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2017 Annual Report 2017 NATIONAL GALLERY of IRELAND
National Gallery of Ireland Gallery of National Annual Report 2017 Annual Report 2017 Annual Report nationalgallery.ie Annual Report 2017 Annual Report 2017 NATIONAL GALLERY OF IRELAND 02 ANNUAL REPORT 2017 Our mission is to care for, interpret, develop and showcase art in a way that makes the National Gallery of Ireland an exciting place to encounter art. We aim to provide an outstanding experience that inspires an interest in and an appreciation of art for all. We are dedicated to bringing people and their art together. 03 NATIONAL GALLERY OF IRELAND 04 ANNUAL REPORT 2017 Contents Introducion 06 Chair’s Foreword 06 Director’s Review 10 Year at a Glance 2017 14 Development & Fundraising 20 Friends of the National Gallery of Ireland 26 The Reopening 15 June 2017 34 Collections & Research 51 Acquisition Highlights 52 Exhibitions & Publications 66 Conservation & Photography 84 Library & Archives 90 Public Engagement 97 Education 100 Visitor Experience 108 Digital Engagement 112 Press & Communications 118 Corporate Services 123 IT Department 126 HR Department 128 Retail 130 Events 132 Images & Licensing Department 134 Operations Department 138 Board of Governors & Guardians 140 Financial Statements 143 Appendices 185 Appendix 01 \ Acquisitions 2017 186 Appendix 02 \ Loans 2017 196 Appendix 03 \ Conservation 2017 199 05 NATIONAL GALLERY OF IRELAND Chair’s Foreword The Gallery took a major step forward with the reopening, on 15 June 2017, of the refurbished historic wings. The permanent collection was presented in a new chronological display, following extensive conservation work and logistical efforts to prepare all aspects of the Gallery and its collections for the reopening. -
70 PATRICK SWIFT (1927-1983) Girl in a Garden (C.1951/2) Oil on Canvas, 134.5 X 106.5Cm (53 X 42”) Signed; Title Inscribed on Label Verso
90 70 PATRICK SWIFT (1927-1983) Girl in a Garden (c.1951/2) Oil on canvas, 134.5 x 106.5cm (53 X 42”) Signed; title inscribed on label verso Exhibited: “Patrick Swift: An Irish Painter in Portugal” exhibition, Palácio Foz, Lisbon, Oct/Nov 2001; The Crawford Gallery, Cork, Dec 2001/February 2002 . Literature: “Patrick Swift (1927-1983) An Irish Painter in Portugal”, Crawford Gallery, Cork, 2001, p.31 (full page illustration). ‘Girl in a Garden’ dates to the early 1950s and forms part of an interesting body of early work created in Swift’s studio on Hatch Street, Dublin . The painting depicts the artist’s girlfriend American poet Claire McAllister seated in the garden of the studio. Together they formed part of an influential Dublin cultural set that included Anthony Cronin, Patrick Kavanagh, Nano Reid and Brendan Behan among others. Claire McAllister was then a student at Trinity College and she lived in the same house as Deirdre McDonagh whose flat with its grand piano became a favourite post-pub haunt. They met and soon moved to a large flat in a Georgian house on Hatch Street with Swift subletting the front half to the painter Patrick Pye as a studio. Their relationship came to an end several years later after Swift was introduced to the beautiful Oonagh Ryan by her brother John Ryan (Envoy Magazine, The Bailey Pub etc) in May 1952 and later that year Swift left Claire and followed Oonagh to London. Swift had met Lucian Freud in 1949 and by 1950 Lucian was coming regularly to Ireland due to his courtship with his future wife Lady Caroline Blackwood of Clandeboye Estate in Northern Ireland and he used to come around in the mornings to the Hatch Street Studio to paint. -
Autumn 2003 JSSE Twentieth Anniversary
Journal of the Short Story in English Les Cahiers de la nouvelle 41 | Autumn 2003 JSSE twentieth anniversary John McGahern - b. 1934 Linda Collinge and Emmanuel Vernadakis Electronic version URL: http://journals.openedition.org/jsse/314 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 September 2003 Number of pages: 123-141 ISSN: 0294-04442 Electronic reference Linda Collinge and Emmanuel Vernadakis, « John McGahern - b. 1934 », Journal of the Short Story in English [Online], 41 | Autumn 2003, Online since 30 July 2008, connection on 03 December 2020. URL : http://journals.openedition.org/jsse/314 This text was automatically generated on 3 December 2020. © All rights reserved John McGahern - b. 1934 1 John McGahern - b. 1934 Linda Collinge and Emmanuel Vernadakis EDITOR'S NOTE Interview organized by Linda Collinge and Emmanuel Vernadakis for the JSSE 20th, anniversary celebration, May 24, 2003 John McGahern’s work has dominated the Irish literary