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NO BOUNDARIES Important Hudson River School Paintings cover back cover above

John Frederick Kensett (1816–1872) Jervis McEntee (1828–1891) F. Alexander Wust (1837–1876) New England Sunrise (detail) Catskill Twilight, 1880 Sunset Landscape, 1868 Oil on canvas Oil on canvas Oil on canvas 1 3 1 9 181/8 x 301/4 inches 24 /8 x 36 /16 inches 18 /8 x 31 /16 inches Monogrammed lower center: JFK Monogrammed and dated lower left: JME / 1880 Signed, inscribed, and dated lower right: A. Wust N.Y. 1868 March 11 – April 9, 2016

An Exhibition and Sale

NO BOUNDARIES Important Hudson River School Paintings

Louis M. Salerno, Owner

Brent L. Salerno, Co-Owner

Chloe Heins, Director

Nina Sangimino, Senior Researcher

Shannon Cassell, Senior Administrator

Ally Chapel, Administrator

Jenny Lyubomudrova, Research Associate

Kelly Reilly, Coordinator

Rita J. Walker, Controller

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903 Park Avenue (at 79th Street), Third Floor, New York, NY 10075 t:(212) 744-3586 f:(212) 585-3828 hours: Monday–Friday 10–6, Saturday 10–5 and by appointment

email: [email protected] www.questroyalfineart.com Albert Bierstadt (1830–1902) Purple Mountain/Mountain Landscape Oil on paper laid down on canvas

81/16 x 121/8 inches Monogrammed lower right: ABierstadt NO BOUNDARIES

Perpetual

For most of us, it is difficult to imagine the great challenges America’s The paintings of the Hudson River School will forever serve as a first landscape painters endured. With a modern day sensibility, we reminder to every generation of what they are missing beyond the might instinctively assume that they set out in our technologically concrete perimeters of their cities. To all who cherish the meditative superior vehicles, guided by a large screen GPS as they traversed solace found hiking in the woods, the tranquility of a mountain lake, mountains and raging ravines in air-conditioned comfort, en route and the enchanting stillness of the night, their universal language to pristine lakes and glorious vistas. Instead, they walked, crawled, will forever be understood. and climbed in intense heat or severe cold, laden with supplies affixed to their backs, doing their best to circumvent varied predators. Personal They further endured the scorn of British critics who scoffed at what I’m sure many of you have experienced the joy of living with they considered to be untrained American artists, labeling them these canvases; the simple yet nearly perfect pleasure of listening Hudson River School painters, a sarcastic reference to a school that to quiet music while sipping a favorite wine, surrounded by your did not exist. chosen paintings.

Encouraged by the burgeoning transcendentalist ideology, advanced If you ever need irrefutable proof of their absolute value, remove by Ralph Waldo Emerson and Henry David Thoreau, our painters them for a few days. No matter how grand your home, it will feel heard the music of a different drummer, and their creative powers empty and a melancholy will take hold of your spirit because a part would not be diminished by the restraint of convention or adherence of yourself is missing. I know, because last year my walls were vacant to academic formula. as we prepared to move to a new home—once you have lived with art

Their work remains relevant nearly two centuries later, and those of that you cherish it is nearly impossible to live without it. Perhaps that us that view it thoughtfully experience a sense of eternal wonder. It is is why so few fine American paintings were offered for sale during beyond the reach of fashion and trend and always prevails even as last decade’s recession. And most importantly, it is this very intimate the newest sensation perpetually replaces yesterday’s favorites. attachment that creates and sustains art’s escalating monetary value.

louis m. salerno , Owner Albert Bierstadt

Albert Bierstadt’s career followed an epic course. As one of the first artists to explore the Western frontier, he achieved a level of fame and prosperity previously unknown in the world of American art. Born in Prussia, raised in Massachusetts, and trained in Düsseldorf, Bierstadt created landscapes that combined German precision with American Romanticism. His fantastic visions of soaring mountain peaks reflected the height of his ambitions, astounding viewers with the country’s untouched grandeur. He was awarded the French Legion of Honor by Napoleon III, the Imperial Order of St. Stanislaus by Alexander II of Russia, and the Imperial Order of Medjid by the Sultan of Turkey.

