New Publications

Total Page:16

File Type:pdf, Size:1020Kb

New Publications George M. Eberhart New Publications The American Revolution: A Grand Mistake, Encyclopedia of Weird Westerns, by Paul by Leland G. Stauber (292 pages, December Green (265 pages, October 2009), is one of 2009), dares to question the fundamental as- those McFarland titles that you just know sumption that independence from Great Brit- your collection can’t live without. Green pro- ain was both an inevitable consequence of vides an annotated list of genre-bending fic- the American Revolution and an unmixed tion, films, TV series, radio shows, comics, blessing. Stauber suggests that Americans’ and games that combine a Western setting hatred of British tyranny was transferred into with elements of science fiction, fantasy, ste- the national saga as a generalized dislike of all ampunk, or horror. The Weird Western genre governmental authority, a legacy that reached originated with the proto-steampunk dime extremes in the South where states-rights pro- novels starring Frank Reade and Tom Edison ponents and strict constructionists insisted that Jr. in the late 19th century, followed by Weird the U.S. government had no business restrict- Tales–influenced pulp-fiction Westerns of the ing slavery. He points out that if the colonists 1950s. The quintessential TV series was The had accepted the British peace offer of 1778 Wild, Wild West in the 1960s, starring Robert and settled for partial independence, the U.S. Conrad as James T. West, while the proto- government would most likely have evolved typical role-playing game is Deadlands, an into a unicameral parliamentary democracy alternative-history scenario in which mali- like Canada, instead of the bicameral presi- cious entities known as the Reckoners un- dential system with built-in protections for the leash zombies, madmen, and monsters on status quo that was established by the Philadel- the 1870s frontier. Green supplies a short his- phia Convention of 1787. The questions raised torical overview of the elements that led to here should make for some lively discussions the Weird Western genre. $39.95. McFarland. in political science classes. $27.00. Prometheus. 978-0-7864-4390-1. 978-1-59102-763-8. The Explorer’s Guide to Death Valley Na- David Ruggles: A Radical Black Abolition- tional Park, by T. Scott Bryan and Betty ist and the Underground Railroad in New Tucker-Bryan (454 pages, 2d ed., December York City, by Graham Russell Gao Hodges 2009), can serve the armchair tourist as well (266 pages, February 2010), tells the story of as the cyclist or backpacker who wants to African-American abolitionist and writer Da- know more about vid Ruggles (1810–1849) who is credited with America’s largest helping some 600 escaped slaves—among national park out- them Frederick Douglass—attain their free- side Alaska. The dom. His philosophy of activism embraced authors cover the civil disobedience and self-defense in an era geology, human when abolitionists tended to be passive ad- history, mining vocates. Among other things, Ruggles created history, flora and the first reading room and circulating library fauna, and desert in New York City run by an African American. climate of the park, Hodges has written the first full biography of which ranges from this overlooked activist. $30.00. University of desiccated salt flats North Carolina. 978-0-8078-3326-1. 