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Blowing Your Mind À Couper Le Souffle
MUSIC[]MUSIQUE BLOWING YOUR MIND À COUPER LE SOUFFLE MICHAEL BLAKE IS THE BEST CANADIAN JAZZ SAXOPHONIST YOU’VE NEVER HEARD OF. HE AND HIS NEW YORK PARTNERS IN THE JAZZ COMPOSERS COLLECTIVE ARE MAKING THE MUSIC YOU SHOULD BE LISTENING TO. MICHAEL BLAKE EST LE MEILLEUR SAXOPHONISTE DE JAZZ CANADIEN DONT VOUS N’AVEZ JAMAIS ENTENDU PARLER. LA MUSIQUE QU’IL FAIT AVEC SES PARTENAIRES NEW-YORKAIS DU JAZZ COMPOSERS COLLECTIVE EST INCONTOURNABLE. TEXT | TEXTE PAUL WELLS PHOTOS MICHAEL A. NEMETH ENROUTE 11_2003 066 ENROUTE 12_2003 067 THE FASHION IN JAZZ CLUBS CHANGES IN MANHATTAN AS DANS LES CLUBS DE JAZZ DE MANHATTAN, LA MODE CHANGE AUSSI swinging out of both sides of his mouth. duos en jouant simultanément de ses saxophones soprano et ténor. rapidly as the fashion in everything else there. The Village Vanguard rapidement que dans n’importe quel autre domaine. Le Village Vanguard Blake’s reputation among the city’s younger and more adven- La réputation de Blake parmi ses jeunes confrères aventureux est is eternal, but all the other clubs you’d have run to 15 years ago – est indétrônable, mais tous les autres clubs où vous vous seriez précipité turous musicians is considerable, which explains why this inaugural considérable. C’est pourquoi la crème du jazz de Manhattan assiste Sweet Basil, Seventh Avenue South, Bradley’s – have closed. The il y a 15 ans – Sweet Basil, Seventh Avenue South, Bradley’s… – sont performance by his first big band has drawn the cream of au concert d’ouverture du Canadien et de son premier big band. -
Core 1..48 Committee (PRISM::Advent3b2 10.50)
House of Commons CANADA Standing Committee on Canadian Heritage CHPC Ï NUMBER 033 Ï 2nd SESSION Ï 39th PARLIAMENT EVIDENCE Tuesday, June 3, 2008 Chair Mr. Gary Schellenberger Also available on the Parliament of Canada Web Site at the following address: http://www.parl.gc.ca 1 Standing Committee on Canadian Heritage Tuesday, June 3, 2008 Ï (1535) year, the concert was aired for the first time on Radio 2's Canada [English] Live as a result of the opening up of broadcast opportunities for more than classical music. We welcome that change. The Chair (Mr. Gary Schellenberger (Perth—Wellington, CPC)): Good afternoon, everyone. Welcome to meeting number 33 of the Standing Committee on Canadian Heritage. ln 1988, CBC Radio producers of the now defunct The Entertainers approached me, in my role as artistic director of Pursuant to Standing Order 108(2), we are undertaking a study on Toronto's Harbourfront Centre summer concert season, regarding an the dismantling of the CBC Radio Orchestra, on CBC/Radio- opportunity to record elements of the then-just-Iaunched WOMAD Canada's commitment to classical music, and the changes to CBC —Worlds of Music Arts and Dance—festival. It was a revelation. Radio 2. The partnership involved a model whereby a $25,000 blanket fee I welcome all our witnesses here today. Our witnesses are Derek would give CBC the right to record performances. Thirty-three Andrews, president of the Toronto Blues Society; Dominic Lloyd, concerts were recorded that year, and thus began a partnership that artistic director of the West End Cultural Centre; Katherine Carleton, involved many further concert recordings over the years. -
Western Invitational Jazz Festival 2013–14 Season Saturday 15 March 2014 484Th–486Th Concerts Dorothy U
34th Annual Western Invitational Jazz Festival 2013–14 Season Saturday 15 March 2014 484th–486th Concerts Dorothy U. Dalton Center BILLY DREWES, Saxophone, Guest Artist SCHEDULE OF EVENTS Big Bands Combos 8:00 Kalamazoo Central High School 8:20 Byron Center High School Jazz Lab 8:40 West Michigan Home School 8:40 Loy Norrix High School 9:00 Mishawaka High School 9:00 Black River – “Truth” 9:20 Reeths-Puffer High School 9:20 Byron Center I 9:40 Grandwille High School 9:40 West Michigan Home School 10:00 WMU Jazz Lab Band 10:00 Northview 10:30 Byron Center High School Jazz Band 10:30 Community 5 10:50 Black River High School 10:50 Community 4 11:10 Ripon High School 