Anish Kapoor b. 1954 Bombay, India
Education & Awards
2004 Winner of the British Memorial Garden Trust 2003 Awarded a CBE 2001 Awarded an Honorary Fellowship at Royal Institute of British Architecture 1999 Awarded an Honorary Fellowship at the University of Wolverhampton 1997 Awarded an Honorary Fellowship at the London Institute and Leeds University 1991 Turner Prize Award 1990 Awarded ‘Premio Duemila’ at the Venice Biennale 1982 Artist in Residence - Walker Art Gallery, Liverpool 1979 Taught at Wolverhampton Polytechnic 1977-78 Chelsea School of Art, London 1973-77 Hornsey College of Art, London
Solo Exhibitions
2013 “Anish Kapoor”, Martin Gropius Bau, Berlin “Anish Kapoor”, Sakip Sabanci Museum, Istanbul
2012 “Anish Kapoor”, Pinchuk Art Centre, Kiev “Anish Kapoor”, Flashback, Yorkshire Sculpture Park, Wakefield “Anish Kapoor”, Lisson Gallery, London “Anish Kapoor”, De Pont Museum of Contemporary Art, Tilburg “Anish Kapoor”, Leeum Samsung Museum, Seoul “Anish Kapoor”, Museum of Contemporary Art Australia, Sydney
2011 “Anish Kapoor: Flashback”, Manchester Art Gallery, Manchester “Monumenta”, Grand Palais, Paris “Anish Kapoor”, Kamel Mennour and École nationale supérieure des beaux-arts de Paris, Paris “Anish Kapoor”, Fabbrica del Vapore, Milan “Anish Kapoor”. Rotunda della Besana, Milan “Anish Kapoor”, Ascension, Basilica San Giorgio, Venice
2010 “Anish Kapoor” - Delhi / Mumbai, National Gallery of Modern Art, Delhi and Mehboob Studios, Mumbai, November 2010 - February 2011 “Turning the World Upside Down”, Kensington Gardens, London ‘’Anish Kapoor”, Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao “Anish Kapoor”, Middlesbrough Institute of Modern Art, MIMA, Middlesbrough “Turning the World Upside Down”, Kensington Gardens, London
2009 “Anish Kapoor: Shooting into the Corner”, MAK Museum, Vienna
“Anish Kapoor: Shadows & Etchings”, La Caja Negra, Madrid “Drawings”- Regen Projects, Los Angeles “Anish Kapoor: New Works”, Lisson Gallery, London “Anish Kapoor”, Royal Academy, London “Memory” Guggenheim, New York
2008 “Anish Kapoor: Past, Present, Future”, ICA Boston “Anish Kapoor”, Barbara Gladstone, New York “Anish Kapoor”, Kukje Gallery, Seoul “Place/No Place: Anish Kapoor in Architecture”, Royal Institute of British Architects, London “Anish Kapoor Islamic Mirror”, Sarq al-Andalus Hall, Museum of the Monasterio de Santa Clara, Murcia, “Anish Kapoor: Memory”, Deutsche Guggenheim, Berlin
2007 “Drawings on paper”, Barbara Gladstone, New York “Anish Kapoor – Svayambh”, Musee des Beaux-Arts, Nantes “Anish Kapoor”, Haus der Kunst, Munich “One Colour”, Galleria Continua, Beijing 2006 “Anish Kapoor”, Regen Projects, Los Angeles “Anish Kapoor” Lisson Gallery, London “Anish Kapoor, Sky Mirror” Rockefeller Centre, New York “Anish Kapor, Ascension” Centro Cultural Banco Do Brazil, Rio de Janeiro (touring to Brasilia and Sao Paulo)
2005 “Anish Kapoor Japanese Mirrors”, Scai The Bathhouse, Tokyo
2004-05 “Melancholia”, MAC Grand Hornu, Belgium
2003 “My Red Homeland”, KUB, Kunsthaus Bregenz “Anish Kapoor”, Museo Archeologico Nazionale, Naples Italy “Blood Solid”, art of this century, NY, US “Painting”, Lisson Gallery, London “Anish Kapoor”, Kukje Gallery, Seoul “Anish Kapoor”, Galeria Continua, Italy “Whiteout”, Gladstone Gallery, New York “Anish Kapoor”, Massimo Minini Gallery, Brescia, Italy
2002- 2003 “Marsyas”, Turbine Hall, Tate Modern, London
2001 Barbara Gladstone, New York
2000 “Blood”, Lisson Gallery, London Regen Projects, Los Angeles, California “The Edge of the World”, permanent installation at Axel Vervoordt Kanal, Wijnegem, Belgium “Blood Solid”, fig-1, London
1999 Scai The Bathhouse, Tokyo, Japan “Anish Kapoor”, Andre Viana, Porto, Portugal “Installation by Anish Kapoor”, Baltic Centre for Contemporary Art, Gateshead
1998 Dobre Espacio, Centro Galego de Arte Contemporanea, Santiago de Compostela
Lisson Gallery, London Gallery Massimo Minini, Brescia, Italy Barbara Gladstone Gallery, New York Hayward Gallery, London CAPC, Bordeaux “Her Blood”, La Chapelle de la Salpetriere, Paris
1996-97 Kunst-Station Sankt Peter, Cologne. Catalogue. Text by Claudia von Blücker, Heinrich Heil and Friedhelm Mennekes.
1996 “Anish Kapoor. Sculptures”, Aboa Vetus & Ars Nova, Turku, Finland “Anish Kapoor. Two Sculptures”, Kettle’s Yard, Cambridge Galleria Massimo Minini, Brescia “Gourd Project 1993-95”, Freddie Fong Contemporary Art, San Francisco
1995-96 Prada Milanoarte, Milan Lisson Gallery, London
1995 “Anish Kapoor”, DePont Foundation, Tillburg Nishimura Gallery, Tokyo 1994 Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (exh cat) "Echo", Kohji Ogura Gallery, Nagoya, Japan (in Co-Operation with the Lisson Gallery)
1993 Lisson Gallery, London Tel Aviv Museum of Art, Tel Aviv (exh cat) Barbara Gladstone Gallery, New York
1992 Galeria Soledad Lorenzo, Madrid (exh cat) Stuart Regen Gallery, Los Angeles
1991 Palacio de Velazquez, Centro de Arte Reina Sofia, Madrid (organized in cooperation with The British Council) (exh cat) Kunstverein Hannover (organized in cooperation with The British Council) (exh cat) The Sixth Japan Ushimado International Art Festival, Ushimado, Japan "Anish Kapoor & Ban Chiang", Feuerle Gallery, Köln
1990-91 "Anish Kapoor Drawings", Tate Gallery, London (exh cat) Le Magasin, Centre National d'Art Contemporain, Grenoble (organized in cooperation with the British Council)
1990 "Anish Kapoor, XLIV Biennale di Venezia", British Pavilion, Venice (organized by The British Council) (exh cat) "Drawings", Barbara Gladstone Gallery, New York
1989-90 "Void Field", Lisson Gallery, London
1989 Barbara Gladstone Gallery, New York Kohji Ogura Gallery, Nagoya, Japan (exh cat)
1988 Lisson Gallery, London
1987 "Anish Kapoor: Works on Paper 1975-1987", Ray Hughes Gallery, Sydney (exh cat) (travelled to MOMA, Brisbane, Australia)
1986 Kunstnernes Hus, Oslo (exh cat) Barbara Gladstone Gallery, New York "Anish Kapoor: Recent Sculpture and Drawings", University Gallery, Fine Arts Center, University of Massachusetts, Amherst (exh cat)
1985 Lisson Gallery, London Kunsthalle, Basel (exh cat) (travelled to Stedelijk Van Abbemuseum, Eindhoven)
1984 Barbara Gladstone Gallery, New York
1983 Galerie 't Venster, Rotterdam (organized by the Rotterdam Arts Council) (exh cat) Walker Art Gallery, Liverpool (travelled to Le Nouveau Musee, Villeurbanne/Lyon) (exh cat) Lisson Gallery, London
1982 Lisson Gallery, London Walker Art Gallery, Liverpool
1981 Coracle Press, London
1980 Patrice Alexandre, Paris
Public Commissions
Future Entrance to Subway Station, Naples
2012 ‘ArcelorMittal Orbit’, Olympic Tower, London
2009 ‘Dismemberment of Jeanne D’Arc’ and ‘Imagine Monochrome (massage)’, Brighton Festival commissions, UK
2007 ‘Untitled’, 2007, Queensland Art Gallery, Australia Commissioned 2006 with funds from the Queensland Art Gallery Foundation in recognition of the contribution to the Gallery by Doug Hall AM (Director 1987- 2007) The Farm, Kaipara Bay, New Zealand
2006 ‘Sky Mirror’, 2006, Rockefeller Centre, New York
2003 2003 ‘Cloud Gate’, Millennium Park, Chicago ‘Origin of the World’, Kanazawa Museum, Japan
2002 Idomeneo edited by Daniel Heartz, director: Peter Sellars, production for The New Mozart Edition of Idomeneo, London, Glyndebourne Festival Opera
2001 ‘Sky Mirror’, Nottingham Playhouse, Nottingham
2000 ‘Taratantara’, Baltic, Gateshead
1998 Outdoor Commission, Ministere de la Justice, France for new Bordeaux Courts Building designed by Richard Rogers partnership
1997 Outdoor Commission, Israel Museum, Jerusalem
1995 Outdoor Commission, Toronto, Canada
1994 ‘Cast Iron Mountain’,Tachikawa Art Project, Outside Tokyo, Japan
Group Exhibitions
2013 “KoelnSkulptur 7m Skulpturenpark Koln, Cologne “Earth and Elsewhere: Contemporary works from the Collection”, Queensland Art Gallery, Brisbane
2012 “Silent Echoes: Collection Exhibition II”, 21st Century Museum of Contemporary Art, Kanazawa “Ashes and Gold, A world’s journey”, Marta Herford, Herford “Klein – Byars – Kapoor”, MAMAC, Nice “Light and Landscape”, Storm King Art Centre, Mountainville
2011 “Kosmos Rudolf Steiner”, Kunstmuseum Stuttgart, Galerie der Stadt Stuttgart, Stuttgart “Summer Exhibition 2011”, Royal Academy of Arts, London “Rudolf Steiner and Contemporary Art”, DOX, Centre for contemporary art, Prague “Picasso to Koons: The Artist as Jeweler”, Museum of Arts & Design, New York City “Absolute Installation”, The Museum of Contemporary Art / Museet for samtidskunst, Oslo “Black Swan: The Exhibition”, Regen Projects, Los Angeles “Silent Echoes: Collection Exhibition I”, 21st Century Museum of Contemporary Art, Kanazawa “Roots in the Air, Branches Below: Modern and Contemporary Art from India”, San Jose Museum of Art, San Jose, CA “By Design and By Chance”, McMaster Museum of Art, Hamilton, ON “City Art Space”, Aviva Square, Great St Helen's and Undershaft, London
2010 “Sexuality and Transcendence”, PinchukArtCentre, Kiev “BAROCK – Art, Science, Faith and Technology in the Contemporary Age”, Museo D'Arte Contemporanea Donna Regina, MADRE, Naples “Rudolf Steiner and Contemporary Art”, Wolfsburg Museum, Wolfsburg “ColorForms”, Hirshhorn Museum and Sculpture Garden, Washington, DC “Itinéraires de l’élégance entre l’Orient et l’Occident”, Villa Empain, Boghossian Foundation, Brussels “Outside the Box”, Edition Jacob Samuel, 1988-2010, Hammer Museum, Los Angeles, CA “Drawing to form: Art from the Weltkunst Collection Irish Museum of Modern Art”, Crawford Art Gallery, Cork “Contemplating the Void”, Solomon R. Guggenheim Museum, New York City, NY
2009 “Domus Collection New York | Beijing”, White Space, Beijing
“Lisson Presents 3”, Lisson Gallery, London “All That is Solid Melts into Air”, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp “The Missing Peace: Artists Consider Dalai Lama”, Fundacion Canal, Madrid “KolnSkulptur 5”, Skulturenpark Koln, Cologne (Until 01/04/2011) “Hundred Stories About Love”, Zone 2, 21st Century Museum of Contemporary Art, Kanazawa “15 Jahre Sammlung Kunstmuseum Wolfsburg” – Gegen den Strich’, Kunstmuseum Wolfsburg, Wolfsburg “3rd Moscow Biennale of Contemporary Art”, Moscow Biennale of contemporary art, Moscow “Finissage 2009”, Zonca & Zonca, Milan “In-finitum”, Palazzo Fortuny, Venice “Visiones de Confin”, IVAM - Institut Valencià d'Art Modern, Valencia “Great Impressions II”, Dean Jensen Gallery, Milwaukee, WI “Brighton Festival”, Brighton, UK
2008 “Blake’s Shadow”, Whitworth Art Gallery, Manchester “Blood on Paper - the Art of the Book”, Victoria and Albert Museum London, 15 April - 29 June 2008 “Traces du Sacré”, Centre Georges Pompidou - Galerie 1, Paris, “Ambition of Art” Institut d’art contemporain (IAC) Lyon
2007 “Timer 01/Intimacy”, Milan, 30 March-16 June “Counterpoint III”, Louvre, Paris, 4 April-25 July “Artempo”, Palazzo Fortuny, Venice “Traces du Sacre”, Centre Pompidou, Paris “Simply Red”, The Fabric Workshop & Museum, Philadelphia “Slow”, Z33, Hasselt, Belgium, 25 Nov 07-10 Feb 08 “Makers and Modelers: Works in Ceramic”, Gladstone Gallery, New York
2006 “Modern and Comtemporary Master Drawings”, Connaught Brown, London
“Concepts for a Collection” Exhibition Cente of Centro Culture de Belém, Brazil “Surprise Surprise” ICA, London “The 5th Asia-Pacific Triennial of Contemporary Art”, Queensland Art Gallery, South Brisbane
2005 “Donnaregina Napoli”, Museo D’Arte Contemporanea “Raised Awareness”, Tate Modern “(In) Visible/ // (In) Corporeo” Museo d’Arte Provincia di Nuoro. Istanbul Modern, Istanbul
2004 “Dzine, Beautiful Things”, May 14th-June 19, Shiraishi Contemporary Art Inc, Japan “Pain: Passion, Compassion, Sensibility”, Science Museum, London “Lustwarande 04”, Tilburg, Netherlands “Gwangju Biennale”, Korea “Arts and Architecture 1900-2000”, Palazzo Ducale, Genova
2003 “Bewitched Bothered and Bewildered”, migros museum, Zurich Tate Modern, Anish Kapoor, 6 April 2003, London
“Blast to Freeze: British Art in the 20th Century”, Les Abattoirs, Toulouse, France “Windstill”, Cotthem Gallery, April-May, Brussels “As Heavy as Heaven”, Landesmuseum Joannneum, Graz “Mind Space, Ho-Am Art Gallery, Seoul, Korea (works in the collection of the Samsung Museum of Modern Art) Beaufort 2003, Ostend, Belgium “Ineffable Beauty”, “Schon Unaussprechlich”, Kunsthalle Erfurt “Fresh: Contemporary British Artists in Print”, Edinburgh Printmakers, Scotland
2002-03 “Blast to Freeze. British Art in the 20th century”, Kunstmuseum Wolfsburg, Wolfsburg, Germany, (cat.) “Retrospectacle: 25 Years of Collecting Midern and Contemporary Art”, Denver Art Museum “Imagine you are standing here in front of me”, The Caldic Collection in the Boijmans van Beuningen Museum, Rotterdam. (cat.)
