Amy Franceschini
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More May 10, 2006 Contact: Robyn Wise, 415.357.4172, Rwise
May 10, 2006 Contact: Robyn Wise, 415.357.4172, [email protected] Libby Garrison, 415.357.4177, [email protected] Sandra Farish Sloan, 415.357.4174, [email protected] SFMOMA ANNOUNCES 2006 SECA ART AWARD WINNERS Sarah Cain, Kota Ezawa, Amy Franceschini, Mitzi Pederson, Leslie Shows The San Francisco Museum of Modern Art (SFMOMA) is pleased to announce the recipients of the 2006 SECA Art Award. Administered by SECA (Society for the Encouragement of Contemporary Art), one of the Museum’s seven auxiliaries, the biennial award honors local artists of exceptional promise with an exhibition at SFMOMA, an accompanying catalogue, and a modest cash prize. The 2006 SECA Art Award exhibition, featuring the work of Sarah Cain, Kota Ezawa, Amy Franceschini, Mitzi Pederson, and Leslie Shows, will be on view at SFMOMA from January 27 through April 22, 2007. The SECA Art Award distinguishes artists working independently at a high level of artistic maturity and whose work has not yet received substantial recognition. This year, SFMOMA considered more than 200 artists working in a broad range of media who were nominated by Bay Area art professionals, including museum and alternative-space curators, art school instructors, gallery owners, critics, SECA members, and former recipients of the SECA award. After visiting the studios of 30 finalists, the winners were selected by Janet Bishop, SFMOMA curator of painting and sculpture and Tara McDowell, SFMOMA curatorial associate. Of this year’s award process, Bishop states, “The range of art practice in the Bay Area right now is extremely impressive. Whether it is the renewed vigor of the art schools, the strength of the alternative spaces, the sense of community that runs through the art scene, or some other combination of factors that contributes to this, San Francisco in 2006 is clearly a very productive place to make art. -
Origin Stories
1275 Walnut Street Berkeley, CA 94709 510-644-6893 berkeleyartcenter.org FOR IMMEDIATE RELEASE PRESS INQUIRIES Daniel Nevers, Executive Director [email protected] Nicki Green, Soft Brick, 2017. Courtesy of the artist. Origin Stories: Expanded Ceramics in the Bay Area January 23–April 3, 2021 Curated by Tanya Zimbardo Artists: Ebitenyefa Baralaye, Sita Kuratomi Bhaumik and Maria Inés Leal García, The Brick Factory, Ilana Crispi, Futurefarmers, Nicki Green, Dana Hemenway, Kari Marboe, Mutual Stores, Stephanie Syjuco 1275 Walnut Street Berkeley, CA 94709 510-644-6893 berkeleyartcenter.org December 17, 2020, Berkeley, CA – Origin Stories: Expanded Ceramics in the Bay Area spans the past decade, bringing together key works by 10 artists and artist groups who consider ceramics in relation to site and place. Curated by Tanya Zimbardo, this survey exhibition features sculpture, video, artist publications, and take-away prints. Select works trace where material comes from in the landscape, while others investigate histories of ceramic production and the movement of objects across borders. Several artists bring a conceptually driven approach to functional ceramics, embracing the potential to invite participation. The exhibition showcases the contributions of both interdisciplinary artists and artists who primarily work with clay to a larger and vibrant contemporary field. For Dana Hemenway’s Untitled (nails) (2010), the holes left from hanging hardware from previous exhibitions become reused for her porcelain nails. This subtle intervention into the gallery space upends values associated with art objects and display, precious material, and utilitarian items. Porcelain also appears in the “reverse-readymade” of a toilet deconstructed and reformed into handmade bricks in Erratum: Brief Interruptions in the Waste Stream (2010). -
Publicworks Web-Xjkl.Pdf