selected exhibitions National Academy of Design, 1858–88 Pennsylvania Academy of the Fine Arts, 1859–67 Brooklyn Art Association, 1861–81 Metropolitan Sanitary Fair, New York, 1864 Paris Salon, 1869, 1875, 1879, 1880, 1882, 1889

selected collections Amon Carter Museum of American Art, Fort Worth, Texas High Museum of Art, Atlanta, Georgia The Metropolitan Museum of Art, New York, New York Smithsonian American Art Museum, Washington, D.C. The White House, Washington, D.C.

auction record $7,321,000 Albert Bierstadt (1830–1902) Rocky Mountain Sheep Oil on board

53/4 x 713/16 inches Albert Bierstadt (1830–1902) A Summer Workday Oil on paper laid down on board

135/8 x 1811/16 inches Albert Bierstadt (1830–1902) A Trail through the Trees Oil on board

201/2 x 297/16 inches Monogrammed lower left: ABierstadt Albert Bierstadt (1830–1902) Field of Red and Yellow Wildflowers Oil on paper laid down on canvas

14 x 191/8 inches Monogrammed lower left: ABierstadt Alfred Thompson Bricher

Alfred Thompson Bricher’s subtle and serene style classifies him as the premier painter of light- enshrined landscapes and seascapes. Ranked among such notable luminists as Martin Johnson Heade and John Frederick Kensett, Bricher is especially known for his coastal scenes painted in Maine, Massachusetts, Rhode Island, and Long Island, New York between 1870 and 1890.

selected exhibitions National Academy of Design, 1868–1908 Brooklyn Art Association, 1870–86 Boston Art Club, 1874, 1882, 1889, 1894 The Art Institute of Chicago, 1888–89, 1896, 1907–8 Pennsylvania Academy of the Fine Arts, 1890

selected collections Brooklyn Museum, New York The Metropolitan Museum of Art, New York, New York Alfred Thompson Bricher (1837–1908) Museo Thyssen-Bornemisza, Madrid, Spain above Smithsonian American Art Museum, Washington, D.C. View of Richmond, New York City The White House, Washington, D.C. Pencil, watercolor, and gouache on paper auction record 1215/16 x 213/8 inches $233,500 Monogrammed lower left: ATBRICHER

private sales right top We are aware of several Brichers that have sold privately Afternoon by the Ocean for more than $500,000. Oil on canvas

151/8 x 335/16 inches

Monogrammed lower left: ATBRICHER right bottom Lake George, 1868 Oil on canvas

271/4 x 501/8 inches Signed, inscribed, and dated lower left: AT Bricher / N. Y. 1868

Norton Bush

Norton Bush (1834–1894) View from the Tropics, 1885 Oil on canvas

16 x 281/8 inches Signed and dated lower left: NBush, 1885 Jasper Francis Cropsey

Jasper Francis Cropsey, one of the leading artists of the Hudson River School, brought out the color and breadth of the American landscape in his work. Cropsey first learned the art of landscape painting as an architectural apprentice, acquiring the draftsmanship demonstrated in his best works. He was soon hailed as “America’s painter of autumn.” Cropsey was one of the youngest members ever elected to the National Academy of Design and a founding member of the American Watercolor Society. He won a medal from the London International Exposition of 1862, and was presented to Queen Victoria at St. James’s Palace in 1861. selected exhibitions Brooklyn Art Association, 1861–86, 1891 London International Exposition, 1862 Centennial Exposition, Philadelphia, 1876 Boston Art Club, 1881–86 The Art Institute of Chicago, 1897, 1900 selected collections The Metropolitan Museum of Art, New York, New York National Gallery of Art, Washington, D.C. Newington-Cropsey Foundation, Hastings-on- Hudson, New York Smithsonian American Art Museum, Washington, D.C. The White House, Washington, D.C. auction record $1,003,500 Jasper Francis Cropsey (1823–1900) Coastal Scene in Newport, Rhode Island Oil on board

125/16 x 195/16 inches Jasper Francis Cropsey (1823–1900) Autumn Landscape, 1885 Oil on canvas

67/8 x 135/16 inches Signed and dated lower right: J. F. Cropsey / 1885. Jasper Francis Cropsey (1823–1900) Landscape with Cows near Warwick, New York, 1885 Oil on canvas

141/4 x 261/8 inches Signed and dated lower left: J. F. Cropsey / 1885 Thomas Doughty

Thomas Doughty (1791–1856) On the Lake, 1829 Oil on canvas

181/2 x 271/2 inches Signed and dated lower left: [illegible] DOUGHTY / 1829 Asher B. Durand

