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Human Than Human
DOC EDGE SCHOOLS More Human Than Human Major partners: More Human Than Human Directed by: Femke Wolting, Tommy Pallotta Countries: Belgium, Netherlands, United States Duration: 1:19: 0 Suggested age: Years 7-13 Suggested Curriculum Links: Level 4 - 8 Subject Areas: English, Technology, Digital Technologies, Philosophy, Social Studies, Media Studies Subject NCEA Achievement Standards Media Studies Levels 1,2, 3 English Levels 1,2, 3 Social Studies Levels 1,2, 3 Art History Levels 1,2, 3 Design and Visual Communication Levels 1,2, 3 Teacher and Student Guide: This pack has been designed to help teachers and students enrich their experience of viewing More Human Than Human by providing support in the form of questions and activities around key ideas and themes. There are a range of questions that will frame important discussions and activities for before and after viewing the film. Some of the web links will also provide starting points for further research or discussion. These are by no means definitive. While we identify appropriate subjects and achievement levels we do not presume to write activities or assignments for assessment against the standards. Our aim is to enable a better understanding of key principles and ideas through discussion and learning. The Film: More Human Than Human explores what it means to live in the age of intelligent machines. In this personal, playful and at times dramatic quest, the filmmaker finds our how much of his creativity and human values are at stake as he builds his own robot to replace himself as a filmmaker. More than just an expose on the pros and cons of new technology, the filmmaker’s journey takes him to the world’s leading AI experts and robot pioneers, confronting them with existential question such as: will AI, infinitely smarter, interconnected and possibly self – aware, render humanity obsolete? View the Trailer: http://docedge.nz/film/schools-more-human-than-human-2/ Pre-viewing Activities: Discuss as a class, in pairs or in groups and report back. -
Valis Free Ebook
FREEVALIS EBOOK Philip K. Dick | 272 pages | 12 Jul 2001 | Orion Publishing Co | 9781857983395 | English | London, United Kingdom Valis (novel) - Wikipedia Dickit is one book of a three part series. The book features heavy auto-biographical elements, and draws inspiration from Dick's own religious experiences over the Valis decade. The planned third novel, The Valis in Daylighthad not yet taken definite shape Valis the time of the author's death. Pike and Valis, while Valis referencing VALIS directly, is thematically similar; Valis wrote: "the three do form a trilogy constellating around a basic theme. Dick experiences visions of a pink beam of light that he calls Zebra Valis interprets as a theophany exposing hidden facts about the reality of our universe, and a group of others join him in researching these matters. One of their theories is that there is some kind of alien Valis probe in orbit around Earth, and that it is aiding them in their quest; it also aided Valis United States in disclosing the Watergate scandal and the resignation of Richard Nixon in August, Kevin turns his friends on to a film called Valis that contains obvious references to revelations identical to those Valis Horselover Valis has experienced, including what appears to be time dysfunction. The film is itself a fictional account of an Valis version of Nixon "Ferris F. In seeking the film's makers, Kevin, Phil, Fat, and David—now calling themselves the Rhipidon Society—head to an estate owned by popular musician Valis Lampton and his wife Linda. They decide Valis goal that they have been led toward is Sophia Lampton, who is two-years old and the Messiah or incarnation of Holy Wisdom Pistis Sophia anticipated by some variants of Gnostic Christianity. -
