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A'v':;:':It''iislili'i» -"^Ppi9"^A
-"^pPi 9"^ A ;Jlii'i> •• "' •% ' .V ( . i i''Yt« '-f,'I'1'' a'v':;:':i t''iiSlili'i» (kJ p. Throokmorton, "Thirty-threa Centuries under the Sea," National GeoKraphio, Llay 1960 (Vol.117, no.5), pp.682-703. x- . 5ed on a parent's mbling insect wings he adult's face. |to the Other, Free Ride scus fry instmc- melike secretion es. Microscopic •" V:k coating comes the epidermis. Fi a nonbreeding k-dwelling Sym- pliysodou soon cognize its owner. But if disturbed, the captive dashes madly about the aquarium and may even kill itself by banging its nose against the glass. Fish fanciers pay up to $10 for a young discus; mated pairs sell for as much as $350. 681 trolled by hormones, as is the milk production of a mammalian female. Among vertebrates, this "lactation" of both male and female is possibly unique. Un til research explains the full significance of the phenomenon, the discus—the fish that "nurses" its young—stands as a small but arresting biological wonder. W' •, * 1 y. 4JJmik •• Piggyback passengers feed on a parent's V secreted "milk." Fins resembling insect wings lend a whiskered look to the adult's face. Darting From One Parent to the Other, Babies Gain Lunch and a Free Ride As soon as they can swim, discus fry instinc tively begin to feed on a slimelike secretion that covers the parents' bodies. Microscopic examination shows that this coating comes from large mucous cells in the epidermis. Smaller cells on the body of a nonbreeding discus appear less productive. -
The Egyptian Predynastic and State Formation
J Archaeol Res DOI 10.1007/s10814-016-9094-7 The Egyptian Predynastic and State Formation Alice Stevenson1 Ó The Author(s) 2016. This article is published with open access at Springerlink.com Abstract When the archaeology of Predynastic Egypt was last appraised in this journal, Savage (2001a, p. 101) expressed optimism that ‘‘a consensus appears to be developing that stresses the gradual development of complex society in Egypt.’’ The picture today is less clear, with new data and alternative theoretical frameworks challenging received wisdom over the pace, direction, and nature of complex social change. Rather than an inexorable march to the beat of the neo-evolutionary drum, primary state formation in Egypt can be seen as a more syncopated phenomenon, characterized by periods of political experimentation and shifting social boundaries. Notably, field projects in Sudan and the Egyptian Delta together with new dating techniques have set older narratives of development into broader frames of refer- ence. In contrast to syntheses that have sought to measure abstract thresholds of complexity, this review of the period between c. 4500 BC and c. 3000 BC tran- scends analytical categories by adopting a practice-based examination of multiple dimensions of social inequality and by considering how the early state may have become a lived reality in Egypt around the end of the fourth millennium BC. Keywords State formation Á Social complexity Á Neo-evolutionary theory Á Practice theory Á Kingship Á Predynastic Egypt Introduction Forty years ago, the sociologist Abrams (1988, p. 63) famously spoke of the difficulty of studying that most ‘‘spurious of sociological objects’’—the modern state. -
Displaced Human Skeletal Remains in Predynastic Period
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 6-1-2016 Displaced human skeletal remains in predynastic period Sarah Marei Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Marei, S. (2016).Displaced human skeletal remains in predynastic period [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/261 MLA Citation Marei, Sarah. Displaced human skeletal remains in predynastic period. 2016. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/261 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Humanities and Social Science Displaced Human Skeletal Remains in the Predynastic Period A Thesis Submitted to Department of Sociology, Anthropology, Psychology, and Egyptology In Partial Fulfillment of the Requirements for The degree of Master of Arts By: Sarah Marei Under the supervision of Dr. Lisa Sabbahy & Dr. Salima Ikram May 2016 Dedication This thesis is dedicated to my father, who gave me several lifetimes worth of love, inspiration and faith. 2 Acknowledgements My utmost gratitude goes first to my supervisors, Dr. Lisa Sabbahy, for her patience and support and Dr. Salima Ikram for her invaluable input. I would also like to thank Dr. Mariam Ayad for providing me with inspiration and having faith in my subject. My deepest gratitude goes to Dr. -