2002 “Work on Paper: Anish Kapoor, José Bedia, Richard Serra”, Quint Contemporary Art, California, USA Barbara Krakow Gallery, 2002 “Colour White”, De La Warr Pavilion, Bexhill on Sea, England, (cat.) “Remarks on Color”, Sean Kelly Gallery, New York “Four women and one pregnant man”, Galleri MGM, Oslo, Norway “Sphere”, Sir John Soane’s Museum, London “Sphere. Loans from invisible Museum”, Sir John Soane’s Museum, London “Homage to Rudolf Schwarzkolger”, Galerie Krinzinger, Vienna, Austria “Kaash”, Anish Kapoor, Akram Khan, Nitin Sawhney; touring collaborative dance production, Paris “This Ain’t No Tupperware”, Kunsthoff, Kortrijk and Herford, Belgium “No Object, No Subject, No Matter…”, Irish Museum of Modern Art, Dublin
2001 “Signatures of the Invisible”, London Institute “1951-2001 Made in Italy”, Triennale, Palazzo dell’Arte, Milan Shanghai Biennale Valencia Biennale “BO01”, Concepthaus, Malmo “Drawings”, Regen Projects, Los Angeles “Sculpture in the Close 2001”, Jesus College, Cambridge “Artcité: when Montréal Turns into a Museum”, Museum of Contemporary Art, Monréal, Canada (exh cat) “Field Day: Sculpture from Britain”, Tapei Fine Art Museum, Japan. Organized by the Taipei Fine Arts and The British Councl (exh cat) “Sculpture Conemporaine: Œuvres de la Collection Frac Rhône-Alpes de l’Institut d’art contemporain”, Substances, Lyon
2000 “Blue”, New Walsall Museum, Walsall, UK “Groenningen Exhibition 2000”, Charlottenborg, Copenhagen “Sinn und Sinnlichkeit”, Neues Museum Weserburg, Bremen, Germany “La Beauté”, Papal Palace, Avignon, France “Lyon Biennale”, Lyon, France “Drawings 2000”, Barbara Gladstone, New York “Bluer”, Carrie Secrist Gallery, Chicago, US London Road Gallery, Northwich, Liverpool
1999 “Art Worlds in Dialogue”, Museum Ludwig, Cologne
“Together: Artists in support for the homeless”, The Passage House, London “Beauty - 25th Anniversary”, Hirshhorn Museum and Sculpture Garden, Washington DC.; touring to Haus der Kunst, Munich, (07.10.99 -17.01.2000), exh. cat.: Regarding Beauty “Retrace your steps: Remember Tomorrow”, Artists at the Soane Museum, curated by Hans Ulrich Obrist, London
1998 “Towards Sculpture”, Fundação Calouste Gulbenkian, Lisbon. (exh cat.). Text by Rui Sanchez. “The Art of the 80s”,Culturgest, Caixa Geral de Depositos, Lisbon “Wounds: Between democracy and redemption in contemporary art”, Moderna Museet, Stockholm “Spatiotemperal”, Magasin 3, Stockholm “Then and Now”, Lisson Gallery, London “Prime”, Dundee Contemporary Art, Dundee “Shape of the Century”, Salisbury’s Festival, Salisbury, UK “Den Haag Sculptuur 1999”, The Hague
1997 “Meditations”, Madrasa Ibn Youssef, Marrakech “Belladonna”, Institute of Contemporary Arts, London “entgegen”, Mausoleum am Dom, Graz, 24 January- 12 April 1997. Catalogue. Texts by Johannes Rauchenberger, Alois Kölbl, Gerhard Larcher, Alex Stock, Peter Strasser, Günter Rombold, Rainer Volp, Werner Hofmann, Friedhelm Mennekes, Monika Leisch-Kiesl, Florian Rötzer, Silvia Eiblmayr, Arnulf Rohsmann, Kai-Uwe Hemken, Johann Baptist Metz, Matthäus Woschitz, Jean-Pierre Wils, Saskia Wendel, Manfred Richter, Tatjana Beljajewa, Simona Mehnert, Helmut A. Müller and Erich Witschke. “Follow Me, Britische Kunst an der Unterelbe”, Stade, Germany, 6 September- 31 October 1997. Catalogue. Text by Eckhard Schneider, Antony Gormley, Heidi Kwastek, Ulrike Schuck, Marc Quinn, Hans-Georg Schröder, Tim Marlow, Hans-Eckhard Dannenberg, Beate-Christine Fiedler, Dieter-Theodor Bohlmann, James Hall, Gerd Mettjes, Stephan Berg, Gerd Meier-Linnert, Bettina Roggmann, Susanne Mayerhofer and Klaus Frerichs. “Arte Continua”, Chiesa di San Giusto and Pinacoteca Civica,Volterra, Italy “Changing Spaces”, The Detroit Institute of Arts, Detroit.
1996 “Dessins and maquettes de sculpteurs/Drawings and maquettes by sculptors”, Galerie Samuel Lallouz, Montreal. “New Art on Paper 2”, Philadelphia Museum of Art. Catalogue “New art on Paper 2”. Text by the Curators in the Museum Department of Prints, Drawings and Photographs: Martha Chahroudi, Susan Dackernan, John Ittmann, Ann Percy and Innis Owe Shoemaker. “Dissonant Wounds: Zones of Display/Metaphors of Atrophy”, Center for Curatorial Studies, Bard College, Annandale-0n-Hudson, New York “Works on Paper from the Weltkunst Collection of British Art of the 80s and 90s”, The Irish Museum of Modern Art, Dublin “Un siècle de sculpture anglaise”, Jeu de Paume, Paris (exh cat) “Collections du Castello di Rivoli”, Le Nouveau Musée, Villeurbanne “Anish Kapoor, Barry X Ball”, Angles Gallery, Santa Monica, CA “23rd International Biennial of Sao Paolo, Sao Paolo “Moderner Galerija Ljubljana for the Museum of Modern Art, Sarijevo”, Ljubljana, Slovenia “Multiples”, Galerie Lucien Durand, Paris “Betong”, Malmö Konsthall
1995-96 “Fémininmasculin. Le sexe de l’art”, Centre Georges Pompidou, Paris
1995 "Ars 95 Helsinki", Museum of Contemporary Art, Helsinki "Contemporary British Art in Print" Scottish National Gallery of Modern Art, Edinburgh (touring to the Yale Center for British Art, New Haven, December 1995-February 1996), (Exh Cat) “British Art of the 1980s & 1990s - works from The WeltKunst Collection”, The Irish Museumof Modern Art, Dublin “De Henry Moore ós anos 90. Escultura británica contemporánea”, Auditorio de Galicia, Santiago de Compostella, Spain (touring to Serralves Foundation, Oporto, Portugal);(exh cat) “Longing and Belonging:From the Faraway Nearby”, SITE, Santa Fe “A Changing World - Fifty Years of Sculpture from the British Council Collection”, Castle Riding Hall, Prague “Ideal Standard Summertime”, Lisson Gallery, London “British Abstract Art Part II: Sculpture”, Flowers East, London
1994 "Punishment and Decoration", Hohenthal und Bergen, Köln "Asian Art Now", Hiroshima, Japan "Sculptors' Drawings", Tate Gallery, London "Re Rebaudengo Sandretto Collection", S. Antonio di Susa, Turin
1993 "Another World", Art Tower Mito, Mito-shi Ibaraki, Japan (exh cat) "British Sculpture from the Arts Council Collection", organised by the Arts Council of Great Britain, Derby Museum and Art Gallery, tour (exh cat) "Punti Dell'Arti", Italian Pavilion, XLV Venice Biennale "Tresors De Voyage", Monasterio dei Padri Mechitaristi dell' Isola di San Lazzaro Degli Armeni, Venice "Art Against Aids", XLV Venice Biennale "Sculpture", Leo Castelli Gallery, New York "Body of Drawings", South Bank touring exhibition, Graves Art Gallery, Sheffield (tour to Mead Art Gallery, Coventry) "Cerco", Bienal Internacional de Óbidos, Portugal (exh cat) "Magazin", Architectur Zentrum, Vienna
1992-93 Stedelijk Museum, Amsterdam "De Opening", De Pont Foundation for Contemporary Art, Tilburg, The Netherlands (exh cat)
1992 Documenta IX, Kassel "The New British Sculpture, selected works from the Patsy R. and Raymond D. Nasher Collection", University of North Texas Art Gallery, (exh cat) "Whitechapel Open", Whitechapel Art Gallery, London "Anish Kapoor invita Gary Woodley", Foro per l'Arte Contemporanea, Verona (exh cat) "New Voices, New Works for the British Council Collection", organised by the British Council, Centre de Conférences Albert Borschette, Brussels(tour) (exh cat)
1991-92 "Rhizome", Haags Gemeentemuseum, The Hague, (exh cat) "Anish Kapoor and Abstract Art in Asia", Fukuoka Art Museum, Fukuoka, Japan
1991 Gallery Shirakawa, Kyoto
"La Sculpture Contemporaine après 1970", Fondation Daniel Templon, Fréjus, France (exh cat) "Trans/Mission", Rooseum, Malmö, Sweden (exh cat) "The 1991 Turner Prize 1991: An Exhibition of Work by the Four Shortlisted Artists", Tate Gallery, London (exh cat) Milano, Studio Oggetto, “Il Limite delle Cose nella Nuova Scultura Inglese”, Studio Oggetto, Milan (exh cat)
1990-91 "Heroes of Contemporary Art", Galerie Saqqarah, Gstaad, Switzerland (exh cat) (travelled to TransArt Exhibitions Kreishaus, Cologne) "Made of Stone", Galerie Isy Brachot, Brussels (exh cat) "British Art Now: A Subjective View", (organised by the British Council) (exh cat). Travelled to Setagaya Museum, Tokyo, Fukuoka Art Museum, Nagoya City Museum, Tochigi Prefectural Museum of Fine Arts, Hyogo Prefectural Museum, Hiroshima City Museum
1990 "Affinities and Intuitions. The Gerald S. Elliott Collection of Contemporary Art", The Art Institute of Chicago, Chicago (exh cat) "Dujourie, Fortuyn, Houshiary, Kapoor", Rijksmuseum Kröller-Müller, Otterlo, Holland (exh cat) "Works on paper", Frith Street Gallery, London
1989 "British Now: sculpture et autres dessins", Musée d'art contemporain de Montréal, Montréal, Quebec (exh cat) "Anish Kapoor, Wolfgang Laib, Richard Long", Galerie Le Gall Peyroulet, Paris
1988-89 "Carnegie International", Carnegie Museum of Art, Pittsburg, Pennsylvania (exh cat)
1987-88 "Viewpoint. L'art contemporain en Grande Bretagne", Musee d'Art Moderne,, Brussels (organized in cooperation with the British Council) (exh cat) "Simila - Dissimila", Kunsthalle, Dusseldorf (exh cat)(travelled to Columbia University, Sonnabend Gallery and Leo Castelli Gallery, New York) "Europa oggi/Europe now", Museo d'Arte Contemporanea, Prato, Italy (exh cat) "Fourth International Drawing Triennale", Kunsthalle Nuremburg (exh cat) "La Couleur seule, l'Experience du Monochrome", Musee St. Pierre, Lyon (exh cat) "Britannica. 30 Ans de Sculpture", Musee des Beaux-Arts Andre Malraux, Le Havre; Ecole d'architecture de Normandie, Rouen; Musée d'Evreux, Evreux (exh cat) "Starlit Waters. British Sculpture: An International Art 1968-88", Tate Gallery, Liverpool (exh cat)
1987 "Juxtapositions: Recent Sculpture from England and Germany", The Institute for Art and Urban Resources, New York (exh cat) "Inside/Outside", Museum Van Hedendaagse Kunst, Antwerpen (exh cat) "British Art of the 1980's: 1987", Liljevalchs Konstall, Stockholm (organized by the British Council) (exh cat) (travelled to Sara Hilden Art Museum,Tampere)
1986 "Entre el Objeto y la Imagen", Palacio de Velazquez Madrid and Fundacion Caja de Pensiones, Barcelona (organized by the British Council and Ministerio de Cultura, Spain) (exh cat) "Skulptur - 9 Kunstnere fra Storbrittanien", Louisiana Museum of Modern Art, Humlebaek, Denmark (exh cat)
"Sonsbeek 1986. International Sculpture Exhibition", Arnhem, The Netherlands (exh cat) "General Idea, Anish Kapoor, Melissa Miller", Albright-Knox Art Gallery, Buffalo "Prospect '86. Eine internationale Austellung aktueller Kunst", Frankfurter Kunstverein, Frankfurt (exh cat) "Inaugural Exhibition", Lang & O'Hara Gallery, New York "Dessins de Sculpteurs", Galerie Gabrielle Maubrie, Paris "Vessel", Serpentine Gallery, London
1985-86 "The Poetic Object: Richard Deacon, Shirazeh Houshiary, Anish Kapoor", Douglas Hyde Gallery, Dublin (exh cat) (travelled to the Arts Council Gallery,Belfast)
1985 "Sculptors' Drawings", (organized by the Scottish Arts Council) (travelled to Artspace Galleries,Aberdeen; Ayr, Lyth, Stirling, Stromness, Glasgow; Dracos Arts Centre, Athens) "CURRENTS", Institute of Contemporary Art, Boston (exh cat) "Nouvelle Biennale de Paris", Paris “The British Show", (organized by Art Gallery of New South Wales, Sydney and The British Council) (exh cat) (travelled to Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney; Queensland Art Gallery Brisbane; The Exhibition Hall, Melbourne; National Art Gallery, Wellington, New Zealand) "7000 Eichen", Kunsthalle, Tubingen (exh cat)(travelled to Kunsthalle, Bielefeld) "Who's Afraid of Red, Yellow and Blue?", Arnolfini Gallery, Bristol "Three British Sculptors", Neuberger Museum, State University of New York, Purchase "Anniottanta", (organized by the Cultura del Comune di Ravenna) (travelled to Bologna, Imola) "20 Sculptures du FRAC Rhone-Alpes", l'Abbaye de Tournus, Tournus, France "Anish Kapoor and Bill Woodrow", Donald Young Gallery, Chicago
1984 "An International Survey of Recent Painting and Sculpture",Museum of Modern Art, New York (exh cat) "ROSC '84", Dublin, Ireland (exh cat) "The British Art Show: Old Allegiances and New Directions, 1979-1984", (organized by the Arts Council of Great Britain) (exh cat) (travelled to City of Birmingham Museum and Art Gallery, Birmingham, Ikon Gallery, Birmingham; Royal Scottish Academy, Edinburgh; Mappin Art Gallery, Sheffield; Southampton Art Gallery) "Anish Kapoor and Bill Woodrow", Galerie Paul Maenz, Cologne
1983 "Tema Celeste", Museo Civico d'Arte Contemporanea, Gibellina "La Trottola di Sirio", Centro d'Arte Contemporanea, Siracusa, Italy (organized by The British Council) (exh cat) "Figures and Objects", John Hansard Gallery, Southampton (exh cat) "Douceur de l'Avant-Garde", C'est Rien de le Dire, Rennes, France (exh cat) "Beelden/Sculpture 1983", Rotterdam Arts Council, Rotterdam (exh cat) "Finland Biennale", Helsinki "Sculpture 1983", Van Krimpen Gallery, Amsterdam "The Sculpture Show", Hayward Gallery/Serpentine Gallery, London (organized by the Arts Council of Great Britain) (exh cat) "New Art", Tate Gallery, London (exh cat) "Constellazione", Galleria Giorgio Persano, Torino
"Eros Mythos Ironie", Neue Galerie, Graz, Austria "Transformations: New Sculpture from Britain", XVII Bienal de Sao Paulo, Brazil (organized by the British Council) (exh cat) (travelled to Museo de Arte Moderna, Rio de Janeiro, Brazil; Museo de Arte Moderna, Mexico DF; Fundacao Calouste Gulbenkian, Lisbon
1982 "Aperto '82", XL Biennale di Venezia, Venice (exh cat) "Englische Plastik Heute/British Sculpture Now", Kunstmuseum, Luzern, Switzerland (exh cat) "XIIiéme Paris Biennale", Paris "Prefiguration", Centre d'Art Contemporain, Chambery, France "London/New York 1982", Lisson Gallery, London "Objects and Figures. New Sculpture in Britain", Fruitmarket Gallery, Edinburgh (organized by the Scottish Arts Council)(exh cat) "India: Myth and Reality", Museum of Modern Art, Oxford
1981 "Objects & Sculpture: Richard Deacon, Antony Gormley, Anish Kapoor, Peter Randall-Page", Institute of Contemporary Art, London (exh cat)(travelled to Arnolfini Gallery, Bristol) "Summer Show", Serpentine Gallery, London "British Sculpture in the 20th Century: Part 1,Symbol and Imagination 1951-80", Whitechapel Art Gallery, London (exh cat)
1980 "New Sculpture", Midland Group Gallery, Nottingham
1979 "Tolly Cobbold: Eastern Arts", 2nd National Exhibition, Fitzwilliam Museum, Cambridge (travelling exhibition) "Whitechapel Open", Whitechapel Art Gallery, London
1978 "Northern Young Contemporaries", Whitworth Art Gallery, Manchester
1975 "Young Contemporaries", Royal Academy of Art, London
1974 "Art into Landscape 1", Serpentine Gallery, London
Collaborations
1993 “River Run”, Stage design for dance performance at the Queen Elizabeth Hall, London, and regional tour. A collaboration with Laurie Booth and Hans Peter Kuhn
1993 “Echo”, A group of five sculptures which incorporate music mechanisms. A collaboration with the composer Brian Elias.