11:10 Grandville 11:30 Comstock Park High School 11:30 Northside 11:50 Mona Shores High School BREAK 12:40 Mona Shores 1:00 Stevenson High School 1:00 Byron Center II 1:20 Northside High School 1:20 Community 3 1:40 East Kentwood High School 1:40 Community 2 2:00 Lincholn Way High School 2:00 Waterford Kettering 2:20 Northview High School 2:20 Stevenson 2:40 Byron Center Jazz Orchestra 2:40 Community 1 3:15 WMU Advanced Jazz Combo (Rehearsal B) 4:00 Clinic with guest artist Billy Drewes and the Western Jazz Quartet (Recital Hall) 5:00 Announcement of Outstanding Band and Combo Awards and Individual Citations BREAK 7:30 Evening Concert featuring an Outstanding Band and Combo from the Festival and Billy Drewes with the WMU Jazz Orchestra If the fire alarm sounds, please exit the building immediately. -
Concert Program
2019-2020 season of events André Mehmari: Chamber Music Roger D. Moore Distinguished Visitor in Composition Thursday, January 16, 2020 at 7:30 pm Walter Hall, 80 Queen’s Park André Mehmari, piano Peter Stoll, clarinet Emmanuele Baldini & Annalee Patipatanakoon, violins Matthias McIntire, viola Dobrochna Zubek, cello Adam Scime, double bass Presented by Norbert Palej PROGRAM Inútil Paisagem A.C. Jobim Sem Você A.C. Jobim Insensatez A.C. Jobim Di Menor Carlos Althier Escobar “Guinga” Suite Brasileira A. Mehmari Shostakovitchiana A. Mehmari Cheio de Dedos A. Mehmari Rosa Alfredo da Rocha Vianna Filho Milonga del Angel Astor Piazzola arr. A. Mehmari Oblivion Astor Piazzola arr. A. Mehmari Michelangelo 70‘ Astor Piazzola arr. A. Mehmari We wish to acknowledge this land on which the University of Toronto operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit First Nation. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land. BIOGRAPHIES André Mehmari is considered one of Brazil’s leading musicians. His activities as pianist, composer, and arranger are highly regarded in both popular and classical music. As his compositions have been performed by leading orchestras such as Orquestra Sinfônica do Estado de São Paulo and chamber ensembles such as the São Paulo String Quartet, his career in jazz and Brazilian popular music has attained wide attention with performances Brazil’s major jazz festivals and also abroad. -
Fredericton and Saint John Senates
Jan. 27-28, 2015 President‟s Report to the Fredericton and Saint John Senates Dear members of Fredericton and Saint John Senates, Our mission is to create the premier university environment for our students, faculty and staff in which to learn, work and live. We continue to fulfill our mission with the help of dedicated faculty, energetic administrators, committed staff, generous benefactors and concerned citizens. I am pleased to share some of our recent highlights: On Jan. 26, I will attend the faculty council meeting for the Faculty of Nursing. I attended the faculty council meeting for the Faculty of Engineering on Nov. 27; the faculty council meeting for the Faculty of Law on Oct. 31, and the faculty council meeting for the Faculty of Business Administration on Oct. 3. I will continue to attend as many faculty council meetings on both campuses as I can. These meetings are an opportunity for me to learn more about the faculties, including their accomplishments and their needs plans for the future, directly from members of faculty. Hind Masri, a second-year law student, recently left Fredericton for a four-month internship at the International Criminal Court (ICC) in The Hauge, Netherlands. Ms. Masri will be working in the Appeals Division of the ICC, which is the first permanent, treaty-based, international criminal court established to help end impunity for the perpetrators of the most serious crimes of concern to the international community. Dean Levitt organized the internship for Ms. Masri and has made the development of new experiential learning opportunities for our law students a priority. -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Prism Quartet Dedication
