TARA DONOVAN ONE-ARTIST EXHIBITIONS DATES Born 1969
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Leseprobe 9783791384900.Pdf
NYC Walks — Guide to New Architecture JOHN HILL PHOTOGRAPHY BY PAVEL BENDOV Prestel Munich — London — New York BRONX 7 Columbia University and Barnard College 6 Columbus Circle QUEENS to Lincoln Center 5 57th Street, 10 River to River East River MANHATTAN by Ferry 3 High Line and Its Environs 4 Bowery Changing 2 West Side Living 8 Brooklyn 9 1 Bridge Park Car-free G Train Tour Lower Manhattan of Brooklyn BROOKLYN Contents 16 Introduction 21 1. Car-free Lower Manhattan 49 2. West Side Living 69 3. High Line and Its Environs 91 4. Bowery Changing 109 5. 57th Street, River to River QUEENS 125 6. Columbus Circle to Lincoln Center 143 7. Columbia University and Barnard College 161 8. Brooklyn Bridge Park 177 9. G Train Tour of Brooklyn 195 10. East River by Ferry 211 20 More Places to See 217 Acknowledgments BROOKLYN 2 West Side Living 2.75 MILES / 4.4 KM This tour starts at the southwest corner of Leonard and Church Streets in Tribeca and ends in the West Village overlooking a remnant of the elevated railway that was transformed into the High Line. Early last century, industrial piers stretched up the Hudson River from the Battery to the Upper West Side. Most respectable New Yorkers shied away from the working waterfront and therefore lived toward the middle of the island. But in today’s postindustrial Manhattan, the West Side is a highly desirable—and expensive— place, home to residential developments catering to the well-to-do who want to live close to the waterfront and its now recreational piers. -
Arnold) Glimcher, 2010 Jan
Oral history interview with Arne (Arnold) Glimcher, 2010 Jan. 6-25 Funding for this interview was provided by the Widgeon Point Charitable Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Arne Glimcher on 2010 January 6- 25. The interview took place at PaceWildenstein in New York, NY, and was conducted by James McElhinney for the Archives of American Art, Smithsonian Institution. Funding for this interview was provided by the Widgeon Point Charitable Foundation. Arne Glimcher has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview JAMES McELHINNEY: This is James McElhinney speaking with Arne Glimcher on Wednesday, January the sixth, at Pace Wildenstein Gallery on— ARNOLD GLIMCHER: 32 East 57th Street. MR. McELHINNEY: 32 East 57th Street in New York City. Hello. MR. GLIMCHER: Hi. MR. McELHINNEY: One of the questions I like to open with is to ask what is your recollection of the first time you were in the presence of a work of art? MR. GLIMCHER: Can't recall it because I grew up with some art on the walls. So my mother had some things, some etchings, Picasso and Chagall. So I don't know. -
Listed Exhibitions (PDF)
G A G O S I A N G A L L E R Y Alexander Calder Biography Born in 1898, Lawnton, PA. Died in 1976, New York, NY. Education: 1926 Académie de la Grande Chaumière, Paris, France. 1923–25 Art Students League, New York, NY. 1919 B.S., Mechanical Engineering, Stevens Institute of Technology, Hoboken, NJ. Solo Exhibitions: 2015 Alexander Calder: Imagining the Universe. Sotheby’s S|2, Hong Kong. Calder: Lightness. Pulitzer Arts Foundation, Saint Louis, MO. Calder: Discipline of the Dance. Museo Jumex, Mexico City, Mexico. Alexander Calder: Multum in Parvo. Dominique Levy, New York, NY. Alexander Calder: Primary Motions. Dominique Levy, London, England. 2014 Alexander Calder. Fondation Beyeler, Basel. Switzerland. Alexander Calder: Gouaches. Gagosian Gallery, Davies Street, London, England. Alexander Calder: Gouaches. Gagosian Gallery, 980 Madison Avenue, New York, NY. Alexander Calder in the Rijksmuseum Summer Sculpture Garden. Rijksmuseum, Amsterdam, Netherlands. 2013 Calder and Abstraction: From Avant-Garde to Iconic. Los Angeles County Museum of Art, Los Angeles, CA. 2011 Alexander Calder. Gagosian Gallery, Davies Street, London, England. 