1992 “Building for A Void”, Expo'92, Seville.Architectural collaboration with David Connor.
Selected Bibliography: Books and Catalogues
2013 ‘Symphony for a Beloved Sun’, Anish Kapoor, Barbara Segelken, Sir Norman Rosenthal, Walther Konig
2012 ‘In the Shaddow of the Tree and the Knot of the Earth’, Anish Kapoor, Lisson Gallery
2011 ‘Anish Kapoor Flashback’, Hayward Publishing, 2011 ‘Anish Kapoor: Dirty Corner’ Gianni Mercurio and Demetrio Paparoni, Skira Editions ‘Anish Kapoor’ Homi K. Bhabba and Jeanne Bouniort, ‘Anish Kapoor” Sketchbook’ Marie-Laure Bernadac, Editions Dilecta ‘Monumenta: Anish Kapoor at Grand Palais’, CV Publications
2010 ‘Anish Kapoor: Architecture Projects’, texts by Anish Kapoor, Steidl, 2010 ‘Sculpteur Britannique: Henry Moore, George Frederic Watts, Gilbert Et George, Alphonse Legros, Anish Kapoor, Francis Derwent Wood’, 2010 ‘Sexuality and Transcendence’, Introduction by Eckhard Schneider, Pinchuk Art Centre, 2010 ‘Rudolf Steiner and Contemporary Art’, edited by Markus Bruderlin and Ulrike Groos, Dumont, 2010 ‘Anish Kapoor: Turning the world upside down’, The Royal Parks, Serpentine Gallery, Koenig Books, 2010 ‘Anish Kapoor”, Lisson Gallery, British Council, 2010
2009 ‘Anish Kapoor’, texts by David Anfam, Johanna Burton, Donna De Salvo, Phaidon Press, 2009 ‘Anish Kapoor: Shooting into the Corner’ texts by Peter Noever, Hatje Cantz, 2009 ‘Anish Kapoor Memory’, texts by by Sandhini Poddar, Gayatri Chakravorty Spivak, Guggenheim Museum Publications, 2009 ‘Anish Kapoor’, texts by Homi K. Bhabha and Jean de Loisy, Royal Academy of Arts, London, 2009 ‘All That Is Solid Melts into Air’, Lannoo, 2009, ISBN 978 90 209 8318 0 ‘KölnSkulptur 5 - Reality Check, April 2009 - April 2011’, Herausgeber / Editor: Stiftung Skulpturenpark Köln, Published by Verlag der Buchhandlung Walther König, ISBN 978-3-86560-639-6
2008 Debussy, Claude. Pelleas Et Melisande. Du Munt La Monnaie, Bruxelles, 2008 ‘Anish Kapoor’, Kukje Gallery, 2008 ‘Anish Kapoor: Past, Present, Future’, The MIT Press (31 Aug 2008) ‘Anish Kapoor: To Darkness: Svayambh’, text by Rainer Crone and Alexandra Von Stosch, Prestel; 1 edition (10 Mar 2008) ‘Anish Kapoor (Arte Hoy)’, text by Eva Fernandez del Campo, Nerea 2008 2007 ‘Traces du sacré [Relié]’, Edited by Mark Alizart, Centre Georges Pompidou Service Commercial, ISBN 978 2844263629 'Svayambh, Anish Kapoor' (exh. cat). Texts by Jean de Loisy, Blandine Chavanne, Olivier Shefer. Published by Fage editions and Musée des Beaux- Arts de Nantes
2006 ‘The Missing Peace: Artists and the Dalai Lama’, preface The Dalai Lama, Earth Aware Editions, 2006 ‘Anish Kapoor, My Red Homeland', CAC Malaga (exh, cat). Text; Fernando Frances and Angela Molina.
2005 ‘The 5th Asia-Pacific Triennial of Contemporary Art : APT5 in review’, Queensland Art Gallery, Gallery of Modern Art’ 'Anish Kapoor, Drawings', 2005. Texts by Jeremy Lewison and Laurent Busine. Published by Verlag der Buchhandlung Walther Konig, Koln.
2004 Parkett, (Issue no.69), Anish Kapoor, Francis Alys, Isa Genzken. Texts by Norman Bryson, Marina Warner, Kurt Forster. ‘Anish Kapoor, Whiteout’, Barbara Gladstone Gallery (exh. cat). Published by Charta. Text: Anthony Vidler. ‘Anish Kapoor, Melancholia’, MAC Grand-Hornu (exh. cat.). Texts by Laurent Busine and Denis Gielen.
2003 “Himmel Schwer, Transformationen der schwerkraft”, Wilheim Fink Verlag, Munchen, isbn 3-7705-3917-6 Heike Munder and Adam Budak (eds.), Bewitched, Bothered and Bewildered: Spatial Emotion in Contemporary Art and Architecture, (Migros Museum fur Gegenwartskunst, Zurich and Laznia Center for Contemporary Art, Gdansk, 2003). Anish Kapoor, Museo Archeologico Nazionale, Napoli. Essays by Eduardo Cicelyn and Mario Codognato. Published by Electa Napoli. Anish Kapoor: My Red Homeland, Kunsthaus Bregenz, Austria Texts by Eckhard Schneider and Yehuda E Safran. Published by Kunsthaus Bregenz and Lisson Gallery.
2002 “Colour White”, De La Warr Pavilion, Bexhill on Sea, England “Blast to Freeze. British Art in the 20th century”, Kunstmuseum Wolfsburg, Wolfsburg, Germany, ISBN 3-7757-1248-8 “Oeuvre et Lieu. Essais et documents”, published by Flammarion Imagine you are standing here in front of me, The Caldic Collection in the Boijmans van Beuningen Museum, Rotterdam. (cat.) Essays by Boris Groys and Sven Lütticken, interview with the collector by Brooke Alexander Anish Kapoor: Marsyas, Tate Publishing (exh cat); text by Donna de Salvo and Cecil Balmond
1999 Taratantara, BALTIC Centre for Contemporary Art, Gateshead/ACTAR, Barcelona
2001 Artecinema, 5th International Film Festival on Contemporary Art, Teatro Sannazaro, Napoli Taratantara, Naples. Text: Eduardo Cicelyn and Mario Codognato Anish Kapoor, CAPC Musée d’art contemporain de Bordeaux fig-1, published in association with Tate: The Art Magazine, 2001 Anish Kapoor, Kunsthalle Helsinki (exh cat); text by Michael Tarantino “Field Day: Sculpture from Britain”, Tapei Fine Art Museum, Japan
1998 Cattedrali d`Arte, Dan Flavin per Santa Maria in Chiesa Rossa, Fondazione Prada, Milano, Italy Anish Kapoor, Hayward Gallery, Unversity of California Press Anish Kapoor Edizioni Charta Srl, Germano Celant Breaking the Mould, British Art of the 1980s and 1990s, The Weltkuns Collection, London Vision. 50 years British creativity, Thames & Hudson. Texts by David Sylvester,David Hockney, Melvyn Bragg, Michael Craig-Martin, Nicholas Serota
Regarding Beauty, Hirschhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C., Hatje Cantz Publishers, (exh cat)
1997 London Magazine, vol. 37, No.3 & 4 August/September, p.163
1996 New Art on Paper 2, Philadelphia Museum of Art (Exh Cat) Contemporary Art at Deutsche Bank London, London, Deutsche Bank Un siècle de sculpture anglaise, Jeu de Paume, Paris (exh cat)
1995 Contemporary British Art in Print, Scottish National Gallery of Modern Art and The Paragon Press (Exh Cat) Anish Kapoor, De Pont Foundation, Tilburg (Exh Cat) De Henry Moore ós anos 90. Escultura británica contemporánea, Auditorio de Galicia, Santiago de Compostella, Spain (touring to Serralves Foundation, Oporto, Portugal);(exh cat) Arte Inglese d’oggi, Galleria Civica, Modena (exh cat); Milano, Mazzotta Brandon Taylor, Avant-Garde and After.Rethinking Art Now, New York, Abrams, p.84 Germano Celant, Anish Kapoor, Milan, Charta Féminimasculin, Paris, Gallimard/Electa (exh cat) Sophie Bowness and Clive Phillpot (ed.), Britain at the Venice Biennale 1895- 1995, London, The British Council
1994 Oliveira, Petry, Oxley ed., Texts by Michael Archer, Installationa Art, 1994, Thames and Hudson, London, p.55 Punishment and decoration, Hohenthal Und Bergen, Cologne, (Exh Cat) A Changing World: Fifty Years of Sculpture from the British Council Collection, The British Council, (Exh Cat)
1993 British Sculpture from the Arts Council Collection. The Arts Council of Great Britain (exh cat). Text by James Roberts. Another World. Mito Annual '93, Art Tower Mito, Japan (exh cat). Text by Yoko Hasegawa. Cerco, Bienal Internacional de Obidos.Modus Operandi, Lisbon (exh cat). Anish Kapoor. Moderna Galerija, Ljubljana, Slovenia (exh cat). Text by Zdenka Badovinac.
1992 The New British Sculpture, Selected Works from the Patsy R. and Raymond D. Nasher Collection, University of North Texas Art Gallery,Texas (exh cat). Anish Kapoor.San Diego Museum of Contemporary Art (exh cat).Introduction by Lynda Forsha, essay by Pier Luigi Tazzi.de Opening.De Pont Foundation, Tilburg (exh cat). Anish Kapoor.Galeria Soledad Lorenzo, Madrid (exh cat). Text by José-Miguel Ullán. New Voices, New Works for the British Council Collection, The British Council (exh cat). Text by Gill Hedley. Anish Kapoor invita Gary Woodley. Foro per l'Arte Contemporanea, Verona (exh cat). Texts by Erno Vroonen and Paolo Gambazzi. Art against AIDS, 45th Venice Biennale, Peggy Guggenheim Collection, Venice (exh cat)
1991 Anish Kapoor. Centro de Arte Reina Sofia, Madrid and The British Council (Spanish edition of XLIV Venice Bienalle exh cat) Anish Kapoor & Ban Chiang. Feuerle, Koln (exh cat). Text by Angel Garcia.
Anish Kapoor. Kunstverein Hannover and The British Council (exh cat). Trans/Mission. Rooseum, Malmö, Sweden (exh cat). La Sculpture Contemporaine après 1970. Fondation Daniel Templon, Fréjus, France (exh cat). The Turner Prize 1991. Tate Gallery, London (exh cat).Text by Sean Rainbird. Il Limite delle Cose nella Nuova Scultura Inglese, tudio Ogetto, Milan (exh cat). Texts by Enrico Pedrini and Emilio Stabilini.
1990 Heroes of Contemporary Art. Galerie Saqqarah, Gstaad, Switzerland (exh cat). Text by Akim Monet. Anish Kapoor. British Pavilion, XLIV Venice Biennale. The British Council, London (exh cat). Texts by Thomas McEvilley and Marjorie Allthorpe-Guyton. British Art Now: A Subjective View. The British Council and Asahi Shimbun (exh cat). Anish Kapoor. Art Random, Kyoto Shoin International, Kyoto, Japan. Edited by Marco Livingstone. Surrogaat/Surrogate. 15 years of Galerie 't Venster from Kiefer to Koons. Jan Donia (ed), SDU, Uitgeverij, Amstelveen. Blau: Farbe der Ferne. Hans Gercke (ed.),Wunderhorn, Heidelberg. Affinities and Intuitions. The Gerald S. Elliott Collection of Contemporary Art. Neal Benezra (ed), The Art Institute of Chicago and Thames and Hudson (exh cat). Text by Lynne Cooke. Anish Kapoor. Drawings. Tate Gallery, London (exh cat). Text by Jeremy Lewison. Dujourie, Fortuyn, Houshiary, Kapoor. Rijksmuseum Kröller-Müller, Otterlo (exh cat). Text by Marianne Brouwer. Made of Stone. Galerie Isy Brachot,Brussels (exh cat)
1989 Anish Kapoor. Kohji Ogura Gallery, Nagoya, Japan in co-operation with Lisson Gallery, London (exh cat). Text by Pier Luigi Tazzi.
1988 British Now: sculpture et autres dessins. Musée d'art contemporain de Montréal (exh cat). Text by Sandra Grant Marchand. Europa oggi/Europe now. Amnon Barzel (ed), Museo d'Arte Contemporanea, Prato, Italy (exh cat). Starlit Waters. British Sculpture: An International Art 1968-88. Tate Gallery, Liverpool (exh cat). Texts by Martin Kunz, Charles Harrison and Lynne Cooke. Fourth International Drawing Triennale. Kunsthalle Nuremburg (exh cat). Text by David Reason. Carnegie International. Carnegie Museum of Art, Pittsburg, Pennsylvania (exh cat). Text by Kellie Jones. Britannica. 30 Ans de Sculpture. Musée des Beaux-Arts André Malraux, Le Havre; Le Musée d'Evreux-Ancien Evêché; L'Ecole d'Architecture de Normandie, Darnetal-Rouen (exh cat). Texts by Catherine Grenier, Francoise Cohen and Lynne Cooke. La Couleur seule, l'Expérience du Monochrome.Musée St. Pierre, Lyon (exh cat).
1987 A Quiet Revolution : British Sculpture Since 1965, Museum of Contemporary Art, Chicago and San Francisco Museum of Modern Art (exh cat). Text by LynneCooke. Juxtapositions: Recent Sculpture from England and Germany. The Institute for Art and Urban Resources, New York (exh cat). British Art of the 1980's. The British Council (exh cat). Text by Lynne Cooke.
