Iconoclasm, Holistic Vision, and Patient Watchfulness: a Personal Reflection on the Modern Chinese Intellectual Quest Author(S): Tu Wei-Ming Source: Daedalus, Vol
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Iconoclasm, Holistic Vision, and Patient Watchfulness: A Personal Reflection on the Modern Chinese Intellectual Quest Author(s): Tu Wei-ming Source: Daedalus, Vol. 116, No. 2, Past and Present (Spring, 1987), pp. 75-94 Published by: The MIT Press on behalf of American Academy of Arts & Sciences Stable URL: https://www.jstor.org/stable/20025097 Accessed: 10-05-2019 02:46 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms American Academy of Arts & Sciences, The MIT Press are collaborating with JSTOR to digitize, preserve and extend access to Daedalus This content downloaded from 222.29.122.77 on Fri, 10 May 2019 02:46:25 UTC All use subject to https://about.jstor.org/terms Tu Wei-ming Iconoclasm, Holistic Vision, and Patient Watchfulness: A Personal Reflection on the Modern Chinese Intellectual Quest Joseph R. Levenson, in his thought-provoking interpretation of Confucian China and its modern fate, lamented that "there has been so much forgetting in modern Chinese history" and that "the current urge to preserve, the historical mood, does not bely it." To underscore "the forgetting," he thought fit to conclude a story of China with a tale of the Hasidim: When the Baal Shem had a difficult task before him, he would go to a certain place in the woods, light a fire and meditate in prayer?and what he had set out to perform was done. When a generation later the "Maggid" of Meseritz was faced with the same task he would go to the same place in the woods and say: We can no longer light the fire, but we can still speak the prayers? and what he wanted done became reality. Again a generation later Rabbi Moshe Leib of Sassov had to perform this task. And he, too, went into the woods and said: We can no longer light a fire, nor do we know the secret meditations belonging to the prayer, but we do know the place in the woods to which it all belongs?and that must be sufficient; and sufficient it was. And when another generation had passed and Rabbi Israel of Rishin was called upon to perform the task he sat down on his golden chair in his castle and said: We cannot light the fire, we cannot speak the prayers, we do not know the place, but we can tell the story of how it was done.1 Notwithstanding the suggestiveness of the Hasidic parable for our appreciation of the perennial problem of the gradual erosion of a cherished tradition?especially of a prophetic one with its sacred 75 This content downloaded from 222.29.122.77 on Fri, 10 May 2019 02:46:25 UTC All use subject to https://about.jstor.org/terms j6 Tu Wei-ming place, its religious ritual, and its esoteric meditation signifying an intimate "I-Thou" relationship with the transcendent?its relevance to the Chinese situation is ambiguous. For one thing, as Lin Y?-sheng notes, "one of the most striking and peculiar features of the intellec tual history of twentieth-century China has been the emergence and persistence of profoundly iconoclastic attitudes toward the cultural heritage of the Chinese past."2 If we must employ the theme of "forgetting" to depict the antitraditional mentality of the modern Chinese intellectual, we may have to imagine a sort of voluntary and active forgetting, in fact an outright rejection of and a frontal attack on tradition. As Benjamin Schwartz points out in his foreword to Lin's seminal study on modern Chinese "totalistic iconoclasm," China, "often regarded in the West as the very paradigm of tradi tionalism" during the nineteenth century, "had become for many the land of revolution?a society which had effected a total, fundamental break with the entire cultural and social order of the past" by the mid-twentieth century.3 Paradoxically, even iconoclastic intellectuals inadvertently sub scribed to certain of the enduring "Confucian" presuppositions: "the notion of the integrated wholeness of culture, the notion that every aspect of society and culture could somehow be controlled through the political order, and the notion that conscious ideas could play a decisive role in transforming human life."4 Indeed, these notions that "formed a powerful, widely shared syndrome of ideas within the cultural tradition"5 contribute to the ambivalences and complexities of modern Chinese intellectual discourse. When Lin Tse-hs? (Lin Zexu, 1785-1850), judged