Although born to a humble family, Asher B. Durand became one of the most influential painters of the nineteenth century. He began his career as a successful engraver, but his dedication to landscape painting and friendship with Thomas Cole estab- lished Durand as a leader of the Hudson River School. Durand espoused a commitment to naturalism and his Letters on Landscape Painting in the 1850s art journal The Crayon were widely read. In the early 2000s, private sales of Durand paintings shattered records when Kindred Spirits sold for a reported $35 million and Progress (The Advance of Civilization) sold for an estimated $40 million. selected exhibitions National Academy of Design, 1861–74 Brooklyn Art Association, 1862–75 Paris Salon, 1866 Exposition Universelle, Paris, 1867 Pennsylvania Academy of the Fine Arts, 1890 selected collections The Metropolitan Museum of Art, New York, New York Museum of Fine Arts, Boston, Massachusetts National Academy Museum, New York, New York New-York Historical Society, New York Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania auction record $386,500 Asher B. Durand (1796 –1886) private sales Pastoral Scene at Lake’s Edge $40,000,000 (estimated) Oil on canvas $35,000,000 (estimated) 171/8 x 211/8 inches Asher B. Durand (1796 –1886) Study in the Woods, 1853 Oil on canvas

18 x 245/16 inches Signed and dated lower left: A B Durand / 1853 Asher B. Durand (1796 –1886) Dutchess County, New York Oil on canvas

141/16 x 215/16 inches Initialed lower right: ABD George Henry Durrie

George Henry Durrie (1820–1863) Autumn Mountain Scene Oil on board

181/4 x 157/8 inches Signed lower left: Durrie Sanford Robinson Gifford

Sanford Robinson Gifford was a definitive painter of the Hudson River School, known for his remarkable renderings of atmospheric effects. Understanding the spiritual and emotional inspiration to be drawn from a landscape, Gifford depicted brilliant vistas marked by an aerial luminism that transformed his paintings from landscapes into poetic masterpieces. Born in the heart of the Hudson River Valley, Gifford had a special affinity for the region, which proved to be one of his favorite subjects. Over the course of his career he traveled extensively throughout the Catskills, Adirondacks, and White Mountains, and the natural beauty he observed during these journeys became an endless source of inspiration for his paintings. Upon his death in 1880, The Metropolitan Museum of Art held a special retrospective of his work to commemorate his career. selected exhibitions National Academy of Design, 1847–68, 1870, 1872–74, 1876–80 Pennsylvania Academy of the Fine Arts, 1856 Exposition Universelle, Paris, 1867 The Metropolitan Museum of Art, 1874, 1880 Centennial Loan Exhibition, Hartford, 1875 selected collections Brooklyn Museum, New York Museum of Fine Arts, Boston, Massachusetts National Gallery of Art, Washington, D.C. New-York Historical Society, New York Sanford Robinson Gifford (1823–1880) Smithsonian American Art Museum, Washington, D.C. A Country Stroll Oil on board laid down on canvas auction record 5 x 65/8 inches (oval) $2,144,000 Signed lower center: S. R. Gifford Sanford Robinson Gifford (1823–1880) Echo Lake, New Hampshire Oil on canvas 12 x 10 inches Signed lower right: S. R. Gifford Sanford Robinson Gifford (1823–1880) West Branch of the Delaware River, 1851 Oil on canvas

201/16 x 297/8 inches Signed and dated lower right: Gifford / 1851 William Hart Hermann Herzog

William Hart (1823–1894) Hermann Herzog (1831–1932) Winter’s Morning, 1877 The Falls in Hemsedal Oil on board Oil on canvas

127/8 x 1015/16 inches 361/16 x 30 inches Initialed and dated lower left: W.H 1877. Signed lower left: H. Herzog John Frederick Kensett

John Frederick Kensett (1816–1872) New England Sunrise Oil on canvas

181/8 x 301/4 inches Monogrammed lower center: JFK George Inness

George Inness was an artistic innovator, credited with changing the course of American art. Inness moved away from the objective depiction of natural form to concentrate on an intensely subjective vision. His visionary landscapes drew from the atmospheric style of the Barbizon school, the mystical philosophy of Emanuel Swedenborg, and his own personal impulse to fuel a new language of pictorial expression.

selected exhibitions National Academy of Design, 1844 Exposition Universelle, Paris, 1867 Boston Art Club, 1871 World’s Columbian Exposition, Chicago, 1893 San Francisco Art Association, 1895

selected collections The Art Institute of Chicago, Illinois Brooklyn Museum, New York The Metropolitan Museum of Art, New York, New York Smithsonian American Art Museum, Washington, D.C. The White House, Washington, D.C.