Anish Kapoor: Works on Paper 1975-1987. Ray Hughes Gallery, Brisbane (exh cat). Interview by Richard Cork. Inside/Outside. Museum Van Hedendaagse Kunst, Antwerpen (exh cat). 1987-88 Viewpoint. L'art contemporain en Grande Bretagne, British Council and Museum of Modern Art, Brussels (exh cat). Interview by Richard Cork. Simila - Dissimila. Rainer Crone (ed), Kunsthalle, Dusseldorf (exh cat). Text by Cornelia Lauf
1986 Anish Kapoor. Kunstnernes Hus, Oslo (exh cat) Texts by Arne Malmedal and Lynne Cooke. Entre el Objeto y la Imagen. The British Council and Ministerio de Cultura, Spain (exh cat). Texts by Lewis Biggs and Juan Munoz. Anish Kapoor: Recent Sculpture and Drawings, University Gallery, Fine Arts Center, University of Massachusetts, Amherst (exh cat). Text by Helaine Posner. Anish Kapoor. Albright-Knox Art Gallery, Buffalo, New York (exh cat). Text by Helen Raye. Sonsbeek 1986. International Sculpture Exhibition, Arnhem, The Netherlands (exh cat). Skulptur - 9 Kunstnere fra Storbrittanien. Louisiana Museum of Modern Art, Humlebaek, Denmark (exh cat) Prospect '86. Eine internationale Austellung aktueller Kunst, Frankfurter Kunstverein, Frankfurt (exh cat)
1985 The Poetic Object: Richard Deacon, Shirazeh Houshiary, Anish Kapoor. Douglas Hyde Gallery, Dublin (exh cat). Text by Richard Francis. CURRENTS. The Institute of Contemporary Art, Boston (exh cat). Text by David Joselit. The British Show. Art Gallery of New South Wales, Sydney (exh cat). Text by Stuart Morgan. La Nouvelle Biennale de Paris. Paris (exh cat). Anish Kapoor. Kunshalle, Basel (exh cat). Texts by Jean-Christophe Ammann, Alexander von Grevenstein and Ananda Coomaraswamy. 7000 Eichen. Heiner Bastian (ed), Kunsthalle, Tubingen (exh cat). Text by Heiner Bastian.
1984 An International Survey of Recent Painting and Sculpture. Museum of Modern Art, New York (exh cat). Text by Kynaston McShine. The British Art Show: Old Allegiances and New Directions 1979-1984. Arts Council of Great Britain (exh cat). Texts by Jon Thompson, Alexander Moffat and Marjorie Allthorpe-Guyton. ROSC '84. Dublin, Ireland (exh cat).
1983 Anish Kapoor. Beeldhouwwerken. Galerie 't Venster, Rotterdam (organized by Rotterdam Arts Council) (exh cat). Text by Michael Newman. Transformations: New Sculpture from Britain. The British Council (exh cat). Text by Lewis Biggs, Lynne Cooke, Mark Francis, John McEwen, Stuart Morgan, Nicholas Serota and John Roberts. Tema Celeste. Museo Civico d'Arte Contemporanea, Gibellina (exh cat). Text by Demetrio Paparoni. Beelden/Sculpture 1983. Gosse and Cees Van der Geer (ed), Rotterdam Arts Council (exh cat). Text by Oosterhaf, with essay by Paul Hefting. La Trottola di Sirio. Centro d'Arte Contemporanea, Siracusa (organized by The British Council) (exh cat). Text by Demetrio Paparoni.
Feeling into Form. Walker Art Gallery, Liverpool, and Le Nouveau Musee, Lyon (exh cat). Text by Marco Livingstone. Figures and Objects. John Hansard Gallery, Southampton (exh cat). Text by Michael Newman. Hayward Annual. Hayward Gallery, South Bank Centre, London (exh cat). Text by Stuart Morgan talking with Kate Blacker. New Art. Tate Gallery, London (exh cat). Douceur de l'Avant-Garde. C'est Rien de le Dire, Rennes, France (exh cat). The Sculpture Show. The Arts Council of Great Britain (exh cat). Texts by Kate Blacker, Fenella Crichton, Paul de Monchaux, Nena Dimitrijevic, Stuart Morgan, Deanna Petherbridge, Bryan Robertson and NicholasWadley.
1982 British Sculpture Now. Kunstmuseum, Luzern, Switzerland (exh cat). Text by Michael Newman. XL Biennale di Venezia. Venice (exh cat). Text for "Aperto '82" by Tommaso Trini. Objects and Figures. New Sculpture in Britain. The Scottish Arts Council (exh cat).
1981 Objects and Sculpture. Institute of Contemporary Art, London, and Arnolfini Gallery, Bristol (exh cat). Texts by Lewis Biggs, Iwona Blazwick and Sandy Nairne. British Sculpture in the Twentieth Century, Part Two: Symbol and Imagination 1951-80. Sandy Nairne and Nicholas Serota (ed), Whitechapel Art Gallery, London (exh cat). Text by Stuart Morgan
Bibliography: Articles and Reviews
2013 Michael Glover, ‘Anish Kapoor Martin Gropius Bau’, The Independent, 23 May 2013, p53
2012 Emily Gosling, ‘New works by Anish Kapoor’, Design Week, 1 October 2012 Brian Appleyard, ‘I don’t want to be a maker of luxury goods’ The Sunday Times, 7 October 2012 ‘Spatial Dialogues’ Asthetica, 1 October 2012, p21
2011 Javier Espinoza, ‘Monumental ambitions’, The Wall Street Journal, 15 April 2011, p.3 John Lichfield, Giant of British art crafts, a monumental new work’, The Independent, 11 May 2011, p 26-27
2010 Chris Hole, ‘Towns New Icon’, Evening Gazette, 3 February 2010 Harry Borden, ‘A shooting Star’,Royal Academy Magazine, 1 March 2010, p60- 63 Martin Wainwright, The Guardian, 11 June 2010
2009 Homi K. Bhabha, ‘Anish Kapoor: Making Emptiness’, Art in Asia,March/April 2009, p37-59 Sarah Kent, ‘Material World’, Royal Academy Magazine, 1 September 2009, p40- 44 Alison Roberts, The Evening Standard, 11 September, 2009, p 24,25 Pal Hansen, ‘Mr Big’, Sunday Times, 13 September 2009, p42 -47 Adrien Searle, ‘A Very Fine Mess’, The Guardian, 22 September 2009, p19-21
2008 Arifa Akbar, ‘The Battle of Trafalgar’, The Independent, 9th January 2008 Jessica Lack, ‘A body of work’, V&A Magazine, Spring 2008 Richard Cork, ‘The writing on the wall, Financial Times Weekend, Saturday April 12 / Sunday April 13 2008 Charmane Picard, ‘I haven’t done much at all’, The Art Newspaper, No. 191. May 2008 Charles Vergeer, De Kunst Van de Stilte, Uitgeverij Lanoo nv 2008 Sarah Kent, ‘Mr Big Stuff’, Modern Painters, December 2008
2007 Peter Aspen, ‘Wax lyrical in overlap of material and illusion’, Financial Times, Tuesday January 9 2007 Annabelle Hirsch, ‘States of Matter’, Sleek 14, Spring 2007 Lucy Davies, ‘Like Bambi in a Bloodbath’, The Telegraph, 20 June 2007 Joanna Moorhead, ‘Water Colours’ The Times, The Knowledge, 7 July 2007 Fleur Britten, ‘Anish Kapoor’, The Sunday Times Style Magazine, 8 July 2007 ‘Hands up if you know whose they are….’ The Guardian Weekend, 14 July 2007 Charles Darwent, ‘Cross the Channel fro zex, death and Elvis’ The Indepenedent on Sunday, 15 July 2007 Martin Hunter, ‘Who’s Shocking Now?’, The Guardian Weekend, 8 September 2007 Barbara Hein, ‘Spiegel, Wachs und Welterfolg’, Kunstmagazin, November 2007 Marcus Fairs, ‘Anish Kapoor’, The Independent News Review, 9th December 2007 Rosemary Sorensen, ‘A growing body of influence’, The Australian, 31st December 2007
2006 Carol Vogel, ‘A New View of the Rock: Up and Over the Clouds’, The New York Times, 12 May 2006 Simon Hatterstone, ‘Into the Deep’, The Guardian, 23 September James Bone, ‘Salman, Anish and an Indian Summit’ The Times, T2, 26 September Ed Pilkington, ‘Dust and cracks fail to diminish Kapoor on Fifth Avenue, The Guardian, 19 September Alastair Sooke, ‘I don’t know where I’m going’, The Telegraph Zöe Ryan, ‘Anish Kapoor’s Sky Mirror’, Blue Print, Nov 2006, pg. 27 Robin Blake, ‘A Celebration of Enigmatic Surfaces, The Finanical Times, 26 October ‘Illuminating the enigma’, North Magazine, October 2006 Elena Lydia Scipioni, ‘Infinity according to Anish Kapoor’, B> Magazine, Winter 2006
2005 Gwyn Jones, ‘Masters of the New Economies’. The Independent, 11 June 05. Charles Darwent, ‘Search for the Perfect Blue’. Independent on Sunday, 12 June
2003 Sebastian Smee, “Hungry for art with more humanity”, The Art Newspaper, No. 132, Jan 2003, p. 20 Julie L. Belcove, “Master of the Universe”, W, March 2003 Marcus Fairs, “Anish Kapoor”, Icon, May 03, p.71-78 Marcus Fairs, “ They don’t know what they’ve let themselves in for”, The Guardian, 7 May Sarah Hemming, “Art”, The Daily Express, 9 May 03 Hephzibah Anderson, “Anish Kapoor: Painting”, The Metrolife Magazine, 9 May Fisun Güner, “A case of art mirroring art”, Metro London, 15 May 03 Rachel Campbell-Johnston, “Anish Kapoor”, Play (supp. to The Times), 16 May Nick Hackworth, “Land of the giants”, London Evening Standard, 16 May 03
Trevor Ray Hart, “Mister Big”, The Independent Saturday Magazine, 17 May 03 Dipesh Gadher, “Blockhead leads march of the artistic giants”, The Sunday Times, 18 May 03 Charles Darwent, “You’lllaugh, you’ll cry (and you will understand), The Independent on Sunday, 18 May 03 Fisun Güner, “Building the sublime”, What’s On, 21 May 03, p. 23 William Packer, “Anish Kapoor”, Financial Times, 24 May 03 Tom Sutcliffe, “The Gospel according to Sellars”, Independent on Sunday, 25 May Charles Darwent, “Anish Kapoor: painting”, The Independent on Sunday, 25 May Charlotte Mullins, “Concave man”, RA (The Royal Academy of Arts Magazine), N. 79, Summer 03, p.32-3 Meredith Etherington-Smith, “Space invader”, Art Review, June 03, p. 15 David Gleeson, “Whitechapel 1901-2003” Arco, Autumn 2003 number 29. “Anish Kapoor”, I-D Magazine, London. p. 188, June 03 “Anish Kapoor: painting”, The Art Newspaper, N.137, June 03 “Anish Kapoor”, The Guardian, 02 June 03 Martin Herbert, “Anish Kapoor”, 04 June 03 Peter Chapman, “Anish Kapoor”, The Information (supp. The Independent), 7 June Desiree Au, “Mister Big”, The review, 08 June 03, p.5 Roderic Dunnett, “In the lap of the gods”, The Independent Review, 9 June Helen Sumpter, “Shrink to Fit”, The Big Issue, 9 June 03 Ali Hussain, “Kapoor’s out-of-world experience”, India Weekly, 13 June 03 Beth Pearson, “A man for all musical seasons”, The Glasgow Herald, 26 June 03 Warwick Thompson, “Opera Idomeneo”, Independent on Sunday, 29 June 03 Tim Marlow, “The way forward”, Independent on Sunday, 5 October 03. Margaret Garlake, “Blast to Freeze”, Art Monthly, April 2003. David Gleeson, “The gallery whitechapel” Arco contemporary art, Autumn 2003 Matthew Sweet, “The Outsider”, The Independent Review,
2002 Mark Irving, “Flour power”, The Independent On Sunday, 3 Feb 02 p.21 Richard Cork, “Spatial Contention”, RA, number 75, summer 2002, p. 46-49 Evening Standard, “Dome design that’s causing a row over Diana’s memorial”, Monday 22 July 2002 Sarah Wise, “Mighty white”, The Guardian, 11-05-2002, p. 5 Judith Mackrell, “Kaash”, The Guardian, 13-05-2002, p. 16 Sarah Frater, “Leaping to spiritual conclusions”, Evening Standard , 13-05 p. 53 Ismene Brown, “Drawn into Darkness”, Daily Telegraph, 14-05-2002, p. 18 Debra Craine, “Journey the outer limits of inner space”, The Times, 15-05-, p. 19 Alastair Macaulay, “A fusion of youth and maturity”, Financial Times, 17-05, p. 18 The Observer, 05-05-2002, p. 10 Peter Chapman, “Colour White”, The Independent, 25 May 2002 Bryn Littleton, “Baltic Big Night”, Newcastle Journal, 13 July 2002 Sanjay Suri, “British Indian sculptor bags celebrated art assigment”, India Weekly, 5 April, 2002 Michael Glover, “Seeing is believing”, The Independent (London), 16 July 2002 Daily Telegraph, 11 May 2002, p. 6 (Arts and Books section) The Independent, “Fountains and domes”, 1 August 2002 Louise Jury, “Diana memorial to be restrained water feature”, The Independent, 1 August Steven Boggan, “Memorial to Princess caught in impasse over Britain and EU”, The Independent, 17 July 2002
Brian Logan, “Life, the multiverse and everything. In a dance. Coming soon”, The Independent on Sunday, 28 April 2002 Kelly Apter, The Scotsman, Edinborough, 27 May 2002 Louisa Matthews, “Five dancers strive to entrance”, Nottingham Evening Post, 24 May 2002 The Independent, 18 July 2002 Deyan Sudjic, “It’s enough to make you weep”, The Observer, 7 July 2002, p. 12 Stephen Phelan, “Can we ever build a fitting tribute?”, Sunday Herald, 28 July 2002 Leicester Mercury, “After months of bitter wrangling, Diana fountain design is chosen”, 31 July 2002 The Press Journal, “Diana water memorial denounced by critics”, 1 August 2002 Sam Greenhill, “Design chosen for Di memorial”, Derby Evening Telegraph, 31 July William Jackson, “Art 33 Basel”, Galleries, August 2002 Alex Farquharson, “Near Favorite”, ArtForum, September 2002, p. 90 “Descent into Limbo”, extracts from the conversation between Heidi Reitmaier and Anish Kapoor, Tate, issue 1, Sept/Oct 2002, p. 92 Charlotte Mullins, “West to East and Back”, RA, no. 76, autumn 2002, p. 40-47 Jeremy Lewis, “ Sunny Retreat”, Nottingham Evening Post, 24 August p. 12-13 Paul Usherwood, “B. Opened”, Art Monthly, No. 259, September 2002, p. 1-4 Sue Hubbard, “Whiter than white”, Art Review, July/August 2002, Vol. LIII, p. 93- 94 “Paragon Press”, ArtReview, September 2002, p. 85 Tim Crowley, “Regeneration of the Past: Ensuring long term success for the Baltic’, Art Index, # 1, 2002, p. 52-53 Fisun Güner, “Good vibrations”, Metro, 10 Oct. 2002, p. 22 Times Literary Supplement, 13 Sept. 2002 “Unveiled today: the biggest idea in British art”, The Independent, 9 Oct. 2002, Guardian, 19 Oct 2002 The Independent, 26 Oct. 2002 The Independent, 2 Nov. 2002 “10-storey sculpture makes big impression at Tate”, The Herald, 9 Oct. 2002 Michael Glover, “Kapoor’s grand vision: an awesome feat of engineering as much as a towering work of art”, The Independent, 9 Oct. 2002 Charles Darwent, “Beware the concrete jumble of the unconscious mind…”, The Independent, 20 Oct. 2002 H Hacking, “Beware of art that you are told is ‘difficult’ to understand”, The Independent, 16 Oct. 2002 Cahal Milmo, “Minister receives a blunt critique of his own art”, The Independent, 1 Nov. 2002 Mary Godden, “Quietly impressive”, The Independent, 8 Aug. 2002 Nikki Spencer, “Artmixx”, The Independent, 2 Nov. 2002 David Bebbington, “Artistic rubbish?”, The Independent, 17 Oct. 2002 Louise Jury, “The government doesn’t understand the importance of culture”, The Independent, 14 Oct. 2002 Adrian Hamilton, “British art is in rude health, Mr Culture Minister”, The Independent, 1 Nov. 2002 Jim Gilchrist, “A giant leap of inspiration”, The Scotsman, 12 Oct. 2002 Nicole Palmer, “Brit Art and the Tate”, Evening Standard, 9 Oct. 2002, p. 26 Metro, 9 Oct. 2002, p. 5 Evening Standard, 9 Oct. 2002, p. 10 Richard Dyer, Contemporary, Oct. 2002, p. 16-17