PRISM QUARTET DEDICATION WITH GUEST ARTIST GREG OSBY PRISM Quartet Dedication 1 Roshanne Etezady Inkling 1:09 2 Zack Browning Howler Back 1:09 3 Tim Ries Lu 2:36 4 Gregory Wanamaker speed metal organum blues 1:14 5 Renée Favand-See isolation 1:07 6 Libby Larsen Wait a Minute... 1:09 7 Nick Didkovksy Talea (hoping to somehow “know”) 1:06 8 Nick Didkovksy Stink Up! (PolyPrism 1) 1:06 9 Nick Didkovksy Stink Up! (PolyPrism 2) 1:01 10 Greg Osby Prism #1 (Refraction) 6:49 Greg Osby, alto sax solo 11 Donnacha Dennehy Mild, Medium-Lasting, Artificial Happiness 1:49 12 Ken Ueno July 23, from sunrise to sunset, the summer of the S.E.P.S.A. bus rides destra e sinistra around Ischia just to get tomorrow’s scatolame 1:20 13 Adam B. Silverman Just a Minute, Chopin 2:21 14 William Bolcom Scherzino 1:16 Matthew Levy Three Miniatures 15 Diary 2:05 16 Meditation 1:49 17 Song without Words 2:33 PRISM Quartet/Music From China 3 18 Jennifer Higdon Bop 1:09 19 Dennis DeSantis Hive Mind 1:06 20 Robert Capanna Moment of Refraction 1:04 21 Keith Moore OneTwenty 1:31 22 Jason Eckardt A Fractured Silence 1:18 Frank J. Oteri Fair and Balanced? 23 Remaining Neutral 1:00 24 Seeming Partial 3:09 25 Uncommon Ground 1:00 26 Incremental Change 1:49 27 Perry Goldstein Out of Bounds 1:24 28 Tim Berne Brokelyn 0:57 29 Chen Yi Happy Birthday to PRISM 1:24 30 James Primosch Straight Up 1:24 31 Greg Osby Prism #1 (Refraction) (alternate take) 6:49 Greg Osby, alto sax solo TOTAL PLAYING TIME 57:53 All works composed and premiered in 2004 except Three Miniatures, composed/premiered in 2006. -
Season 2017-2018
Season 2017-2018 Foy Concert Hall Priscilla PaYne Hurd Campus for Music and Art MoraVian College Bethlehem, PA 18018 Cathedral Church of the Nativity 321 WYandotte Street Bethlehem, PA 18015 Faith United Church of Christ 5992 Route 378 Center ValleY, PA 18034 Program information and single ticket sales at www.cmsob.org Season 2017-2018 About the concerts The Chamber Music Society of Bethlehem inVites You to eXperience the performances of World-class ensembles as it celebrates its 66th anniVersarY With the 2017-2018 Season. We are priVileged to present a series of seVen concerts, Which include the highlY anticipated return of seVeral audience faVorites and a Warm Welcome to others for their first introduction to our audience. Five Friday evening concerts – three at Foy Concert Hall and two at Cathedral Church of the Nativity - will begin Gryphon Trio at 7:30 p.m. Two Sunday afternoon concerts – both at FridaY, September 15, 2017, at 7:30 p.m. Foy Concert Hall Faith United Church of Christ - will begin at 3:00 p.m. Schumann String Quartet We’re very pleased to have a special relationship with the FridaY, NoVember 3, 2017, at 7:30 p.m. Young People’s Philharmonic. Look for announcements Cathedral Church of the Nativity of their string and brass ensemble performances as Wister Quartet with Jennifer Montone, horn, “curtain warmers” a half hour before selected concerts. and Marcantonio Barone, piano SundaY, December 3, 2017, at 3:00 p.m. Concertgoers can enjoY significant saVings bY purchasing Faith United Church of Christ a full subscription for 7 concerts or packages of 4, 5 or Bennewitz Quartet 6 tickets. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
76201616.Pdf
http://jazzaparis.canalblog.com (informations toujours susceptibles de changements) Festival Jazz à St Germain des Près du 20 mai au 3 juin (programme de juin) * vendredi 1er juin : “Les petites mains symphoniques” (docu) & Jazz & Bavardages Aurélien Robert/Bar Zalel/Ghali Hadefi; DJ Fassio; Bojan Z solo, Bojan Z trio * samedi 2 juin : Groupes de jazz vocal amateurs; Shaï Maestro * dimanche 3 juin : Jazz en scène (Jazz et bavazrdage); Shaï Maestro trio Tous les détails sur le site (très bien fait) du Festival Jazz à Saint Germain des Près du vendredi 01-juin-12 20:00 Duc des Lombards (concerts à 20h & 22h) Autour de 30 € au samedi 30-juin-12 20:00 After Hours (les vendredis et samedis, minuit, gratuit (conso)) : Ahmet Gulbay Trio (1er); Manuel Marchès Trio (2); Karim Blal (8); Ahmet Gulbay Trio (9); Manuel Marchès Trio (15); Gaël Horellou Quartet (16); Enzo Carniel Trio (22); Lukmil Perez Trio (23) Etienne Desconfins Trio (29); Lukmil Perez Trio (30) Lou Donalson 4tet (1er, 2); Jean Pierre Mas 4tet (4); Shauli Einav 5tet (5, 21h : voir 100% Tel Aviv) Avi Lebovitch Orch. (6, 21h : voir 100% Tel Aviv); Danilo Perez (7 au 9); Gregoire Maret (11, 12) Franck Amsallem & Dan Block (13); Anthony Strong (14 au 16); Klezmer Nova (19); PG Project - Pierre Guiquéro Septet (20); Le Cabaret Primduf (les 40 ans de Daniel Colin)(21 au 23); Dominique Fillon 4tet (26, 27); Tierney Sutton (27 au 29); Big Daddy Wilson (30) Duc des Lombards - 01.42.33.22.88 - 42 rue des Lombards - Paris 1er (M° Châtelet; Les Halles) Plan RATP du vendredi 01-juin-12 20:30 -
Jazz Canada Bulletin, Its 29Th Year, Continues to Set the Standard for Performances Are a Great Chance for Musicians 57 D’Arcy Drive, Winnipeg, Jazz Excellence
THE NEWSLETTER OF JAZZ CANADA VOLUME 6 NUMBER 1 • SPRING 2002 INSIDE Music in the Mountains at The Banff Centre Music in the Mountains at Nestled below the massive peaks of the Wheeler, and Joe Lovano) have made their the Banff Centre 1 Canadian Rocky Mountains is an institution presence felt in Banff since 1973, working as known as The Banff Centre - a genuine haven “visiting artists” and collaborating with the President’s message 2 for artists. The Centre is a place renowned for jazz participants in the residency programs. its professional development programs for This year, the tradition continues with artists of all disciplines, including visual and renowned composer Maria Schneider joining FEATURE: Time: One of 3 media arts, theatre arts, writing and publishing, Hugh Fraser in the 2nd annual Jazz Orchestra The Fundamentals aboriginal arts, and of residency. Dave Douglas, course, music. The Jim Black, Chris Potter, Canadian Sister in Jazz 4 music programs at the Ari Hoenig, and Django Centre began in the Bates join artist-in- 1930’s with programs residence Kenny Werner FEATURE: The Musician’s 5 offered in the during the jazz Need for Awareness: Part 2 summer, and in 1979, workshop. the year-round music What makes all the programs were music programs at Young Women of Note 7 established. Since The Banff Centre then, countless Maria Schneider unique is not only conducting the jazz musicians (both estab- excellent faculty Institutional Update 8 orchestra, May 2001 lished and emerging) and top-notch have walked through the doors - including facilities, but also Regional News 9 composers, solo performers, ensembles, singers, the countless and of course, jazz musicians. -
25 Years of Keeping Jazz Alive
April 2011 Vol. 26 No. 3 www.wmichjazz.org An All-Volunteer orgAnizAtion Retrospective 25 Years of Keeping Jazz Alive Wmjs: 1986 - 2011 Beginnings By Betty Forrest Quite often a good Nancy Gould, Kathi Swets, program, an orga- and Bob & Ginny Taylor. nization, or even a By April the first edition business, is developed of Jazz Notes was mailed to out of what was es- 40 people and our first public sentially one person’s meeting/gig was held at the individual, even self- former Pockett’s Club where ish, motive. Mine was one of our founding members, to establish a support Bruce Early, was appearing group to help promote with his big band (which has an annual Jimmy now evolved into the Grand Forrest Scholarship Rapids Jazz Orchestra). Mem- Fund concert. After bership rose to nearly 100 at Jimmy’s death in Au- a June jazz party held at the gust 1980, I had estab- home of Jim and Nancy lished a fund through Gould (Jim was drafted to GRJC to award mon- be our first President), and we ies to students major- felt we were off and running. ing in jazz studies by By the end of 1986, when we presenting an annual had our first annual holiday concert featuring pop- party, we had written by-laws, ular jazz stars that he established our non-profit had known or played Jimmy Forrest status, had money in the bank, with during his own 40-year career on tenor saxophone. and a membership of nearly 150! We call these our Charter Successful concerts were given each of the following five Members, and of these, 90 were still with us nearly 10 years years, with the Count Basie Orchestra appearing on later.