Changing Places

Total Page:16

File Type:pdf, Size:1020Kb

Changing Places "Peter Schulze" [email protected] PLACES01 Peter Schulze Seite 1 von 1 Changing Places Author: David Lodge was born in London in 1935 and took his BA and MA degree at University College, London in 1955 and 1959. He holds a doctorate from the University of Birmingham, where he taught in the English Department from 1960 until 1987, when he retired to become a full-time writer. He retains the title of Honorary Professor of Modern English Literature at Birmingham and continues to live in that city. He is a Fellow of the Royal Society of Literature. His novels include The Picturegoers (1960), Ginger, You’re Barmy (1962); The British Museum is Falling Down (1965);Out of the Shelter (1970); Changing Places (1975), for which he was awarded both the Hawthornden Prize and the Yorkshire Post Fiction Prize; How Far Can You Go?, which was Whitbread Book of the Year in 1980; Small World, which was shortlisted for the Booker Prize in 1984; Nice Work, which won the 1988 Sunday Express Book of the Year Award and was also shortlisted for the Booker Prize; Paradise News (1991) and Therapy (1995). David Lodge has written several books on literary criticism, such as Language of Fiction (1966), The Novelist at the Crossroads (1971), and The Modes of Modern Writing (1977). He has also edited Modern Criticism and Theory (1988). Many of his works have been published by Penguin, such as Write On (1986), a collection of occasional essays and The Art of Fiction (1992), a selection of articles originally published in the Independent on Sunday. He also produced several serials for BBC and the stage play “The Writing Game” which was adapted for Channel 4 in 1995. Characters: Philip Swallow: The professor of English Literature at the University of Rummidge in England is forty years old, unconfident, eager to please and mistrusting everything. Although he’s very intelligent, Swallow is scarcely known because he’s lacking of will and ambition. He is in love with literature in all its diverse forms. When he spent his honeymoon with Hilary Broom - a British student - at Euphoric State, everyone of them was happy and content. But now Philip is in his midlife crisis, father of three children and not very happy with his marriage. He hopes, that the Euphoria-visit will bring some change into his life. Morris J. Zapp: … Is also professor of English Literature, but he teaches at the University of Euphoria in the US. In his forty years lifetime he has become quite famous, won many prices and published five books. Zapp analyses everything and tries to explain it in statistics. The professor is married to Dèsirèe who he has twins with. The Zapp’s marriage is about breaking up, because Morris had an affair with one of his students. After an ultimatum by his wife he’s going to Europe to avoid a divorce. "Peter Schulze" [email protected] PLACES01 Peter Schulze Seite 2 von 2 Setting: The story takes place mainly around the campuses of Euphoric State at the US and Rummidge in England. These two towns are exactly each other’s opposite: Euphoria is one of Americas’ major Universities with a beautiful landscape around and nice weather all the time, paying high wages to the professors. On the other side of the Atlantic is Rummidge in the British midlands: you hardly ever are able to see the sun because of fog and rain - the University is not very popular and has no good reputation. Between these two Universities exists a partnership, which is shown by an annual exchange program between them. Naturally the exchangers from Rummidge are more likely going to the US voluntarily because of the higher wages their and being more popular than at their home-campus. Time: On January 1st of the year 1969 this exchange program begins with the flight of Philip Swallow and Morris Zapp, “meeting” over the polar ice in their Boeing 707s. This is the time of the Vietnam War and free love. The effects of these situations first show at Euphoric State with student-riots, which swap over to Rummidge after a few weeks. Plot: The story begins with the two people on their flight to their working place for the next term. Philip Swallow, who is unaccustomed to air travel, meets Charles Boon - one of his former students, who failed at Rummidge University - who is going back to Euphoric State, where he’s studying now and has his own radio show. Swallow expects the time at Euphoria to become nice, because he has already had good times twenty years ago, when he married Hilary Broom there. Morris doesn’t enjoy the flight, although long-distance air travel is familiar to him within the USA but it’s the first flight for him out of the North American landmass. After a while he realizes, that he is on a plane full of pregnant women, going to England for abortion because the laws are less stricter there. Morris talks to one of them called Mary Makepeace who turns out to be a schoolgirl on a highly catholic school. After all the father of the child seems to be a priest… When Philip arrives at Euphoria, he rents a flat, which - he gets to know later - was built in a slide area, that means on loose ground. He first meets Mrs. Zapp, a rather choleric woman, at a party of the campus. Afterwards he is involved into sex- and druggames and starts an affair with Melanie, who lives in the apartment underneath his own