282 feet below sea level to the pine-clad peaks of the Panamints George M. Eberhart is senior editor of American Libraries, 11,000 feet above. Eleven chapters of mile- e-mail: geberhart@ala.org by-mile road logs describe more than 1,200 May 2010 267 C&RL News may10b.indd 267 4/22/2010 12:21:47 PM miles of paved and dirt roads throughout the Gruber provides area. Appendixes enumerate the many ghost a succinct and towns, mining camps, and railroads in Death informative over- Valley. $23.95. University Press of Colorado. view of tradition- 978-0-87081-962-9. al Islamic book art and its mod- Hieroglyph Detective: How to Decode the ern revival. Of Sacred Language of the Ancient Egyptians, particular interest by Nigel Strudwick (160 pages, March 2010), are chapters on contains a summary of Egyptian hieroglyphic Islamic works in signs and grammar, 23 sample texts from an- the Ruth E. Ado- cient tombs and temples with a step-by-step meit collection analysis of each message, and a reference list of miniature books; the books printed by of common signs. The book is an excellent İbrahim Müteferrika, who founded the first choice for beginners, though it is less detailed officially sanctioned Ottoman Turkish print- than How to Read Egyptian by Mark Collier ing press in Istanbul in 1727; and an illustrat- and Bill Manley. $16.95. Chronicle. 978-0- ed abridgement of the Persian poet Firdawsi’s 8118-6985-0. Shahnama produced in Lahore during the non-Muslim Sikh Empire in the first half of How to Pay for Your Degree in Library and the 19th century. $39.95. Indiana University. Information Studies, 2010–2012, by Gail 978-0-253-35377-1. Ann Schlachter and R. David Weber (266 Christiane Gruber is also the editor, along pages, 1st ed., May 2010), offers a compre- with Frederick Colby, of The Prophet’s As- hensive summary of all the scholarships, fel- cension: Cross-Cultural Encounters with the lowships, grants, loans, and awards available Islamic Mi‘rāj Tales (389 pages, March 2010), that support study, research, and conference which examines the myriad adaptations of the attendance for LIS undergraduate and gradu- story of Muhammad’s journey to heaven on his ate students in the United States and Canada. winged steed Burāq. The authors show how All of the 833 funding sources listed here are the narrative was used to construct group iden- portable, in that the grant or stipend is not re- tity, regulate social norms, convert non-Muslim stricted to one institution or location. Detailed communities, illustrate key esoteric concepts, eligibility requirements are provided for each teach children the tenets of Islam in a format entry. Indexes by program title, sponsoring similar to a modern graphic novel, absorb ele- organization, residency, tenability (funding ments from other cultures, and create vivid and restricted to a specific area), specialty, diver- dramatic public performances. $59.95. Indiana sity, and deadline enhance access. $30.00. University. 978-0-253-35361-0. Reference Service Press. 978-1-58841-215-7. Library Data: Empowering Practice and Per- The Islamic Manuscript Tradition: Ten Centu- suasion, edited by Darby Orcutt (302 pages, ries of Book Arts in Indiana University Col- November 2009), focuses on the types of data lections, edited by Christiane Gruber (281 that libraries generate and how it can be used pages, January 2010), explores the Islamic in decision-making and advocacy efforts. The book and manuscript holdings of the Indiana authors, primarily academic librarians, exam- University Art Museum, the Lilly Library, the ine methods of collection evaluation, analyses Mathers Museum, and the Kinsey Institute in of electronic resource usage data, measures of seven essays written by Gruber and her grad- reference transactions, assessment of informa- uate students for a 2006 seminar on Islamic tion literacy sessions, and data analysis to make calligraphy, illumination, printing, and book- the case for institutional repositories. $50.00. Li- binding from the 9th to the 20th centuries. braries Unlimited. 978-1-59158-826-9. C&RL News May 2010 268 may10b.indd 268 4/22/2010 12:21:48 PM.