2010 Alexander Calder. Gagosian Gallery, W. 21st Street, New York, NY. 2009 Monumental Sculpture. Gagosian Gallery, Rome, Italy. 2005 Monumental Sculpture. Gagosian Gallery, W. 24th Street, New York, NY. Alexander Calder 60’s-70’s. GióMarconi, Milan, Italy. Calder: The Forties. Thomas Dane, London, England. 2004 Calder/Miró. Foundation Beyeler, Riehen, Switzerland. Traveled to: Phillips Collection, Washington, D.C. (through 2005). Calder: Sculpture and Works on Paper. Elin Eagles-Smith Gallery, San Francisco, CA. 590 Madison Avenue, New York, NY. 2003 Calder. Gagosian Gallery, Los Angeles, CA. Calder: Gravity and Grace. -
The Art Show 2018 Program Highlights
The ADAA Announces Program Highlights for the 30th Annual Edition of The Art Show, February 28 – March 4, 2018 The Art Show 2018 Celebrates Three Decades of Partnership Between the ADAA, Henry Street Settlement, and the Park Avenue Armory Eleven Galleries from the Founding 1989 Fair and Many First-time Exhibitors to Showcase Ambitious Solo Shows, Curated Group Presentations, and Never-Before-Seen Works New York, January 17, 2018—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 30th edition of The Art Show, the nation’s longest-running and most respected art fair. Open to the public February 28 – March 4, 2018, The Art Show 2018 marks an unprecedented three decades of partnership between three major cultural organizations, the ADAA, the venerable community nonprofit Henry Street Settlement and New York City’s foremost cross-disciplinary cultural institution, the Park Avenue Armory. Since the fair’s inception, The Art Show has raised nearly $30 million for Henry Street Settlement through fair admission and proceeds from the annual Gala Preview, which kicks off this year’s fair on February 27. AXA Art Americas Corporation, the world’s premier insurance specialist for art and collections, continues its decade-long support of the ADAA and serves for the seventh year as Lead Partner of The Art Show. Organized by the ADAA, a nonprofit membership organization of art dealers across the country, The Art Show 2018 welcomes eleven returning galleries from the first fair in 1989, as well as many first-time exhibitors presenting ambitious solo shows, curated group presentations and never-before-seen works. -
Gallery AD PDF3
The new Pace Gallery headquarters at 540 West 25th Street in New York City, designed by Bonetti/Kozerski Architecture. Photo: Photo: Thomas Loof / Courtesy of Pace The new Pace Gallery headquarters at 540 West 25th Street in New York City, designed by Bonetti/Kozerski Architecture. ART + AUCTIONS Photo: Photo: Thomas Loof / Courtesy of Pace The Top 8 Fall ArtART Shows + AUCTIONS for Architecture The Top 8 Fall ArtLovers Shows for Architecture This autumn heralds the opening of several projects that celebrate the relationship betweenLovers art and building design This autumn heralds the opening of several projects that celebrate the By Liddy Berman relationship between art and building design September 12, 2019 By Liddy Berman September 12, 2019 Prepare to explore spectacular new building debuts and exhibitions that illuminate the works of artists inspired by architects, offering a closer look at how these The new Pace Gallery headquarters at 540 West 25th Street in New York City, designed by Bonetti/Kozerski Architecture. Preparedisciplines to explorecomplement spectacular and strengthen new building one another.debuts and Herewith, exhibitions AD highlightsthat illuminate eight Photo: Photo: Thomas Loof / Courtesy of Pace theunmissable works of openings artists inspired for art andby architects, architecture offering buffs toa closer enjoy. look at how these disciplines complement and strengthenART +one AUCTIONS another. Herewith, AD highlights eight unmissableThe Top openings 8 forFall art and Art architecture Shows buffs to for enjoy. -
Brice Marden Bibliography