with two friends. Hilary Swallow and Morris Zapp get to know this by an anonymous letter and Mr. Zapp immediately sends Dèsirèe out to clear the situation; Melanie turns out to be Zapp’s child from 1st marriage. Within that time Morris Zapp also has settled in and has met Mary Makepeace again, after she had lost her job and was stolen her money. The girl had decided against the abortion and to get the child in England. Morris tries to help her, but Dr. O’Shea – the owner of the house, the professor is living in – doesn’t want to, because he’s strictly catholic and knows Mary’s story. So Zapp asks Hilary Swallow to give her a home, who soon accepts this, because she feels alone and has just heard of her husband’s affair. At this time the student-riots at Euphoria get at their highest point, one of the students dies after a fight with the police and Swallow even has to spend a night in jail. "Peter Schulze" [email protected] PLACES01 Peter Schulze Seite 3 von 3 After his house in the slide area is destroyed because of heavy rainfalls, Melanie sets off with Charles Boon and Philip is invited by Dèsirèe to live at the Zapp’s home. While they start an affair and Swallow doesn’t know if to fly home or not the riots at Rummidge escalate, too. One Night, when Philip is guest at the Charles Boon Show, his wife calls and threatens him to start an affair if he’d hang up. “Actually”, Philip returns, “I’m already having one.” The night before Morris Zapp had tried to go to bed with Hilary, but she had refused. Many things have changed at Rummidge University, since Morris Zapp came there: the whole campus has moved into a newer building because of the formula one ring, that is going to be built. Zapp is now quite popular at Rummidge after the student sit-ins and works in the office of Gordon Masters, the former headmaster, who had to retire after the riots. Morris accepts the job of mediator between Administration and students; he’s the unofficial head of the University. After Hilary has heard of her husband’s second affair, she decides to sleep with Morris. A few days later the two wives call each other on the phone and agree on a meeting in New York to clear the situation. When the two couples meet there, every possible formation of their relationships for the future is discussed – from divorcing and remarrying onto a group marriage; everything is mentioned. The novel has an open ending; it cuts off right in the conversation. Style: David Lodge parted the book into six chapters: In the first – called “Flying” – the author introduces the two main characters and describes their ways to the exchange program. As the name insists, this chapter takes place in the two Boeing 707s. The second chapter – called “Settling” – consists of how Swallow and Zapp cope with their new situation in England or the US. These two chapters are written in normal story-type in past time, but at the 3rd chapter – “Corresponding” – the style changes into letter writing. In this part of the book the reader is able to read the letters between the Zapps and the Swallows. I found this part quite funny to read, because the reader has to imagine the things happening in Euphoria and Rummidge himself and explores step by step the situation and the involved people’s emotions. “Reading” – the 4th chapter, also has quite an interesting style and is an increase to the chapter before: it consists of local newspaper articles read by the two professors. The next interesting change of style is done in chapter 6 (“Ending”): it’s written like a script with attachments how to film the scenes. Meaning/Themes: In my opinion David Lodge criticises both the American and the British school system and the mentality of the two nationalities: whereas Zapp and Swallow are quite at the same level of intelligence, Zapp has more success in America (also shown by the example of Charles Boon) than his British counterpart.
Recommended publications
  • A Memoir: 1935- 1975 Pdf, Epub, Ebook
    QUITE A GOOD TIME TO BE BORN: A MEMOIR: 1935- 1975 PDF, EPUB, EBOOK David Lodge | 496 pages | 09 Mar 2016 | Vintage Publishing | 9781784700539 | English | London, United Kingdom Quite A Good Time to be Born: A Memoir: 1935-1975 PDF Book Lifestyle Newsletter. No trivia or quizzes yet. Even here in the stylised world of the middle-class literary memoir, though, there are distinctions to be drawn. Start your Independent Premium subscription today. They strove for respectability. Published by Vintage first published January 29th Show 25 25 50 All. Related Articles. He lives in Birmingham. Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. Log in. As Lodge admits, several previous books were accepted conditional on cuts. Paperback , pages. Quite a lot about Catholicism in the book - hadn't realised he was, particularly or that he had a Downs child. The joys of his marriage, his travels, and the thrill of publishing his first novel, are shadowed by professional disappointments and personal challenges. Does this mean we can safely assume that Lodge is Dennis? The appeal of much of the latter half of the book is then his description of the English academic world of the decade or so before I became a student in Louise O'Neill. David Lodge. Over the course of enjoyable pages, he comes across as a literary Everyman who o David Lodge has been one of my favorite authors for nearly a decade.
