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381272: Half-Hour TV III > Syllabus | Concourse
381272: Half-Hour TV III SCRIPT-X 422.1 Summer 2021 Section 1 3 Credits 06/26/2021 to 09/04/2021 Modified 05/27/2021 Description Television executives and showrunners want to read original pilots that demonstrate your unique voice and comedic sensibilities. This workshop shows you how to take your original comedy idea and develop a strong story, rife with memorable characters and even funnier jokes. Breaking story in the style of a real writer's room, you develop a compelling story, brainstorm, and support another's vision. By the end of course, you have strong act breaks, a full beat outline, and a critique of the beginning pages of your original half- hour pilot script. Objectives During this course, you will: Learn how to clarify your show by answering the essential outlining questions: What is your show’s concept? What reality does the world of the series inhabit— Past, present or future, city, suburb or rural? They all demand specific guidelines. What is the tone— Multi-camera joke driven sitcom, single camera character driven comedy/dramedy or a hybrid of both? Who are the characters? What are their backgrounds, personality traits, as well as their flaws and shortcomings, wants and desires? Create a pilot story that uses and fuses concept, setting, tone and format and characters – into a compelling narrative that best communicates your vision for the series. Listen to and read each other’s writing to have an understanding of what it feels like to work in a real writer’s room. Treat this class as your writer’s lab. -
The World of Arrested Development
The World of A Fan’s Guide to the Bluth Family By Rachel Montpelier Disclaimer All of my images have been borrowed from various Arrested Development websites and news sources. My document has no commercial value, is not meant for a commer- cial audience, and is the result of an academic assignment. My goal was to strengthen my writing and creative software skills. I have no intention of publishing this guide and I only want to use these images to incorporate multi-media into my guide and to refine my technical writing skills. 2 The World of Arrested Development A Fan’s Guide to the Bluth Family Rachel Montpelier Antonia Messineo Technical Writing December 3, 2013 3 Acknowledgments “Now the story of a wealthy family who lost everything, and the one son who had no choice but to keep them all together. It’s Arrested Development” (“Pilot”). I want to thank Antonia Messineo, my co-lab partners, and the entire Technical Writing class. Your combined help and suggestions made this process so much easier than I had expected. In particular, I want to thank Ali Sewalt, my roomie and classmate. You were always there for me when I needed feedback, input, or help. Also, I want to thank Mitchell Hurwitz and the entire cast of Arrested Development. You all have provided me with so much laughter and entertainment. I love your show. Thanks for ten years of weird, lovely hilarity. Finally, I want to thank my cousin and friend, Jennifer Williams. If you had not introduced me to the Bluths, I would have missed out on a wonderful show. -
MIRACLE on 42ND STREET” a Documentary About Manhattan Plaza
Media Press Kit “MIRACLE ON 42ND STREET” A documentary about Manhattan Plaza LOG LINE The story oF Manhattan Plaza - a housing complex in New YorK City For people in the perForming arts, and how it led to the revitalization of midtown Manhattan. Miracle on 42nd Street is the First film to focus on the story of affordable housing for artists. SYNOPSIS Miracle on 42nd Street is a one-hour documentary about the untold history and impact of the Manhattan Plaza apartment complex in New YorK City. Starting with the bacKground of the blighted Hell's Kitchen neighborhood and the building’s initial commercial Failure in the mid- 1970s, the story recounts how – in a moment oF bold inspiration or maybe desperation - the buildings were “re-purposed” as subsidized housing For people who worKed in the