auction record $1,945,000

George Inness (1825–1894) Woods at Montclair, ca. 1885–87 Oil on panel

271/16 x 2115/16 inches Signed and dated lower left: G. Inness 1887; signed and dated lower center: G. Inness 1885 George Inness (1825–1894) In the Greenwood Oil on canvas 12 x 18 inches Signed lower right: G. Inness Thomas Moran

Thomas Moran was one of the best-known and most influential painters of the Hudson River School working in the United States in the second half of the nineteenth century. Known for his exquisitely rendered landscapes, Moran’s iconic depictions of the American West not only brought him fame as one of the country’s preeminent landscape artists but contributed to the establishment of the United States’ first national park at Yellowstone in 1872.

selected exhibitions Pennsylvania Academy of the Fine Arts, 1856 National Academy of Design, 1857–1922 Exposition Universelle, Paris, 1867 Centennial Exposition, Philadelphia, 1876 Pan-American Exposition, Buffalo, 1901

selected collections Cooper Hewitt, Smithsonian Design Museum, New York, New York The Metropolitan Museum of Art, New York, New York National Gallery of Art, Washington, D.C. Philadelphia Museum of Art, Pennsylvania The White House, Washington, D.C.

auction record $17,737,000

Thomas Moran (1837–1926) Smoking Ships at Sea, 1907 Watercolor on paper

95/8 x 53/4 inches Monogrammed, inscribed, and dated lower left: TMoran. To G. Buer Aug 1907. Thomas Moran (1837–1926) Sunset, Amagansett, 1905 Oil on canvas

301/2 x 401/2 inches Monogrammed and dated lower right: TMoran 1905 Thomas Moran (1837–1926) Stream with Trees, 1901 Oil on canvas

201/8 x 30 inches Monogrammed, inscribed, and dated lower left: TMORAN. / N. A. / 1901. Thomas Moran (1837–1926) A Side Canyon, Grand Canyon, Arizona, 1905 Oil on board 14 x 20 inches Monogrammed and dated lower left: TMORAN. 1905.; on verso: A Side Canyon. / Grand Canyon, Arizona. /TMORAN. / for J. G. MOULTON. William Trost Richards

William Trost Richards embraced and mastered each phase of nineteenth-century painting. His extraordinary career began in Philadelphia, where he developed his technique under the German artist Paul Weber. His hyperclear landscapes drew the admiration of the American Pre-Raphaelites, but Richards is best known for his panoramic coastal scenes and luminous seascapes. By 1873, he was regarded as one of the “the best-known watercolor painters of America.”

selected exhibitions Paris Salon, 1873 Centennial Exposition, Philadelphia, 1876 Boston Art Club, 1878, 1882–86, 1898 Exposition Universelle, Paris, 1889 Centennial of the Pennsylvania Academy, 1905

selected collections The Metropolitan Museum of Art, New York, New York National Gallery of Art, Washington, D.C. New-York Historical Society, New York Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania Smithsonian American Art Museum, Washington, D.C.

auction record $1,650,500

William Trost Richards (1833–1905) Woodland Interior, 1856 Oil on canvas

311/8 x 251/8 inches Signed and dated lower left: W.T.RICHARDS. / Phil 1856. William Trost Richards (1833–1905) Coastal Landscape at Dawn, 1897 Oil on canvas

201/8 x 321/8 inches Signed and dated lower left: W. T. Richards. 97.

William Trost Richards (1833–1905) Bouquet Valley in the Adirondacks, 1863 Oil on canvas

251/8 x 361/8 inches Signed and dated lower right: Wm. T. Richards / 1863. Phila Aaron Draper Shattuck

Aaron Draper Shattuck was one of the leading second generation artists of the Hudson River School. Known for his depictions of the White Mountains, Shattuck’s paintings are extraordinary for their luminosity and detail. He frequently exhibited his work alongside artists such as John Frederick Kensett and Samuel Colman. In the words of the nineteenth- century critic Henry Tuckerman, “Shattuck imparts a rural feeling so genial and genuine that we feel transported to the very spot he represents.”

