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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Love Is Our Mission
LOVE IS OUR MISSION The family fully alive Scripture texts from the New American Bible, revised edition © 2010, 1991, 1986, 1970 Confraternity of Christian Doctrine, Washington, D.C., are used by permission of the copyright owner. All rights reserved. No part of the New American Bible may be reproduced in any form without permission in writing from the copyright owner. Scripture quotations from New Revised Standard Version Bible: Catholic Edition, copyright © 1989, 1993 National Council of the Churches of Christ in the United States of America, used by permission. All rights reserved. English translation of the Catechism of the Catholic Church for use in the United States of America copyright © 1994, United States Catholic Conference, Inc. — Libreria Editrice Vaticana. English translation of the Catechism of the Catholic Church: Modifications from the Editio Typica copyright © 1997, United States Catholic Conference, Inc. — Libreria Editrice Vaticana. Excerpts from the English translation of the Compendium of the Catechism of the Catholic Church copyright © 2006 Libreria Editrice Vaticana. All rights reserved. The exclusive licensee in the United States is the United States Conference of Catholic Bishops, Washington, D.C. and all requests for United States uses of the Compendium of the Catechism of the Catholic Church should be directed to the United States Conference of Catholic Bishops. Every reasonable effort has been made to determine copyright holders of excerpted materials and to secure permissions as needed. If any copyrighted materials have been inadvertently used in this work without proper credit being given in one form or another, please notify Our Sunday Visitor in writing so that future printings of this work may be corrected accordingly. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
That We May Know the Heart and What It Feels:Love in James Joyce's Ulysses Brad Christopher Perri Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1996 That we may know the heart and what it feels:love in James Joyce's Ulysses Brad Christopher Perri Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Perri, Brad Christopher, "That we may know the heart and what it feels:love in James Joyce's Ulysses" (1996). Retrospective Theses and Dissertations. 14374. https://lib.dr.iastate.edu/rtd/14374 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. i. -l -• V • -:*• pj Tli it we may know the heart and what itfeels: Love inJames Joyce's Ulvsses . < by 1:^ -1 M ..i- -1-. Brad Christopher Perri •:;s 1; i Jj;:. ^ r • 1 - A thesis submitted to the graduate faculty i;. 1 • m t '• i- i: MASTER OF ARTS • V: -V-'M -;X:v>l1.'. i jV *• v^'- -'V Department: English •i.; -4 li Major: English (Literature) II il Major Professor: Douglas M. Catron Iowa State University Ames, Iowa 1996 Pern, Brad Christopher Literature I 1996 u Graduate College Iowa State University This is to certify that the Master's thesis of Brad Christopher Perri has met thethesis requirements ofIowa State University Signatures have been redacted for privacy Ill TABLE OF CONTENTS CHAPTER 1. -
Never Mind the Bollocks: the Punk Rock Politics of Global Communication
Review of International Studies (2008), 34, 193–210 Copyright British International Studies Association doi:10.1017/S0260210508007869 Never mind the bollocks: the punk rock politics of global communication KEVIN C. DUNN* Abstract. Largely ignored by scholars of world politics, the global punk rock scene provides a fruitful basis for exploring the multiple circuits of exchange and circulation of goods, people, and messages that moves beyond the limitations of IR. Punk can also offer new ways of thinking about international relations and communication from the lived experiences of people’s daily lives. At its core, this essay has two arguments. First, punk offers the possibility for counter-hegemonic expression within systems of global communication. Punk has simul- taneously worked within and against the hegemony of capitalist telecommunication networks, navigating an increasingly interconnected and mediated world. Second, punk is a subversive message in its own right. Focusing on punk’s Do-It-Yourself (DIY) ethos and the resource it offers for resisting the multiple forms of alienation in modern society, the story I construct here is one of agency and empowerment often overlooked by traditional IR. Introduction I am increasingly concerned about the ways that International Relations (IR) as a discipline seems unable to communicate to everyday citizens about issues of tremendous importance. I am repeatedly struck by our inability to speak to the people whose lives are affected daily by the issues we are supposed to be studying. More importantly, I am struck by how irrelevant we and our work can seem to the world’s population. In 2003, I grappled quite openly and vocally with this alienation. -