Aija London Seminar – Art Law Today a Short History Of
AIJA LONDON SEMINAR – ART LAW TODAY A SHORT HISTORY OF ART FRAUD A presentation by Edward Henry QC Barrister at The British Library, 13th October 2018 QEB HOLLIS WHITEMAN, 1-2 LAURENCE POUNTNEY HILL, LONDON, EC4R OEU 1 Fame, at last, as I now have a “Warholian” 15 minutes to address you on a subject that spans centuries. Where to begin? Why do we love Art? Crave it? Collect it? Why is there, for some, this rapacious desire to acquire it? Art justifies and exalts our existence, but there is a paradox at its heart, for as Picasso famously said, “Art is a lie that helps us realise the truth.” I am here to talk about a different kind of deceit, one less noble, but equally (indeed, if not more) lucrative: fraud in Art. This is a huge subject, and to condense it into fifteen minutes is a pretty monumental task, so I am going to focus on the areas of risk. There are four key variables in any transaction: The Seller, the Buyer, the Goods and the Money. The Seller – Michelangelo – Florence in the 1490s The young sculptor, not yet twenty, working in Florence for a junior branch of the Medici family was asked to artificially age some of his work by his canny employer. Michelangelo used acidic earth to distress the sculptures for his patron who passed them off as ancient antiquities. Michelangelo then followed suit. It is accepted that he originally made his working capital by forging ancient Roman sculptures. All of this took place before he found fame and acclaim as an artist and sculptor. -
Dr Horace Dobbs in 1978
International Dolphin Watch (IDW) Has an unblemished reputation as a non-profit organisation dedicated to helping dolphins since it was founded by Dr Horace Dobbs in 1978 www.idw.org December 2012 1 CONTENTS CHRISTMAS MESSAGE .............................................................................................................................................. 3 GREETINGS from Dr Horace Dobbs - Founder of International Dolphin Watch.......................................................................... 3 Bernard Eaton Obituary by Horace Dobbs .................................................................................................................................. 5 Michael Portelly with Bernard Eaton on his 80th birthday. ......................................................................................................... 6 DILO THE DOLPHIN AND ODYSSEY BEAR JOIN FORCES FOR CANCER CARE ......................................... 7 DOLPHINS, CRUISING & CANCER ................................................................................................................................................ 7 CONSERVATION.......................................................................................................................................................... 8 Sakae Hemmi ............................................................................................................................................................................. 8 Elsa Nature Conservancy (ENC) .................................................................................................................................................. -
Justin Leidwanger