landscape for almost forty years. First rendered famous by his first novel The Barracks, the writer then underwent the painful process of censorship and self-imposed exile after the banning of The Dark. If the following novels, The Leavetaking, The Pornographer and Amongst Women have aroused increasing interest in his work and attracted praise and controversy, the three collections of short stories, Nightlines (1970), Getting Through (1978) and HighGround (1985), together with the stories published separately, have definitely ensured McGahern’s place as a master of the genre, a stylist and a poet. The shape of the short story has enabled the writer to build up patiently a microcosm through a microcosmic form and to refine his manner “increasingly experimental and conscious of its own patterns as poetic fiction” to quote Denis Sampson.Liliane Louvel, JSSE n°34 The early years as a reader/writer. -
National Gallery of Ireland Annual Report 2010
Annual Report 2010 National Gallery of Ireland Gailearaí Násiúnta na hÉireann | Tuarascáil Bhliantúil 2010 National Gallery of Ireland | Annual Report 2010 Gailearaí Násiúnta nahÉireann Tuarascáil Bhliantúil 2010 Tuarascáil www.nationalgallery.ie , 1854 (detail) 1854 , Aoife and Strongbow of Marraige The (1806–1870) Maclise Daniel Cover: gailearaí náisiúnta na héireann Bunaíodh Gailearaí Náisiúnta na hÉireann le hAcht Parlaiminte i 1854 agus rinneadh é a oscailt don phobal i 1864. Tá os cionn 14,500 mír ann, ina gcuimsítear os cionn 2,600 olaphictiúr agus thart ar 12,000 saothair sna meáin éagsúla lena n-áirítear uiscedhathanna, líníochtaí, priontaí agus dealbhóireacht. Baineann na saothair leis an gceathrú haois déag go dtí an lá inniú agus léiríonn siad go leathan forbairt mhórscoileanna péinteála na hEorpa: na Breataine, Dúitseach, na Fraince, na Gearmáine, na hIodáile, na Spáinne agus na hÍsiltíre, agus comhlánaithe ag bailiúchán cuimsitheach d’ealaíon na hÉireann. ráiteas misin Is é cuspóir Ghailearaí Náisiúnta na hÉireann an bailiúchán náisiúnta a thaispeáint, a chaomhnú, a bhainistiú, a léirmhíniú agus a fhorbairt; taitneamh agus tuiscint ar na hamharcealaíona a fheabhsú agus saol cultúrtha, ealaíonta agus inleactúil ghlúinte an lae inniú agus amach anseo a shaibhriú. artistic and intellectual life of present and future generations. future and present of life intellectual and artistic enjoyment and appreciation of the visual arts and to enrich the cultural, cultural, the enrich to and arts visual the of appreciation and enjoyment manage, interpret and develop the national collection; to enhance enhance to collection; national the develop and interpret manage, The purpose of the National Gallery of Ireland is to display, conserve, conserve, display, to is Ireland of Gallery National the of purpose The mission statement mission Netherlandish, complemented by a comprehensive collection of Irish art. -
(NGI.4529) EL.2013.2 National Gallery
2013 NUMBER APPLICANT DATE OF LICENCE ARTIST TITLE OF WORK Thomas The Cottage Girl EL.2013.1 National Gallery of Ireland 07/01/2013 Gainsborough (NGI.4529) Jean-Antoine A Young Gentleman Tuning EL.2013.2 National Gallery of Ireland 07/01/2013 Watteau a Violin (NGI.2301) Jean-Antoine Fortified Farm in the Bend EL.2013.3 National Gallery of Ireland 07/01/2013 Watteau of a River (NGI.3822) Fortified Village with a Jean-Antoine EL.2013.4 National Gallery of Ireland 07/01/2013 Castle, Keep and a Church Watteau NGI.3823) EL.2013.5 07/01/2013 Gerard Byrne EL.2013.6 18/01/2013 Conrad Kiesel EL.2013.7 18/01/2013 Goerge Vicat Cole EL.2013.8 23/01/2013 Joan Miro Jean-Michel EL.2013.9 06/02/2013 Basquiat EL.2013.10 06/02/2013 Patrick Collins Francis Bacon Studio Items and EL.2013.11 07/02/2013 8 additional artworks (174 Items) EL.2013.12 22/02/2013 Antonio Joli Ralph Cahoon EL.2013.13 22/02/2013 Junior Ralph Cahoon EL.2013.14 22/02/2013 Junior EL.2013.15 22/02/2013 Gustave Courbet Portrait of Jeronimus EL.2013.16 National Gallery of Ireland 28/02/2013 Cornelis Troost Tonneman and his Son Jeronimus ('The Dilettanti') EL.2013.17 National Gallery of Ireland 04/03/2013 Paul Signac Lady on the Terrace EL.2013.18 National Gallery of Ireland 04/03/2013 Paul Signac Lady on the Terrace James Doyle EL.2013.19 07/03/2013 Penrose EL.2013.20 07/03/2013 Gerard Dillon EL.2013.21 07/03/2013 L.S. -
Programme. Lucian Freud Networks
