Book I - a Translation and Commentary
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Banksia Vincentia (Proteaceae), a New Species Known from Fourteen Plants from South-Eastern New South Wales, Australia
Phytotaxa 163 (5): 269–286 ISSN 1179-3155 (print edition) www.mapress.com/phytotaxa/ Article PHYTOTAXA Copyright © 2014 Magnolia Press ISSN 1179-3163 (online edition) http://dx.doi.org/10.11646/phytotaxa.163.5.3 Could this be Australia’s rarest Banksia? Banksia vincentia (Proteaceae), a new species known from fourteen plants from south-eastern New South Wales, Australia MARGARET L. STIMPSON1, JEREMY J. BRUHL1 & PETER H. WESTON2 1 Botany, School of Environmental and Rural Science, University of New England, Armidale NSW 2351 Australia Corresponding Author Email: [email protected] 2 National Herbarium of New South Wales, Royal Botanic Garden Sydney, Mrs Macquaries Road, Sydney, NSW 2000, Australia Abstract Possession of hooked, distinctively discolorous styles, a broadly flabellate common bract subtending each flower pair, and a lignotuber place a putative new species, Banksia sp. Jervis Bay, in the B. spinulosa complex. Phenetic analysis of individuals from all named taxa in the B. spinulosa complex, including B. sp. Jervis Bay, based on leaf, floral, seed and bract characters support recognition of this species, which is described here as Banksia vincentia M.L.Stimpson & P.H.Weston. Known only from fourteen individuals, B. vincentia is distinguished by its semi-prostrate habit, with basally prostrate, distally ascending branches from the lignotuber, and distinctive perianth colouring. Its geographical location and ecological niche also separate it from its most similar congeners. Introduction The Banksia spinulosa complex has a complicated taxonomic history (Table 1). Smith (1793) first described and named B. spinulosa Sm., and subsequent botanists named two close relatives, B. collina R.Br. and B. -
An Antillean Plant of Beauty, a French Botanist, and a German Name: Naming Plants in the Early Modern Atlantic World
Estonian Journal of Ecology, 2012, 61, 1, 37–50 doi: 10.3176/eco.2012.1.05 An Antillean plant of beauty, a French botanist, and a German name: naming plants in the Early Modern Atlantic world Laura Hollsten Faculty of Arts, Åbo Akademi University, 20500 Åbo, Finland; [email protected] Received 10 December 2010, revised 7 March 2011, accepted 27 June 2011 Abstract. This paper investigates the naming of plants in the work of the French botanist Charles Plumier (1646–1704). Plumier made three trips to the French Antilles between 1690 and 1697, was appointed royal botanist in 1693, and published his first work, Description des Plantes de l’Amérique, in the same year. Plumier was the first ‘modern’ botanist to describe the flora of the Caribbean in a time when natural history underwent significant qualitative changes as a result of the European expansion and transatlantic contacts. Plumier’s ambition was to replace the confusing multitude of names given to New World plants with a universal taxonomically based nomenclature. His modernity and scientific ethos manifest themselves in his neutral way of organizing the plants according to a taxonomic system and his use of a Latin nomenclature, often naming plants after well-known botanists. Through Plumier’s naming process, I argue, it is possible to highlight the colonial and Atlantic context of his work, his network as part of the scientific elite of his country, and his professionalism resulting from years of botanical studies. Key words: history of botany, early modern natural history, plant nomenclature. INTRODUCTION According to a story entitled ‘The Tree of Riches’, the French botanist Charles Plumier decided that he would like to travel the world and get rich (Pellowski, 1990). -
Archival Afterlives: Life, Death, and Knowledge-Making in Early Modern British Scienti C and Medical Archives
Archival Afterlives: Life, Death, and Knowledge-Making in Early Modern British Scienti!"c and Medical Archives Kohn Centre The Royal Society 2 June 2015 Conference Description: Early modern naturalists collected, generated, and shared massive amounts of paper. Inspired by calls for the wholesale reform of natural philosophy and schooled in humanist note-taking practices, they generated correspondence, reading notes (in margins, on scraps, in notebooks), experimental and observational reports, and drafts (rough, partial, fair) of treatises intended for circulation in manuscript or further replication in print. If naturalists claimed all knowledge as their province, natural philosophy was a paper empire. In our own day, naturalists’ materials, ensconced in archives, libraries, and (occasionally) private hands, are now the foundation of a history