Recommended publications
  • Deadlands: Reloaded Core Rulebook
    This electronic book is copyright Pinnacle Entertainment Group. Redistribution by print or by file is strictly prohibited. This pdf may be printed for personal use. The Weird West Reloaded Shane Lacy Hensley and BD Flory Savage Worlds by Shane Lacy Hensley Credits & Acknowledgements Additional Material: Simon Lucas, Paul “Wiggy” Wade-Williams, Dave Blewer, Piotr Korys Editing: Simon Lucas, Dave Blewer, Piotr Korys, Jens Rushing Cover, Layout, and Graphic Design: Aaron Acevedo, Travis Anderson, Thomas Denmark Typesetting: Simon Lucas Cartography: John Worsley Special Thanks: To Clint Black, Dave Blewer, Kirsty Crabb, Rob “Tex” Elliott, Sean Fish, John Goff, John & Christy Hopler, Aaron Isaac, Jay, Amy, and Hayden Kyle, Piotr Korys, Rob Lusk, Randy Mosiondz, Cindi Rice, Dirk Ringersma, John Frank Rosenblum, Dave Ross, Jens Rushing, Zeke Sparkes, Teller, Paul “Wiggy” Wade-Williams, Frank Uchmanowicz, and all those who helped us make the original Deadlands a premiere property. Fan Dedication: To Nick Zachariasen, Eric Avedissian, Sean Fish, and all the other Deadlands fans who have kept us honest for the last 10 years. Personal Dedication: To mom, dad, Michelle, Caden, and Ronan. Thank you for all the love and support. You are my world. B.D.’s Dedication: To my parents, for everything. Sorry this took so long. Interior Artwork: Aaron Acevedo, Travis Anderson, Chris Appel, Tom Baxa, Melissa A. Benson, Theodor Black, Peter Bradley, Brom, Heather Burton, Paul Carrick, Jim Crabtree, Thomas Denmark, Cris Dornaus, Jason Engle, Edward Fetterman,
    [Show full text]
  • Rules O' Play Rules O' Play
    RULES O’ PLAY WELCOME TO DOOMTOWN! TABLE OF CONTENTS Welcome to Doomtown! . 2 The year is 1878, but the history is not our own. What Y’all Are Tryin’ to Git Done . 3 Stuff in the Box . 3 After almost two decades of bitter fighting, the American Civil War has ground Outfit Card . 4 Deed Card . 5 to a standstill. The Confederate States have retained their sovereignty. Much of Dude Card . 6 California has fallen into the Pacific Ocean. A superfuel called ghost rock advances Goods Card . 7 Spell Card . 8 technology by unpredictable leaps and sometimes dangerous bounds. The Sioux Action Card . 8 have retaken the Dakotas and the Coyote Confederation dances the Ghost Dance Joker Card . 9 Counters . 9 on the High Plains. Monsters stalk the deserts and prowl the dark streets of the Larnin’ the Ropes . 10 boomtowns. Some even say the dead walk among us. The Cards Are Always Right . Unless They’s Wrong . 10 Decks, Discards, and Boot Hill . 10 But where there are monsters, so there are heroes—hex-slingin’ hucksters, Card Values, Hands, and Cheatin’ . 11 Bootin’ Cards . 12 Bible-thumpin’ preachers, deadly gunfighters, fearless braves, wizened shamans, and Locations and Adjacency . 12 mad scientists armed with weird steampunk gadgets. Heroic, foolhardy, visionary, Owner and Controller . 13 Uniqueness . 14 or simply too headstrong to let some abomination tell them what to be afraid of, the Makin’ Plays and Reactin’ . 14 frontier is carved out by heroes who take a stand against the forces of terror. Setup . 14 Sequence o’ Play . 15 Gomorra, called “Doomtown,” needs such heroes.
    [Show full text]
  • Doomtown Rulebook Ashes to Ashes
    Doomtown Rulebook Ashes To Ashes Welcome to the Weird West! The year is 1877, but the history is not our own. The Civil War grinds on. A huge earthquake has sunk California into the sea and formed a labyrinth of sea-canyons known as the Great Maze. The Sioux have retaken the Dakotas. The Coyote Confederation dances the Ghost Dance on the high plains. Monsters stalk the deserts and prowl the dark streets of the boomtowns. And the dead walk among us. This is the world of Doomtown. In 1863, Raven, an American Indian shaman, released the manitous—centuries- imprisoned demons—and a flood of supernatural energy. This awakened the Reckoners, mysterious beings that create deadlands on Earth—areas where humanity’s terror is so great it warps the land. The manitous and other monsters that roam the Weird West create fear for the Reckoners, though to what sinister end the Reckoners work has yet to be revealed. But where there are monsters, so there are heroes—hex-slingin’ hucksters, Bible-thumpin’ preachers, deadly gunfighters, fearless American Indians, wizened shamans, and mad scientists armed with weird steampunk gadgets. Gomorra, called "Doomtown," needs such heroes. A huge vein of the superfuel known as ghost rock was struck in the Maze there, turning it into a boomtown. Miners search the caverns or chip at the faces of the Maze’s towering mesas. After them come bartenders and soiled doves, outlaws and law dogs, politicians and other hard-bitten folk, all desperate to fleece the miners of the rock they spend their days scratching out of the unforgiving canyon walls.