Michael Glover, “Academy puts on a trade fair, but without the price tags”, The Independent, 13 Sept. 2002 William Packer, “When is a show not a show?”, Financial Times, 17 Sep. 2002 Fisun Güner, “Time to pay and display”, Metro, 16 Sep. 2002 Helen Sumpter, “Playing to the Galleries”, The Big Issue, 9 Sep. 2002 John McEwen, “Dealers in the temple”, The Sunday Telegraphs, 15 Sep. 2002 Melissa Knatchbull, “Three-ring circus”, Harpers, Oct. 2002, p. 119-120 Martin Gayford, “Spotlight on the middleman”, The Daily Telegraph”, 13 Sep. 2002 Neil Robert Wenman, “Anish Kapoor. Looking into the Void”, Art and Architecture, No. 57 2002 “Epic work for Tate Modern”, Art in America, Dec. 2002, p. 25 “Red alert”, RA, No. 77, winter 2002, p. 33 Mark Irving, “ When sculpture eats architecture”, Domus, 853, Architecture/Design/Art/Communication, Nov. 2002, p. 64-73 Rachel Campbell-Johnston, “Giant trumpet creates blast of visual energy”, The Times, 9 Oct. 2002, p. 13 Maev Kennedy, “Tate unveils its biggest work”, Guardian, 9 Oct. 2002 JJ Charlesworth, “Uproar at Tate – again”, Modern Painters, winter 2002, p. 26- 27 “The Unilever Series: Anish Kapoor”, The Independent, 21 Dec 2002 Charles Darwent, “Works of art can be noisy too, you know”, The Independent on Sunday, 15 Dec 2002 Jay Merrick, “The engineer of chaos”, The Independent, 5 Dec 2002 The Independent, 22 Nov 2002 Janet Street-Porter, “My stubby, red-eyed, white-faced love rival”, The Independent on Sunday, 13 Oct 2002, p. 30 “C’est la vie”, AXM, Nov 2002 “And still they come”, Galleries, Sep 2002, p. 16 Jared Schiller, “Playing it safe in the art world”, Morning Star 2 Oct 2002
2001 Nigel Reynolds, “Life is mirrored in art of stainless steel”, Daily Telegraph, 8 January 2001 Vicky Anning, “On reflection”, Nottingham Evening Post, 5 January Cheryl Kaplan, “Strange Attractors: Kapoor/Petronio”, Tema Celeste, January- February 01, pp. 62-63 Ida Panicelli, “From India: Contemporary Anonymous Tantra Paintings on Paper”, p.155, Artforum, February 01 “Baltic”, p. 117, Tema Celeste, Mar-Apr 2001 “Celebrating a century of surprises”, Financial Times, 19 March 2001 Will Bennett, “Bringing art into politics”, Daily Telegraph, 19 March 2001 Paul Kelso, “Sculpture has death-ray potential”, p. 5, The Guardian, 7 March Brian Harris, The Independent, 16 January 2001 Marcus Fairs, “Kapoor and McAslan’s art pavilion trumpets Sally Army”, Building, Feb 01, pp. 16-17 Sholto Byrnes, “St Pauls and a sculptor’s baptism of fire”, The Independent on Sunday, p.3, 25 March 01 Vicky Anning, “Mirror debut at last”, Nottingham Evening Post, 5 AprilAlan Humberstone, “Our Sky--high profile”, Nottingham Evening Post, 27 March Laura Tansini, Sculpture, March 01, pp. 59-60 Helen Ward, “Sky High!”, Nottingham Evening Post, 9 April 01 “Firm polishes of mirror”, Burton Mail, 9 April 01 “Amber Cowan’s choice: Anish Kapoor’s Sky Mirror”, The Times, 21 April Louisa Buck, “Nothing doing”, The Arts Newspaper, May 01, p. 46
Niru Ratman, “’I am that other that you want me to be’: the Work of Anish Kapoor in 1980’s Britain”, The Sculpture Journal, Volume V, 2001, pp.90-96 Toby Treves, “The Art of Politics: Sculpture at the Millennium Dome”, The Sculpture Journal, Vol V, 2001, pp. 118-122 Vicky Anning, “Bruno has a ringside seat: Ex-boxing hero to unveil Sky Mirror”, Nottingham Evening Post, 25 April 01 Vicky Anning and Jeremy Lewis, “Turning the city upside down...”, Nottingham Evening Post, 28 April 01 Vicky Anning, “Mirror, mirror”, Nottingham Evening Post: Weekend, 5 May01, pp. 3-5 The Independent, 28 April 01 Geordie Greig, “Cool? Me? I’m rather naff, actually”, Daily Telegraph, 7 Aug 01, p. 15 Geordie Greig, “In his dreams”, Tatler, September 01, pp. 208-211 “Nottingham Terrace: A stylish new square”, Architecture Today, July 01, pp. 99- 100 Johnson, “Dark and satanic? Not any more”, The Independent on Sunday, 26 August 01 Nick Hackworth, “See a pigephant, it’ll scare the s*** out of you”, Evening Standard, 18 Oct 01
2000 Guy Sommerset, “Retrace Your Steps”, Metro, p.18, Dec. 10 Ossian Ward, “MM = 2000 = Massive Monuments”, The Arts Newspaper,‘Public Art’, p.31, Dec 99 Doris Lockhart Saatchi, “The Dome in London”, The Art Quarterly of the National Collections Fund, pp. 60, Dec 99 Louise Jury, “Wanted: Homes for millenial scuptures”, The Independent, Early Edition, p.5, Dec 4, 99 “Quantum art will join the leap into the Millennium”, The Herald, Glasgow, p.3, Oct 5 David Musgrave, “Retrace your steps: Remember Tomorrow”, Art Monthly, pp.27, Feb. 00 Martin Herbert, “Retrace Your Steps”, Time Out, Jan. 9, 00 Dale Mc Farland, “Retrace your steps: remember tomorrow”, Frieze, pp.99-100, Jan-Feb 00 “Alive and well in Picadlly”, Evening Standard, p.63, Feb 2,00 Peter Hewitt, “Beating the drum for the arts”, Daily Telegraph, Feb 2, 00 Mike Parker, “Sculpture for public spaces”, Morning Star, Feb 15, 00 James Beechey, “Anglo-German Relations”, pp.62-63, Royal Academy Magazine, N. 66, Spring 2000 Judith Bumpus, “Beyond the Dome”, p. 92, Royal Academy Magazine, N. 66, Spring Rachel Withers, “Retrace your steps, remember tomorrow”, Art Forum, February Stuart Payne, “Art zones that will live beyond the Dome”, Evening Standard, p.18, March 18, 00 Martin Gayford, “Looking In”, Modern Painters, pp.98-100, March 00 James Hall, “Public sculpture has never had it so good”, The Independent on Sunday, p.5, Apr. 9, 00 Julia Gregson, “Model day at the Dome”, The Times, Apr. 15, 00 Martin Gayford, “Looking In”, interview with Anish Kapoor, Modern Painters, London, March, 00 “Art Pleasure-Dome”, Manchester Metro News, March 29, 00 “Vent-elation at the Dome”, The Guardian, Space p.6, Apr. 4, 00
Charles Darwent, “Foreign Showmen”, New Statesmen, pp.44, Apr.3, 00 William Packer, “Godforsaken art in a godforsaken place”, Financial Times, p.20, April 04, Tanis Taylor, “Anish Kapoor, Blood”, Metro, May 5, 00 Oliver Bennet, “Blood Simple”, The Independent, May 6, 00 William Packer, “Artists carve out their reality”, The Financial Times, May 9, 00 Andrew Graham Dixon, “The Art of Success”, Vogue, pp.179-92, London, May Oliver Bennet, “Blood Simple”, The Independent Magazine, pp.14-15, May 6, 00 Tanis Taylor, “Anish Kapoor: blood”, Metro, p.18, May 5, 00 “For Art’s Sake”, Evening Standard, p.12, May 16, 00 Jojo Mynes, “Arty party where even food was an installation”, The Independent, May 12, 00 Helen Sumpter, “Blood”, Hot Tickets, 5-11 May Oivia Lowe, “Sculpture Park / Millenium Dome”, What’s on in London, May 17, Sarah Kent, “Lisson”, Time Out, May 17, 00 Michael Glover, “The back half”, New Statesman, pp.43, May 22, 00 Laura Long, “Blood and Stone”, North West, London, May 2000 Mark Wilsher, “Anish Kapoor: Blood”, What’s on in London, May 24, 00 Richard Cork, “Blood will tell, and here’s the story”, The Times, pp.20-21, May 31 Nick Compton, “We saw the whites of each other’s eyes and came through it”, interview, The Independent on Sunday, May 21, 00 Tim Adams, “The Zest of British ...”, The Observer, May 5, 00 Demetro Paparoni, “Anish Kapoor, La fusione tra l’esteriore e l’interiore...”, Tema Celeste, cover story, pp.38-45, May-June 00 Dawn Fulcher, “La Beaute”, Contemporary Visual Arts, p.80, issue 28 Alex Coles, “Retrace Your Steps: Remember Tomorrow”, Art in America, p.133, June 2000 Dave Beech,”On the Dome Front”, Art Monthly, pp.1-4, June 2000 Samantha Ellis, “Last Chance: Blood”, Evening Standard, p.55, (News Extra), June 26 Cathrine Millet, “Shared Exoticism”, Art Press International, Paris, pp.22-33, July- Aug Adriana Paice, “Standing on the Threshold to the Absolute”, MA dissertation, Edinburgh University, MA History of Art, (Matric No.9644550) Corinna Lotz, “Beauty Now. Beauty in Art at the End of the 20th Century”, pp.44-45, Contemporary Visual Arts, issue 29 Liz Stuart,“Marketeer who’s going up in the world”, The Guardian, p.20, July, 29, 00 Charles Darwent, “The Beauteous Bandwagon”, Modern Painters, pp.90-91, Autumn Brigitte Ulmer, “Kunstszene London: Explosion an Kreativitaet!”, Bolero, pp.26- 32, Sept. 00 Anne Bertrand, “Ou en est la beaute? / What’s up with beauty?”, Art Press, pp.36-44, June 2000 Jean de Loisy interviewed by Catherine Francblin, “La beaute en partage: Avignon, Shared Beauty”, Art Press, pp.50-54, June 2000 “2001 wait for sky sculpture”, Nottingham Evening Post, 27 sep.2000. Frank-Alexander Hetting, “Ansh Kapoor”, Kunstforum, Germany, pp.421, Oct.- Dec “Tate Modern Reality and Ficiton”, Tema Celeste, p.116, Oct.-Dec. 00 “Millenium Arch”, Herald Tribune, Dec. 30 Edward Winters, “Jane Prophet’s Conductor”, Modern Painters, Dec 00, p. 101
1999 Elspeth Moncrieff, “It was Good for Me”, The Art Newspaper, Feb, pp. 66-68 “Gallery and Museums News”, Art Monthly, Mach, no.224, pp.22-23 “Dundee’s prime example of good architecture”, Tim Dawson, Sunday Times, 7 March Keith Bruce, “Dewar to snip the ribbon on Dundee’s £9m gallery”, The Herald (Glasgow), 19 March Clare Henry, “Prime example of ingenuity”, The Herald (Glasgow), 22 March “Kapoor - Zen Interaction”, Les cahiers de la sculpture, no 1, pp. 12-15 “Prime”, Contemporary Visual Arts, issue 22,p.88 Monica Bohm-Dunchen, “Sally Heywood and Ingrid Kerma”, Modern Painters, spring , vol. 12, no.1, pp. 115-116 “Die Mäzene von Mailand”, Art. Das Kunstmagazin, April, no. 4, pp.66-71 Oscar Faria, “Escuturas Transitorias”, Arte & Ocios, April 23, p.25 Ken Shulman, “Chic to Cheek”, ARTnews, April, pp. 68-69 “Anish Kapoor”, Expresso, May Oscar Faria, “Esculturas Transitorias”, Publico, p.25, April 22 Clare Henry, “Museums away”, The Art Newspaper, no.92, May, p.24 Brian Sewell, “Scandal of a man who can’t stop winning art’s lottery”, Evening Standard, May 18, p.15 Anish Kapoor, “Setting the art record straight”, Evening Standard, Tuesday 25, p.20 Richard Cork, “Artist’s impressions”, The Times, May 1 99, pp. 32-36 “Kapoor man’s Monet”, Evening Standard, May 24, p.24 Natasha Walter, “Wait till you see inside”, The Independent on Sunday, 9 May, p.3 Michael Glover, “The decline and fall of the watercolour”, The Independent, 11May Frances Spalding, “A cast of millions”, The Independent, 25 May “It was them”, Art Monthly, no. 227, June, pp.15-16 “Art in church”, The Tablet, 5 June, p.776 Maddy Costa, Richard Deacon”, Hot Ticket - Evening Standard, 3 June, p.54 Fernanda Maio, “Anish Kapoor”, Arte Iberica, June, 1999 Jon Ungoed-Thomas, “Trumpet sculpture blows an Arts Council bundle”, Sunday Times, 9 July 99 Gordon Barr, “Mill’s monster is plastic and it’s fantastic”, Newcastle Evening Chronicle - Museums, 21 July 99 Anthony Thorncroft, “An irreverent peek behind the installation”, Financial Times, 23 Juin 99 Chris Savage King, “The class acts of a classless art”, The Independent - Friday Review”, p.5, 23 Jul 99 Vinny Lee, “Hechter’s House”, The Times - Magazine, 24 Jul 99 Martin Gayford, “Crimson tide hits Tyneside”, The Daily Telegraph - Arts, 28 July “New Home is where the art is”, Eastern Daily Press - Norwich, 28 July Martin Gayford, “Crimson tide hits Tyneside”, Daily Telegraph, p24, 28 Jul 99 “Home is where modern art is”, Birmingham Express & Star, 29 July 99 Antony Thorncroft, “An artist at your workstation”, Financial Times, page 14, 02.Aug 99 “Sculptors having a design on family life”, Gloucester Citizen, 24 Sug 99 Richard Cork, “Red sky’s last night, our delight”, The Times, p.37, 01 Sept 99 Sex-change-change machine and invisible sculpture will top bill at Dome”, The Independent, 3 Sept 99 Elisabeth Mahoney, “Storm Warning”, Scotland on Sunday Edinburgh, 12 Sept Tim Cooper and Robin Stringer, “Artforms and uniforms...the Dome’s new addtitions”, Evening Standard, p.19 5 Oct 99