of science that has taken a material turn towards paper, ink, pen, and !"ling systems as technologies of communication, information management, and knowledge production. Recently, the creation of such papers, and their originators’ organization of them and intentions for them have received much attention. The lives archives lived after their creators’ deaths have been explored less often. The posthumous fortunes of archives are crucial both to their survival as historical sources today and to their use as scienti!"c sources in the past. How did (often) disorderly collections of paper come to be “the archives of the Scienti!"c Revolution”? The proposed conference considers the histories of these papers from the early modern past to the digital present, including collections of material initially assembled by Samuel Hartlib, John Ray, Francis Willughby, Isaac Newton, Hans Sloane, Martin Lister, Edward Lhwyd, Robert Hooke, and Théodore de Mayerne. -
Perspectives on the American Concert March in Music Education Robert Clark
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Perspectives on the American Concert March in Music Education Robert Clark Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC PERSPECTIVES ON THE AMERICAN CONCERT MARCH IN MUSIC EDUCATION By ROBERT CLARK A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Education Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Robert Henry Clark defended on March 30, 2009. __________________________ Steven Kelly Professor Directing Thesis __________________________ Patrick Dunnigan Committee Member __________________________ Christopher Moore Committee Member The Graduate School has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to express my sincere appreciation to Dr. Bobby Adams, Jack Crew, Dr. James Croft, Joe Kreines, and Paula Thornton, who freely gave of their time, opinions, teaching methods, and wisdom to make the completion of this research study possible. They were as genuine, engaging, inspiring and generous as I had hoped…and more. It was my pleasure to get to know them all better. I would also like to thank my thesis committee, Dr. Steven Kelly, Dr. Patrick Dunnigan and Dr. Christopher Moore for dedicating the time and effort to review my research. I would especially like to thank Dr. Steven Kelly for his work in helping me refine this study, and am further appreciative to him for the guidance he has provided me throughout my undergraduate and graduate studies. -
An Inordinate Disdain for Beetles
An Inordinate Disdain for Beetles: Imagining the Insect in Colonial Aotearoa A Thesis submitted in partial fulfillment of the requirements for the Degree of Masters of Arts in English By Lillian Duval University of Canterbury August 2020 Table of Contents: TABLE OF CONTENTS: ................................................................................................................................. 2 TABLE OF FIGURES ..................................................................................................................................... 3 ACKNOWLEDGEMENT ................................................................................................................................ 6 ABSTRACT .................................................................................................................................................. 7 INTRODUCTION: INSECTOCENTRISM..................................................................................................................................... 8 LANGUAGE ........................................................................................................................................................... 11 ALICE AND THE GNAT IN CONTEXT ............................................................................................................................ 17 FOCUS OF THIS RESEARCH ....................................................................................................................................... 20 CHAPTER ONE: FRONTIER ENTOMOLOGY AND THE -
The 2 Fundamental Questions: Linneaus and Kirchner