perForming arts, becoming one of the First intentional, government supported, afFordable housing For artist residences. The social experiment was a resounding success in the lives oF the tenants, and it led the way in the transformation of the midtown neighborhood, the Broadway theater district and local economy. The Film makes a compelling case For the economic value of the arts and artists in America. The success oF Manhattan Plaza has become a role model For similar experiments, which the Film Features, around the country, in places like Ajo, Arizona, Providence, Rhode Island and Rahway, New Jersey. Narrated by acclaimed actor/writer Chazz Palminteri, Miracle on 42nd Street features on-camera interviews with people whose lives were positively impacted by the complex, including Alicia Keys, Terrence Howard, Donald Faison, Larry David and Samuel L JacKson, Angela Lansbury, Giancarlo Esposito, and many others. -
Culture As a Commodity? the Cultural Dynamics of Indigenous Tourism in the Far North East of Queensland, Australia
Culture as a commodity? The cultural dynamics of Indigenous tourism in the Far North East of Queensland, Australia Della-ria Jay Middleton MA, MSc A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2018 School of Social Sciences Abstract Indigenous tourism in Australia has been cited as a potential economic development tool by the Council of Australian Government’s (COAG’s) ‘Closing the Gap’ (2007) policy. This focus on improving the economic circumstances of Indigenous people through tourism does not take into consideration the cultural dimensions and the cultural distinctiveness of Indigenous tourism. Building on the findings of anthropology and tourism studies literature, this thesis highlights the need for a comprehensive understanding of the effects Indigenous tourism has on Indigenous culture. This thesis examines the cultural dynamics of Indigenous tourism for those participating in this study that is situated in Far North East of Queensland, centred around Cairns. This thesis asks: How is Indigenous participation in tourism enterprises affecting Indigenous culture and what are the cultural dynamics of Indigenous tourism businesses? The key conceptual focus of the thesis relates to the question of commodification. Is Indigenous culture being commodified by Aboriginal participation in tourism? How is Indigenous participation in tourism affecting Aboriginal perceptions of cultural authenticity? What do non-Indigenous tourists view as authentic Aboriginal culture? This thesis draws on data collected during fieldwork in Far North East Queensland between September-November 2016 encompassing 49 interviews conducted with a mix of Indigenous research participants involved in tourism and non-Indigenous domestic and international tourists. -
Balboa Observer-Picayune, Television Without Pity, and the Audiovisual Translator
Balboa Observer-Picayune, Television without Pity, and the Audiovisual Translator: Two Case Studies of Seeking Information among Online Fan Communities Aino Pellonperä University of Tampere Department of Modern Languages and Translation Studies Translation Studies (English) Pro gradu thesis April 2008 Tampereen yliopisto Käännöstiede (englanti) Kieli- ja käännöstieteiden laitos PELLONPERÄ, AINO: Balboa Observer-Picayune, Television without Pity and the Audiovisual Translator: Two Case Studies of Seeking Information among Online Fan Communities Pro gradu -tutkielma, 80 sivua + liitteet 6 sivua + suomenkielinen lyhennelmä 7 sivua Kevät 2008 Tutkielmassa käsiteltiin kahta yhdysvaltalaista televisiosarjaa ja miten näiden epäviralliset internetfaniyhteisöt keräävät sarjaan liittyvää tietoa, mikä saattaisi auttaa audiovisuaalisia kääntäjiä heidän työssään. Tapaustutkimuksina olivat kaksi televisiosarja-internetsivusto- paria: Sukuvika (Arrested Development) ja Balboa Observer-Picayune -kotisivu, ja Veronica Mars ja Television without Pity -keskusteluryhmä. Tutkielman lähtökohtana oli oletus, että internetsivustoilla televisiosarjoista kerätään ja keskustellaan mitä erinäisimpiä asioita, ja että audiovisuaaliset kääntäjät voivat hyötyä näistä aktiviteeteista. Oletusta pohjustettiin esittämällä tiedonhankintatapoja Savolaisen, Ellisin, Wilsonin, Marchioninin ja Choon malleista. Näin osoitettiin, että audiovisuaaliset kääntäjät hyötyvät “lupaavissa tietoympäristöissä”. Schäffnerin, Neubertin ja Beebyn et al. käännöspätevyyden malleista etsittiin -