G A G O S I A N Brice Marden Bibliography Selected Monographs and Solo Exhibition Catalogues: 2019 Brice Marden: Workbook. New York: Gagosian. 2018 Rales, Emily Wei, Ali Nemerov, and Suzanne Hudson. Brice Marden. Potomac and New York: Glenstone Museum and D.A.P. 2017 Hills, Paul, Noah Dillon, Gary Hume, Tim Marlow and Brice Marden. Brice Marden. London: Gagosian. 2016 Connors, Matt and Brice Marden. Brice Marden. New York: Matthew Marks Gallery. 2015 Brice Marden: Notebook Sept. 1964–Sept.1967. New York: Karma. Brice Marden: Notebook Feb. 1968–. New York: Karma. 2013 Brice Marden: Book of Images, 1970. New York: Karma. Costello, Eileen. Brice Marden. New York: Phaidon. Galvez, Paul. Brice Marden: Graphite Drawings. New York: Matthew Marks Gallery. Weiss, Jeffrey, et al. Brice Marden: Red Yellow Blue. New York: Gagosian Gallery. 2012 Anfam, David. Brice Marden: Ru Ware, Marbles, Polke. New York: Matthew Marks Gallery. Brown, Robert. Brice Marden. Zürich: Thomas Ammann Fine Art. 2010 Weiss, Jeffrey. Brice Marden: Letters. New York: Matthew Marks Gallery. 2008 Dannenberger, Hanne and Jörg Daur. Brice Marden – Jawlensky-Preisträger: Retrospektive der Druckgraphik. Wiesbaden: Museum Wiesbaden. Ehrenworth, Andrew, and Sonalea Shukri. Brice Marden: Prints. New York: Susan Sheehan Gallery. 2007 Müller, Christian. Brice Marden: Werke auf Papier. Basel: Kunstmuseum Basel. 2006 Garrels, Gary, Brenda Richardson, and Richard Shiff. Plane Image: A Brice Marden Retrospective. New York: Museum of Modern Art. Liebmann, Lisa. Brice Marden: Paintings on Marble. New York: Matthew Marks Gallery. 2003 Keller, Eva, and Regula Malin. Brice Marden. Zürich : Daros Services AG and Scalo. 2002 Duncan, Michael. Brice Marden at Gemini. -
Link to Full Exhibition History
TERRY WINTERS 1. Biography 2. Individual Exhibitions 3. Group Exhibitions 4. Projects by Terry Winters (Sets, Costumes, Design) BIOGRAPHY Born 1949 in Brooklyn B.F.A., Pratt Institute, Brooklyn, 1971 Elected to the American Academy of Arts and Letters, 2013 Lives and works in New York City and Columbia County, NY INDIVIDUAL EXHIBITIONS 1982 Sonnabend Gallery, New York. “Terry Winters”, October 30 – November 20 1983 Vollum Center Gallery, Reed College, Portland. “Terry Winters: Paintings and Drawings”, September 3 – October 2 1984 Sonnabend Gallery, New York. “Terry Winters”, February 4 – 25 Daniel Weinberg Gallery, Los Angeles. “Terry Winters”, May 26 -June 23 1985 Kunstmuseum Luzern. “Terry Winters: Paintings and Drawings”, October 12 – November 24 (catalogue) 1986 Castelli Graphics, New York. “Terry Winters: Lithographs”, February 1 – 22 Sonnabend Gallery, New York. “Terry Winters: Paintings”, February 8 – March 1 Tate Gallery, London. “Terry Winters: Eight Paintings”, May 14 – July 20 (catalogue) Barbara Krakow Gallery, Boston. “Terry Winters: Drawings and Lithographs”, May 17 – June 11 Yellowstone Art Center, Billings. “Focus: Terry Winters”, November 2 – December 31 (Traveled to Georgia State University Art Gallery, Atlanta, February 26 – March 29) (brochure) 1987 Georgia State University Art Gallery, Atlanta. “Focus: Terry Winters”, February 26 – March 29 (brochure) 1 Gallery Mukai, Tokyo. “Terry Winters”, February 7 –21 (catalogue) Saint Louis Art Museum, Saint Louis. “Currents 33: Terry Winters”, February 26 – March 29 (brochure) Sonnabend Gallery, New York. “Terry Winters: Drawings”, March 14 – April 18 Mario Diacono Gallery, Boston. “Terry Winters”, May 7 – 30 (brochure) Daniel Weinberg Gallery, Los Angeles. “Terry Winters: Paintings”, May 23 – June 20 Walker Art Center, Minneapolis. -
Tara Donovan: Intermediaries