Paul McCann, “From the man who made the ‘Gateshead Flasher’ a ‘Millenium Man’ for the Dome”, Independent, 5 Oct 99 Richard Cork, “Meridian messages writ on water”, The Times, 5 Oct 99 BALTIC Newsletter No.6 Sarah Shannon, “Home is where the art is...”, Evening Standard, 14 Oct 99 Mark Irving, “Home is where the art is?”, The Express, p.81, London, 16 Oct 99 G. Roberts, “Making DIY a real art”, Portsmouth News, p.20, Oct 19 Chiara Donn, “Anish Kapoor”, Arte, cover story, pp.137-143, Oct, 99 Clare Garner, “Leading Artists try their hand at DIY in appeal to the masses”, The Independent, Oct 30 C. Prentice, “Art throws in the towel”, Scotland on Sunday - Edinburgh, p.38-40, Nov 7 Tom Lubbock, “Home is where the art is”, The Independent, Nov 23 Lesley Jackson, “Square pegs, round holes”, The Independent, Nov 13 M. Gayford, “Art escapes from the gallery”, The Daily Telegraph, Arts, Dec 8 M.Benjamin, “Making mischief at the museum”, Evening Standard, p.35, Dec 8 Charles Darwent “Hide and Seek for the Big Players”, The Independent on Sunday, Dec. 19, 99 “Dome Improvement”, p.14, Art Monthly, Nr.231, Nov.99 Martin Bailey, “Dome Zones”, The Art Newspaper, Dec 99 Claire Allfree, “The dome outside scuptures”, Metro, Jan 6, 00 Adrian Searle, “Arts in the dome”, The Guardian, p.10, Dec 23, 99 Clare Henry, “Heads up for the Dome Show”, The Herald, Arts, p. 12, Jan 3 1998 Helen Sumpter, “My art on Blair’s wall”, The Big Issue, January 19 Richard Ingleby, “Leaving no stone unturned”, The Independent, January 24 Andrew Lambirth, “Kapoor: Master of the sexuality within”, The Independent, Jan27 L.B, “Anish Kapoor, Q & A”, The Art Newspaper, February Andrew Lambirth, “Space invader”, Royal Academy Magazine, March Marianne MacDonald, “The colour issue”, The Observer Weekend supplement, April 12,pp. 4-8 Michael Glover, “Anish Kapoor at Lisson”, ARTnews, April, pp.190-191 Andrew Lambirth, “Embrace the void”, The Independent, April 25, pp.32-36 Lucy Hughes-Hallett, “The big question”, Vogue, pp.175- 178, May 1998 Adrian Searle, “Don’t look up...”, The Guardian, May 5, pp.10-11 Richard Cork, “Face to face with our fear of flying”, The Times, May 5, p. 18 Isabel Carlisle, “Into the wild blue yonder”, New Statesman, May 1 Tim Hilton, “It’s all in what the eye cannot see”, The Independent on Sunday, May 10, pp.22-23 William Packer, “Now you see it, now you don’t”, Financial Times, May 12, p.19 Brian Sewell, “Talking up a load of spherical objects”, Evening Standard, May 14, pp.28-29 Ian Gail, “Terror vision”, Scotland on Sunday Edinburgh, May 10, p.19 Adam Lowe, “From Sculpture into Print: Anish Kapoor’s wounds and absent objects”, Artbyte, June-July, p. 12-13 John Haldane, “Out of the darkness comes the light of Easter”, The Times, 11 April Ann Wilson Lloyd, “Anish kapoor”, Sculpture, September 1998, pp.74-75 Dan Glaister, “Streamlined Arts Council presages halving of staff”, The Guardian, 18 June Philip Hensher, “How deep is a hole?”, Modern Painters June, p.42-45 John Haldane, “Anish Kapoor”, Burlington Magazine, July, p.493-494 Olga Spiegel, “El gran reto del arte consiste en ser íntimo y, de algún modo, absoluto y apasionado”, La Vanguardia, May 17, p.69
“Anish Kapoor au Festival d’Automne,Le Journal des Arts, 28 August Anita Castiel, “L’Incontournable Festival d’Automne”, France TGV, September, p.68 Jean-Max Colard, “Prémises”, Les Inrockuptibles, 9-15 September Ph. R., “Les méditations de Kapoor”, Le Journal des Arts, 11 September Michel Nuridsany, “Les effets miroir d’Anish Kapoor”, Le Figaro / Aurore, 29 Sept Laurent Boudier, “Anis Kapoor”, Télérama Paris, 30 September, p. 17 Jean-Louis Pinte, “Le sacre du vide”, Figaroscope, 30 September, p. 33 “Les vides et les pleins d’Anish Kapoor”, Le Magazine de l’Optimum, October, p.40 Denis Picard, “La Salpêtrière pour Kapoor”, Connaissance des Arts, October Joerg Bader, “Anish Kappor, beauté et peur du vide”, L’Oeil, October, pp. 73-77 “Anish Kapoor”, L’Oeil, October Marie-Laure Bernadac, “Anish Kapoor, sculpting the invisible.”,Tandem,Franco- British Arts review, London/Paris, Sept-Dec, p.3 Simon Morrissey, “Anish Kapoor-Hayward Gallery”, Untitled, Contemporary Art, London, no. 16, summer Natasha Edwards, “Interview: Anish Kapoor-In Search of the Sublime”, Time Out Paris Guide, Autumn 1998 Richard Dyer, “Anish Kapoor”, Citizen K International, Autumn, pp. 62-63 Simon Morley, “Holy Alliance”, The Tate Art Magazine, issue 16, pp48-53
1997 Sarah Kent, “Hell’s belles”, Time Out, February Adrian Searle, “It came from Planet Blah”, The Guardian, 4 February, p.14 Steve Beard, Arena, March 1997 Mark Sladen, Art Monthly, March 1997, p.204 Critic’s Choice, Time Out, 12 February-9 April Roger Bevan, “Kapoor versus Armani”, The Art Newspaper, Internetional Edition, Vol. VIII, No. 70, May Waldemar Januszczak, “A true reflection of the age”, The Sunday Times, 13 April Claudia Izique, “Viagem ao reino da invenção”, Correeio Braziliense, Brazil, 20 Oct Mariãngela Guimarães, “Labirinto contemporãneo”, Gazeta do Povo, Curitiba, 20 October Martin Gayford, “Confusing for les rosbifs”, The Daily Telegraph, 12 June John O’Reilly, “The object of seeing”, The Independent Long Weekend, 5 April Philip Hensher, “Object Lessons”, Mail On Sunday ‘Night and Day’, 6 April Richard Shone, “Material Witness”, The Observer Review, 6 April Jane Burton, The Express, 1 April David Lister, “When the art world painted the city of dreams bright red”, The Independent, 16 June, p.20 Marina Vaizey, “An Enduring Inspration”, Art Quarterly, No.30, Summer Balraj Khanna, “Passage from India”, Artists & illustrators, October, pp.43-45
1996 Sherry Gaché,“Interview. Anish Kapoor”, Sculpture, Vol.15, No.2, Washington DC, February, pp.22-23 Dalia Manor, “Anish Kapoor, Lisson Gallery”, Art Monthly, No.193, Feb, pp.38-39 Monica Maia, “Kapoor estuda espaço que terá na Bienal”, FSP, Sao Paulo, 6 Feb Geórgia Lobacheff, “Kapoor Busca o Melhor Espaço”, Jornal de Tarde, São Paulo, 6 February Mônica Maia, “Kapoor estudia espaço que terá na Bienal”, Folha de São Paulo, São Paulo, 6 February
Barbara A. Macadam, “British Impressions”, ARTnews, No.3, New York, March,p.67 Giorgio Verzotti, “Anish Kapoor. Fondazione Prada”, Flash Art, No.187, Milan, March-April, pp.121-22 Roger Bevan, “British beef goes to France”, The Art Newspaper, London, May Ann Hindry, “Histoires anglaises”, Art Press, No.214, Paris, June, pp.19-28 Ariella Giulivi, “Anish Kapoor, Massimo Minini”, Tema Celeste, No.57, Milan, Summer, p.72 Celso Fioravante, “Anish Kapoor vem à Bienal com aço, pedra e pigmento”, Ilustrada, São Paulo, 10 August Claudia Izique, “Viagem ao reino da invenção”, Correeio Braziliense, Brazil, 20 Oct Mariãngela Guimarães, “Labirinto contemporãneo”, Gazeta do Povo, Curitiba, 20 October Martin Gayford, “Confusing for les rosbifs”, The Daily Telegraph, London, 12 June Frank Whitford, “Albion market undersold”, Sunday Times, London, 16 June William Feaver, “Impudence is bliss”, The Observer, London, 23 June Richard Cork, “A brilliant century taken out of context”, The Times, 25 June Paul Levy, “British Artists Teach Franch a Lesson”, Wall Street Journal, 28 June Yves Abrioux, “A Century of British Sculpture”, Untitled, No.11, Summer, pp.6-7 Meenakshi Shedde, The Art News Magazine of India, Vol. 1, No.2,Mumbai, Apr/Jun, pp.58 Tasneem Mehta, “The Importance of Being Anish Kapoor”,The Art News Magazine of India, Vol.1, No.2, Mumbai, Aug/Oct, pp.36-41 Ariella Giulivi, “Anish Kapoor”, Tema Celeste, No.57, Milan, Summer, p.72 Anish Kapoor, “Dedication of the Sho’ah Memorial”, LJS News, London, Dec Thomas Illmaier, “Eintauchen in eine andere Welt”, Junge Freiheit, No.50, Dec Thomas Illmaier, “Zur Gegenwart Erwachen”, Ursache/Wirkung, Vienna, No.15, Winter Celia Lyttleton, “Anish Kapoor”, The Now Art Book, Japan Von Bernd Klempnow, “Nur eine Wand aus Sandstein trennt Leben und Tod”, Prisma, 21 August Paolo Cecchetto, “Anish Kapoor”, Juliet Art Magazine, Trieste, No 81, Feb/March Éric de Chassey, “Entretien avec Daniel Abadie, directeur de la galerie nationale du Jeu de Paume” Beaux Arts Magazine, published in conjunction with the exhibition “Un siècle de sculpture anglaise”, Jeu de Paume, Paris, pp 6-9 Mona Thomas, “Les années 80-90, jeunes sculptures anglaises”, Beaux Arts Magazine, Jeu de Paume, Paris, pp 48-55 Frank Whitford, “Albion market undersold”, Sunday Times, London, 16 June William Feaver, “Impudence is bliss”, The Observer, London, 23 June Richard Cork, “A brilliant century taken out of context”, The Times, 25 June Paul Levy, “British Artists Teach Franch a Lesson”, Wall Street Journal, 28 June Yves Abrioux, “A Century of British Sculpture”, Untitled, No.11, Summer, pp.6-7 Meenakshi Shedde, The Art News Magazine of India, Vol. 1, No. 2,Mumbai,Apr/Jun, pp.58 Tasneem Mehta, “The Importance of Being Anish Kapoor”,The Art News Magazine of India, Vol.1, No.2, Mumbai, Aug/Oct, pp.36-41 Ariella Giulivi, “Anish Kapoor”, Tema Celeste, No.57, Milan, Summer, p.72 Anish Kapoor, “Dedication of the Sho’ah Memorial”, LJS News, London, December Thomas Illmaier, “Eintauchen in eine andere Welt”, Junge Freiheit, No.50, Dec Thomas Illmaier, “Zur Gegenwart Erwachen”, Ursache/Wirkung, Vienna, No.15, Winter
Celia Lyttleton, “Anish Kapoor”, The Now Art Book, Japan Von Bernd Klempnow, “Nur eine Wand aus Sandstein trennt Leben und Tod”, Prisma, 21 August Paolo Cecchetto, “Anish Kapoor”, Juliet Art Magazine, Trieste, No 81, Feb/March Éric de Chassey, “Entretien avec Daniel Abadie, directeur de la galerie nationale du Jeu de Paume” Beaux Arts Magazine, published in conjunction with the exhibition “Un siècle de sculpture anglaise”, Jeu de Paume, Paris, pp 6-9 Mona Thomas, “Les années 80-90, jeunes sculptures anglaises”, Beaux Arts Magazine, Jeu de Paume, Paris, pp 48-55
1995 "Anish Kapoor", Bijutsu Techo, Japan, 1 Jan 1995, pp.185-182 Brian Fallon, “British sculpture here and now”, Irish Times, Dublin, 18 May Patricia Bickers, “Generations of British Sculpture: the British Sculpture Tradition”, Art Press, No.202, Paris, May 1995, pp.31-39 Hideto Akasaka, “Anish Kapoor”, GQ Japan, May Tony Godfrey, “Maastricht and Tilburg,the Bonnefanten Museum; Anish Kapoor”, The Burlington Magazine, London, June, pp.407-408 “Ideal Standard Summertime”, The Guide, The Guardian, 22 July, p.6 Sarah Kent, “Summer Frieze”, Time Out, No.1301, London, 26 July - 2 August, p.50 Rosanna Negrotti, “Ideal Standard Summertime”, What’s On In London, 9 Aug,p.21 Iain Gale,“Iain Gale on exhibitions”, The Independent, London, 11 August Tim Hiln, “Abstract expressions”, The Independent on Sunday, London, 13 August Martin Gayford, “The subject is anything”, The Daily Telegraph, London, 16 August Richard Cork, “Summer brings cold comfort”, The Times, London, 15 August Linda Talbot, “Threads of many ideas”, Hampstead & Highgate Express,18 August Philip Sanderson, “Ideal Standard Summertime”, Art Monthly, No.189, London, September, pp.37-38 Estelle Lovatt, “Ideal Standard Summertime”, Southern Cross, 13 September, p.13 Keith Patrick, “The complex web”, RA Magazine, No.48, London, Autumn, pp.24-25 Christoper Hume, “Anish Kapoor’s Mountain”, The Toronto Star, Section L, Toronto, 26 August Suman Buchar, “The tingle factor”, The Telegraph Magazine, Bombay, 27 August, pp.5-11 Tatsumi Shinoda, “Sculptor Kapoor chooses Japan for new approach”, Asahi Evening News, Japan, 23-24 September “Key Notes”, The Full Score, London, Autumn ‘95, p.4 Edward Lucie-Smith, “Critic’s Diary”, Art Review, London, October, pp.8-9 “Anish Kapoor alla Fondazione Prada”, Flash Art, No.194, Milan, Oct/Nov, p.56 Piero Deggiovanni, “Arte Inglese Oggi”, Tema Celeste, No.53-54, Milan, Autumn, p.88 Takeshi Sakurai, “Metamorphosis of Gourd”, Ryusei, Japan, November Silvia Robertazzi, “Première”, Elle Decor, Milan, November S.D.O., “Kapoor o la pienezza del vuoto”, Il Giornale dell’Arte, Milan, Nov “Pure spirit”, L’Uomo Vogue, Milan, November Sarah Kent, “Gourd Times”, Time Out, London, 15 November “Falling for hole truths”, Hampstead & Highgate Express, 24 November
Angela Vettese, “Dentro gli ambigui vuoti di Anish Kapoor”, Il Sole 24 Ore, Milan, 26 November Francesco Somaini, “Le forme oscure di Anish Kapoor”, Il Giorno, Milan, 26 November L. Go., “Le sculture di Kapoor, mago dello spaesamento”,7 Il Messaggero, Rome, 26 November Marco Meneguzzo, “I «buchi neri» di Kapoor”, Avvenire, Rome, 26 November “Anish Kapoor”, Abitare, Milano, December “Rocce metafisiche”, Interni, Milan, December L. Cab., “le Mostre”, Arte, Milan, December Rachele Ferrario, “A me gli occhi”, Arte in, December, pp.80-81 Luciana Baldrighi, “Il mondo «a parte»” Il Giornale, Milan, 1 December Giovanni Bai, “Abissi di pietra e di metallo le sculture-sogno di Kapoor”, L’Indipendente, Milan, 3 December Roberto Di Caro, “Non voglio più fare l’indiano”, L’Espresso, Rome, 3 December, pp.160-62 Raffaella Guidobono, “Kapoor l’anarchico”, Lombardia oggi”, 3 December Walter Guadagnini, “Meditazioni sul vuoto”, Repubblica, Rome, 4 December “Alba, Nutella e salame”, Panorama, Milan, 7 December Mario Perazzi, “Anish Kapoor. I mille volti della scultura”, Amica, Milan, 9 December, pp.119-126 Rosanna Negrotti, “Anish Kapoor”, What’s On in London, London, 13 Dec p.17 Simona Chiappella, “Anish Kapoor in Italia”, Il Resto del Carlino, Bologna, 14 Dec Luigi Cavadini, “Anish Kapoor, Milano, Fondazione Prada”, Il Corriere del Ticino, 15 December Francesca Borrelli, “Verso lo splendore dl buio”, Il Manifesto, Rome, 16 Dec Astrid Vinatzer, “Pietra scolpita, rito della natura”, Alto Adige, 16 December G. Marz., “Piovono pietre, senza alcun rumore”, L’Opinione, 17 December Isabella Fava, “Quadri animati. L’arte e il cinema”, Il Manifesto, Rome, 22 December Marco Vallora, “Kapoor, poeta dell’ipnosi”, La Stampa, Turin, 22 December Ilaria Giaccone, David Bianco, “Nella pelle dell’universo”, Il Manifesto, Rome,23 Dec Carlo Alberto Bucci, “L’arte nelle pause delle parole”, L’Unità, Rome, 27 Dec Manuela Gandini, “Un’anti-scultura fatta di non materia e strani buchi neri”, Il Giorno, Milan, 28 December Roberto Sanesi,”Quattro passi nel vuoto con lo scultore stregone”, Il Corriere della Sera, Milan, 30 December Ada Masoero, “Vibrazioni vertiginose”, Mondo Economico, 1 January “Anish Kapoor at the Fondazione Prada”, Flash Art, No.186, Milan, Jan-Feb, p.39
