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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
The Curse of Eve - Or, What I Learned in School Margaret Atwood
The Curse of Eve - Or, What I Learned in School Margaret Atwood Margaret Atwood and less Graeme Gibson La Malediction d'Eve ou - Ce que j'ai appris aI'ecole. knowledge, like all other knowledge, by virtue of gender. The tables have turned and now it's women who are supposed to Dans cet aper~u des stereotypes de femmes ecrivai ns et possess this knowledge, simply by birthright. I can only assume de leur impact sur notre tradition litteraire, Atwood nous that's the reason I've been invited to speak to you, since I'm demande de permettre aux femmes - personnages et not an authority on women, or indeed on anything else. personnes - d'avoir leurs imperfections sans etre I escaped from academia and bypassed journalism - which was categorisees comme types. the other career I considered, until I was told that women journalists usually ended up writing obituaries or wedding announcements for the women's page, in accordance with their Once upon a time, I wou Id have not been invited to speak to ancient roles as goddesses of life and death, deckers of nuptial you today. That time isn't really very long ago. In 1960, when beds and washers of corpses. Finally, I became a professional I was attending university, it was widely known that the writer. I've just finished a novel, so it's as a working novelist University College English department did not hire women, no that I'd li ke to approach this general area. matter what their qualifications. My own college did hire . -
2017 | 2018 Season
2017 | 2018 SEASON Unforgettable characters. Extraordinary stories. Since 1947. A CHRISTMAS STORY, 2014 THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, 2014 Honoring our 70 year history as San Luis Obispo Little Theatre while building our future as San Luis Obispo Repertory Theatre, a professional, nonprofit, regional theatre. Repertory (re-pə(r)-ˌtȯr-ē) 1. a company that performs different plays in the course of a season 2. a theatre in which such a company performs 3. the production and presentation of plays by a repertory company BYE BYE BIRDIE, 2016 THE DROWSY CHAPERONE, 2016 A New Name for Live Theatre This organization was created in the summer of 1947 by a small group of people who wanted to “put on a show.” These 10-15 theatre-lovers, swept up in the last wave of the larger Little Theatre movement across the country, recognized the need for an organized drama troupe in San Luis Obispo. Late in 1947, they decided on the name San Luis Obispo Little Theatre and began rehearsal for their first production – Noel Coward’s Blithe Spirit – which opened at the San Luis Obispo High School Auditorium in early 1948. Since that first show, the San Luis Obispo Little Theatre has produced a full season of plays each year, every year, in 27 different locations around the county. We have had an incredible history as a nonprofit community theatre: 70 years, over 900 plays, hundreds of board members, thousands of volunteers. Now it is time for us to officially become the premier live theatre in San Luis Obispo, and continue the growth we have experienced for the last 5, the last 30, the last 70 years. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
Crime, Law Enforcement, and Punishment
Shirley Papers 48 Research Materials, Crime Series Inventory Box Folder Folder Title Research Materials Crime, Law Enforcement, and Punishment Capital Punishment 152 1 Newspaper clippings, 1951-1988 2 Newspaper clippings, 1891-1938 3 Newspaper clippings, 1990-1993 4 Newspaper clippings, 1994 5 Newspaper clippings, 1995 6 Newspaper clippings, 1996 7 Newspaper clippings, 1997 153 1 Newspaper clippings, 1998 2 Newspaper clippings, 1999 3 Newspaper clippings, 2000 4 Newspaper clippings, 2001-2002 Crime Cases Arizona 154 1 Cochise County 2 Coconino County 3 Gila County 4 Graham County 5-7 Maricopa County 8 Mohave County 9 Navajo County 10 Pima County 11 Pinal County 12 Santa Cruz County 13 Yavapai County 14 Yuma