selected exhibitions National Academy of Design, 1855–60, 1861–84 Boston Athenæum, 1855–56, 1858, 1860–64 Pennsylvania Academy of the Fine Arts, 1856–57, 1863, 1865, 1868 Brooklyn Art Association, 1859–76 New Britain Museum of American Art, 1970

selected collections Brooklyn Museum, New York The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York High Museum of Art, Atlanta, Georgia New Britain Museum of American Art, Connecticut Wadsworth Atheneum Museum of Art, Hartford, Connecticut

auction record $31,250

private sales We are aware of Shattuck paintings that have sold Aaron Draper Shattuck (1832–1928) privately for more than $100,000. The Cascades, Pinkham Notch, Mt. Washington Oil on canvas laid down on board

155/8 x 193/16 inches

On verso: TRICKLING WATER / PINKHAM NOTCH Aaron Draper Shattuck (1832–1928) Lake Reflections, Clouds in Blue Sky Oil on board

97/8 x 173/4 inches Worthington Whittredge

Born in a log cabin on the American frontier, Worthington Whittredge’s talent and versatility brought him to the forefront of nineteenth-century American landscape painting. Educated in Europe, Whittredge combined the style of the Hudson River School with elements of the French Barbizon school. Skilled at capturing the unspoiled beauty of the American landscape, Whittredge fully participated in the spirited ethos of Manifest Destiny. He is revered for his panoramic depictions of the American West.

selected exhibitions National Academy of Design, 1846 Pennsylvania Academy of the Fine Arts, 1853–67 Centennial Exposition, Philadelphia, 1876 Pan-American Exposition, Buffalo, 1901 Louisiana Purchase Exposition, St. Louis, 1904

selected collections Brooklyn Museum, New York The Metropolitan Museum of Art, New York, New York Newark Museum, New Jersey Smithsonian American Art Museum, Washington, D.C. The White House, Washington, D.C.

auction record $1,870,000

Worthington Whittredge (1820–1910) Brook in the Woods Oil on canvas

365/8 x 29 inches Signed lower right: Whittredge Worthington Whittredge (1820–1910) Worthington Whittredge (1820–1910) Hunters on a Lake Hunter’s Rest Oil on canvas Oil on canvas

1211/16 x 91/4 inches 141/8 x 121/16 inches Signed lower right: W. Whittredge Signed lower right: W. Whittredge William Louis Sonntag John Williamson

William Louis Sonntag (1822–1900) John Williamson (1826–1885) Forest Interior Kaaterskill Clove Oil on canvas Oil on canvas

30 x 221/8 inches 141/8 x 103/4 inches Signed lower right: Sonntag Monogrammed lower left: J. W. Alexander Helwig Wyant

Alexander Helwig Wyant (1836–1892) Noonmark, Keene Valley in the Adirondacks Oil on canvas

141/16 x 171/8 inches Signed lower right: A H Wyant Thomas Cole

Thomas Cole (1801–1848) Catskill Mountains Oil on canvas

57/16 x 7 inches The Thomas Cole National Historic Site announces the inaugural exhibition in its “New Studio” building

THOMAS COLE: THE ARTIST AS ARCHITECT May 1 – October 30, 2016

Thomas Cole, The Architect’s Dream, 1840 Oil on canvas, 53 x 84 1/16 inches, Toledo Museum of Art. Purchased with funds from the Florence Scott Libbey Bequest in Memory of her Father, Maurice A Scott, 1949.162. The New Studio, designed by Cole in 1846 and demolished in 1973, has been reconstructed and now offers state-of-the-art, museum-quality exhibition space for the first time. The exhibition, curated by noted scholar Annette Blaugrund, includes paintings 218 SPRING STREET from The Metropolitan Museum of Art, Columbus Museum of Art, CATSKILL, NEW YORK 12414 518.943.7465 and Toledo Museum of Art, among others. THOMASCOLE.ORG Additional Works in the Exhibition