ETHAN HAWKE WILL RECEIVE the FESTIVAL PRESIDENT's AWARD at 55TH KARLOVY VARY INTERNATIONAL FILM FESTIVAL Karlovy Vary IFF Will
ETHAN HAWKE WILL RECEIVE THE FESTIVAL PRESIDENT'S AWARD AT 55TH KARLOVY VARY INTERNATIONAL FILM FESTIVAL Karlovy Vary IFF will honour Ethan Hawke, an American actor, director, and writer, who will receive the Festival President's Award at its 55th edition taking place August 20–28, 2021. The Award is given to actors, directors, and producers who have contributed in a fundamental way to the development of contemporary world cinema. (credit: Ethan Hawke, Paris Match, November 29, 2019, photographer Francois Berthier) „We are thrilled to welcome to Karlovy Vary an artist we’ve been admiring for a long time. In 2018, KVIFF paid tribute to the Austin Film Society and it is exciting to extend our appreciation of this renowned organisation’s work by honoring an actor and director who is so closely connected to the Texas independent film scene,“ said artistic director Karel Och and executive director Krystof Mucha. Hawke will personally introduce Paul Schrader’s thriller First Reformed, in which he brilliantly portrays a parish pastor in crisis of faith. Hawke also recently released his first novel in twenty years, A Bright Ray of Darkness, published by Knopf in February 2021. The novel explores art and love, fame and heartbreak in a blistering story of a young man making his Broadway debut in Henry IV just as his marriage implodes. Also, on the author front, on July 20, 2021, Hawke and New York Times bestselling author and illustrator Greg Ruth, will debut Meadowlark: A Coming of Age Crime Story. The graphic novel follows a Film Servis Festival Karlovy Vary, Panská 1, 110 00 Praha 1, Czech Republic Tel. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Shepard & Dark
Presents SHEPARD & DARK A DOCUMENTARY BY TREVA WURMFELD 92 min., U.S., 2012 OFFICIAL SELECTION – 2012 TORONTO INTERNATIONAL FILM FESTIVAL OFFICIAL SELECTION – 2013 CANNES CLASSICS – CANNES FILM FESTIVAL WINNER BEST DOC FEATURE – 2012 WOODSTOCK FILM FESTIVAL To download hi-res images and video clips, please visit: http://www.musicboxfilms.com/shepard---dark-movies-71.php Publicity/Marketing Contact: Distribution Contact: Brian Andreotti Andrew Carlin 312-508-5361 312-508-5360 [email protected] [email protected] Rebecca Gordon 312-508-5362 [email protected] Press Contact: Lindsay Firestone 212-373-6131 [email protected] Marian Koltai-Levine 212-373-6130 [email protected] SUMMARY Sam Shepard and Johnny Dark met in Greenwich Village in the early 1960s and, despite leading very different lives, remained close friends ever since. Shepard became a Pulitzer Prize winning playwright (Buried Child) and an Academy Award-nominated actor (THE RIGHT STUFF), while Dark was a homebody who supported himself with odd jobs. Through the decades, they stayed bonded by family ties. Dark married an older woman named Scarlett and Shepard married her daughter. For years, the two couples lived together, until Shepard broke away for a relationship with Jessica Lange in 1983, leaving Johnny to help father his first son. Nevertheless, he and Dark continued writing to each other, amassing hundreds of letters. Director Treva Wurmfeld began filming the two friends in 2010 during a period of transition and reflection for Shepard. At the time, he had quietly ended his relationship with Lange and agreed to publish his correspondence with Dark. The task required them to meet and sift through years of their shared history, stirring memories both good and bad. -
Salsa2bills 1..4