Saturday 7 September 2019 Programme SCHEDULE All presentations, Neil Hoey Lecture Theatre, Trinity Long Room Hub 9.15 – 9.30: Arrival, registration, tea/coffee and pastries 9.30 – 9.45: Welcome, Angela Griffith (TRIARC, TCD) Introductory remarks, Nathan O’Donnell (IMMA / TCD) 9.45 – 10.45: Keynote #1: Greg Salter. ‘Lucian Freud’s Queer Affinities’ Chair: Nathan O’Donnell 10.45 – 12.15: Panel #1: Freud’s Networks Margarita Cappock. ‘Lucian Freud, Francis Bacon, and Jasper Johns.’ Derrick Cartwright. ‘Lucian Freud’s Domestic Murals.’ Barbara Dawson. ‘Shock and Subterfuge: Francis Bacon, Lucian Freud and the pursuit of the perfect image.’ Chair: Eve Patten (Trinity Long Room Hub, TCD) 12.15 – 1.15: Lunch [Ideas Space, Third Floor, Trinity Long Room Hub] 1.15 – 2.45: Panel #2: Freud’s Thematics Giovanni Aloi. ‘Plants and Privacy in the Work of Lucian Freud.’ Nathan O’Donnell. ‘Lucian Freud and Language.’ Ines Rüttinger ‘Lucian Freud and the Animal: Human–animal relations and the question of the portrait in Freud’s oeuvre.’ Chair: Angela Griffith 2.45 – 3.45: Conversational panel: Freud and Ireland Conor Linnie. ‘“frugal, ascetic, puritanical”: Lucian Freud and Patrick Swift in Post-War Dublin.’ Christina Mullan. ‘Lucian Freud: Fraught Peregrinations.’ Moderator: Christina Kennedy (IMMA) 3.45 – 4: Tea/coffee [Ideas Space, Third Floor, Trinity Long Room Hub] 4 – 5: Keynote #2: Jutta Koether. ‘In the Studio: Looking for Lucian Freud.’ Chair, with closing remarks: Annie Fletcher (IMMA) This symposium is part of an ongoing Irish Research Council funded research partnership with TRIARC, the Department of the History of Art and Architecture in Trinity College Dublin, in connection with the five-year project IMMA Collection: Freud Project 2016-2021. -
The Arts in Ireland from the 1900S to the 1970S Introduction
The Arts in Ireland from the 1900s to the 1970s Introduction The Moderns presents a survey of Irish Art from the Photography has also been given special emphasis 1900s to the 1970s, covering the whole period of in the exhibition, highlighting the significance of the what is widely referred to as Modernism. It is a period work of artists like Fergus Bourke and Bill Doyle. which extends from Roderic O’Conor and William This element has been curated by Tanya Kiang Leech to Sean Scully and James Coleman. During and Trish Lambe of the Gallery of Photography. these years the idea of progress was unquestionable, IMMA would also like to acknowledge the generating constant and radical formal innovations assistance of DoCoMoMo Ireland, the local chapter in the arts giving rise to movements such as Cubism, of the international working party devoted to the Expressionism, Surrealism and different forms of documentation and conservation of modern abstraction. This course began to change in the late movement architecture. 1960s and early 1970s, after the appearance of Besides works from the IMMA collection, The Moderns Conceptual Art, when meaning was seen as something includes substantial loans from The National Library as important as form, a situation which still pertains & Photographic Archive, The National Museum at today. It has very often been said that Modernism did Collins Barracks, Trinity College Dublin, The Crawford not really happen in Ireland, but clearly a lot of the Art Gallery, The Hunt Museum, Dublin City Gallery best art produced here demonstrates a knowledge and The Hugh Lane and Tate, as well as numerous private awareness of international ideas, even if those were collections in Ireland and beyond. -
The Case of John Mcgahern
Technological University Dublin ARROW@TU Dublin Articles School of Business and Humanities 2017-12 A Country Writer Exiled in the City: The Case of John McGahern Eamon Maher Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/ittbus Part of the English Language and Literature Commons Recommended Citation Maher, E. (2017) A Country Writer Exiled in the City: The Case of John McGahern, Doctrine & Life, vol.67, no. 10, Dec. 2017. 38-49 p. This Article is brought to you for free and open access by the School of Business and Humanities at ARROW@TU Dublin. It has been accepted for inclusion in Articles by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License ACountry Writer Exiled in the City: The Case of John McGahern EAMON MAHER HE WRITER John McGahern is far better known as the bard of This native Leitrim than as aDublin writer. And yet, as we shall see, he spent some of the formative years of his life working as a nation al school teacher in Scoil Eoin Baiste (Belgrove), in Clontarf. Before that, he did his teacher training at St Patrick's College, Drumcondra, and he also registered for an evening degree in English at UCD. Thus, he lived in Dublin from the early 1950s up until his controversial dis missal as a teacher after the banning ofhis second novel, The Dark, in 1965. -
Carloviana 04.Qxd 13/11/2012 13:31 Page 1