Amy Balkin Tania Bruguera Candy Chang Minerva Cuevas Agnes Denes Tatyana Fazlalizadeh Karen Finley Coco Fusco Guerrilla Girls Sharon Hayes Lynn Hershman Leeson Jenny Holzer Emily Jacir Suzanne Lacy Marie Lorenz Susan O’Malley Adrian Piper Laurie Jo Reynolds | Tamms Year Ten Favianna Rodriguez Bonnie Ora Sherk Stephanie Syjuco Mierle Laderman Ukeles southern exposure off-site commissions Constance Hockaday Jenifer K. Wofford Edited by Christian L. Frock and Tanya Zimbardo With contributions by María del Carmen Carrión Courtney Fink Leila Grothe Stephanie Hanor, PhD Valerie Imus Meredith Johnson Mills College Art Museum Oakland, California This catalogue is published on the occasion of (ARS), New York: p. 45 Public Works: Artists’ Interventions 1970s–Now, David Cunningham: p. 48 an exhibition organized by the Mills College Gary Nakamoto: p. 57 Art Museum from September 16 through Southern Exposure: p. 58, p. 61 (top), p. 125, p. 127 December 13, 2015. The exhibition is curated Maysha Mohamedi: p. 61 (bottom) by Christian L. Frock and Tanya Zimbardo. SPUR: p. 62 Jason Wyche and Creative Time: p. 66 The exhibition and publication is supported Casey Kelbaugh and Creative Time: p. 69 by the Phyllis C. Wattis Foundation. Creative Time: p. 73 George Lange/Outline: pp. 76-77 © 2015 the authors, artists, and the Mills College John McGrail: p. 87 Art Museum, 5000 MacArthur Boulevard, Dustin Chambers: p. 89 Oakland, California, 94613, www.mcam.mills.edu. Andrea Geyer: p. 97 All rights reserved. No part of this publication may Chris Johnson: p. 105 be reproduced in any manner without permission. Chris Murphy: p. 115 (top) Jeanine Oleson: p. -
Finding Aid to the San Francisco Museum of Modern Art Publications Collections, 1935-Ongoing
SFMOMA Research Library 151 Third Street San Francisco, CA 94103 415 357 4120 Finding Aid to the San Francisco Museum of Modern Art Publications Collections, 1935-ongoing Collection Number: ARCH.ADM.009 Funding for the processing of this collection was provided by the Getty Foundation. Finding Aid written by: Jessica Lemieux Date Completed: August 2008 ©2008 San Francisco Museum of Modern Art. All rights reserved. TABLE OF CONTENTS Collection Summary p. 2 Information for Researchers p. 3 Administrative Information p. 4 Processing Note p. 5 Scope and Content Note p. 6 Series Description p. 7-8 Container List p. 9-40 Series 1: Example Publications, 1944-2008 p. 9 Series 2: SFMA/SFMOMA Activities, 1948-1997 p. 9-10 Series 3: Women’s Board and MAC, 1947-2002 p. 10 Series 4: Periodicals, 1935-ongoing p. 10-11 Series 5: Other Publications, 1942-2006 p. 11 Series 6: Exhibition Publications, 1935-ongoing p. 12-41 Subseries 6.1: Exhibition Ephemera, 1948-2008 p. 12 Subseries 6.2: Exhibition Catalogs, 1935-ongoing p. 13-42 Appendix A: Catalog Title to Exhibition Name Crosswalk p. 43-82 1 COLLECTION SUMMARY Collection Title San Francisco Museum of Modern Art, Publications collection, 1935-ongoing Collection number ARCH.ADM.009 Creator San Francisco Museum of Modern Art. This collection includes records of this same body under its earlier name, San Francisco Museum of Art (name changed in 1975). Extent 27 linear feet (25 boxes, 26 oversize boxes, 5 flat boxes, 1 tube) Repository SFMOMA Research Library 151 Third Street San Francisco, CA 94103 Abstract The San Francisco Museum of Modern Art Publications collection documents the museum’s publications from 1935 to the present. -
BEYOND GREEN Toward a Sustainable Art
BEYOND GREEN toward a sustainable art 4 5 BEYOND GREEN toward a sustainable art Allora & Calzadilla Free Soil JAM Learning Group Brennan McGaffey in collaboration with Temporary Services Nils Norman People Powered Dan Peterman Curated by Stephanie Smith Marjetica Potrˇc Michael Rakowitz SMART MUSEUM OF ART Frances Whitehead UNIVERSITY OF CHICAGO WochenKlausur INDEPENDENT CURATORS INTERNATIONAL Andrea Zittel NEW YORK Published to accompany the traveling exhibition Exhibition Itinerary:* Beyond Green: Toward a Sustainable Art, co-organized by the Smart Museum of Art, 6 October 2005 –15 January 2006 6 7 University of Chicago, and iCI (Independent Smart Museum of Art, University of Chicago Curators International), New York, and circulated by iCI. 2 February–7 May 2006 Museum of Arts & Design, New York CONTENTS The exhibition is curated by Stephanie Smith, Smart Museum Curator of Contemporary Art. 5 May – 15 July 2007 Contemporary Arts Center, Cincinnati This exhibition and accompanying catalogue are made possible in part by the Smart Family 14 September –7 December 2007 Foundation, the Horace W. Goldsmith Richard E. Peeler Art Center, DePauw University Foundation, the Richard H. Driehaus Foundation, Art Museum, Greencastle, Indiana Nuveen Investments, Tom and Janis McCormick Foreword and Acknowledgments and the Kanter Family Foundation, and *at time of publication iCI Exhibition Partners Kenneth S. Kuchin Anthony Hirschel and and F. Bruce Anderson, and Gerrit and Sydie Judith Olch Richards. 