Multifaceted Actress Aimee Carrero
Multifaceted Actress Aimee Carrero She says growing up Latina in Miami gave her the cojones to face life in Hollywood. Her career so far, including roles in Disney Channel’s Elena of Avalor, FX’s The Americans and Freeform’s Young & Hungry is ample proof of that. Aimee tells Alicia that being Latina also gave her the confidence to know that she deserves to be in the room. She opens up about wrestling with imposter syndrome, learning to say no, and the “big trap” of feeling like you’ve made it. ___________________________________________________________________________________ Alicia Menendez: Hello, there. Welcome back to "Latina to Latina". On this podcast, I talk with Latinas about how they got to be so amazing. : You've heard Aimee Carrero's voice most recently as She-Ra, Princess of Power in the new Netflix animated series, or as Elena of Avalor, Disney's first Latina princess. She recently wrapped a five-year run on the sitcom, Young & Hungry, and now she's doing a thing that, for most of us, is hard to do- she's carefully considering what's next. Aimee Carrero, you're a terrible celebrity. You drove yourself to the studio. Aimee Carrero: Oh, my God. Well, first of all, I drove myself, and then proceeded to negate all of my normal behavior when there was a huge wasp that landed on my shoulder, and I made an ass of myself in front of a fellow Latina actress who I've never met before, so now that's her only experience with me, just- Menendez: It's good, though. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Omniscience Incarnate: Being in and of the World in Nineteenth-Century Fiction Permalink https://escholarship.org/uc/item/5m10t1g3 Author Griffin, Cristina Richieri Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Omniscience Incarnate: Being in and of the World in Nineteenth-Century Fiction A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Cristina Richieri Griffin 2015 © Copyright by Cristina Richieri Griffin 2015 ABSTRACT OF THE DISSERTATION Omniscience Incarnate: Being in and of the World in Nineteenth-Century Fiction by Cristina Richieri Griffin Doctor of Philosophy in English University of California, Los Angeles, 2015 Professor Jonathan H. Grossman, Chair Current scholarship tends to understand omniscience as a point of view requiring disembodiment, clairvoyance, or omnipresence on the part of the omniscient narrator. In each of these paradigms, narrative omniscience circumvents the delimiting confines of a single character’s perspective. By contrast, “Omniscience Incarnate” grapples with the perplexing fact that the panoramic and synoptic expanse of omniscience often embraces character—even with its accompanying limitations—rather than refusing it. I trace how Victorian authors known for crafting narrators with sweepingly limitless perspectives—George Eliot, William Makepeace Thackeray, and Anthony Trollope—also repeatedly have these narrators materialize as characters within their storyworlds. Over and again, each narrator’s stance as a character—however brief, ii however delimited—paradoxically enables omniscient authority. These narrators reveal an epistemology that holds together the seeming contradiction of the embodied boundedness of character and the apparent unboundedness of narrative omniscience. -
DACIN SARA Repartitie Aferenta Trimestrului II/2020 - Straini