By:AADukes H.R.ANo.A699 RESOLUTION 1 WHEREAS, A state replete with diverse landscapes, iconic 2 American legends, and talented residents, Texas has long been a 3 favorite location for motion picture and television productions, 4 and that rich and ongoing tradition is being celebrated on Texas 5 Film Industry Day, which is taking place at the State Capitol on 6 March 6, 2007; and 7 WHEREAS, More than 1,500 films and television programs have 8 been made in Texas since 1910, and the first movie ever to win the 9 Academy Award for Best Picture, the silent World War I epic Wings, 10 was shot in and around San Antonio; and 11 WHEREAS, Audiences all over the world have discovered the 12 Lone Star State through films and television programs made here; 13 Giant, filmed near Marfa, tells the sprawling story of cattle and 14 oil in West Texas; no less than three films about the siege of the 15 Alamo have been made in Texas, including John Wayne 's 1960 epic The 16 Alamo; the film and television series Friday Night Lights tell the 17 distinctively Texan story of high school football; and week after 18 week Austin City Limits brings the best of American popular music to 19 the nation with a Texas flair; and 20 WHEREAS, Great filmmakers from all over the world have 21 journeyed to Texas to make their films; Steven Spielberg shot his 22 first feature, The Sugarland Express, here; Sam Peckinpah filmed 23 his classic thriller The Getaway in El Paso; Clint Eastwood has made 24 several films in Texas, including A Perfect World and Space 80R9767 JGH-D 1 -
Before Midnight
Mongrel Media Presents Before Midnight A film by Richard Linklater (108 min., USA, 2012) Language: English Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html BEFORE MIDNIGHT Synopsis An American father, JESSE, (Ethan Hawke) is seeing off his son HANK (Seamus Davey-Fitzpatrick) at the Kalamata Airport in Greece. Hank’s returning to his mother and life in the U.S. after spending the “best summer ever” with Jesse and his family. The middle-schooler is more composed than his fortyish father, who hovers anxiously as their separation draws near. Geography weighs heavily on Jesse. Outside the airport, he rejoins his family: CELINE (Julie Delpy) and their young twin daughters ELLA and NINA (Jennifer and Charlotte Prior). As they drive through the austerely beautiful rocky hillsides of Messinia, Jesse and Celine talk—about living so far from Hank, about her career as an environmentalist and hopes for a new job, about the swirl of ancient and modern Greece around them. Jesse hints at wanting to move back to America from their home in Paris, but Celine has done her U.S. time—they lived in New York for a spell—and has no wish to return. Their long history together bubbles between them. Jesse’s a successful novelist, and they’re in Greece at a writer’s retreat, staying in the bucolic country villa of an older expat writer, PATRICK (Walter Lassally). -
ETHAN HAWKE the Truth a Film by KORE-EDA HIROKAZU 3B PRODUCTIONS, BUN-BUKU and M.I MOVIES Present
CATHERINE DENEUVE JULIETTE BINOCHE ETHAN HAWKE the truth a film by KORE-EDA HIROKAZU 3B PRODUCTIONS, BUN-BUKU and M.I MOVIES present CATHERINE DENEUVE JULIETTE BINOCHE ETHAN HAWKE the truth (la vérité) a film by KORE-EDA HIROKAZU 107 MIN – FRANCE – 2019 – 1.85 – 5.1 INTERNATIONAL PR MANLIN STERNER [email protected] mobile: +46 76 376 9933 SYNOPSIS Fabienne is a star – a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed. photo © Rinko Kawauchi © Rinko photo DIRECTOR’S NOTE If I dared to take on the challenge I wanted the story to take place I wanted a film that was not only THE TRUTH is the result of all the of shooting a first film abroad – in in autumn because I wanted to serious but also light-hearted, where efforts and the confidence that my a language that’s not my own and superimpose what the heroine drama and comedy coexist, as actors and crew put in me; it was with a totally French crew – it’s only goes through at the end of her life they do in real life. I hope that the made by the best of professionals, because I was lucky enough to meet onto the landscapes of Paris at the chemistry between the actors and the beginning with my director of actors and collaborators who wanted end of summer. -