FOR IMMEDIATE RELEASE Tara Donovan: Intermediaries January 15 – March 6, 2021 540 West 25th Street New York Tara Donovan, Sphere, 2020 © Tara Donovan, courtesy of Pace Gallery New York – Pace Gallery is pleased to present Intermediaries, a solo exhibition bringing together discrete yet interrelated bodies of work created by Tara Donovan throughout 2019 and 2020. Based in Donovan’s rigorous investigatory methods and aggregative logic, the exhibition’s drawings, wall-bound pieces, and free-standing sculptures transform commonplace materials into totalities that test our perceptual limits. Intermediaries also articulates the artist’s ever-deepening exploration of art’s capacity to mediate phenomenological encounters that interconnect viewers to one another and their environment. Opening on January 15, 2021, the exhibition will take place on the first floor and library of 540 West 25th Street in Chelsea and run through March 6, 2021. The exhibition’s primary concept underscores the structural and material openness of Donovan’s works, which are less to be looked at than looked through. Her art’s capacity to filter and reconfigure vision is most apparent in her free-standing, large-scale sculptures, made of transparent materials that refract light and distort their surrounding space. Stacked Grid (2020), for example, is marked by an orthogonality and monumentality that parallels and heightens the “white cube” of the gallery. Yet it simultaneously thwarts the rationality of the grid that is at the structural core of both the sculpture and its architectural context. Through their aggregation and play with light, the work’s translucent building blocks turn the modernist grid into an evanescent, almost pixelated, entity that, at times, appears labyrinthian. -
JR Eye to the World Tehachapi
FOR IMMEDIATE RELEASE JR Eye to the World June 4 – July 3, 2021 6 Burlington Gardens London Opening Day: June 4, 2021, 10 AM – 8 PM London Gallery Weekend Tehachapi June 4 – August 21, 2021 540 West 25th Street New York Top to bottom: JR, The Chronicles of New York City, Domino Park, USA, 2020 © JR, courtesy Pace Gallery; JR, Tehachapi, Daytime, Triptych, U.S.A., 2019 © JR, courtesy Pace Gallery Pace is delighted to present two exhibitions of leading contemporary artist, JR—JR: Eye to the World in London, and JR: Tehachapi in New York. Marking the gallery’s first London exhibition with the artist, JR: Eye to the World will open on June 4 on the occasion of London Gallery Weekend. JR’s practice is rooted in his deep commitment to collaborating with individuals and communities alike. His work is characterised by large-scale photographic interventions in urban environments that address cultural and political issues, often with an emphasis on social justice. Each portrait holds a multitude of stories as JR expertly balances the macroscopic with the microscopic, the individual experience with the universal. An extensive online catalogue of accompanying videos, images and texts will be found via the exhibition pages on the Pace website to coincide with the exhibition opening. FOR IMMEDIATE RELEASE Bringing together artworks from several significant bodies of work,JR: Eye to the World explores JR’s unique view of humanity as he transcends borders, politics, and cultural identity through the camera lens. This exhibition coincides with the artist’s largest solo museum show to date, JR: Chronicles, opening this June at Saatchi Gallery, London. -
Kelly A. Reynolds
Kelly A. Reynolds LinkedIn profile: http://www.linkedin.com/in/reynoldskelly Professional Experience: Pace Gallery, New York 2018–2020 Head Registrar • Department Head; managed fifteen registrars; nine in New York, and six globally • Oversaw the preparation and launch of new gallery locations • Served as Project Manager for extremely high-level VIP projects • Offered Collections Management assistance to high-level VIP clients • Led departmental initiatives and responsibilities, and advised team on high-level projects • Managed all exhibitions in New York and Geneva, and other global locations as needed • Developed and maintained departmental policies and procedures; collaborated with other Art Resources Team managers on gallery-wide issues and policies • Prepared departmental budgets and managed expenditures • Advised on insurance matters and assessed conservation mattters • Supervised annual inventory • Monitored and evaluated storage locations and composed/updated facilities report as needed Pace Gallery, New York 2014–2018 Senior Registrar for Susan Dunne, President • Registrar for Pace Artists: Robert Irwin, Isamu Noguchi, Robert Ryman, Kiki Smith, Richard Tuttle, Robert Whitman, and the Tony Smith Estate. Liaise with these artists/studios/estates to facilitate loans and sales of their works in and out of Pace inventory. Other artists/foundations/estates with non-exclusive representation include Agnes Martin, Louise Nevelson, and Lucas Samaras • Managed multiple exhibitions and art fairs each year • International and domestic courier -