    [Show full text]
  • The Two Cultures and Other Dualisms in David Lodge's Thinks
    The Two Cultures and Other Dualisms in David Lodge’s Thinks… The Two Cultures and Other Dualisms in David Lodge’s Thinks… Bożena Kucała Jagiellonian University in Kraków Abstract: This article discusses several types of dualism in David Lodge’s cam- pus novel Thinks… (2001). Underlain by a conflict between “the two cultures”, the plot and the narrative mode serve to illustrate different approaches to hu- man consciousness, which are grounded in the humanities and the sciences, re- spectively. The novel brings together a novelist arguing for the uniqueness and opacity of the self and a cognitive scientist who denies the autonomy of the self and rejects the dualism of body and mind. This opposition is dramatised in the debates between the chief antagonists and in the development of their relationship, which constitutes the basis of the plot. It is argued that Lodge’s novel points to areas of convergence between the two approaches but ulti- mately demonstrates their disjunction while arbitrarily making a case for the humanities. Keywords: academic fiction, David Lodge, dualism, the two cultures In his introduction to a comparative analysis of the fiction of Malcolm Brad- bury and David Lodge, The Dialogic Novels of Malcolm Bradbury and David Lodge, Robert A. Morace foregrounds dialogism as the defining quality of their work, which he detects at several levels at once: Their novels are truly “double voiced,” or, to use a word from Lodge’s Changing Places, “duplex,” which in telegraphic jargon refers to the sending of two messages simultaneously in different directions along the same line. […] Theirs is a fiction of structural, thematic, semantic, and intertextual doublings, echoes, and mirror reflections: a fiction which simultaneously undermines and -en dorses; a fiction at once academic and accessible, referential and self-reflexive, British and American, Anglo-liberal and postrealist; Bożena Kucała, The Two Cultures and Other Dualisms in David Lodge’s Thinks…, Polish Journal of English Studies 5.2 (2019): 58-69.
    [Show full text]
  • The British Museum Is Falling Down : David Lodge’S Literature of Exhaustion
    UDC 821.111.09-31 Lodge D. https://doi.org/10.18485/bells.2017.9.9 Svetlana Milivojević Petrović * Faculty of Philology Belgrade University TRANSFORMING THE REALIST NARRATIVE MODE IN THE BRITISH MUSEUM IS FALLING DOWN : DAVID LODGE’S LITERATURE OF EXHAUSTION Abstract David Lodge was one of the many novelists in the 1960’s who felt that the novel form was at a crossroads. Due to the immense pressure on the aesthetic and epistemological premises of literary realism, many novelists considered two routes branching off in opposite directions: one led towards the neodocumentary, fiction as history, or the other way round; the other led towards metafiction. Despite being drawn to metafiction, Lodge retained a modest faith in realism: he was not prepared to accept the assumption that history and reality were so appalling and the human situation so disastrous that realism could no longer be a fitting response to reality. Having produced two realistic novels in the early 1960’s, Lodge responded to the widespread feeling that realism and the novel form were in a crisis, reflected memorably in John Barth’s influential essay “The Literature of Exhaustion”, by tackling metafiction on his own terms, moving freely between the realistic and the metafictional mode. What he produced was a narrative about a thoroughly realistic subject, namely, young Catholic parents struggling with the perils of contraception while trying to adhere to the official doctrine of the Catholic Church. The plot, encompassing a single day in the life of its protagonists, unfolds through a series of delightfully witty parodies of the literary styles of a number of major writers, among them James Joyce, Virginia Woolf and Franz Kafka.
    [Show full text]
  • David Lodge's Campus Fiction
    UNIVERSITY OF UMEÅ DISSERTATION ISSN 0345-0155 — ISBN 91-7174-831-8 From the Department of English, Faculty of Humanities, University of Umeå, Sweden. CAMPUS CLOWNS AND THE CANON DAVID LODGE’S CAMPUS FICTION AN ACADEMIC DISSERTATION which will, on the proper authority of the Chancellor’s Office of Umeå University for passing the doctoral examination, be publicly defended in Hörsal G, Humanisthuset, on Saturday, December 18, at 10 a.m. Eva Lambertsson Björk University of Umeå Umeå 1993 Lambertsson Björk, Eva: Campus Clowns and the Canon: David Lodge's Campus Fiction. Monograph 1993,139 pp. Department of English, University of Umeå, S-901 87 Umeå, Sweden. Acta Universitatis Umensis. Umeå Studies in the Humanities 115. ISSN 0345-0155 ISBN 91-7174-831-8 Distributed by Almqvist & Wiksell International P.O. Box 4627, S-116 91 Stockholm, Sweden. ABSTRACT This is a study of David Lodge's campus novels: The British Museum is Falling Down, Changing Places , Small World and Nice Work. Unlike most previous studies of Lodge's work, which have focussed on literary-theoretical issues, this dissertation aims at unravelling some of the ideological impulses that inform his campus fiction. A basic assumption of this study is that literature is never disinterested; it is always an ideological statement about the world. Mikhail Bakhtin's concept of the dialogical relationship between self and other provides a means of investigating the interaction between author and reader; central to this project is Bakhtin’s notion of how to reach an independent, ideological consciousness through the active scrutiny of the authoritative discourses surrounding us.