    [Show full text]
  • MARCH 1St 2018
    March 1st We love you, Archivist! MARCH 1st 2018 Attention PDF authors and publishers: Da Archive runs on your tolerance. If you want your product removed from this list, just tell us and it will not be included. This is a compilation of pdf share threads since 2015 and the rpg generals threads. Some things are from even earlier, like Lotsastuff’s collection. Thanks Lotsastuff, your pdf was inspirational. And all the Awesome Pioneer Dudes who built the foundations. Many of their names are still in the Big Collections A THOUSAND THANK YOUS to the Anon Brigade, who do all the digging, loading, and posting. Especially those elite commandos, the Nametag Legionaires, who selflessly achieve the improbable. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – The New Big Dog on the Block is Da Curated Archive. It probably has what you are looking for, so you might want to look there first. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – Don't think of this as a library index, think of it as Portobello Road in London, filled with bookstores and little street market booths and you have to talk to each shopkeeper. It has been cleaned up some, labeled poorly, and shuffled about a little to perhaps be more useful. There are links to ~16,000 pdfs. Don't be intimidated, some are duplicates. Go get a coffee and browse. Some links are encoded without a hyperlink to restrict spiderbot activity. You will have to complete the link. Sorry for the inconvenience. Others are encoded but have a working hyperlink underneath. Some are Spoonerisms or even written backwards, Enjoy! ss, @SS or $$ is Send Spaace, m3g@ is Megaa, <d0t> is a period or dot as in dot com, etc.
    [Show full text]
  • 321984-Sample.Pdf
    Sample file PAGE ADDED FOR EASY TWO-SIDED PRINTING Sample file CRATER LAKE CHRONICLES BY GARRETT J LAHEY DEADLANDS CREATED BY SHANE LACY HENSLEY WWW.PEGINC.COM Sample file Deadlands, Savage Worlds, all unique characters, creatures, and locations, artwork, logos, and the Pinnacle logo are © 2020 Pinnacle Entertainment Group. Printed in China. CONTENTS INTRODUCTION ���������������������������������������������������������������������������������������������������������3 THE WINTER OF OUR DISMEMBERMENT �������������������������������������������������������7 CROSSING THE WITCH'S CAULDRON ������������������������������������������������������������ 37 QUEEN OF WIZARD ISLAND �����������������������������������������������������������������������������63 CRATER LAKE CHRONICLES CRATER CHARACTER JOURNAL ���������������������������������������������������������������������������������������� 91 CHAPTER 1 RECORD �������������������������������������������������������������������������������������������92 CHAPTER 2 RECORD �������������������������������������������������������������������������������������������93 CHAPTER 3 RECORD ������������������������������������������������������������������������������������������� 94 CHARACTER SHEET ��������������������������������������������������������������������������������������������� 95 WEIRD WEST OPTIONS CHECKLIST ��������������������������������������������������������������� 96 CREDITS WRITING & DESIGN: Garrett J. Lahey ADDITIONAL MATERIAL: Ron Blessing EDITING & LAYOUT: Jessica Rogers, Shane Hensley,
    [Show full text]
  • Sample File SHOWDOWN at SUNDOWN
    Sampleshowdown at sund owfilen This page inserted for easier double-sided printing. Sample file SHOWDOWN AT SUNDOWN WRITTEN & DESIGNED BY Rob Wieland ADDITIONAL MATERIAL: Shane Hensley & Simon Lucas EDITING & LAYOUT: Shane Hensley PROOFREADING: David Harriss, Andrew LaCara, Adam Loyd, Laurie Marks, René Martin ART DIRECTION: Aaron Acevedo & Alida Saxon GRAPHIC DESIGN & LAYOUT: Karl Keesler, Shane Hensley, Simon Lucas, & Thomas Shook INTERIOR ART: Alberto Bontempi, Wayne Miller, Alida Saxon OPERATIONS & LOGISTICS: Jodi Black CUSTOMER SUPPORT: Jodi Black & Christine Lapp PRODUCTION LIAISON: Alexander Hau EXECUTIVE PRODUCER: Simon Lucas DEADLANDS CREATED BY SHANE LACY HENSLEY SampleWWW.PEGINC.COM file Deadlands, Savage Worlds, all unique characters, creatures, and locations, artwork, logos, and the Pinnacle logo are © 2020 Pinnacle Entertainment