2/1/2011 The 2 fundamental questions: y Has evolution taken pp,lace, and if so, what is the Section 4 evidence? Professor Donald McFarlane y If evolution has taken place, what is the mechanism by which it works? Lecture 2 Evolutionary Ideas Evidence for evolution before Darwin Golden Age of Exploration y Magellan’s voyage –1519 y John Ray –University of y Antonius von Leeuwenhoek ‐ microbes –1683 Cambridge (England) y “Catalog of Cambridge Plants” – 1660 –lists 626 species y 1686 –John Ray listing thousands of plant species! y In 1678, Francis Willoughby publishes “Ornithology” Linneaus and Kirchner Athenasius Kircher ~ 1675 –Noah’s ark Carl Linneaus – Sistema Naturae ‐ 1735 Ark too small!! Uses a ‘phenetic” classification – implies a phylogenetic relationship! 300 x 50 x 30 cubits ~ 135 x 20 x 13 m 1 2/1/2011 y Georges Cuvier 1769‐ 1832 y “Fixity of Species” Evidence for Evolution –prior to 1830 • Enormous diversity of life –WHY ??? JBS Haldane " The Creator, if He exists, has "an inordinate fondness for beetles" ". Evidence for Evolution –prior to 1830 Evidence for Evolution –prior to 1830 y The discovery of variation. y Comparative Anatomy. Pentadactyl limbs Evidence for Evolution –prior to Evidence for Evolution –prior to 1830 1830 y Fossils – homologies with living species y Vestigal structures Pentadactyl limbs !! 2 2/1/2011 Evidence for Evolution –prior to 1830 Evidence for Evolution –prior to 1830 y Invariance of the fossil sequence y Plant and animal breeding JBS Haldane: “I will give up my belief in evolution if someone finds a fossil rabbit in the Precambrian.” Charles Darwin Jean Baptiste Lamark y 1744‐1829 y 1809 –1882 y Organisms have the ability to adapt to their y Voyage of Beagle 1831 ‐ 1836 environments over the course of their lives. -
Gilbert White: a Biography of the Author of the Natural History of Selborne
Review: Gilbert White: A Biography of the Author of The Natural History of Selborne. By Richard Mabey Reviewed by Elery Hamilton-Smith Charles Sturt University, Australia Mabey, Richard. Gilbert White: A Biography of the Author of The Natural History of Selborne. Charlottesville: University of Virginia Press, 2007. 239pp. ISBN 978-0-8139-2649-0. US$16.50. Permit me to commence with a little personal reminiscence. I grew up in a rural area, and at 8 years of age (a year prior to attending school as it entailed a three-mile walk), I was given a copy of White’s Natural History. It confirmed my nascent interest in and feeling for the natural environment, and cemented it firmly into a permanent home within my mind. White was one of the first to write about natural history with a “sense of intimacy, or wonder or respect – in short, of human engagement with nature.”Many of those who read and re-read this wondrous book knew that White was curate in a small English village and that both Thomas Pennant and Daines Barrington had encouraged White to systematically record his observations and descriptive studies of the village. The outcome was the book that so many of us know and love – one of the most frequently published English language books of all time. It appears as a series of letters to each of White’s great mentors. Regrettably White wrote very little, even in his extensive journals and diaries, of his personal life or feelings. Mabey has made an exhaustive search of the available data, and has built a delightful re-construction of the author as a person. -
The History and Influence of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge
Biology Faculty Publications Biology 2016 The History and Influence of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge Kay Etheridge Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/biofac Part of the Biology Commons, and the Illustration Commons Share feedback about the accessibility of this item. Recommended Citation Etheridge, K. "The History and Influence of Maria Sibylla Merian’s Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge." Global Scientific Practice in the Age of Revolutions, 1750 – 1850. P. Manning and D. Rood, eds. (Pittsburgh, University of Pittsburgh Press. 2016). 54-70. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/biofac/54 This open access book chapter is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. The History and Influence of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge Abstract Chapter Summary: A 2009 exhibition at the Fitzwilliam Museum on the confluence of science and the visual arts included a plate from a nineteenth-century encyclopedia owned by Charles Darwin showing a tarantula poised over a dead bird (figure 3.1).1 The genesis of this startling scene was a work by Maria Sibylla Merian (German, 1647–1717), and the history of this image says much about how knowledge of the New World was obtained, and how it was transmitted to the studies and private libraries of Europe, and from there into popular works like Darwin’s encyclopedia. -
Numismata Graeca; Greek Coin-Types, Classified For
