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Abstract Expressionism “Gestural” Painters (action painting) “” Painters

Post WW2 Philosophical/Psycho-analytic influences: Existentialism, Carl Jung

In the lineage of Romanticism, Expressionism: emphasis on subjective, individual experience Less analytic than early, pre-WW2 modernist abstraction. More instinctive, raw.

Embodies the modernist process of simultaneously rejecting and continuing the art tradition it is reacting to

Piet Mondrian, Broadway Boogie-Woogie, 1943* Charles Sheeler, American Landscape, 1930 Charles Sheeler, Church Street El, 1920 Hans Hoffman, Spring, 1945* Andre Masson, Automatic Drawing, 1924

Surrealist Arshile Gorky, The Artist and His Mother, 1931

16.3 Arshile Gorky, Mechanics of Flying, 1936 Arshile Gorky, The liver is the cock’s comb, 1944 * Kandisnsky, Composition VII, 1913 , Guardians of the secret, 1943 16.7 Jackson Pollock

“The canvas began to appear to one American painter after another as an arena to act— rather than as a space in which to reproduce, re-design, analyze or “express” an object, actual or imagined. What was to go on the canvas was not a picture but an event” -Harold Rosenberg Jackson Pollock, Number 1A, 1948 * Pollock, Convergence, 1952 Andrew Wyeth, Christina’s World, 1948 * Willem De Kooning, Woman No. 1, 1952* Picasso, Les Demoiselles d’Avignon, 1907 Cezanne, Large Bathers, 1899-1905 Ingres, Turkish Bath, 1858 Willem De Kooning, Excavation,1950 Franz Kline, Nijinsky, 1950 * Robert Motherwell, Elegy to the Spanish Republic No. 34, 1954 * Kurt Schwitters, Blue Bird, 1922

Hedda Sterne, Alaska #1, 1958 , Milkweed, 1955 * Lee Krasner, Gothic Landscape, 1961 Picasso, Accordionist, 1911 Grace Hartigan, October New England ,1957 Hartigan, Modern Cycle, 1967 , Multiform, 1948 Rothko, untitled, 1949 * Josef Albers, Study for Nocturne, 1951 Kazmir Malevich, 1915 Mark Rothko, Untitled No. 17, 1961

Barnett Newman, Vir Heroicus Sublimis, 1951 * “Zips”

Barnett Newman, Stations of the Cross, 1958-1966 Ad Reinhardt Abstract Painting No. 4, 1961** Clyfford Still, Number 2, 1949 * Clyfford Still, 1957J No. 2, 1957