CV: Leidwanger, October 2019 Page 1 of 19 JUSTIN LEIDWANGER [email protected] (O) 650.723.9068 | (M) 215.749.2558 Office Lab Department of Classics, Room 210 Archaeology Center, Rooms 211-212 450 Serra Mall 488 Escondido Mall Main Quad, Building 110 Building 500, MC 2170 Stanford, CA 94305-2145 Stanford, CA 94305-2145 POSITIONS Academic Employment 2013-Pr. Assistant Professor, Department of Classics, Stanford University 2012-13 Postdoctoral Fellow, Department of Art & Archaeology Centre, University of Toronto 2011-12 Visiting Research Scholar, Institute for the Study of the Ancient World, New York University Honorary Fellowships & Awards 2014-Pr. Omar and Althea Dwyer Hoskins Faculty Scholar 2017-18 Public Engagement Fellowship, Whiting Foundation 2016-17 McCann-Taggart Lecturer, Archaeological Institute of America 2015-16 Hellman Faculty Scholar, Hellman Fellows Fund (extended 2016-17) Secondary & Visiting Positions 2012-Pr. Affiliated Faculty, Institute of Nautical Archaeology 2011-Pr. Fellow, Penn Cultural Heritage Center, University of Pennsylvania 2011-Pr. Consulting Scholar, Mediterranean Section, University of Pennsylvania Museum 2011-Pr. Fellow, Kolb Foundation, University of Pennsylvania Museum 2002-12 Research Associate, Institute of Nautical Archaeology 2011 Instructor, Department of Classics, Brock University 2008-11 Junior Fellow, Kolb Foundation, University of Pennsylvania Museum 2009-10 Student Associate Member, American School of Classical Studies at Athens 2009 Institute for Aegean Prehistory Study Center for East Crete, Petrography Internship (April-May) 2007 American Academy in Rome, Howard Comfort Summer Program in Roman Pottery Studies (June-July) 2002-05 Instructor, Department of European and Classical Languages and Cultures, Texas A&M University EDUCATION Degrees 2011 Ph.D., Graduate Group in the Art and Archaeology of the Mediterranean World, University of Pennsylvania (Dissertation directed by C.B. -
AN EXAMINATION of ART FORGERY and the LEGAL TOOLS PROTECTING ART COLLECTORS Leila A
ARE YOU FAUX REAL? AN EXAMINATION OF ART FORGERY AND THE LEGAL TOOLS PROTECTING ART COLLECTORS Leila A. Amineddoleh | Cardozo Arts and Entertainment Law Journal Document Details All Citations: 34 Cardozo Arts & Ent. L.J. 59 Search Details Jurisdiction: National Delivery Details Date: July 19, 2016 at 9:02 PM Delivered By: kiip kiip Client ID: KIIPLIB02 Status Icons: © 2016 Thomson Reuters. No claim to original U.S. Government Works. ARE YOU FAUX REAL? AN EXAMINATION OF ART..., 34 Cardozo Arts &... 34 Cardozo Arts & Ent. L.J. 59 Cardozo Arts and Entertainment Law Journal 2016 Article ARE YOU FAUX REAL? AN EXAMINATION OF ART FORGERY AND THE LEGAL TOOLS PROTECTING ART COLLECTORS r1 Leila A. Amineddoleh a1 Copyright (c) 2016 Yeshiva University; Leila A. Amineddoleh INTRODUCTION 61 I. BACKGROUND 62 A. Rise in Authorship 62 B. The Existence of Forgeries 64 C. A Robust Art Market Leads to Increasing Prices and the Prevalence of Forgeries 66 1. The Current Market is Full of Forgeries 66 2. There is a Circular Relationship: The Art Market Thrives, Prices Increase, and 69 Connoisseurship Gains Greater Importance II. HOW THE LAW GRAPPLES WITH AUTHENTICITY 70 A. The First High Profile Authentication Battle in US Courts: Hahn v. Duveen 70 III. WHAT DOES IT MEAN TO BE “AUTHENTIC”? 72 A. Authenticity as a Three-Legged Stool 72 B. The Vulnerability of Modern Masters Leads to the Shuttering of One of the Most 74 Prestigious American Galleries C. Sometimes There is No Definitive Answer Regarding Authorship 79 D. Authenticity Disputes Have Altered the Landscape for Art Experts 80 E. -
The Upper Egyptian Naqada Culture Is Best Defined by Its Material