NUMISMATA GRAECA GREEK COIN-TYPES CLASSIFIED FOR IMMEDIATE IDENTIFICATION PROTAT BROTHERS, PRINTERS, MACON (fRANCb). NUMISMATA GRAEGA GREEK GOIN-TYPES GLASSIFIED FOR IMMEDIATE IDENTIFICATION BY L^" CI flu pl-.M- ALTAR No. ALTAR Metal Xo. Pi.ACi: OBVEnSE Reverse V\t Denom . 1)a Pl.A Ri;it:iii;n(:i; SlZE II Nicaen. AVTKAINETPAIANOC. Large altar ready laid with /E.8 Tra- II un teriaii (]oll Jiilhijni:t. Ileadof Trajan r., laur. wood and havin^' door in 20 jan. p. 247, Xo 8. front; beneath AIOC. Ves- Prusiiis AYTKAilAPIIEBAI EniMAPKOYnAAN. P. I. R. .M. Pontus, etc, pasian, ad IIy])ium. TnOYEinAIIAN KIOYOY APOYAN- 22.5 12 p. 201, No 1. A. D. Billiynia. Headof Altar. nnPOYIIEII- eYHATOY. 200 Vespasian to r., laur. \:i .Aiiiasia. (]ara- 10, \o 31, AYKAIMAYP AAPCeYANTAMACIACM... , , p. Ponliirt. ANTnNINOC-Biislof in ex., eTCH. Altar of 1.2 caila. Caracalla r., laureale two stages. 30 A. n. in Paludamentum and 208 ciiirass. 14 l ariiini. Hust of Pallas r., in hel n A Garlanded altar, yE.5 H. C. R. M. Mysia, p. 1(11, Mijsiu. niet ; borderofdots. 12.5 P I 200 No 74. to Au- gus- tus. 15 Smyrna. TIB€PIOC C€BAC- ZMYPNAICON lonia. TOC- Ilead of Tibe- lePGONYMOC. Altar -ar- .E.65 Tibe- B. M. lonia, p. 268, rius r.,laur. landed. 10 No 263. 16 .\ntioch. BOYAH- Female bust ANTlOXenN- Altar. ^E.7 Babelon,/»^. Wadd., C.nria. r., veiled. 18 p. 116, \o 21.')9. 17 ANTIOXeWN cesAC CYNAPXiA AFAAOY .E.6 Au- ,, ,, No 2165. TOY- Nil^e staiiding. TOY AfAAOY. Altar, 15 gus- tus. -
ST. LAWRENCE HIGH SCHOOL a JESUIT CHRISTIAN MINORITY INSTITUTION WORKSHEET – 05 Class: IX Sub: Life Science Date: 30.01.2021
ST. LAWRENCE HIGH SCHOOL A JESUIT CHRISTIAN MINORITY INSTITUTION WORKSHEET – 05 Class: IX Sub: Life Science Date: 30.01.2021 Topic: Taxonomy-Classification of diversity of life F.M. : 15 Choose the correct option: (1x15=15) 1. The process of arranging species in definite pattern is known as: a) taxonomy b) classification c) hierarchy d) nomenclature 2. The branch of biology which deals with the grouping of plants and animals is called …….. a) Nomenclature b) structural hierarchy c) taxonomy d) all of these 3. The study of taxonomy includes: a) Identification b) nomenclature c) classification d) all of these 4. The word ‘taxonomy’ comes from the Greek word Taxis meaning ………….. and nomos meaning laws: a) Classify b) Characterize c) arrangement d)none of these 5. ……………….. divided animals in two groups Anaima and Enaima . a) Aristotle b) John Ray c) John Miller d) Louis Pasteur 6. The word Anaima means …...... a) animals with blue blood b) animals with red blood c) animals without red blood d) animals without blue blood 7. ……………. divided plants as herbs,shrubs,undershrubs and trees. a) Aristotle b) Theophrastus c) John Ray d) all of these 8. Carrolus Linnaeus was a ……… naturalist who classisfied plants in Herbae and Arborea. a) Swedish b) English c) Spainish d) Australian 9. Linnaeus classified plants in in the following book: a) Species Plantarum b) Species Naturae c) Species plantae d) Species herbae 10. In which year did Linnaeus classified animals in Systema Naturae? a) 1753 b) 1758 c) 1756 d) 1769 11. The lowest major group representing plants and animals is referred to as …………… a) Genus b) Species c) Class d) Order 12. -
Migration of Swallows
Annals of the Royal College of Surgeons of England (I978) vol 6o HUNTERIANA John Hunter, Gilbert White, and the migration of swallows I F Lyle, ALA Library of the Royal College of Surgeons of England Introduction fied than himself, although he frequently sug- gested points that would be worthy of investi- This year is not only the 25oth anniversary of gation by others. Hunter, by comparison, was John Hunter's birth, but it is also I90 years the complete professional and his work as a since the publication of Gilbert White's Nat- comparative anatomist was complemented by ural History and Antiquities of Selborne in White's fieldwork. The only occasion on which December I788. White and Hunter were con- they are known to have co-operated was in temporaries, White being the older man by I768, when White, through an intermediary, eight years, and both died in I 793. Despite asked Hunter to undertake the dissection of a their widely differing backgrounds and person- buck's head to discover the true function of the alities they had two very particular things in suborbital glands in deer3. Nevertheless, common. One was their interest in natural there were several subjects in natural history history, which both had entertained from child- that interested both of them, and one of these hood and in which they were both self-taught. was the age-old question: What happens to In later life both men referred to this. Hunter swallows in winter? wrote: 'When I was a boy, I wanted to know all about the Background and history clouds and the grasses, and why the leaves changed colour in the autumn; I watched the ants, bees, One of the most contentious issues of eight- birds, tadpoles, and caddisworms; I pestered people eenth-century natural history was with questions about what nobody knew or cared the disap- anything about". -
The Composer's Guide to the Tuba
THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love.