Group. Printed in China. HAPTER C 1 SHOWDOWN AT SUNDOWN DEADLANDS: THE WEIRD WEST They say absolute power corrupts absolutely. the cusp of opening a portal to Hell in the In the Weird West, things can get even town of Sundown, an act that will spawn all worse. Corruption can lead to damnation manner of terrible creatures. The only thing as the agents of the Reckoners seek out in his way, Marshal? Your posse. those willing to do just about anything for supernatural power. The world is a harsh place, and once some folks get a sample of what that power tastes like, they sink to very THE DEVIL'S DECK murky depths to get another mouthful. Every gambler knows you have runs on top The town of Sundown is a lot like many of the world and runs in the gutter. Silas others on the frontier.
    [Show full text]
  • Media Translations of Fantasy Worlds
    A World of Difference: Media Translations of Fantasy Worlds Rachel Louise Mizsei Ward Doctor of Philosophy University of East Anglia School of Film, Television and Media Studies May 2013 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there-from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Rachel Mizsei Ward University of East Anglia Abstract The modern consumer has access to a massively complex entertainment world. Many of the products available reveal a visible movement of popular fantasy worlds between different media. This transmedia process creates a strong link between film, merchandising and games; with all of these mediums borrowing from each other. This borrowing takes various forms, from licensed adaptations to unofficial copying of ideas, settings and characters as well as exploiting the different aesthetics and techniques of different media. Much of the scholarship on transmedia concentrates on storytelling, where a single overarching narrative unfolds over several different media. This thesis will move away from storytelling to consider how culture producers borrow the aesthetics, narratives and fantasy worlds from other sources, including computer games. This borrowing happens because it enables them to use transmedia functionality to gain market share from an already established audience who have a vested interested in, and enthusiasm for, an established world. Most of this borrowing happens around specific genres – especially fantasy, science fiction and horror. These genres are particularly wide-ranging and emphasise the possibilities of worldbuilding, making then good sources for multi-media franchises.
    [Show full text]
  • History and Resources for Doomtown 14Th June 2002 Section A: The
    History and Resources for Doomtown 14th June 2002 This page used to be part of the FAQ, but now has it's own page for the purpose of printability. The FAQ contains common questions on Doomtown gameplay. For rulings on specific cards, please see the Accumulated Rulings. ""When in doubt, win the trick" - 5:12" - Hoyles 1838 Table o' Contents Section A: The Fundamentals Background An Overview of the game Packaging and distribution Section E: Doomtown Utilities Section F Contact Information Section G: Card Submissions Section A: The Fundamentals 1: Background Q: What's "Deadlands"? A: Deadlands is a property created by Pinnacle Entertainment Group. The Deadlands property has appeared in the self-titled RPG, the Great Rail Wars miniatures game, and now DOOMTOWN, a trading card game. There are other Deadlands products as well, including different settings. For more information, visit the Pinnacle site. Q: Who is AEG? A: Alderac Entertainment Group (AEG) is an outside game design firm that has a contract with Pinnacle to develop and publish the DOOMTOWN game. AEG took over publication of Doomtown from FRPG on 1st January 2000. Unfortunately, falling sales meant AEG was forced to cease publication of the game, and the last expansion set was released in January 2001. Q: Who are the DTC? A: The Doom Town Council is the body now responsible for maintenance of the game, its rules and tournament support. It consists of representatives of AEG, Pinnacle, the four existing World Champions and some co-opted player representatives. Q: Who is FRPG? A: Five Rings Publishing Group (FRPG) were the original publishers of Doomtown.