    [Show full text]
  • David Lodge's Small World: a Postmodern Academic Quest
    David Lodge’s Small World: A Postmodern Academic Quest Martin Novák Bachelor’s Thesis 2021 ABSTRAKT Tato práce analyzuje román Svět je malý Davida Lodge s cílem poukázat na zajímavou kombinaci milostného románu a akademického románu napsaného v postmoderním stylu. První kapitola představuje autorův život a jeho dílo. Následující dvě kapitoly se zabývají funkcí postmodernismu v literatuře a představením akademického románu a rytířského románu. Finální čtyři kapitoly se zabývají analýzou knihy a její struktury s cílem poukázat na její formální prvky a jak jsou použity k vytvoření komického postmoderního románu, který zesměšňuje i literární teorii. Hlavním cílem práce je dokázat, že Lodge paroduje a kritizuje žánry rytířských románů a milostných románů. Klíčová slova: Svět je malý, David Lodge, akademický román, rytířský román, postmodernismus, intertextualita, výprava, Svatý grál, univerzita ABSTRACT This thesis analyses the novel Small World by David Lodge with the aim to point out the interesting combination of romantic novel and campus novel written in the postmodern style. The first chapter introduces the author’s life and his work. The following two chapters deal with the function of postmodernism in literature and an introduction of campus novel and chivalric romance. The final four chapters deal with the analysis of the book and its structure with the aim to point out its formal elements and how they are used to create a comical postmodern novel that even ridicules literary theory. The main objective of the thesis is to prove that Lodge parodies and criticizes the genres of chivalric romance and romantic novels. Keywords: Small World, David Lodge, campus novel, chivalric romance, postmodernism, intertextuality, quest, Holy Grail, university ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my thesis supervisor, Prof.
    [Show full text]
  • Motion, Change and Discontinuity in David Lodge's
    IAFOR Journal of Literature & Librarianship Volume 9 – Issue 2 – 2020 Motion, Change and Discontinuity in David Lodge’s Changing Places (1975) Issaga Ndiaye, Cheikh Anta Diop University, Senegal 88 IAFOR Journal of Literature & Librarianship Volume 9 – Issue 2 – 2020 Abstract This paper aims to show that the suitability of the title of Lodge’s novel, Changing Places, transcends the surface level meaning of the story it purports to reflect. In its referentiality, this title is far from restrictive. The concept of motion it suggests can be found in the interactions between characters, but also at an emotional and textual level. I argue that movement and change prevail in the novel. The analeptic references, and peripatetic nature of the story, as well as the shifts of identity noticed in the protagonists, among others, are very telling as to the place devoted to movement and change. Also, Lodge’s different narrative techniques disrupt the narrative linear progression of the novel, thus underscoring both its lack of uniformity and its unpredictable nature. Keywords: Changing Places, David Lodge, irony, intertextuality, movement, postmodern novel 89 IAFOR Journal of Literature & Librarianship Volume 9 – Issue 2 – 2020 Introduction David Lodge’s Changing Places has been subject to many studies, most of them focusing on its humor, on its treatment of academe or on the influence it bears from such writers as James Joyce, Kingsley Amis and Malcolm Bradbury. 1 Others have emphasized David Lodge’s tendency to use theory in Changing Places and in his writings in general.2 Many of these studies have proved insightful in their examination of its subject matter about exchange as well.