The Nile Delta as a centre of cultural interactions between Upper Egypt and the Southern Levant in the 4th millennium BC Studies in African Archaeology 13 oF pots And Myths – AtteMpting A coMpArAtive STUDY OF FUNERARY POttERY ASSEMBLAGES IN TH THE EGYPTIAN NILE VALLEY DURING THE LATE 4 1 MiLLenniuM bc. e. chrisTiANA köhler University of Vienna, Austria 1. introduction: questions And hypotheses The Upper Egyptian Naqada culture is best defined by its material remains found in the graves of the 4th Millennium BC., and in particular by the pottery deposited therein. Already fliNDers PeTrie used the various ceramic wares and their typological developments as a guide for his Sequence Dates upon which the relative chronology of that period was founded. This funerary pottery was also key to understanding the overall character and distribution of this culture along the Nile Valley in time and over time. Although not without early criticism (e.g. schArff 1926: 71-78), it had been suggested that this culture exhibited a remarkable uniformity over a stretch of hundreds of kilometres (kAiser 1957: 74; riZkANA & seeher 1987: 67; heNDrickx 1996: 63). Any observable changes in the ceramic assemblages were not only considered indicative of the progress of time, but also of more far-reaching cultural and social processes such as ethnic migrations or invasions (e.g. PeTrie & quibell 1896; PeTrie 1920; kAiser 1957). These concepts dominated the scholarly discourse of almost the entire 20th century. Only the last two decades of that century also saw the introduction of a more nuanced discussion when new and ever growing archaeological evidence, especially from the Nile Delta, started to cast shadows on these concepts, exposed their shortcomings and caused scholars to rethink traditional approaches. -
Editor's Note
Volume 8: Issue 1 (2021) Editor’s Note CONTENTS Dear ICA Members, Editor’s Note .................. 1 Welcome to 2021! We are now a year into the COVID-19 pandemic, and with vaccines on the market, we are seeing the light at the end Meetings, of the tunnel. Announcements, and Calls for Papers .............. 3 The ICA Interest group will be meeting at this year’s virtual SAA Research Highlights ....... 4 meeting on April 16 from 12-1 PM EDT. Please join us to learn more about the group, get involved, and network with colleagues. All are Lapidary artwork in the welcome! Amerindian Caribbean, a regional, open, online Over the past year, there have been over 1000 new publications in database and GIS ....... 4 81 different journals in our field. In addition, several new books have The La Sagesse been published, four of which are featured in our “Recent Community Publications” section. The quantity and quality of new literature attests to the fact that, despite the pandemic, island and coastal Archaeology Project research is thriving. (LCAP) in Grenada, West Indies ................ 6 As always, please continue to send us your new publications. While Recent Publications ....... 7 we do not rely exclusively on sources sent to us by our members, we usually receive at least one member submission from a journal that Featured New Books: 7 we missed in our biannual literature review. Your submissions help Journals Featuring to provide publicity for your work and assists us in putting together a Recent Island and more thorough bibliography each cycle. Coastal Archaeology Papers: ....................... 8 The last issue of the Current appeared when wildfires and political scandal dominated news headlines, and coastal archaeologists faced New Papers in the reports of accelerating sea level rise. -
Elmyrdehory, Artist and Faker
Elmyr de Hory, Artist and Faker Hillstrom Museum of Art Elmyr de Hory, creating a drawing with figures in the style of Modigliani, Picasso, and Matisse, photographed by Pierre Boulat for a February 6, 1970 Life Magazine article, at de Hory’s villa La Falaise, Ibiza Elmyr de Hory, Artist and Faker February 15 through April 18, 2010 Opening Reception February 15, 7 to 9 p.m. Public Lectures Jonathan Lopez, Sunday, February 28, 2010, 3:30 p.m. Mark Forgy, Sunday, March 21, 2010, 3:30 p.m. Lectures are free and open to the public, and will be presented in Wallenberg Auditorium, Nobel Hall of Science on the Gustavus Adolphus College campus. Elmyr de Hory, Artist and Faker is supported by a generous grant from the Carl and Verna Schmidt Foundation. The majority of the photographs of works lent by Mark Forgy are by Robert Fogt Photography. On the cover: Portrait of a Woman, in the style of Amedeo Modigliani, c.1975, oil on canvas, 21 x 14 ½ inches, Collection of Mark Forgy Hillstrom Museum of Art gustavus.edu/finearts/hillstrom DIRECTOR’S NOTES he exploits of numerous infamous art forgers have been widely recounted, and one of the most fascinating and notorious cases has to do with Hungarian-born Elmyr de Hory (1906-1976). After an early life of privilege that included art studies in Budapest, Munich and Paris, de Hory’s situation was turned upside down by World War II, during which he was imprisoned thrice, his family’s estate was Ttaken, and his father died in Auschwitz. -