BLADE RUNNER: a Ficção Científica E a Ética Da Ciência Na Sociedade Líquido-Moderna
Pontifícia Universidade Católica de São Paulo PUC-SP Edilson Rodrigues Palhares BLADE RUNNER : a ficção científica e a ética da ciência na sociedade líquido-moderna MESTRADO EM CIÊNCIAS SOCIAIS São Paulo 2010 EDILSON RODRIGUES PALHARES BLADE RUNNER : a ficção científica e a ética da ciência na sociedade líquido-moderna Dissertação apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Mestre em Ciências Sociais, área de concentração Sociologia, sob orientação da Prof. a Doutora Marisa do Espírito Santo Borin. PUC-SP 2010 Banca Examinadora _______________________________ _______________________________ _______________________________ DEDICATÓRIA Dedico esta dissertação à memória do escritor de Ficção Científica Philip K. Dick, cuja obra representa uma grande ruptura neste gênero ao questionar a identidade humana em relação ao avanço tecnológico dos meios de produção material da vida. Ao diretor de cinema britânico Ridley Scott e sua equipe que há 28 anos transcodificou magistralmente um romance de Dick para as telas, criando Blade Runner , um filme que desde então se tornou parte inerente de minha vida. Aos fãs e leitores de Ficção Científica como um todo, e especificamente aos leitores de Philip K. Dick, H.G. Wells e Mary Shelley. E evidentemente, aos inúmeros admiradores do filme Blade Runner . À professora doutora Noêmia Lazzareschi, do Programa de Ciências Sociais da PUC-SP, cujas aulas tiveram o poder de fundamentar minha visão do mundo social e científico de uma forma muito mais consistente do que a que eu tinha antes. E principalmente, à minha amada esposa Angela Procópio, que em todos os momentos em que fraquejei e caí perto dela, não só auxiliou no meu reerguimento, como me ensinou a fazer isto por conta própria, caso não estivesse por perto. -
UNIVERSAL PICTURES and MEDIA RIGHTS CAPITAL Present A
UNIVERSAL PICTURES and MEDIA RIGHTS CAPITAL Present A GAMBIT PICTURES Production In Association With ELECTRIC SHEPHERD Productions A Film by GEORGE NOLFI MATT DAMON EMILY BLUNT ANTHONY MACKIE JOHN SLATTERY MICHAEL KELLY and TERENCE STAMP Executive Producers ISA DICK HACKETT JONATHAN GORDON Produced by MICHAEL HACKETT GEORGE NOLFI BILL CARRARO CHRIS MOORE Based Upon the Short Story “Adjustment Team” by PHILIP K. DICK Screenplay by GEORGE NOLFI Directed by GEORGE NOLFI – 1 – CAST Orthopedic Surgeon . SANDI CARROLL (In Order of Appearance) Newscaster Daniel Bazile . AS HIMSELF Adrian Troussant, Elise’s Fiancé . SHANE MCRAE David Norris . MATT DAMON Cedar Lake Receptionist . MEGHAN ANDREWS Suburban Moms . LISA THORESON Court Registrar . SANDRA BERRIOS FLORENCE KASTRINER Thompson’s Aides . DAVID ALAN BASCHE Suburban Neighbors . PHYLLIS MCBRYDE JOEL DE LA FUENTE NATALIE E. CARTER MIKE DISALVO Chuck Scarborough . AS HIMSELF DMV Clerk . DINA CATALDI Jon Stewart . AS HIMSELF Courthouse Security Officer . PAUL DIPAOLA U.S. Coast Guard Officer . CAPT. GREGORY P. HITCHEN New Yorker in Courthouse Lobby . JASON KRAVITS Upstate Farmer . DARRELL JAMES LENORMAND County Clerk . PETER JAY FERNANDEZ Mayor Michael R. Bloomberg . AS HIMSELF Court Officer . LAWRENCE LERITZ Charlie Traynor . MICHAEL KELLY Bureau Headquarters Staff . PETER BENSON Political Consultants . KAR LEROY MCCLAIN R.J. KONNER BRIT WHITTLE Reporter . SUSAN D. MICHAELS WAYNE SCOTT MILLER Harry Mitchell . ANTHONY MACKIE LORENZO PISONI Albert, Campaign Aide . GREGORY LAY BART WILDER Robyn, Campaign Aide . LAUREN HODGES Stunt Coordinator . G.A. AGUILAR James Carville . AS HIMSELF “David” Stunt Double . AARON VEXLER Mary Matalin . AS HERSELF Stunt Performers . JILL BROWN Richardson . JOHN SLATTERY ACQUI CARRERA Senior Campaign Aide . AMANDA MASON WARREN OHN CENATIEMPO Elise Sellas . -