    [Show full text]
  • GURPS Deadlands: Weird West
    G U R P S D E A The year is 1877, but the history is not our own. D L In 1863, a vengeful warband called the Last Sons unleashed the A otherworldly, demonic manitous upon humanity, N and nothing has been the same since. D S : The American Civil War rages on, neither side W able to establish a clear advantage. Much of E California has fallen into the sea. The Sioux Nations have I R reclaimed the Dakotas. And the dead walk among us. GURPS Basic Set, Third Edition, D Revised and Compendium I are W A few relentless heroes have returned from the grave to battle the required to use this supplement in abominations of these new myths and twisted legends, and their a GURPS campaign. GURPS E S mysterious masters, the Reckoners. Deadlands: Weird West can be T used with any roleplaying system. In GURPS Deadlands: Weird West, players take on the roles of The HARROWED: hexslinging Hucksters, Mad Scientists armed with weird steampunk Written by gizmos, deadly Gunfighters, fearless Indian braves, and wizened ANDREW HACKARD AND Shamans. Weird West has: STEPHEN DEDMAN Edited by !Details of character types including Gunslingers, Cowpokes, Texas ANDREW HACKARD, Rangers, Hucksters, Shamans, Preachers, Soldiers, and more. STEVE JACKSON, AND !Three magic systems – Miracles, Indian Shamanism, MONICA STEPHENS Cover by S and Hexslinging according to Hoyle – with new spells. T !Gadgets for Mad Scientists. BROM E V !Critters and abominations, from Prairie Ticks to Illustrated by E TOM BIONDOLILLO, J Mojave Rattlers. A PAUL DALY, ALAN NUNIS, A guide to the Weird West – its history, people, places, laws, C ! CHRISTOPHER SHY, AND K and other hazards.
    [Show full text]
  • Deadlands Players Guide
    Special FREE & COMPLETE PDF version! The Great Deadlands Round Up! We hope you enjoy this absolutely free and complete version of the Deadlands Player’s Guide. To help you get more out of your trip into the Weird West, we’ve put together an incredible deal! Deadlands™ is now available in four of the most popular gaming systems in the world—the original Deadlands Classic, Deadlands D20, GURPs® Deadlands, and detailed conversions for our new Savage Worlds™ game as well!* That means fans of the Weird, Wasted, or Way Out West can take advantage of over 75 different sourcebooks, character books, and boxed sets we’ve made over the last 7 years! We know that’s a passel of books and a whole lotta dinero, partner, and we want to help you get ‘em all, especially with the Deadlands computer game on the horizon. So we’re rounding up all our backstock into the best deals you’ll find north, south, east, OR west of the Pecos. But when they’re gone, they’re gone, so get ‘em now, amigo! These bundles are also available through your favorite local gaming store, so please give them your business if you’re able. If not, head on over to WWW.PEGINC.COM and order directly from us here at Pinnacle! Even better, look for brand new Deadlands books, including statistics for both classic Deadlands and Deadlands D20, on their way pronto through a unique partnership between the original creators of Deadlands and Mystic Eye (www.mysticeyegames.com)! (See www.peginc.com for all the details!) Conversion rules for D20 and Savage Worlds can be found at WWW.PEGINC.COM.