    [Show full text]
  • An Analysis of David Lodge's Changing Places: a Tale of Two Campuses and Small World: an Academic Romance in the Light Of
    AN ANALYSIS OF DAVID LODGE’S CHANGING PLACES: A TALE OF TWO CAMPUSES AND SMALL WORLD: AN ACADEMIC ROMANCE IN THE LIGHT OF FRIEDRICH NIETZSCHE’S THUS SPOKE ZARATHUSTRA: A BOOK FOR ALL AND NONE A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY SEVĠNÇ ÇELĠK IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF ENGLISH LITERATURE SEPTEMBER 2009 Approval of the Graduate School of Social Sciences _______________ Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. ________________ Prof. Dr. Wolf König Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts. _______________ Assist. Prof. Dr. Dürrin Alpakın Martinez-Caro Supervisor Examining Committee Members Dr. Deniz Arslan (METU, ELIT) _________________ Assist.Prof.Dr. Dürrin Alpakın Martinez-Caro (METU, ELIT) _________________ Assist. Prof. Dr. Nil Korkut (BAġKENT, AMER) _________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Sevinç ÇELĠK Signature: iii ABSTRACT AN ANALYSIS OF DAVID LODGE’S CHANGING PLACES: A TALE OF TWO CAMPUSES AND SMALL WORLD: AN ACADEMIC ROMANCE IN THE LIGHT OF FRIEDRICH NIETZSCHE’S THUS SPOKE ZARATHUSTRA: A BOOK FOR ALL AND NONE Çelik, Sevinç M.A., Department of English Literature Supervisor: Assist.
    [Show full text]
  • The Influence of Medieval Romance on the Novel by David Lodge Small World
    UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Miriam Hasíková Vliv středověké romance na román Davida Lodgea Svět je malý - Motiv hledání The Influence of Medieval Romance On the Novel by David Lodge Small World - The Aspect of the Quest Bakalářská práce Vedoucí práce: Mgr. Pavlína Flajšarová, Ph. D. Olomouc 2014 Prohlašuji, že jsem bakalářskou práci vypracovala samostatně a uvedla v ní předepsaným způsobem všechnu použitou literaturu. V Olomouci dne 7. května 2014 .............................. Velmi děkuji Mgr. Pavlíně Flajšarové, Ph. D. za odborné vedení práce, inspiraci, poskytování rad a materiálových podkladů. Content Content .............................................................................................................................. 4 1. Introduction ................................................................................................................... 5 2. David Lodge and his work on the background of his life ............................................. 8 3. The genre of campus novel – its origin and development .......................................... 12 4. University Trilogy ....................................................................................................... 17 4.1. Changing Places ................................................................................................... 18 4. 2. Small World ........................................................................................................ 19 4. 3. Nice Work ..........................................................................................................
    [Show full text]
  • Thinking of England Shaun O'connell University of Massachusetts Boston, [email protected]
    New England Journal of Public Policy Volume 5 | Issue 2 Article 8 6-21-1989 Thinking of England Shaun O'Connell University of Massachusetts Boston, [email protected] Follow this and additional works at: http://scholarworks.umb.edu/nejpp Part of the Literature in English, British Isles Commons Recommended Citation O'Connell, Shaun (1989) "Thinking of England," New England Journal of Public Policy: Vol. 5: Iss. 2, Article 8. Available at: http://scholarworks.umb.edu/nejpp/vol5/iss2/8 This Book Review is brought to you for free and open access by ScholarWorks at UMass Boston. It has been accepted for inclusion in New England Journal of Public Policy by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. Thinking of England Shaun 'Connell The works discussed in this article include: Latecomers, by Anita Brookner. 248 pages. Pantheon Books, 1989. $16.95. A Sinking Island: The Modern English Writers, by Hugh Kenner. 290 pages. The Johns Hopkins University Press, 1987. $12.95 (paper). Collected Poems , by Philip Larkin. 330 pages. Farrar, Straus & Giroux, 1989. $22.50. The Russia House, by John le Carre. 353 pages. Alfred A. Knopf, 1989. $19.95. The Fifth Child, by Doris Lessing. 133 pages. Vintage Books, 1989. $6.95 (paper). Nice Work, by David Lodge. 277 pages. Viking, 1989. $18.95. Out ofthe Shelter, by David Lodge. 271 pages. Penguin, 1970, 1989. $7.95 (paper). In his study of modern English writers, A Sinking Island, Hugh Kenner argues that English literature, as we have known and loved it, no longer exists.