County Arkansas 155 1 Arkansas County 2 Ashley County 3 Baxter County 4 Benton County 5 Boone County 6 Calhoun County 7 Carroll County 8 Clark County 9 Clay County 10 Cleveland County 11 Columbia County 12 Conway County 13 Craighead County 14 Crawford County 15 Crittendon County 16 Cross County 17 Dallas County 18 Faulkner County 19 Franklin County Shirley Papers 49 Research Materials, Crime Series Inventory Box Folder Folder Title 20 Fulton County 21 Garland County 22 Grant County 23 Greene County 24 Hot Springs County 25 Howard County 26 Independence County 27 Izard County 28 Jackson County 29 Jefferson County 30 Johnson County 31 Lafayette County 32 Lincoln County 33 Little River County 34 Logan County 35 Lonoke County 36 Madison County 37 Marion County 156 1 Miller County 2 Mississippi County 3 Monroe County 4 Montgomery County -
On Halloween
^ *r. i f ■ K f ■y IM lSDAY, OCTOBER W, 1#M PAO* TWENTY-FOUR xttptting Ifpralb \ Your Public Health Nurse Needs Your Support-Give to Drive Now A Halloween costume party for A b o u t T o w n Junior members of Covenant Con-1 Average Daily Net Preas Run The WeotlMt gregational (jhiirrh will be h e l^ o - For the Week Emled For •« 0. ff, WeMMr i The Army-Navy AuxlUaiy wlU morrow at 7 p.m. gt the homoBof MANCHESTER Oet. U . 19M « 0UTSTANDIN8 QUALITY, Miss Eltls Johnson, 31 Oak Grove OPEN TOMIHT elect offlcera after g meatless Fair smt eaa| agata lamgibK LaW' potluck Wednesday, Nov. 4, at BL y n Sk-Si. MaaOy M r, UtOa ckaat* W 6:80 p.m. at the clubhouse. UBLIC MARKE TILL till 13,036 Memorial Temple, Pythian Bis ► ' 1 803 805 MAIM STREhT temperatara Salanlay. IB ters, will hold a kitchen social at. Member ef the Andit Mo. priced for thrift Anderaon-Bhea Auxiliary, VFW, ihe home-'of Mrs. Herbert Alley, BoreM e f OlrealmthMi will hold a card party tomorrow 66 Washington 8t„ tomorrow at HrirteheeUr— A City of Village Charm at 6 p.m. at the pest home. 8 p.m. Membera arc asked to bring articles. Friends are Invited. (ClaaMflad ABverlMag ea Faga 1 6 ) PRICE FIVE CEfm There’s plenty of evidence that you fgrt Members n{ Washington Loyal VOL. LXXIX, NO. 26 (EIGHTEEN PAGES) MANCHESTER. CONN.. FRIDAY. OCTOBER SO. 1969 Orange Lodge will meet at Orange f R M U i n C N H X ilfi more srood eating for your money, when Hall Bnnday at 9:30 a.m., and. -
Tattler 1/14/2005
WGHN-FM 0.4 -0.3, WGHN-AM 0.1 -0.1. All Trends found in this Volume XXXI • Number 2 • January 14, 2005 Tattler are 12+, M-Su, 6A-12M, Aug-Sep-Oct 2004-Sep-Oct-Nov THE 2004 comparisons © 2005, The Arbitron Company. All rights MAIN STREET reserved. Communicator Network Changes are afoot on the AM dial in North Dakota as Marine Reservist Mike McNamara returns from his year-long stint in A T T L E Iraq. McNamara was expected to return to KNOX-AM/Grand TT A T T L E RR Forks where Jarrod Thomas has been anchoring soldier’s spot with a show entitled ‘Til Further Notice. However, the Grand Publisher • Tom Kay/Main Street Marketing & Promotion Forks Herald has reported that Thomas’ show has been re- “All the news that fits, we gits!” christened JT’s World, prompting speculation as to whether or not McNamara will, indeed, be settling back into his place. Further April Fool in January? Try this on for size. Since last week, KDWB/ fueling this idea is the Marine’s fill-in status on Clear Channel Minneapolis listeners have been directed to visit a Web site to Talk KFGO-AM/Fargo where he is said to be amongst those being file for a light extension or rat out a neighbor for keeping their considered to step into the space left by Ed Schultz’ departure holiday lights on after today. The supposed website for syndication. Meanwhile, after being dropped to make room (www.lightsoutminnesota.org) looks official enough with photos for Schultz’ national show, former KFGO talkers Jack and Sandy of the Minnesota state capitol, loons and a lady’s slipper as well Buttweiler have moved across town to middays at WDAY-AM. -
Exterior Exhibition MAP