1994 "Exporama: Anish Kapoor", Artpress, No.188, February, p.72 Carol Kino, "Spiky Peaks and Shadowy Voids", Artnews, March, p. 133 Donald Kuspit, "Anish Kapoor", Artforum, Vol.XXXII, No.7, March John K. Grande, "Anish Kapoor", Espace, No.25 Fall/Automne, Montreal, pp.27- 32 Colette Tougas, "Anish Kapoor", Parachute, Canada,April/May/June, pp.30-31 Pilar Corrias, "Looking to the future: contemporary art in London", The Society of London Art Dealers(1994/5 Yearbook & Directory of Members), London, pp. 44-45 "Artistas Extranjeros Adquisiciones, Donaciones y Daciones",La Revista del Museo,Museo Nacional Centro de Arte Reina Sofia,July 1994, Madrid, pp. 20-23 Fiona Giannoulis, "Soul Mates", The Telegraph Magazine, London, 23 July "Old Masters and Young Pretenders", Time Out Visitors Guide 1994, pp.33-36
"Luis Monreal, Director of La Caixa, Has a National Sized Budget to Spend", The Art Newspaper, International Edition, London, Vol.V, No.41, Oct 1994 "Die 100 Grobten", Capital, Köln, No.11, November pp.173-174 Adrian Searle, "We Know You are in There", The Independent, London, 4 Nov Marta Dalla Bernardina, “Kapoor e il Sacro”,Titolo, No.16-17, Perugia, Autumn- Winter, pp42-45
1993-4 Judith Staines, "Peripheral Vision", Art Monthly, Dec-Jan, No.172, pp.32-33
1993 "Anish Kapoor", Art Watching (Freestyle), Japan, Winter West Sussex Gazette, Arundel, 21 January Clare Farrow, "Anish Kapoor", Art and Design, No.33, pp.52-59 Jim Duncan. "Sculptor's granite caves pulls meditative viewers",7 Des Moines Business Record, 25 January Lynda Forsha. "Anish Kapoor, Museum of Contemporary Art, San Diego", Flash Art, Milan, January-February David Cohen. "Anish Kapoor", Sculpture, Washington, Jan-Feb, pp.30-37 Eliot Nusbaum. "From floating stones to hollow tubes", The Register, Des Moines, February Judith Mackrell. "Rock and Roll. The rising fall of Laurie Booth", Vogue, February Jacqui Bealing. "Putting a spring into dancer's steps",Brighton Evening Argus, 15 March Sophie Constanti. "Laurie Booth, Queen Elizabeth Hall",The Guardian, 29 March Judth Mackrell. "Laurie Booth's River Run, with designs by Anish Kapoor, at Queen Elizabeth Hall", The Independent, London, 31 March Cathy Brown. "Rare treat in store for dance fans at famous concert hall", East Anglian Daily Times, Ipswich, March Celia Lyttelton. "Anish Kapoor", Interiors, London, April Roger Bevan. "Kapoor at Lisson with stage designs", The Art Newspaper, London, April Anne Sacks. "Calm in an arctic limbo", The Independent on Sunday, 4 April Nicholas Dromgoole. "Preferable to prison?", The Sunday Telegraph, 4 April Jann Parry. "Dance", The Observer, London, 4 April Martin Gayford. "Watch this space", Telegraph Magazine, The Daily Telegraph, London, 10 April, pp. 50-51 Jane King. "Meaningless meanderings", The Morning Star, London, 18 April Andrew Graham-Dixon. "Flirting with hippie chic", The Independent, 20 April Richard Cork. "The shapeliness of things to come", The Times, 23 April, p.35 "Dance, sound and sculpture", Somerset County Gazette, Taunton, 23 April Sarah Kent. "Shaping up", Time Out, London, 28 April John McEwen. "Anthony Green, Anish Kapoor, Alison Wilding, David Nash, and Sutherland", The Sunday Telegraph, London, 2 May William Feaver. "New life out of old wood", The Observer, London, 2 May William Packer. "Sculpture never had it so good", The Financial Times, 4 May Richard Dorment. "Body of work that cries out to be touched", The Daily Telegraph, London, 5 May Geraldine Norman. "Sculptor creates fibreglass vision",The Independent, 10 May Simon Grant. "Anish Kapoor, Lisson Gallery", What's On In London, 12 May Cathy Brown. "Rare treat in store for dance fans at famous concert hall", What's On In London, London, May Leslee Wills. "The mesmerizing art of Anish Kapoor", The Weekly Journal, 13 May "Main Chance", Sheffield Telegraph, Sheffield, 14 May
Alison Sarah Jacques. "Anish Kapoor, the distance between "here" and "there"", Quotidiano Flash Art Daily, Venice, June Nancy Beale. "Summer shows provide feast for all tastes", The Ottawa Citizen, 30 June Gillian MacKay. "British Sculptor", Canadian Art, Summer, p.11 David Batchelor. "Anish Kapoor", Galeries Magazine, Paris, Summer, p.136 Kate Taylor. "Healing visions carved in stone", Globe and Mail, Toronto, 5 July Ann Duncan. The Gazette Saturday, Ottawa, 16 July Keith Patrick. "Anish Kapoor, Lisson Gallery, London", Art Line, International Art News, Vol 5, no.8, Summer Jeffrey Kastner. "Anish Kapoor, Lisson", Flash Art,Milan, Summer, p.122 Claudia Peres. "Sculture da meditazione", Casa Vogue, Milan, July-August "Plastiker Objektkünster", Art, no.7, July, p.44 Andrew Gibbon Williams, "Parts for art's sake", Sunday Times (Scottish Section), 30 May Jeremy Isaacs, "A sense of the future", Modern Painters,London, July Richard Dorment, "Body of work that cries out to be touched", Daily Telegraph,London, Wednesday, May 5 John Windsor, "Putting the art back into artisan", The Independent, London, 26 June Nancy Beale, "Triple play at the National Gallery", The Ottawa Citizen, June 20 Martin Gayford, "Forms that rhyme", Sunday Telegraph, London, 5 Sept Kate Bernard, "Which way to Turner?", Sunday Times, London, 25 July William Feaver, "New life out of old wood", Observer, London, 2 May John Mc Ewen, "Come up and see me soap the wife sometime", Sunday Telegraph, 2 May Roger Bevan, "Eric Estorick returns", The Art Newspaper, London, April Clare Henry, "Terrific sculptures but none by Scots", Glasgow Herald, 28 May William Packer, "Never had it so good", Financial Times, London, 4 May Robert Enright, "Blue Angel", Canadian Art, Winter/Dec,Volume 10, No 4 Thomas McEvilley, "Venice the Menace", Artforum, 0ct, Vol XXXII, No 2 "Anish Kapoor, Lisson", Artnews, New York, Oct 1993, pp.174-175 Felice Maranz, "Searching for the Sacred Place", The Jerusalem Report, 7 Oct David Cohen, "Reviews", Sculpture, London, Vol.6, Nov-Dec, No.6, 1993, p.58 Marta Dalla Bernardina, "Lo Spettatore e l'Opera", Segno, Italy, No.126, Summer
1992-93 Jos van den Bergh. "Anish Kapoor, Gary Woodley", Artefactum, Antwerp, December-January, pp.55-56
1992 Giovanna Massoni, “Kapoor scultore del vuoto”, Carte d’Arte, No.1, Turin, January, pp.30-32 Jeremy Lewison, “I Disegni di Anish Kapoor”, Carte d’Arte, No.1, Turin, January, pp.26-29 "Journey to the centre of a void", Independent, 8 January Roger Bevan. "Anish Kapoor wins Turner Prize", The Art Newspaper, 14 January Priscilla Lister. "Anish Kapoor: Contradictions Say Something", San Diego Daily Transcript, 29 January Susan Freudenheim. "Creating art from a diverse heritage", San Diego County Los Angeles Times, 30 January Ann Jarmusch. "Dark and dangerous", San Diego Tribune, 31 January Farida Cooper. "Anish Kapoor", Society, Bombay, January, pp.50-55 Robert L. Pincus. "Kapoor's fame far exceeds his ego", The San Diego Union Tribune, 2 February
Kenneth Baker. "Between a Rock and a Soft Place", San Francisco Chronicle, 26 February Francesca Borelli. "Sculture che sigillano il secolo", Wimbledon, Rome, February, p.71-74 Robert L. Pincus. "Sublime case of the blues", San Diego Union-Tribune, March 5 Barbara MacAdam. "Anish Kapoor, Crown Point Press", ARTnews, April, p.119 Els van der Plas. "Rhizome, a rootstock that offers no hold, Haags Gemeentemuseum", Kunst and Museum Journal, No.4, pp.60-62 Fietta Jarque. "La cultura monolítica europea ha dejado de existir, según el escultor Anish Kapoor", El Pais, Madrid/Barcelona, 27 April F. Calvo Serraller. "El arte del vacío", El Pais, Madrid/Barcelona, 27 April Betriz Pottecher. "Se ha puesto el gallo incierto, hombre", El Mundo, Madrid, 2 May Pablo Jiménez. "Anish Kapoor, entre el objeto y la pintura", ABC de las artes, Madrid, 8 May Fietta Jarque. "La experiencia de Anish Kapoor. 'Cuando estoy embarazado'", Guia de "El Pais", Madrid, 8 May Jose Ramon Danvila. "Anish Kapoor, lo espiritual en la creación", El Punto de las Artes, Madrid, 8-14 May, p.5 Marcos R. Barnatán. "Un misterioso aerolito azul", Magazine-El Mundo, Madrid, 9- 10 May Pablo Llorca. "Anish Kapoor, 'Mi madre are judía; mi padre, hindú; mi nana, cristiana; mi profesor, budista.'", Diario 16, Madrid, 10 May Ramón F. Reboiras and Miguel Fernandez, "La danza del cosmos", Cambio 16, Madrid, 10 May, pp.124-127 David Bonetti. "Risk-taking artists find their Crowning Point", The San Francisco Examiner, 27 May Rosa Olivares. "Anish Kapoor", Lapiz, Madrid, May- June,p.97 Joseph Newland. "Spirit Forms, Anish Kapoor at the Museum of Contemporary Art, San Diego", Artweek, 18 June Judith Christensen. "Anish Kapoor, San Diego Museum of Contemporary Art",Sculpture, July/August, p.64 Magdala Perpinyà. "Anish Kapoor, la irradiació del buit", Papiers d'Art, June/July/August, p.19 Peter Clothier. "Metaphor or Metaphysics, Jackie Winsor and Anish Kapoor", Artspace, Los Angeles, May/June, pp. 44-49 "Documenta IX images", Artefactum, Antwerp, September-November "San Diego, Kapoor at the MCA", Flash Art, Milan, October Ralph Rugoff. "Depth of Field. Anish Kapoor's erotic pigments", Los Angeles Weekly, 9-15 October Susan Kandel. "The Push and Pull of Kapoor's Metaphors", Los Angeles Times, October Raghubir Singh. "Banaras Transformed", Sunday, Calcutta/London, 1-7 Nov,pp.86- 89 Marta Dalla Bernardina. "Erotismo e trascendenza nell scultura di Anish Kapoor", Palazzo Ruini, Reggio Emilia, Italy, October/November/December, pp.4-5 "Arts Briefing", The Times, London, 23 November "Anish Kapoor/David Connor", SD, Art and Public Space, Japan Roger Bevan, "New contemporary art fair opens in Japan", The Art Newspaper, March Geraldine Norman, "Eighties for sale", The Independent on Sunday, London, 3 May
1991 Philippe Piguet. "Monolithes et Monochromes", La Croix,15 January.
"Anish Kapoor at Le Magasin", Flash Art, January/February "Vides et Pleins", Connaissance des Arts, January. C I de Bustos. "Torres, Lupertz, Brossa y Kapoor: cita de la ultimas tendencias en el CARS", ABC Magazine, 5 February, p.50. "El Reina Sofia, en plena actividad", El Punto, 12, February, p.18. "Torres, Lupertz, Kapoor y Brossa, en el Reina", El Punto, 14 February, p.19. "Lupertz y Kapoor, dos voces europeas de los ochenta", ABC Magazine, 14 Feb, pg.126. "Hacia el esplendor", El Pais Magazine, 17 February, p.4-5. Maria Lluisa Borras. "Anish Kapoor exhibe esculturas de origine cromatismo en el palacio Velazques", La Vanguardia, 18 February, p.35. Kenneth Baker. "Sculptors Go Two-Dimensional", The San Francisco Chronicle, 20 February. Gloria Picazo. "Anish Kapoor", Lapiz, February Bert Steevensz. "Anish Kapoor", Metropolis M, February "Anish Kapoor, la escultura y el presente", El Punto, 8 March. Pablo Llorca. "Literatura complicada, obra sencilla", Diario 16, 8 March, p.42. Cornel Bierens. "Urformen der Kulturen", Kolner Stadtanzeiger (KSTA), 21 March. Liliane Touraine. "Anish Kapoor, De la modification pour principe à un symbolisme de l'universal", Artefactum, Vol 8, No.38, April/May, pp.9-11. Beate Eickhoff. "Anish Kapoor und Gefäße der Ban-Chiang-Kultur, Kunstforum, May/June, pp. 365-366. Kosme Maria de Barañano. "Anish Kapoor", Lapiz, June Gregory Galligan, "Steamed-Up Mirrors and Boogie-Woogies", Art International, 14, Spring/Summer "A prize turnabout", Daily Telegraph, 16 July. Iain Gale and Dalya Alberge. "Youth and beauty?", The Independent, 16 July. Tom Lubbock. "Shortlist short on ideas", The Independent on Sunday, 21 July. John McEwen. "In the buff, out of the cold", Sunday Telegraph, 21 July. James Hall. "Pure Gold(smiths')", New Statesman, 2 August. William Packer. "The diminishing value of novelty", Financial Times, 6 August. Paul Overy. "Lions and Unicorns: The Britishness of Postwar British Sculpture", Art in America, September Stuart Morgan. "The Turner Prize", Frieze, October, pp.4-8 Sarah Kent. "Prize Fighters", Time Out, November Martin Plimmer. "Searching for the art of the matter", The Standard, 6 November "Mockery nook", The Standard, 7 November Richard Dorment. "A Winner in a class of his own", Daily Telegraph, 27 November Roger Bevan. "Controversy over the Turner Prize short-list", The Art Newspaper, No.12, November, p.3 Tom Lubbock. "Safety in numbness", Independent on Sunday, 1 December Marjorie Allthorpe-Guyton. "Made in Heaven", Artscribe, December "Turner Prize for Anish Kapoor", Indian Weekly, December "Anish Kapoor's Twin Peaks", Bazaar, Issue no. 15 Yoshiko Ikoma. "Anish Kapoor: Interview", Crea, No.5 Henry Meyric Hughes. "Art Exports", Art Review Yearbook, London, pp.32-34
1990-91 "Le trou noir et du trou", Grenoble Bimensuel, 18 December 1990 - 18 January
1990 Akio Obigane. "Anish Kapoor", Atelier, No 755, January, pp.2-24. "XLIV Venice Biennale 1990", Visual Arts News, The British Council, No 31, January 1990, p.1.