DACIN SARA Repartitie aferenta trimestrului II/2020 - straini TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 S1 S2 S3 S4 S5 S6 S7 S8 007: Viitorul e in mainile lui - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Roger Spottiswoode Bruce Feirstein - ALCS 1000 post Terra After Earth 2013 US M. Night Shyamalan Gary Whitta M. Night Shyamalan 101 dalmatieni 101 Dalmatians 1996 US Stephen Herek John Hughes 21 Jump Street: O adresa de Christopher Miller - Chris pomina 21 Jump Street 2012 US Miller Phil Lord Michael Bacall 24 de ore (ep.016) 24 - Season 1, episode 16 2002 US Stephen Hopkins Robert Cochran Howard Gordon Michael S. Chernuchin - 24 de ore (ep.017) 24 - Season 1, episode 17 2002 US Stephen Hopkins Michael Chernuchin Frederick King Keller / Fred 24 de ore (ep.018) 24 - Season 1, episode 18 2002 US Keller Maurice Hurley Frederick King Keller / Fred 24 de ore (ep.019) 24 - Season 1, episode 19 2002 US Keller Joel Surnow Michael Loceff 24 de ore (ep.020) 24 - Season 1, episode 20 2002 US Stephen Hopkins Robert Cochran Howard Gordon 24 de ore (ep.021) 24 - Season 1, episode 21 2002 US Stephen Hopkins Joel Surnow Michael Loceff 24 de ore (ep.022) 24 - Season 1, episode 22 2002 US Paul Shapiro Joel Surnow Michael Loceff 24 de ore (ep.023) 24 - Season 1, episode 23 2002 US Paul Shapiro Robert Cochran Howard Gordon 24 de ore (ep.024) 24 - Season 1, episode 24 2002 US Stephen Hopkins Joel Surnow Michael Loceff 24 de ore (ep.025) 24 - Season 2, episode 1 2002 US Jon Cassar Joel Surnow Michael Loceff 24 de ore (ep.026) 24 - Season 2, episode 2 2002 US Jon Cassar Joel Surnow Michael Loceff 24 de ore (ep.027) 24 - Season 2, episode 3 2002 US James Whitmore Jr. -
Thesis10.Glatzer.Pdf
SITCOMS IN A LEAGUE OF THEIR OWN: A Critical Analysis of Situational Feminism in The Golden Girls and Sex and the City Elizabeth A. Glatzer A Senior Honors Thesis Submitted to the Department of Communication Of Boston College May 2010 Table of Contents ABSTRACT ................................................................................................................................................ 0 CHAPTER 1................................................................................................................................................ 1 Introduction: Unlikely Pathfinders.......................................................................................................... 1 CHAPTER 2................................................................................................................................................ 3 Historical Intersections ............................................................................................................................ 3 CHAPTER 3.............................................................................................................................................. 18 Literature Review: Building a Train of Thought ................................................................................. 18 CHAPTER 4.............................................................................................................................................. 30 Genre Analysis: Trendsetting............................................................................................................... -
Dream a Dream
FINAL-1 Sat, Apr 13, 2019 7:09:05 PM tvupdateYour Weekly Guide to TV Entertainment For the week of April 21 - 27, 2019 Dream a Dominic West stars in “Les Misérables” dream INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 On Sunday, April 21, witness the next chapter in Jean Valjean’s (Dominic West, “The Affair”) extraordinary journey of redemption as he eludes the persistent Inspector Javert (David Oyelowo, “Selma,” 2014) after serving a brutal prison sentence in a new episode of “Les Misérables,” on PBS. The prestige period piece’s cast is rounded out by Lily Collins (“The Last Tycoon”), Ellie Bamber (“Nocturnal Animals,” 2016), Adeel Akhtar (“Counterpart”) and Oscar winner Olivia Colman (“The Crown”). WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS To advertise here GOLD/DIAMONDS BUY SELL please call ✦ 37 years in business; A+ rating with the BBB. TRADE ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Group Page Shell PARTS & ACCESSORIES We Need: SALES Motorsports& SERVICE (978) 946-2375 5 x 3” Gold • Silver • Coins • Diamonds MASS. 1 x 3” MOTORCYCLE We are the ORIGINAL and only AUTHENTIC INSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car 1615 SHAWSHEEN ST., TEWKSBURY, MA at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 978-851-3777 Open 7 Days A Week ~ www.cashforgoldinc.com WWW.BAY4MS.COM FINAL-1 Sat, Apr 13, 2019 7:09:06 PM COMCAST ADELPHIA 2 CHANNEL Kingston Sports Highlights Atkinson Londonderry 8:00 p.m. -