The Relative Chronology of the Naqada Culture
31 Abstract Earliest Cylinder-Seal Glyptic in Egypt: The aim of this paper* is to From Greater Mesopotamia to Naqada decipher the means of transmission of the cylinder- Emmanuelle Honoré seal from Greater Mesopotamia to Egypt which Université de Paris I, Panthéon-Sorbonne occurs during the Naqada IIc- 61, rue Florent Evrard d1 period. An autonomous F - 62220 Carvin France Egyptian glyptic tradition Tel.: 0 (033) 6.77.63.54.13 seems to begin early in Late E-mail: [email protected] Naqada IId, around 3300 BC. This school overlay specifically Egyptian motifs Adopted Chronological Systems upon the bases of the Middle Uruk Mesopotamian heritage, The adopted chronology for Greater Mesopotamia [1] something which is especially is the latest, as defined during the Santa Fe evident in the seals’ symposium (Rothman 2001). As for Egypt, the composition. Beginning with selected chronology is that of Werner Kaiser that date, seals in Egypt no (1957) with the adjustments described by Luc longer appear as mere ornamental objects in tombs Watrin who suggested slight chrono-terminology and actually take on their role modifications, mainly concerning the Naqada II- as a functional tool. III transition, and added a precise correspondence table for the stratigraphies of major Egyptian and Near-Eastern sites of the IVth millennium BC Keywords (Watrin 2004/table 1-2). Archaeology, predynastic, The Cylinder-Seal in Egypt: Everything naqada, mesopotamia, glyptic, cylinder-seal. starts in Naqada Only a few archaeological remnants testify as to when glyptics first appeared in Egypt (Figure 1) [2]. The earliest stamp-seals were found in Harageh, at the edge of the Fayum, and in Upper-Egypt at Naqa ed-Dêr. -
(Dsm) of the Submerged Site of the Ancient Lighthouse Near Qaitbay Fort in Alexandria, Egypt M
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2/W10, 2019 Underwater 3D Recording and Modelling “A Tool for Modern Applications and CH Recording”, 2–3 May 2019, Limassol, Cyprus UNDERWATER PHOTOGRAMMETRY DIGITAL SURFACE MODEL (DSM) OF THE SUBMERGED SITE OF THE ANCIENT LIGHTHOUSE NEAR QAITBAY FORT IN ALEXANDRIA, EGYPT M. Abdelaziz 1 and M. Elsayed 2 1 Ministry of Antiquities, Alexandria Antiquities Department, associate researcher with the CEAlex (USR 3134 CNRS), Alexandria, Egypt - [email protected] 2 Ministry of Antiquities, Central Department of Underwater Archaeology, associate researcher with the CEAlex (USR 3134 CNRS), Alexandria, Egypt - [email protected] Commission II, WGII/9 KEY WORDS: CEAlex, underwater photogrammetry, Qaitbay, lighthouse, georeference, DSM ABSTRACT: Underwater photogrammetry in archaeology in Egypt is a completely new experience applied for the first time on the submerged archaeological site of the lighthouse of Alexandria situated on the eastern extremity of the ancient island of Pharos at the foot of Qaitbay Fort at a depth of 2 to 9 metres. In 2009/2010, the CEAlex launched a 3D photogrammetry data-gathering programme for the virtual reassembly of broken artefacts. In 2013 and the beginning of 2014, with the support of the Honor Frost Foundation, methods were developed and refined to acquire manual photographic data of the entire underwater site of Qaitbay using a DSLR camera, simple and low cost materials to obtain a digital surface model (DSM) of the submerged site of the lighthouse, and also to create 3D models of the objects themselves, such as statues, bases of statues and architectural elements.