Exterior299 NW 25th Exhibition St., Miami, FL MAP33127 786.580.4678 NW 26th St. 1. Abstrk and Entes 2. Ezo 3. Jules Muck 4. Zephyr 5. AMERICAN HISTORY 6. Slick The World’s 1st Museum 7. JonOne of Graffiti is now open! 8. Niels “Shoe” Meulman Tickets available at museumofgraffiti.com 9. Erni Vales 10. Quake, Bacon & Hiero @museumofgraffiti 11. Ticoe and Rasterms 12. Marvel 13. Ces, Doves, Mast, & Yes2 14. Reds 15. Lady Pink NW 3rd Ave. NW 3rd NW 25th St. Exterior Exhibition MAP 1. This wall is a collaboration between two Latin American artists, Abstrk from Miami and Entes from Peru. The artists combine fictional characters with portraits of locally and nationally renown graffiti writers like Lady Pink, Reds, Verse, and the curator of the Museum of Graffiti, Mare139. The faces are so cohesive that only a trained eye can differentiate between Abstrk’s vampire style and Entes’ signature characters. Be sure to grab a pamphlet inside the Museum so you can play “What’s the difference?”. 2. Artist Ezo has been painting aerosol art since 1979. His interest in documenting the ephemeral graffiti artform led him to founding one of the first internet graffiti directories in 1997. Fast forward to 2020, Ezo still focuses on preserving graffiti history as evidenced by him painting this portrait of Phase II who is considered to be a legend in the graffiti art movement and is generally credited with originating the "bubble letter" style of aerosol writing. Phase II passed away on December 20, 2019, two weeks after the opening of the Museum of Graffiti. -
Niels SHOE Meulman Artist Portfolio
NIELS „SHOE“ MEULMAN (1967, THE NETHERLANDS) Niels Shoe Meulman (a.k.a. Shoe) is an internationally known artist and graphic designer. He is born, raised and based in Amsterdam, the Netherlands. Meulman began tagging ‘Shoe’ in 1979 and became a graffiti legend by the time he was 18. In the eighties, he met New York artists like Dondi, Rammellzee, Haze, Quik and Keith Haring. He then formed the Crime Time Kings with Bando from Paris and Mode2 from London. To get h er they gave graffiti in Europe its own distinctive style. In the nineties, he furthered his technique by apprenticing under the Dutch graphic design master Anthon Beeke. In the years after, he ran his own design company, Caulfield & Ten s i n g and was partner in advertising agency Unruly, which he later turned into a brand for silk scarves and a gallery. Niels Shoe Meulman revolutionized the art of writing with Calligraffiti, an art form that fuses calligraphy and graffiti. He launched this movement in 2007 with a successful solo exhibition in Amsterdam. Since then, his Calligraffiti pieces (signed NSM) have been shown in various international exhibitions and are part of several museum collections. His recent painting style can be described as abstract expressionism with a calligraphic origin. Homepage: http://nielsshoemeulman.com (SELECTED) SOLO EXHIBITIONS 2017 Unidenticals and Reverse Paintings, Galerie Droste, Wuppertal, DE 2016 Uncontrolled Substances, Galerie Gabriel Rolt, Amsterdam, NL Nissa la Bella, GCA gallery, Nice, FR 2014 Shoe at Flow, Make Your Mark gallery, Helsinki, -
Putting Patients First: Increasing Organ Supply for Transplantation Hearing
PUTTING PATIENTS FIRST: INCREASING ORGAN SUPPLY FOR TRANSPLANTATION HEARING BEFORE THE SUBCOMMITTEE ON HEALTH AND ENVIRONMENT OF THE COMMITTEE ON COMMERCE HOUSE OF REPRESENTATIVES ONE HUNDRED SIXTH CONGRESS FIRST SESSION APRIL 15, 1999 Serial No. 106±14 Printed for the use of the Committee on Commerce ( U.S. GOVERNMENT PRINTING OFFICE 56±603CC WASHINGTON : 1999 1 VerDate 18-JUN-99 11:50 Aug 23, 1999 Jkt 010199 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 E:\HEARINGS\56603 txed02 PsN: txed02 COMMITTEE ON COMMERCE TOM BLILEY, Virginia, Chairman W.J. ``BILLY'' TAUZIN, Louisiana JOHN D. DINGELL, Michigan MICHAEL G. OXLEY, Ohio HENRY A. WAXMAN, California MICHAEL BILIRAKIS, Florida EDWARD J. MARKEY, Massachusetts JOE BARTON, Texas RALPH M. HALL, Texas FRED UPTON, Michigan RICK BOUCHER, Virginia CLIFF STEARNS, Florida EDOLPHUS TOWNS, New York PAUL E. GILLMOR, Ohio FRANK PALLONE, Jr., New Jersey Vice Chairman SHERROD BROWN, Ohio JAMES C. GREENWOOD, Pennsylvania BART GORDON, Tennessee