, Thomas (1900), Life and Letters of Thomas Huxley, 2 vols, ed. Leonard Huxley (London: Macmillan). Jenkins, Elizabeth (1974), Tennyson and Dr Gully, Tennyson Society Occasional Paper 3 (Lincoln: Tennyson Society). Johnson, E. D. H. (1952), ‘Tennyson’, The Alien Vision in Victorian Poetry (Princeton: Princeton University Press), pp. 3–68. Jordan, Elaine (1979), ‘Tennyson Public and Private’, Essays in Criticism XXIX. ——— (1988), Alfred Tennyson (Cambridge: Cambridge University Press). Joseph, Gerhard (1992), Tennyson and the Text: The Weaver’s Shuttle (Cambridge: Cambridge University Press). ——— (1996), ‘Victorian Weaving: The Alienation of Work into Text in “The Lady of Shalott”’ in Stott (1996). Bibliography 337 Jump, J. D. (ed.) (1967), Tennyson: The Critical Heritage (London: Routledge and Kegan Paul). Kilham, John (1958), Tennyson and The Princess: Reflections of an Age (London: Athlone Press). Killham, John (ed.) (1960), Critical Essays on the Poetry of Tennyson (London: Routledge and Kegan Paul). Kincaid, James (1992), ‘Forgetting to Remember: Tennyson’s Happy Losses’, Victorian Poetry 30, pp. 197–209. Knowles, James (1893), ‘Aspects of Tennyson, II: Personal Reminiscences’, Nineteenth Century 33, pp. 164–88. Kolb, Jack (2000), ‘Hallam, Tennyson, Homosexuality and the Critics’, Philological Quarterly (Summer). Lang, Cecil Y. (1983), Tennyson’s Arthurian Psychodrama, Tennyson Society Occasional Paper 5 (Lincoln: Tennyson Society). Langbaum, Robert (1985 [1957]), The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition, 3rd edn (Chicago: University of Chicago Press). Leach, Terence, and Robert Pacey (1992), Lost Lincolnshire Country Houses, Vol. 3 (Burgh le Marsh, Lincolnshire: Old Chapel Books). Leavis, F. R. (1936), Revaluation (London: Chatto and Windus). Levi, Peter (1993), Tennyson (London: Macmillan). Lyall, Sir Alfred (1902), Tennyson (London: Macmillan; rpt, New York: Heskell House, 1977). McGann, Jerome (1982), ‘Tennyson and the Histories of Criticism’, Review 4, pp. 219–53. Malory, Sir Thomas (1816), The Mort D’Arthur: the most ancient and famous history of the renowned Prince Arthur and the knights of the Round Table, ed. Wilks (London). ——— (1966), The Works of Sir Thomas Malory, ed. Eugene Vinaver (Oxford: Oxford University Press). Markley, A. A. (2004), Stateliest Measures: Tennyson and the Literature of Greece and Rome (Toronto: University of Toronto Press). Martin, Robert Bernard (1980), Tennyson: The Unquiet Heart (Oxford: Oxford University Press; rpt, London: Faber, 1983). Mattes, Eleanor, ‘In Memoriam: The Way of the Soul’: A Study of Some Influences That Shaped Tennyson’s Poem (New York: Exposition Press, 1951). Mazzeno, Laurence W. (2004), Alfred Tennyson: The Critical Legacy, Studies in English and American Literature and Culture: Literary Criticism in Perspective (Columbia, SC: Camden House). Mill, John Stuart (2006), ‘What Is Poetry?’, in Stephen Greenblatt and M. H. Abrams (eds), Norton Anthology of English Literature (8th edn; New York: Norton), vol. 2, pp. 1044–51. Miller, J. Hillis (1993), ‘Temporal Topographies: Tennyson’s Tears’, Victorian Poetry 30, pp. 277–89. Millett, Kate (1970), Sexual Politics (Garden City, New York: Doubleday; London: Virago, 1977). Millgate, Michael, Testamentary Acts: Browning, Tennyson, James, Hardy (Oxford: Oxford University Press, 1992). Moore, George (1966), ‘Dr Tennyson’s Library’ (Nottingham Univeresity, MA thesis). Nicolson, Harold (1923), Tennyson: Aspects of His Life, Character and Poetry (London: Constable). North, Christopher (John Wilson)(1832), unsigned review of Alfred Lord Tennyson, Poems, Chiefly Lyrical (1830), Blackwood’s Edinburgh Magazine xxxi (May), pp. 721–41. 338 Bibliography Nowell-Smith, Simon (1969), ‘Tennyson’s “Tiresias” 1885’, Library 24, pp. 55–6. Nunokawa, Jeff (1991), ‘In Memoriam and the Extinction of the Homosexual’, ELH 58, pp. 427–38. Ormond, Leonée (1989), Tennyson and the Old Masters, Tennyson Society Occasional Paper 7 (Lincoln: Tennyson Society). ——— (1993), Alfred Tennyson: A Literary Life, Macmillan Literary Lives (London: Macmillan). Paden, W. D. (1942), Tennyson in Egypt: A Study of the Imagery in His Earlier Work (Lawrence: University of Kansas Publications). Padley, Jonathan
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