Noemi Smolik. Noema, Jan-Feb, p.66-67. Marjorie Allthorpe-Guyton. "Anish Kapoor, Lisson Gallery", Artforum, March, pp.175-176. Andrew Renton. "Anish Kapoor, Lisson", Flash Art, Milan, March-April, pp.151- 152. Marjorie Allthorpe-Guyton. "Original Sites. The Sculpture of Anish Kapoor", Artscribe, May, pp.50-52. Penelope Curtis. "Sculpture on the Threshold", The Antique Collector, May, pp.66-73. Sarah Kent. "Mind Over Matter", 20/20, May, pp.36-40. William Feaver. "Venice, vidi, vici: William Feaver at the Biennale", Vogue, May, p.68. "Anish Kapoor interviewed by Douglas Maxwell", Art Monthly, May, pp.6-12. Geneviève Monnier. "Brève histoire du bleu", Art Studio, No 16. Louisa Buck. "Pigments of the Imagination", Sunday Correspondent, London, 13 May, pp.10-14. Joseph Williams. "Boulders for the Biennale", TheTimes, London, 21 May. Marina Vaizey. "Eye-opening tour around the bloc", The Sunday Times, London, 27 May, p.E2. John Bentley Mays. "Looking at the inwardness of things", The Globe and Mail, Toronto, 30 May, p.C7. Michael Gibson. "From the Poetic to Kitsch at the Biennale", International Herald Tribune, London/Paris, 2 June. Peter Plagens. "The Venice Artfest", Newsweek, 11 June,pp.40-41. Ann Hindry. "Champs de pierre d'Anish Kapoor", Beaux Arts, June, pp.64-77. "Les Marchands", Le Nouvel Observateur / Artspectacles, 26 July - 1 August, p.72-3. Margaret Garlake. "Brown bagging in Venice", Art Monthly, July, pp.3-5. Lisa Licitra Ponti. "Journey to Venice", l'Arca,July/August Michael Archer. "No solo Escultura; Inglaterre", Lapiz, Madrid, Summer Jonathan Watkins. "Anish Kapoor", Art International,Summer, p.86. John Kemp. "Stones of Venice: Anish Kapoor at the Biennale", Modern Painters, Vol 3, No 2, Summer, pp.44-46. Andrew Graham-Dixon. "Venice Biennale 1990", Audio Arts Magazine, Vol 10, No4. Doris Van Drateln. "Anish Kapoor, Ein Gespräch", Kunstforum, Vol 109, Aug/Oct, pp.304-315. "What will become of our sensitive skin...", Artforum, Vol XXIX, No 1, September, pp.130-137. Sarah Jane Checkland. "No critics please, they're British", The Times, London, 2 Oct. John Russell Taylor. "Shapes and assemblies", TheTimes, London 3 October. Junichi Shioda. "Here's to Art! The Spirit of John Bull", Geijutsu Shincho, p.12, Oct. Michael Brensen. "Anish Kapoor", New York Times, 28 September. William Packer. "British Artists Fly the Flag in Japan", The Financial Times, 4 Sept. "Kapoor en Long in Tate Gallery", Forum International, Sept/Oct Caroline Smulders. "Anish Kapoor. Vers la dématérialisation de l'objet"(interview), Art Press, No 152, November, pp.16-21. Stephanie du Tan. "Pigments of the Imagination", The Journal of Art, Vol 3/No 2,November, pp.31-33. Clair Frankel. "Watch Where You Walk at Tate", International Herald Tribune, 17 November
Sylvie Perrard. "Quand la pierre devient immatérielle", Dauphiné Libéré, 22 November. Suzanne Engelson. "Du matériel à l'immatériel... A Grenoble", Le Gutemberg, 29 November "Anish Kapoor in het Magasin", Forum, Nov/Dec. Domenico Scudero, "XLIV Venice Biennale", Tema Celeste,Nov/Dec Philippe Gonnet. "L'essence de la Matière", Dauphiné Libéré, 4 December. Nelly Gabriel. "Anish Kapoor, magicien et illusioniste", Lyon Figaro, 4 December. Daniel Dobbels. "Kapoor: la forme de l'ineffable", Libération, 8 December. Geneviève Praplan. "Le désir et la Croyance", La Suisse, 11 December. Bernadette Bost. "Le bleu de l'inconnu", Le Monde Rhone-Alpes, 15 December. "Les délices de Kapoor, non sans pigment", Lyon Libération, 20 December. Jean Pagneux. "Les grands cimetières sous la lune", L'Humanité, 21 December. Tim Hilton. "When photography clicked", The Guardian, 27 December. Claude Guilloteau. Affiches de Grenobles et du Dauphiné, 28 December. William Feaver. "View down the grant-aid road", The Observer, 30 December. "L'art du silence", La Suisse, 31 December. Justin Spring. "Anish Kapoor, Barbara Gladstone Gallery", Artforum, Dec, p.137.. "New York in Review", Arts Magazine, December Richard Cork. "Anish Kapoor", The Sunday Correspondent, p.12.
1989-90 Ameena Meer. "Anish Kapoor", BOMB, No 30, Winter, pp 38-43.
1989 Peter Schjeldahl. "Earthy But Housebroken", 7 Days, New York, April 19. Stephen Westfall. "Anish Kapoor, Barbara Gladstone Gallery", Flash Art, No 147, Summer. "Anish Kapoor, Razgovor", Moment, No 15, July-September, pp.16-18. Eleanor Heartney. "Anish Kapoor", Tema Celeste, English Edition, No 21, July- Sept Anish Kapoor, Sylvie Primard, Pier Luigi Tazzi. "Mother as a Mountain", Artforum, September, pp.126-131. "Anish Kapoor, Barbara Gladstone Gallery", Arts Magazine, September, p 98. Arts Magazine, October, p 46. Tim Marlow. "Generation games in sculpture", Art & Design, Vol 5, No 3/4, p.63. Andrew Graham-Dixon. "Pride and Prejudice", The Independent, London, 5 Dec. Richard Dorment. "Vexed questions of colour", Daily Telegraph, London, 9 Dec. Marina Vaizey. "Why partiality does not tell the whole story", Sunday Times, London, 10 December. William Feaver. "Voices from the void", Observer, 10 December, p.44. William Packer. "Sculptor with the best of both worlds", Financial Times, London, 12 December Sarah Kent. "Anish Kapoor", Time Out, London, 13 Dec. Richard Cork. "Airy as a Rock", The Listener, London, 14 December, p.42. David Lillington. "Anish Kapoor", Arts Review, Vol 41, No 25, 15 Dec, pp.889- 890. Giles Auty. "Anish Kapoor at Lisson Gallery", Spectator, London, 16 Dec, p.35. Mark Currah. "Anish Kapoor, Lisson Gallery", City Limits, London, 21 Dec, p.109.
1988 Marina Vaizey. "Shaping up to Abstracts", The Sunday Times, London, 17 April. David Lee. Arts Review, 22 April. Rupert Martin. "The Journey from an Earthly to a Heavenly Body", Flash Art, Summer. Mary Rose Beaumont. "The sculpture of pluralism", Art & Design, Vol 4, No 7/8, p.7.
1987 Paul Bonaventura. "An Introduction to Recent British Sculpture", Artefactum, September-October "Anish Kapoor", Lapiz, No 42, p.57. Richard Cork. Kunstschrift, p.224
1986 Lynne Cooke. "Mnemic Migrations", Louisiana Revy, No 2, March, pp.28-32. John Russell. "Bright Young Talents: Six Artists with a Future", The New York Times, May 18, Section 2, pp.1, 31. "New York, Anish Kapoor, Barbara Gladstone", Artforum, New York, Nov
1985 Demetrio Paparoni. "Spazio di Dio, spazio della Terra", Tema Celeste, Siracusa, No 6, pp.46-49. Caroline Collier. "Forms a hole can take...Anish Kapoor, Lisson Gallery, London", Studio International, Vol 198, No 1010, pp.43-44. "A text by Anish Kapoor", Lo Spazio Umano, No 3, July-September, p.77. Marina Vaizey. "A new star carves out a sculpture for our time", The Sunday Times, London, 8 September. William Packer. "The age of discardment", Financial Times, New York, 19 Sept Sarah Kent. "Review", Time Out, London, 19-25 September. Elisabeth Vedrenne. "L'illusion du désir", Décoration Internationale, Paris, No 85, October, pp.41-44. Siegmar Gassert. "Tisch und Stuhl und Kreis und Kugel und Muschel", Basler Zeitung, Basel, 7 October. "`Noli me tangere' und `Beruhren gestattet'", Basellandschaftliche Zeitung, Liestal, Switzerland, 9 October. "Neues aus Amerika und Indien", Der Bund, Bern, 10 October. Roman Hollenstein. "Von Johns und Artschwager bis Kapoor", Neue Zurcher Zeitung, Zurich, 10 October. Anneliese Zwez. "Zwei Pole: Intellektuelle Konzepte un sinnliche Strahlkraft", Aargauer Tagblatt, Switzerland, 17 October. Philippe Mathonnet. "Poudre aux yeux et faux bois!", Journal de Geneve, Geneva, 19 October. Bruce Arnold. "Close look at new British sculpture", Sunday Independent, London, 24 November.
1984-85 "Sculptor Anish Kapoor", Art Gallery, December-January, p.33.
1984 Michael Newman. "Discourse and Desire: Recent British Sculpture", Flash Art, No 115, January, p.48-55. Dan Cameron. "Anish Kapoor", Arts Magazine, March,p.4. John Russell. "Anish Kapoor", The New York Times, 23 March, Weekend Section. "Junge PLastiker bekennen Farbe", Art, No 4, April, pp.20-41. Ellen Handy, "Anish Kapoor", Arts Magazine, May, p.44. John Russell. "Art: Inaugural Show Is Survey of New Work", The New York Times, 18 May. Nancy Princenthal. "Anish Kapoor", Art News, Summer, p.189. Kenneth Baker. "Anish Kapoor at Barbara Gladstone", Art in America, No 72, October, pp.189-190.
1983 John Coleman. "Anish Kapoor, Lisson Gallery", Flash Art, No 115, January "Anish Kapoor. Bombay, Londra", Domus, No 636, February, p.69.
Mary Rose Beaumont. "Anish Kapoor, Lisson Gallery", Arts Review, London, April. Paul Groot. "Anish Kapoor: 't Venster Gallery", Flash Art, No 112, May, Michael Newman. "Le drame du désir dans la sculpture d'Anish Kapoor", Art Press, No 70, May, pp.31-33. Michael Newman. "Figuren und Objekte. Neue Skulptur in England", Kunstforum, No 62, June, pp.22-35. Edward Lucie-Smith. "Back in touch with the emotions", Sunday Times, London, 21 August. Patrick Kinmouth. "Anish Kapoor's Shades of Meaning", Vogue, August, pp.104- 107. Waldemar Januszczak. "Three into two won't go", The Guardian, London, 16 August. John Russell Taylor. "Playing into the hands of those who pour scorn", The Times, London, 16 August. Mary Rose Beaumont. "The Sculpture Show", Arts Review, September. Amanda Baillieu. "Strange Monoliths", LAM Magazines, October. Mary Rose Beaumont. "Anish Kapoor", Arts Review, 28 October, p.622. Michelangelo Castello. "Se il vero prende corpo", Tema Celeste, Vol 1,November, pp.12-15. Richard Cork. "Lucid Form", Evening Standard, London, 3 November. Sarah Kent. "Review", Time Out, London, 3-9 November. Mary Rose Beaumont. "Anish Kapoor, Lisson Gallery", Arts Review, 11 November. Robin Dutt. "Anish Kapoor", New Life, No 346, 18 November. Demetrio Paparoni. "Le radici della forma", Tema Celeste, November, pp.4-9 Caroline Collier. "Anish Kapoor at the Lisson Gallery", Studio International, No 1003, December, p.51.
1982 Marina Vaizey. "Anish Kapoor", The Sunday Times, London, May. John McEwan. The Spectator, London, June. Caroline Collier. "Anish Kapoor", Arts Review, 4 June, pp.289-290. Michael Newman. "Anish Kapoor", Art Monthly, No 58, July-August, p.15. Michael Newman. "New Sculpture in Britain", Art in America, September, pp.104-114, 177, 179. William Feaver. "Gas Mask", Art News, No 81, September, p.123.
1981 William Feaver. "An Air of Light Relief", The Observer,London, 26 June.
Public Collections
De Pont Foundation, Tillburg, Holland Museo National Centro de Arte Reina Sofia,Madrid, Spain Tate Gallery, London, Great Britain Hirshhorn Museum and Sculpture Garden, Washington DC, USA Museo d’Arte Contemporanea, Prato, Italy Fukuoka City Museum, Japan Museum of Modern Art, New York, USA Weltkunst Foundation, Zurich, Switzerland Carnegie Museum of Art, Pittsburg, USA Musée St. Pierre, Lyon, France Art Gallery of New South Wales, Sydney, Australia
San Diego Museum of Contemporary Art, San Diego, USA Contemporary Art Society, London, Great Britain National Gallery, Ottawa, Canada Rijksmuseum Kroller-Muller, Otterlo, Holland Fine Art Museum of San Francisco, USA San Francisco Museum of Modern Art, USA Leeds City Art Gallery, Great Britain Moderna Museet, Stockholm, Sweden Hara Museum of Contemporary Art, Tokyo, Japan Auckland City Art Gallery, Auckland, New Zealand Heide Park and Art Gallery, Victoria, Australia Fundacio Berardo, Lisbon, Portugal Tel Aviv Museum of Art, Tel Aviv, Israel Moderna Galerija, Ljublijana, Slovenia Vancouver Art Gallery, Vancouver, Canada Wilhelm Lehmbruck Museum, Duisburg, Germany Art Institute of Chicago, Chicago Kloster Schoenthal, Basel, Switzerland 21st Century Museum of Contemporary Art, Kanawaza, Japan Nelson Atkins Museum, Kansas City, Missouri, USA Samsung Museum, Korea Arts Council, UK British Council, UK Kanazawa Museum, Japan