CHRISTOPHER COX, California PETER DEUTSCH, Florida NATHAN DEAL, Georgia BOBBY L. RUSH, Illinois STEVE LARGENT, Oklahoma ANNA G. ESHOO, California RICHARD BURR, North Carolina RON KLINK, Pennsylvania BRIAN P. BILBRAY, California BART STUPAK, Michigan ED WHITFIELD, Kentucky ELIOT L. ENGEL, New York GREG GANSKE, Iowa THOMAS C. SAWYER, Ohio CHARLIE NORWOOD, Georgia ALBERT R. WYNN, Maryland TOM A. COBURN, Oklahoma GENE GREEN, Texas RICK LAZIO, New York KAREN MCCARTHY, Missouri BARBARA CUBIN, Wyoming TED STRICKLAND, Ohio JAMES E. ROGAN, California DIANA DEGETTE, Colorado JOHN SHIMKUS, Illinois THOMAS M. BARRETT, Wisconsin HEATHER WILSON, New Mexico BILL LUTHER, Minnesota JOHN B. SHADEGG, Arizona LOIS CAPPS, California CHARLES W. ``CHIP'' PICKERING, Mississippi VITO FOSSELLA, New York ROY BLUNT, Missouri ED BRYANT, Tennessee ROBERT L. -
History 3760 Extended Syllabus
History 3760 Extended Syllabus United States, 1900-1945 American Popular Culture UTAH STATE UNIVERSITY Dr. Robert J. Mueller Summer Semester 2016 TABLE OF CONTENTS SECTION A: General Course Information 1. Required Reading . 3 2. Course Content & Outcomes . 3-4 3. Course Organization . 4 4. Discussion Grade . 4-5 5. Quizzes . 5 6. Writing Assignments. 5-6 7. Grade Breakdown . 7 8. Office Hours . 7 9. Academic Dishonesty. 7 10. Sexual Harassment . 7-8 11. Students with Disabilities . 8 12. Lectures & Reading Assignments. 8-9 SECTION B: Advice for Writing 1. Advice for Writing Good Essays. 11-15 2. Mueller’s Pet Peeves . 16 3. Proper Footnoting . 17-18 4. Plagiarism . 19 SECTION C: Lecture Outlines and Word Lists . 21-34 SECTION D: Helpful Information 1. How to Read or Watch a Document and Use It Effectively . 36 2. Pop Culture Sources . 37 1 History 3760 Extended Syllabus Section A General Course Information 2 UTAH STATE UNIVERSITY History 3760 -- United States, 1900-1945 (American Popular Culture) Summer Semester 2016 Wednesdays 5:15-7:45PM (IVC) INSTRUCTOR: Dr. Bob Mueller OFFICE: USU Tooele Regional Campus, Office #180 OFFICE PHONE & VOICE MAIL: (435) 797 9909 OFFICE FAX #: (435) 882-7916 OFFICE HOURS: Wednesdays, 3:00-5:00PM & by appt. E-MAIL: [email protected] WRITING TEACHING ASSISTANT: Maren Petersen E-MAIL: maren.petersen#usu.edu CELL PHONE: (435) 1. REQUIRED READING: George Moss, The Rise of Modern America (Upper Saddle River, New Jersey: Prentice Hall, 1995) [ISBN 0-13-181587-3] Frank King, Walt and Skeezix: Book One (Drawn & Quarterly, 2005) [ISBN 1896597645] Robert J. -
Walker Art Center Annual Report 14 15 Contents
Walker Art Center Annual Report 14 15 Contents Letter from the Executive Director 3 Measures of Success 11 Annual Fund 16 Acquisitions & Gifts 33 Financial Statement 42 Board of Trustees 46 Miwa Matreyek, This World Made Itself Photo: Gayle Laird, ©Exploratorium Year in Review Letter from the Executive Director BY OLGA VISO The year 2015 marked a major milestone in the Walker Art Center’s history: for 75 years it has served as a public center dedicated to con - temporary art and culture. To celebrate, we invited artists and our community to come together and join us in a series of WALKER@75 exhibitions, programs, and events that launched in the fall of 2014 and culminated with the public announcement of a major campus renovation that commenced in August 2015. At the heart of our celebration was an examination of the many questions that have motivated and guided the Walker’s work during its 75-year history. The Walker is at its core about asking questions and has from its very beginning offered spaces and plat- forms for productive dialogue and debate. This long-standing institutional commitment to creative inquiry is grounded in the belief that providing a safe space for the exchange of ideas and open dialogue about the culture around us leads to a place where growth and mutual understanding be- come possible. Celebrating WALKER@75 With generous sponsorship from Target, we invited our community to join Olga Viso us in the act of questioning, with more than 100,000 participating in the Photo: ©Walker Art Center Walker’s 75th-anniversary celebration.