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American School de Haas, Mauritz Frederik Hendrik Keith, William Rockwell, Augustus Autumn Landscape Gloucester Harbor Cathedral Rocks, Yosemite Valley Cabins on the Harbor Crow Nest, From Bull Hill, West Point Harbor Scene Kensett, John Frederick Coastal Scene Sunset at Grand Manan, New Brunswick de Haas, William Frederick Beverly, Massachusetts, 1871 Shattuck, Aaron Draper Anderson, Frank Shoreline with Basket and Boats, 1876 Eagle Rock, Manchester, Massachusetts, 1859 Sunset Over Lake George Picnic on the Hudson, 1864 Doughty, Thomas New England Coastal Scene with Figures, 1864 Silva, Francis Augustus Bricher, Alfred Thompson View of Niagara Falls Woodland Interior with Stream Sailing at Twilight, 1877 Hudson River at West Point, 1867 Durand, Asher B. Loemans, Alexander Francois The Beach at Long Branch, New Jersey, 1882 Low Tide Landscape Beyond the Tree, 1859 Hudson River View Smillie, George Henry Narragansett Shore, 1871 Fairman, James Macy, William Starbuck Drawings Newport Coast Twilight on the Shore Pastoral Road with Figure and House Near Newburyport, 1882 Rocky Shoreline in Distance Trees and Meadows of Berkshire, 1871 Fuechsel, Hermann Bristol, John Bunyan Martin, Homer Dodge View of the Valley Moonlight Lake Breaking Sun In the Catskills Smillie, James David Gignoux, Régis François Brown, Harrison Bird Landscape Twilight Lake, 1872 Niagara Falls Seascape, 1866 McEntee, Jervis Woman Admiring an Autumn Vista, 1867 Winter in the Mountains, 1853 Brown, John Appleton Autumn in the Catskills Smith, Henry Pember Hart, James M. The Old Mill Summer Hills, Hunter Mountain, 1867 Country Farm A Tranquil Morning, 1871 The Old Mill Red House on the River Brown, William Mason Twilight with Deer at Lake’s Edge, 1872 A Walk in Winter Mignot, Louis Rémy Sonntag, William Louis Hart, William Autumn Landscape Twilight, Château de Chillon Echo Lake, North Conway Early Landscape, 1849 Timothy Pyle, Light Blue Studio Studio Blue Light Pyle, Timothy

Miller, William Rickarby : Bunner, Andrew Fisher Landscape with Stream, 1874 Tryon, Dwight William The Evening Hour, Summer, 1875 Boating on the Old Croton Reservoir, NY, 1851 Cadillac Mountain, Mount Desert Island, Haseltine, William Stanley Parton, Arthur Maine, 1874 Bush, Norton Coast of Sori, 1893 November 11 – December 10, 2016 Tropical Sunset, 1890 Summer Stream, 1871 Volkmar, Charles photography Hays, William Jacob, Sr. Native American Hunting Scene, 1861 Carlin, John Parton, Ernest Dakota Badlands, 1860 On the Hudson, 1867 Over 100 paintings for exhibition and sale Carleton Island, St. Lawrence, 1877 Winding Stream, 1898 Herzog, Hermann Old Fort Carleton, St. Lawrence, 1877 Richards, William Trost Weber, Paul Deer in Forest Mountain Pools Casilear, John William Farm near Sadsbury, Chester County,

Inness, George Printing Meridian Pennsylvania : Drawings Weir, Robert Walter Monte Lucia, Perugia, 1873 Harbor Scene, New York Drawings Chaffee, Samuel R. Valley Near Perugia Monhegan Landscape with Pine Trees,

Whittredge, Worthington printing Coastal Landscape Looking Toward Water, 1902 Johnson, David The Oaks of Weimar, Germany On the New Jersey Shore, 1897 Chapin, Charles H. Gorham, New Hampshire To pre-order a hardbound catalogue, available in October, Pulpit Rock, Nahant, Massachusetts, 1876 Wiles, Lemuel Maynard Boater in a Mountainous Landscape, 1872 Little Stissing Lake, New York, 1893 Seascape, 1883 The Cedars, 1869 Colman, Samuel Sketchbook drawings visit www.questroyalfi neart.com/publications or call 212-744-3586. View of Lofoten Islands, Norway Wyant, Alexander Helwig Morning, 1859 Jones, Hugh Bolton View of Mullen Cove from the Artist’s Mountain Vista Cropsey, Jasper Francis Landscape Window, Cornwall, England Malcolm Grear Designers Designers Grear Malcolm

An October Morning, 1891 Winter Scene : design design: Malcolm Grear Designers printing: Meridian Printing photography: Timothy Pyle, Light Blue Studio visit www.questroyalfineart.com/publications or call 212-744-3586. visit www.questroyalfineart.com/publications orcall To pre-order ahardbound catalogue, available inOctober, Ralph Albert Blakelock Ralph Albert The GreatMadGeniusReturns And now, eleven years later, itbeginsagain... Over 100 paintings for exhibition andsale forexhibition Over paintings 100 and the gallery wasfilledtocapacity. gallery and the A line formed around the building, building, around formed the A line November 11 2016 – December10, Before wasover, evening the the elevatorsthe were packed, every painting hadsold. painting every

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