Carlow Historical and Archaeological Society Cumann Staire agus Seandalafochta Cheatharloch Page 1_Carloviana 04.qxd 13/11/2012 13:31 Page 1 1 Carloviana CARLOVIANA Front Cover December 2012 Ruins of Clogrennane House No. 61 Photograph courtesy of: Shay Kinsellaa. I.S.S.N. 0790 - 0813 Regular Features Articles Editorial ................................................ 2 El Greco and the Carlow Nexus ....................................................................................... 5 Message from the President ................ 3 History of Killeshin Parish................................................................................................ 6 Winter Lecture Series .......................... 4 Development and Demise of the Carlow Burgess......................................................... 12 National Schools History Prize ......... 67 Lewis’s Carlow contd........................................................................................................ 15 Father John Dempsy and Carlow Town Commission 18 Obituaries............................................. 80 .................................................. Role of the Irish in World War II 21 Officers............................................... 197 ................................................................................... The Ancient Order of Hibernians in Graiguenamanagh 24 Members ............................................ 198 ............................................. Drumphea - The Coming of Christianity ..................................................................... -
The Landscape Paintings of Frank Auerbach and Leon Kossoff
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2017 On London Ground: The Landscape Paintings of Frank Auerbach and Leon Kossoff Lee Hallman The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2104 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ON LONDON GROUND: THE LANDSCAPE PAINTINGS OF FRANK AUERBACH AND LEON KOSSOFF by Lee Hallman A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 © 2017 LEE HALLMAN All Rights Reserved ii On London Ground: The Landscape Paintings of Frank Auerbach and Leon Kossoff by Lee Hallman This manuscript has been read and accepted for the Graduate Faculty in Art History to satisfy the dissertation requirement for the degree of Doctor of Philosophy. __________________ ____________________________________ Date Dr. Emily Braun Chair of Examining Committee __________________ ____________________________________ Date Dr. Rachel Kousser Executive Officer Supervisory Committee: Dr. Judy Sund Dr. Mary Ann Caws Dr. Tim Barringer THE CITY UNIVERSITY OF NEW YORK iii Abstract On London Ground: The Landscape Paintings of Frank Auerbach and Leon Kossoff by Lee Hallman Advisor: Dr. Emily Braun This dissertation is the first critical analysis of the parallel, seven-decade-spanning urban landscape oeuvres of British painters Frank Auerbach (b. -
John Mcgahern's Classical Style
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Liverpool Repository Touchstones: John McGahern’s Classical Style Indeed there can be no more useful help for discovering what poetry belongs to the class of the truly excellent, and can therefore do us most good, than to have always in one’s mind lines and expressions of the great masters, and to apply them as a touchstone to other poetry. — Matthew Arnold In memory of Seumas Gildea (1927-2015) i Table of Contents Acknowledgements Abbreviations Touching Stones: Matthew Arnold and the Canon 1 1 We Other Clerks: James Joyce and the Classical Temper 27 2 A Walking Mirror: Stendhal, Horace, Nietzsche 50 3 One lone paperback: Tolstoy and Religious Sensibility 69 4 Magic: The Centrality of W. B. Yeats 86 5 Instinct: Douglas Stewart and Sex 112 6 The fume of muscatel: Yeats's Ghosts 125 7 Bohemian Rhapsody: Patrick Kavanagh and Generation X 140 8 Absurdity: Camus comes to Clones 164 9 Aristocracy: Andrew Marvell, W. B. Yeats and the Curse of Cromwell 178 10 The Consolations of Nothingness: William Blake, W. B. Yeats and Prayer 195 11 Deliberate Happiness: W. B. Yeats and the Inner Life 216 12 Stranger in Paradise: Dante and Epic Style 234 Conclusion: What Then? 260 Bibliography 268 ii Acknowledgements My colleagues at the Institute of Irish Studies, University of Liverpool have always been supportive throughout the composition of this study. In particular I want to thank Niall Carson who was the first person I floated the Touchstones idea with and whose good cheer made me believe this was worth doing even on the darker days; his comments on early drafts strengthened the book beyond measure.