    [Show full text]
  • Steve Jackson
    Compiled by Hunter Johnson Written by Alan Atkinson, Michel Bélanger, Jan B. Berends, Kurt Brown, Jim Cambias, J.C. Connors, Jeff Culliton, Morgan Davey, Greg DeAngelo, Peter V. Dell’Orto, Peter Faulkner, Andy Fix, Leonardo M. Holschuh, Jürgen Hubert, Micah T.J. Jackson, Hunter Johnson, Ben Knight, K. David Ladage, Shawn E.A. Lockard, Jesse Lowe, James Maliszewski, Thom Marrion, Peter N. Martin, Phil Masters, David Morgan-Mar, Erik Peticolas, T. Carter Ross, Brett Sanger, Brian C. Smithson, William H. Stoddard, Joe Taylor, Rolland Therrien, Ed Wisniowski, and Jonathan Woodward Additional material by Kenneth Hite, Sean Punch, and Robert M. Schroeck GURPS System Design Steve Jackson GURPS Line Editor Sean Punch Edited by Andrew Hackard and Production Manager Gene Seabolt Luciann Wasson Production Artist Heather Oliver Cover and interior art by Christopher Shy Prepress Assistance Monica Stephens Playtesting: Michel Bélanger, Frederick Brackin, Creative Director Philip Reed Morgan Davey, Scott Harris, Peter Hatch, Phil Masters, GURPS Errata Coordinator Andy Vetromile David Morgan-Mar, Paul O'Neal, Brian C. Smithson, and Bill Stoddard, with help from the Pyramid subscribers. Sales Manager Ross Jepson GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Monsters is copyright © 2001 by Steve Jackson Games Incorporated. All rights reserved. Some art copyright www.arttoday.com. ISBN 1-55634-518-6 12 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES CONTENTS INTRODUCTION .
    [Show full text]
  • Deadlands Noir
    DEADLANDS NOIR WORDS John “Night Rain” Goff Additional Words By: Shane “the Hack” Hensley, Clint “Fade to” Black, & Sean “Pistol Whip” Preston PICTURES Cheyenne “Triple Hugo and Countin’” Wright, Aaron “Ace” Acevedo, Jordan “The Pistol” Peacock, Mercenary Art Studio (Bien Flores, Jovenal Mendoza, Bryan Magnaye) LAYOUT ShaneSample “Hatchet” file Hensley Proofing Matt “the Knife” Cutter, Scott Alan “Words” Woodard, Simon “Lusty” Lucas, Adam “Babyface” Loyd DEDICATION John: This, like everything else I do in life that’s worthwhile, is for Joyce. Shane: To the Kickstarters; Cheyenne: Max Danger—Private Eye Deadlands created by Shane Lacy Hensley Electronic Version: You have permission to print and maintain a copy for personal use. © 2012 Pinnacle Entertainment Group. Deadlands, Deadlands Noir, Hell on Earth, the Weird West, the Wasted West, the Way Out West, Savage Worlds and all related original characters, marks and logos are trademarks of Pinnacle Entertainment Group. All rights reserved. The Olde Absinthe House is a trademark of the Olde Absinthe House, Inc. Produced under license by Studio 2 Publishing, Inc. The Studio 2 logo is a trademark of Studio 2 Publishing, Inc. © 2012. All rights reserved PERSONS OF INTEREST Capos: Andreas Harald Wild, Andrew, Andrew Chang, Bo Saxon, Olivier Brencklé, Cédric Jeanneret, Chris Aardappel, Christian Nord, cl taylor, Cliff Hanson, Colin Peacock, Daniel Petersen, Dave Borne, David Harriss, David Hogg, Drew Sutherland, Glenn Mochon, Greg Biondo, Hart Nelson, Ingo Beyer, Jeff Hubbard, John C “GandalfThePlaid”, John Rogers, Joseph Schnurr, Julien, Kate Bankson, Kenneth Lavender, Kenny Perry, Lord Deron Creag Mhor, Luke Edwards, Marc Keil, Mark Hom, Mark Margraf, Mark Spanjer, Matthew Broome, Philip Cahiwat, Philippe Myhal, Rajan Khanna, Ray Wisneski, Robert Mayer, Ross Ramsay, Sergio Silvio Herrera Gea, Steve Howells, Stuntlau Perez, synthapse, Tom Miksch, waeberhardt Private Dicks: Alex Meyer, Anthony Samples, Azrael Johnston, Bryan Haakensen, Bryan W.
    [Show full text]