SEPTEMBER 17–23, 2015 I VOLUME 18 I NUMBER 47 BROWARDPALMBEACH.COM I FREE NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE
SEPTEMBER 17–23, 2015 I VOLUME 18 I NUMBER 47 BROWARDPALMBEACH.COM I FREE NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE. 301A HOLLYWOOD, FL 33020 FIND YOUR BLISS [email protected] VOL. 18 | NO. 47 | SEPTEMBER 17-23, 2015 954-342-7700 EDITORIAL In a Destination That Has It All EDITOR Chuck Strouse MANAGING EDITOR Deirdra Funcheon EDITORIAL OPERATIONS MANAGER Keith Hollar browardpalmbeach.com ASSOCIATE WEB EDITOR Jose D. Duran browardpalmbeach.com STAFF WRITERS Laine Doss, Chris Joseph, Kyle Swenson MUSIC EDITOR Ryan Pfeffer ARTS & CULTURE/FOOD EDITOR Rebecca McBane CLUBS EDITOR Laurie Charles PROOFREADER Mary Louise English CONTRIBUTORS David Bader, Nicole Danna, Steve Ellman, Doug Fairall, Chrissie Ferguson, Abel Folgar, Falyn Freyman, Victor Gonzalez, Regina Kaza, Dana Krangel, Erica K. Landau, Matt Preira, Alex Rendon, Andrea Richard, Stephanie Rodriguez, Gillian Speiser, John Thomason, Tana Velen, Sara Ventiera, Lee Zimmerman | CONTENTS | | CONTENTS ART ART DIRECTOR Miche Ratto ASSISTANT ART DIRECTOR Kristin Bjornsen PRODUCTION PRODUCTION MANAGER Mike Lugo PRODUCTION ASSISTANT MANAGER Jorge Sesin ADVERTISING ART DIRECTOR Andrea Cruz PRODUCTION ARTIST Michael Campina Photo by Stian Roenning Stian by Photo ADVERTISING ADVERTISING DIRECTOR Alexis Guillen ONLINE SUPPORT MANAGER Ryan Garcia Featured Stories ▼ MARKETING DIRECTOR Morgan Stockmayer EVENT DIRECTOR CarlaChristina Thompson RETAIL/MARKETING COORDINATOR Carolina del Busto SENIOR ACCOUNT EXECUTIVES Sarah Abrahams, Leading Latinas Peter Heumann, Kristi Kinard-Dunstan These Miami women are ACCOUNT EXECUTIVES Michelle Beckman, Paige Bresky, finally landing substantial roles, Jasmany Santana from a character in the Pitch CLASSIFIED Perfect series to Disney’s first SENIOR ACCOUNT EXECUTIVES Patrick Butters, Ladyane Lopez, Joel Valez-Stokes Hispanic princess. -
ERIC FRASER PRODUCTION DESIGNER Vancouver Local / US & Canadian Citizen FEATURES AMERICAN DREAMER Dektor Film Prod: Peter Dinklage, David B
ERIC FRASER PRODUCTION DESIGNER Vancouver Local / US & Canadian Citizen www.ericfraserdesign.com FEATURES AMERICAN DREAMER Dektor Film Prod: Peter Dinklage, David B. Ginsberg Dir: Paul Dektor LOVE GUARANTEED Netflix Prod: Chris Foss Dir: Mark Steven Johnson THE MAIN EVENT Netflix Prod: Richard Lowell, Maggie Malina Dir: Jay Karas A DOG’S JOURNEY Universal Pictures Prod: Steven Spielberg, Gavin Palone, Dir: Gail Mancuso Seth Meier A DOG’S WAY HOME Sony Pictures Prod: Gavin Polone, Bob Dohrmann Dir: Charles Martin Smith MIDNIGHT SUN Boies/Schiller Film Group Prod: John Rickard, Zack Schiller, David Boies, Dir: Scott Speer Tracey Jeffrey THE GIRL IN THE PHOTOGRAPHS Bowery Hills Prod: Andrea Chung, Wes Craven Dir: Nick Simon *Official Selection – 2015 Toronto International Film Festival THE JOURNEY HOME Hyde Park Entertainment Prod: Kim Todd, Nicholas Hirst, Ashok Amritraj Dir: Roger Spottiswoode THIS MEANS WAR (Art Director) 20th Century Fox Prod: Brent O’Connor, Robert Simonds Dir: McG KILL SWITCH Steamroller Productions Prod: Kirk Shaw Dir: Jeff King BLADE 3 (Art Director) New Line Prod: Lynn Harris, Art Schaefer Dir: David Goyer AVENGING ANGELO Warner Brothers Prod: Elie Samaha, Kevin King Dir: Martyn Burke GET CARTER (Art Director - Seattle Unit) Warner Brothers Prod: Don Carmody, Mark Canton Dir: Stephen Kay TELEVISION A MILLION LITTLE THINGS (Season 4) ABC Studios Prod: DJ Nash, Chris Smirnoff, Aaron Kaplan Dir: Various SUPERGIRL (Season 5) The CW Prod: Greg Berlanti, Jessica Queller, Dir: Various Robert Rovner, Chris Pavoni COCAINE