The Choice Fruit 41 Lesson Outline Love Identified Love Described Love in Action Lesson Objectives When You Finish This Lesson You Should Be Able To: 1
Love: The Choice LESSON2Fruit “The fruit of the Spirit is love” (Galatians 5:22). The inspired writer starts his presentation of the fruit of the Spirit with love, for none other fruit is possible without love. Love in its highest concept is embodied in God. The best definition of love is God. Godis love. God’s love was unveiled to humanity by His Son Jesus Christ: “But God demonstrates his own love for us in this: While we were still sinners, Christ died for us” (Romans 5:8). “Having loved his own who were in the world, he now showed them the full extent of his love” (John 13:1). Whom did Jesus love so much that He willingly gave His own life for them? Perfect people? No! One of His disciples denied Christ; another doubted Him; three of those in the inner circle slept while He agonized in the Garden. Two of them coveted high places in His kingdom. One became a traitor. And when Jesus rose from the dead, some did not believe that it was so. Yet Jesus loved them to the full extent of His love. He was abandoned, betrayed, disappointed, and rejected, yet He loved. Jesus wants us to love others as He loves us. John records Jesus’s words: “‘My command is this: Love each other as I have loved you’” (John 15:12). That would never be possible through limited human love. But as the Holy Spirit develops Christlikeness in us, we learn to love as He loved. In this lesson you will study the meaning of love as the fruit of the Spirit and how it is manifested in the believer. -
"The Who Sings My Generation" (Album)
“The Who Sings My Generation”—The Who (1966) Added to the National Registry: 2008 Essay by Cary O’Dell Original album Original label The Who Founded in England in 1964, Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon are, collectively, better known as The Who. As a group on the pop-rock landscape, it’s been said that The Who occupy a rebel ground somewhere between the Beatles and the Rolling Stones, while, at the same time, proving to be innovative, iconoclastic and progressive all on their own. We can thank them for various now- standard rock affectations: the heightened level of decadence in rock (smashed guitars and exploding drum kits, among other now almost clichéd antics); making greater use of synthesizers in popular music; taking American R&B into a decidedly punk direction; and even formulating the idea of the once oxymoronic sounding “rock opera.” Almost all these elements are evident on The Who’s debut album, 1966’s “The Who Sings My Generation.” Though the band—back when they were known as The High Numbers—had a minor English hit in 1964 with the singles “I’m the Face”/”Zoot Suit,” it wouldn’t be until ’66 and the release of “My Generation” that the world got a true what’s what from The Who. “Generation,” steam- powered by its title tune and timeless lyric of “I hope I die before I get old,” “Generation” is a song cycle worthy of its inclusive name. Twelve tracks make up the album: “I Don’t Mind,” “The Good’s Gone,” “La-La-La Lies,” “Much Too Much,” “My Generation,” “The Kids Are Alright,” “Please, Please, Please,” “It’s Not True,” “The Ox,” “A Legal Matter” and “Instant Party.” Allmusic.com summarizes the album appropriately: An explosive debut, and the hardest mod pop recorded by anyone. -
The Outlaws of the Marsh
The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong • Chapter 1 Zhang the Divine Teacher Prays to Dispel a Plague Marshal Hong Releases Demons by Mistake • Chapter 2 Arms Instructor Wang Goes Secretly to Yanan Prefecture Nine Dragons Shi Jin Wreaks Havoc in Shi Family Village • Chapter 3 Master Shi Leaves Huayin County at Night Major Lu Pummels the Lord of the West • Chapter 4 Sagacious Lu Puts Mount Wutai in an Uproar Squire Zhao Repairs Wenshu Monastery • Chapter 5 Drunk, the Little King Raises the Gold−Spangled Bed Curtains Lu the Tattooed Monk Throws Peach Blossom Village into Confusion • Chapter 6 Nine Dragons Shi Jin Robs in Red Pine Forest Sagacious Lu Burns Down Waguan Monastery • Chapter 7 The Tattooed Monk Uproots a Willow Tree Lin Chong Enters White Tiger Inner Sanctum by Mistake • Chapter 8 Arms Instructor Lin Is Tattooed and Exiled to Cangzhou Sagacious Lu Makes a Shambles of Wild Boar Forest • Chapter 9 Chai Jin Keeps Open House for All Bold Men Lin Chong Defeats Instructor Hong in a Bout with Staves • Chapter 10 Lin Chong Shelters from the Snowstorm in the Mountain Spirit Temple Captain Lu Qian Sets Fire to the Fodder Depot • Chapter 11 Zhu Gui Shoots a Signal Arrow from the Lakeside Pavilion Lin Chong Climbs Mount Liangshan in the Snowy Night • Chapter 12 Lin Chong Joins the Bandits in Liangshan Marsh Yang Zhi Sells His Sword in the Eastern Capital • Chapter 13 The Blue−Faced Beast Battles in the Northern Capital Urgent Vanguard Vies for Honors on the Training Field -