Tara Donovan
FOR IMMEDIATE RELEASE Tara Donovan April 15 – May 9, 2021 340 Royal Poinciana Way Suite M333 Palm Beach Image: Tara Donovan, Composition (Cards), 2021 © Tara Donovan, courtesy Pace Gallery Palm Beach — Pace Gallery is pleased to announce a solo exhibition of work by Tara Donovan which will reexamine the artist’s seminal Composition (Cards) series at the gallery’s outpost in Palm Beach. Ethereal, illusive pieces made from styrene index cards, the five sculptural paintings on view exemplify Donovan’s unique approach to artmaking, a generative process in which she incrementally and cumulatively shapes her work. Collectively, Donovan’s practice is characterized by her ongoing exploration of the aesthetic potential of her chosen media as well as her formidable capacity to challenge and play with the limits of perception. Coming on the heels of Donovan’s solo exhibition of recent work at Pace’s New York headquarters, this is the process-based artist’s debut show at the gallery’s South Florida location and will run from April 15 – May 9, 2021. Since the early 2000s, Donovan has created sculptures and installation works through the rigorous accumulation, arrangement, and repetition of mass-produced, banal materials such as drinking straws, Styrofoam cups, rubber bands, or Scotch tape. Donovan works systematically with large quantities of these quotidian objects, leveraging the material properties of the items to build sublime atmospheric structures that play with light, color, texture, and translucence in an exploration of the innumerable ways in which a medium can behave. The subtle yet powerful perceptual shifts that characterize Donovan’s work align her with the Californian Light and Space artists, while her sustained emphasis on process, pattern, and seriality situates her in conversation with the Postminimalists. -
Commercial Mortgage Alert
JANUARY 29, 2016 CMBS Issuance Could Be Choppy This Year With regulatory changes looming and spreads blowing out, conduit shops expect 17 SECURITIZATION PROGRAMS an uneven pace of commercial MBS issuance this year. The sharp spike in spreads this month has caused a pullback in originations. 38 SCORECARD FOR CMBS SPREADS Lenders say that will lead to a slowdown in issuance when loan warehouses become 2 Calpers Taps Deutsche for $1 Billion depleted, probably around late March. Another lull is likely later in the year — perhaps starting in October or Novem- 2 Debt Sought on SF Apartment Portfolio ber — as issuers grapple with the December implementation of risk-retention regula- tions. Those rules have injected so much uncertainty that market pros widely expect 2 Latitude Seeks $500 Million for Fund lenders to slow originations. The reason: to avoid being stuck with warehoused loans 4 CMBS Prices Rise, Reversing Course if issuance is disrupted as the implications of risk retention are sorted out. By the same token, that anticipated late-year lull could in turn prompt a bor- 6 Banks Await Winner of Vegas Rentals rower stampede over the summer, with property owners rushing to close mortgages before lenders become more cautious. “People will want to hurry up and get in Mesa West, Allianz Write DC Loans 8 See ISSUANCE on Page 16 10 Group Advocates for Women in CMBS 12 Witkoff Eyes Refi of NY Office Condo As Ban Ends, S&P Moving to Revive Business S&P 12 Goldman, UBS Share Retail Loan wants to jump back into the conduit market with both feet.