8 Lansing. Additional support is provided by the Arts Planning Council, the Environmental Studies Program, and the Green Campus Beyond Green Stephanie Smith. 12 Initiative, University of Chicago. Copyright © 2005 Reflections on Art and Sustainability David and Alfred Smart Museum of Art, Victor Margolin. -
I TRANSFORMAR ARTE FUNCIONAL EM OBJETO MUSEAL Alguns
TRANSFORMAR ARTE FUNCIONAL EM OBJETO MUSEAL Alguns Desafios à Musealização de Arte Contemporânea Ana Sofia Lopes da Ponte Tese de Doutoramento em Arte e Design apresentada à Faculdade de Belas Artes da Universidade do Porto Orientação: Professora Doutora Lúcia Almeida Matos setembro 2016 Com o apoio de uma bolsa de investigação da: (SFRH/BD/79367/2011) I Resumo e Palavras-chave Esta pesquisa problematiza a exposição de obras de Arte Funcional em museus de arte. Arte Funcional é um segmento de Arte Contemporânea, relacionado com Arte Pública, constituído por obras que se materializam através de uma inconfundível articulação entre as suas dimensões conceptual, social e funcional. Preenchendo uma lacuna no estudo das estratégias de exposição deste tipo de obras e através de uma análise da sua transformação em objeto museal, esta investigação propõe-se compreender a presença da Arte Funcional em museus de arte. O campo empírico deste trabalho trata, por um lado, de esclarecer a noção de Arte Funcional praticada por artistas contemporâneos e difundida por curadores e, por outro, investigar os desafios que se colocam diante da sua exposição. Baseada numa revisão teórica e na recolha de depoimentos de fontes primárias, a pesquisa desenvolve uma análise interligada sobre o conceito de “função” à luz de uma tipologia mais recente de Arte Pública relacionada com a Estética da Participação Social, e das ideias de “arte pósconceptual” e da “viragem social da arte”. O trabalho analisa o conceito de função através de casos de estudo de três obras e a sua respetiva vida social — The Homeless Vehicle (1988) de Krzysztof Wodiczko, paraSite (1998-) de Michael Rakowitz e Victory Gardens+ (2007) de Amy Franceschini. -
Berkeley Art Museum·Pacific Film Archive F Al L 20 19
FALL 2019 FALL BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE SAKAKI HYAKUSEN KADER ATTIA SYLVIA FEIN STRANGE ABBAS KIAROSTAMI MARLON RIGGS ZHENG JUNLI JACQUES TATI ALTERNATIVE VISIONS WOMEN CINEMATOGRAPHERS NATIVE AMERICAN REELISM BERKELEY FILM FOUNDATION BRITISH NEW WAVE SOVIET SILENTS 1 / 2 / 3 / 4 / 5 CALENDAR SEP 9/MON 16/MON 23/MON 6:30 Madeline Gannon ARTS + DESIGN P. 8 6:30 Patrick Martinez ARTS + DESIGN P. 8 6:30 Marisa Morán Jahn ARTS + DESIGN P. 8 1/SUN 11/WED 17/TUE 7:00 War and Peace, Part I P. 38 / 12:15 Guided Tour: Strange P. 5 7:00 Through the Olive Trees 25 WED Lecture by Godfrey 12:15 Guided Tour: Strange P. 5 4/WED 3:10 Where Is the Friend’s Home? Lecture by Marilyn Fabe Cheshire KIAROSTAMI P. 35 3:10 24 Frames 12:15 Guided Tour: Strange P. 5 IN FOCUS: KIAROSTAMI P. 37 Lecture by Ahmad Kiarostami / 3:10 Close-Up 7:00 Surrealistic Animations 18 WED IN FOCUS: KIAROSTAMI P. 37 Lecture by Marilyn Fabe by Stacey Steers 12:15 Guided Tour: Strange P. 5 7:00 Ism, Ism, Ism: Latin Camp IN FOCUS: KIAROSTAMI P. 37 Stacey Steers in person 3:10 Taste of Cherry ALTERNATIVE VISIONS P. 17 7:00 Dreams of Suitcases and a ALTERNATIVE VISIONS P. 16 Lecture by Godfrey Cheshire Blue Lobster: Latin Surrealism IN FOCUS: KIAROSTAMI P. 37 26/THU Introduction by Tarek Elhaik / 12 THU 6:00 Kader Attia & Stefania Pandolfo 12:00 Melodie Yashar ARTS + DESIGN P. 8 ALTERNATIVE VISIONS P.