Présente Un Film De Richard Linklater Www
Présente Un film de Richard Linklater www.scannerdarklymovie.com WARNER INDEPENDENT PICTURES Présente En association avec THOUSAND WORDS Une production SECTION EIGHT / DETOUR FILMPRODUCTION / 3 ARTS ENTERTAINMENT Un film de RICHARD LINKLATER KEANU REEVES ROBERT DOWNEY JR. WOODY HARRELSON WINONA RYDER RORY COCHRANE Écrit et réalisé par RICHARD LINKLATER D’après le roman de PHILIP K. DICK «Substance mort», paru aux éditions Denoël, collection Folio SF Producteurs PALMER WEST JONAH SMITH - ERWIN STOFF ANNE WALKER-McBAY - TOMMY PALLOTTA Producteurs exécutifs GEORGE CLOONEY & STEVEN SODERBERGH - JENNIFER FOX PRESSE À CANNES BEN COSGROVE - JOHN SLOSS Co-productrice ERIN FERGUSON HÔTEL CARLTON Animation BOB SABISTON Salon La Croisette JASON ARCHER - PAUL BECK 58, bd La Croisette Animateurs principaux STERLING ALLEN 06400 CANNES EVAN CAGLE - NICK DERINGTON Tél. : 04 93 06 41 02 CHRISTOPHER JENNINGS - LANCE MYERS Fax : 04 93 06 40 91 Directeur de la photographie SHANE F. KELLY Chef décorateur BRUCE CURTIS Chef monteuse SANDRA ADAIR, A.C.E. Musique GRAHAM REYNOLDS Chef costumière KARI PERKINS Casting DENISE CHAMIAN Sortie Automne 2006 Durée : 1h40 www.scannerdarklymovie.com DISTRIBUTION PRESSE WARNER BROS. Pictures France Carole Chomand 115-123, avenue Charles-de-Gaulle Assistée de Sabri Ammar 92 200 Neuilly-Sur-Seine Tél. : 01 72 25 10 83 / 11 16 Inspiré des expériences du légen- daire auteur de science-fiction Philip K. Dick, A SCANNER DARKLY est une parabole tragi-comique sur l’usage de la drogue dans le monde moderne. Tel un roman graphique «live», le film 2 Une banlieue d’Orange County (Californie), en 2013… superpose prises de vue réelles et 3 L’interminable et vain combat de l’Amérique contre la drogue se confond créations infographiques sophisti- quées, selon une technique inaugurée désormais avec sa guerre contre le terrorisme. -
Subterranean Film Lists
THE SUBTERRANEAN BOOK OF FILM LISTS by DON ALEX http://letterboxd.com/donalex/lists/by/name/ https://mubi.com/users/223328/lists MY 50 FAVORITE FILMS OF ALL TIME A CLOCKWORK ORANGE (1971) Stanley Kubrick APOCALYPSE NOW (1979) Francis Coppola MULHOLLAND DRIVE (2001) David Lynch SCARFACE (1983) Brian DePalma BOOGIE NIGHTS (1997) Paul Thomas Anderson PULP FICTION (1994) Quentin Tarantino TAXI DRIVER (1976) Martin Scorsese 2001: A SPACE ODYSSEY (1968) Stanley Kubrick BLADE RUNNER (1982) Ridley Scott EL TOPO (1970) Alejandro Jodorowsky SORCERER (1977) William Friedkin TALK RADIO (1988) Oliver Stone THE SHINING (1980) Stanley Kubrick THERE WILL BE BLOOD (2006) Paul Thomas Anderson FULL METAL JACKET (1987) Stanley Kubrick THE GODFATHER (1971) Francis Coppola HEAT (1994) Michael Mann DAYS OF HEAVEN (1978) Terrence Malick EXCALIBUR (1981) John Boorman THE GRADUATE (1967) Mike Nichols ANNIE HALL (1977) Woody Allen GOODFELLAS (1990) Martin Scorsese THE BIRDS (1963) Alfred Hitchcock WHO'S AFRAID OF VIRGINIA WOOLF (1966) Mike Nichols NATIONAL LAMPOON'S ANIMAL HOUSE (1978) John Landis INVASION OF THE BODY SNATCHERS (1978) Philip Kaufman ROSEMARY'S BABY (1968) Roman Polanski MORE (1969) Barbet Schroeder THE WICKER MAN (1973) Robin Hardy THE BOUNTY (1984) Roger Donaldson HUSBANDS (1970) John Cassavetes ALTERED STATES (1980) Ken Russell CLOSE ENCOUNTERS OF THE THIRD KIND (1977) Steven Spielberg BEYOND THE VALLEY OF THE DOLLS (1970) Russ Meyer DELIVERANCE (1972) John Boorman BONNIE & CLYDE (1967) Arthur Penn BLUE VELVET (1986) David Lynch THE EXORCIST