    [Show full text]
  • Common Ground Text
    Your Time Starts Now: Questioning what’s real in David Lodge’s Birmingham by Lorelei Mathias QUESTION 3.b): “Rummidge is not Birmingham, though it owes something to popular prejudices about that city”,1 David Lodge. Discuss. Seven years ago, almost to the day. It was the middle of the afternoon, and the sun was just poking its head out over the green campus quadrangle. Inside Avanti, the half-empty campus diner, two people were perched high on stools, picking at cups of murky orange soup. One, a bespectacled middle-aged man named Don, turned to the other, a shy and awe-inspired girl of nineteen, and asked: “Have you ever read any David Lodge?” And that was my first whiff of Rummidge. In Edgbaston, just a year into my university education, sitting with Don Hughes – who was and still is one of Random House 199 COMMON GROUND Publishers’ friendliest sales reps. Rummidge, as Don went on to explain, is an intriguing comic world created by David Lodge. Rummidge University in particular, is the main back- drop for the trilogy of “campus novels”, Changing Places, Small World and Nice Work, written between1969 and 1989. In all these novels Rummidge is a version of Birmingham; a charac- ter in itself, born out of Lodge’s learned satire. There is Birmingham, which belongs on the geographical map of England – in the belly of Britain, just past the perplexing spaghetti junction and Cadbury World. And then there is Rummidge, which resides firmly on the literary map of Lodge’s comic imagination. But what do the two really have to do with each other? Back in 1999, over lukewarm soup with Don, I had little idea of the significance I would later attach to Rummidge and its creator.
    [Show full text]
  • When the Professor Loses His Faculties: Uses of the Comic in David Lodge's Novel Deaf Sentence
    61 HEINRICH VERSTEEGEN When the Professor Loses His Faculties: Uses of the Comic in David Lodge's Novel Deaf Sentence David Lodge's Deaf Sentence (2008) received widespread critical acclaim. It was shortlisted for the Commonwealth Writers' Prize 2009 (cf. British Council 2011), and it has been praised for its insightful account and "compassionate understanding" (Cunnen 2009, 34) of aging and mortality. Reviewers' opinions, however, were not quite so unanimous in their assessment of the novel's peculiar combination of funny and gloomy elements. At one end of the spectrum, the novel was called "deeply mel- ancholic" (Conradi 2008), and "a markedly doleful book" (Bray 2008, 59), while, at the opposite end, its major strength was located in "Lodge's comedic talent" (Strout 2010, xciii). Most reviewers, however, were unable to establish any specific aesthetic link between the contradictory styles of the narrative and were content to point out that it "evokes both laughter and tears" (Burkhardt 2008, 120) or that it "cannot be called a comic novel, though it is very funny" (Allen 2008, 21). As regards the comic element, Deaf Sentence is indeed reminiscent of Lodge's earlier campus novels. There is a professor of linguistics in a northern university town,1 who after taking early retirement still keeps in touch with his old faculty; there is an attractive female American student whose advances flatter the emeritus; and then there is the professor's younger wife, who, as a successful businesswoman, is too busy to keep track of her husband's academic, and other, pursuits. The comic potential of this character constellation is considerable (allowing humorous clashes between old and young, academia and commerce,2 British and American ways of life3 and, not to forget, the complications of a love triangle).
    [Show full text]
  • Consciousness and the Novel 2
    Contents Cover About the Book Also by David Lodge Dedication Title Page Preface 1. Consciousness and the Novel 2. Literary Criticism and Literary Creation 3. Dickens Our Contemporary 4. Forster’s Flawed Masterpiece 5. Waugh’s Comic Wasteland 6. Lives in Letters: Kingsley and Martin Amis 7. Henry James and the Movies 8. Bye-Bye Bech? 9. Sick with Desire: Philip Roth’s Libertine Professor 10. Kierkegaard for Special Purposes 11. A Conversation about Thinks . Notes Index Copyright About the Book Human consciousness, long the province of literature, has lately come in for a remapping – even rediscovery – by the natural sciences, driven by developments in Artificial Intelligence, neuroscience, and evolutionary biology. But as the richest record we have of human consciousness, literature, David Lodge suggests, may offer a kind of knowledge about this phenomenon that is complementary, not opposed, to scientific knowledge. Writing with characteristic wit and brio, and employing the insight and acumen of a skilled novelist and critic, Lodge here explores the representation of human consciousness in fiction (mainly English and American) in the light of recent investigations in cognitive science, neuroscience, and related disciplines. How, Lodge asks, does the novel represent consciousness? And how has this changed over time? In a series of interconnected essays, he pursues this question down various paths: how does the novel's method compare with that of other creative media such as film? How does the consciousness (and unconscious) of the creative writer do its work? And how can criticism infer the nature of this process through formal analysis? In essays on Charles Dickens, E.M.
    [Show full text]