The Strokes Share New Episode of Pirate Radio Series Featuring Colin Jost and Gordon Raphael
THE STROKES SHARE NEW EPISODE OF PIRATE RADIO SERIES FEATURING COLIN JOST AND GORDON RAPHAEL “BAD DECISIONS” CLIMBING TOP 10 AT ALT RADIO FIRST ALBUM IN SEVEN YEARS THE NEW ABNORMAL OUT NOW VIA CULT/RCA RECORDS TO CRITICAL ACCLAIM July 23, 2020—Today, The Strokes share a new installment of their ongoing pirate radio series, “Five Guys Talking About Things They Know Nothing About”—watch it HERE. The new episode is the third installment of the show, and the first in a series in which the band will speak with the producers of their albums. The episode airing today features The Strokes in conversation with Gordon Raphael—who produced their debut EP The Modern Age, their first two LPs Is This It and Room On Fire and contributed to their third LP First Impressions Of Earth—as well as their longtime friend, SNL’s Colin Jost. The band’s new album The New Abnormal, their first in seven years, was released in April to widespread critical acclaim. The album’s lead single, “Bad Decisions,” is currently Top 10 at Alternative radio and still climbing, marking the band’s first Alternative Top 10 since 2006 and setting the record for the most time between Alternative Top 10 entries. Additionally, “Bad Decisions,” went #1 on AAA in April. Upon release, The New Abnormal debuted at #1 on Billboard’s Top Album Sales Chart and reached #8 on the Billboard 200, #1 Current Rock Album, #1 Top Current Album, #1 Current Alternative Album and #1 Vinyl Album. Of The New Abnormal, The Times of London praises “The Strokes give us their second masterpiece,” while The -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
WOW HALL NOTES G VOL
K k JANUARY 2014 KWOW HALL NOTES g VOL. 26 #1 H WOWHALL.ORGk cohesion comes from the brothers wields a powerful voice that can having spent the last two years on both stir and soothe, whether she the road with new full-time mem- is singing traditional gospel, blues ber Jano Rix, a drummer and ace- standards or her own heartfelt in-the-hole multi-instrumentalist, compositions. A gifted musician whereas they relied on session on both mandolin and drums, and musician-friends to fill out previ- a founding member of the roots ous albums. Jano’s additional band Ollabelle (with whom she harmonies give credence to the old has recorded three CDs), Helm has trope that while two family mem- also performed live with scores of bers often harmonize preternatu- notable musicians like Warren rally, it takes a third, non-related Haynes, The Wood Brothers, and singer for the sound to really shine. Donald Fagen, and her distinctive The Muse marks another mile- voice can be heard on recordings stone for The Wood Brothers: it’s by artists ranging from Mercury the first full-length they’ve record- Rev to Marc Cohn. ed at Southern Ground Studios in Amy’s lengthy resume is high- Nashville. The choice of location lighted by many years of singing was practical, given Nashville’s and playing alongside her father, rich history and network of musi- with whom she conceived, cians, but also symbolic: The launched and perfected the Mid- Wood Brothers are now officially a night Rambles -- intimate perfor- Nashville-based band, with Oliver mances held since 2004 at his home having relocated in 2012, and Chris and studio in Woodstock, N.Y. -
Carlos Santana
1 Sommaire Actualités 30 ESP Forest GT Arched Top Carlos Santana, 4 des classiques, des pointures mais pas d’album 31 Boss ME-25 6 Serj Tankian, Imperfect armonies 32 Ibanez Ashula SR2010 7 Anathema Amorphis 9 revisite Amorphis Le baluche vu par Les cours de 11 Phil Collins Pure Reason Revolution, 13 l’inattendu vous attend Guitare Live Spiritual Beggars, 15 rock tradition Guitare Acoustico-Percussive : Optimiser Sufjan Stevens 34 rapidement son jeu 17 entre folk et électro... Virgin Steele, Débuter à la basse : 18 contre vents et marées 37 la main gauche 20 Interpol, un avenir incertain ? 39 Des arpèges pour transcender vos solos, part.1 22 ZEM 40 Colorer son jeu avec les cordes à vide, part. 1 Banc d’essai 26 Schecter Hellraiser solo 6 43 De bonnes bases pour débuter : le pull-off 27 Schecter custom solo 6 Leçon CAGED 27: 46 La gamme mineure naturelle 28 Vigier GV Métal 29 Vigier GV Wood 48 Plans du mois (Carlos Santana) 2 Editorial www.guitare-live.com MAGAZINE Rédacteur en chef Kévin Cintas [email protected] On collaboré à ce numéro Richard Chuat Nicolas Didier-Barriac Geoffroy Lebon Manu Livertout Guitare Live Pascal Vigné Phil Elter N°66 Ruddy Meicher Novembre 2010 Aymeric Silvert Réalisation graphique Nicolas Del Castillo [email protected] Crédits photos ous en conviendrez, il est assez deux ratés ? Même dix ? Voilà donc une Couverture Christian Rose/Fastimage étrange de faire la couverture de bonne occasion de parler d’un véritable Phil Elter ce joli mois de novembre avec un Guitar Hero.