by the distin guished British diplomat and Sinologist, H. A. Giles, to be "a fine scholar, a just and merciful official, and a true patriot,"6 sent his celebrated letter to Queen Victoria in 18 3 9, his argument against the opium trade?expressing all the moral indignation characteristic of the Confucian scholar-official?showed that he had good reasons for taking an uncompromising attitude toward "those who smuggle opium to seduce the Chinese people and so cause the spread of the poison to all provinces." He was absolutely certain that "such persons who only care to profit themselves, and disregard their harm to others, are not tolerated by the laws of Heaven and are unani mously hated by human beings."7 This content downloaded from 222.29.122.77 on Fri, 10 May 2019 02:46:25 UTC All use subject to https://about.jstor.org/terms Iconoclasm, Holistic Vision, and Patient Watchfulness 77 While Lin's moral tone may sound naive and unrealistic to us, with our advantage of hindsight and knowledge of China's mighty fall from the Middle Kingdom to a semicolonial state in a few decades, he in fact spoke from the perspective of "a totally integrated social cultural-political order presided over by a class which managed to embody within itself both the spiritual and political authority of the society."8 Though such a perception was much more myth than reality, "the endurance of tradition seemed to be a function of its all-encompassing wholeness"9 in imperial China. A generation later, when Tseng Kuo-fan (Zeng Guofan, 1811? 1872) decided to send young men in their teens abroad to study superior Western technology as an integral part of the "self strengthening" movement in 1871, he proposed that there be "interpreters and instructors to teach them Chinese literature from time to time, so that they will learn the great principles for the establishment of character, in the hope of becoming men with abilities of use to us."10 Prepared to take bold measures to learn from the West, to make compromises in Sinic education to achieve practical ends, he was clearly willing to reorder his sense of priority, no longer certain that the world would long be governed by the principles that seemed so reasonable to him. Yet, in Tseng's mind, the price exacted for some measure of Westernization was not only affordable but painless. While he raised the issue of cultural identity in response to the challenge of the T'aiping Rebellion under the leadership of a Christian convert, the danger of a radical rejection of the Confucian tradition?not only by feeble minds corrupted by Western influences but by some of the most brilliant shapers of the Chinese intellectual landscape?was almost beyond his imagination. Tseng, an exemplar of the scholar official, a distinguished literatus, an accomplished calligrapher, a sophisticated interpreter of Sung (Song dynasty, 960-1279) learn ing, an able administrator, and an effective military commander, had no doubt (as is evidenced in his copious writings) that the transfor mative potential of the Confucian tradition was great. When K'ang Yu-wei (Kang Yuwei, 1858-1927) used his reinter preted Confucianism as an ideological basis for reforming imperial institutions in 1898, the Confucian moral order was significantly compromised. To accommodate the Western impact as both a cultural challenge and as a military threat, the grammar of action, This content downloaded from 222.29.122.77 on Fri, 10 May 2019 02:46:25 UTC All use subject to https://about.jstor.org/terms 78 Tu Wei-ming defined in terms of wealth and power, gained ascendancy on the intellectual scene. A sense of urgency, prompted by the belief that the survival not only of the imperial polity but also of the Chinese form of life depended on the success of basic institutional changes, led him to undertake a comprehensive examination of all the available symbolic and spiritual resources for social reconstruction in the Confucian tradition.11 Chang Chih-tung's (Zhang Zhitong, 1837-1909) catchphrase, "Chinese learning as substance (t'i or ti) and Western learning as function (yung or yowg),"12 coined in the same period, shows how an eclectic blending of indigenous cultural values and imported Western ideas was deemed necessary to provide an ideological formula for coping with the Western tide. The "difficult task" of the Chinese intellectual, defined later by the charismatic Liang Ch'i-ch'ao (Liang Qichao, 1873-1929) was fourfold. Liang wrote: I therefore hope that our dear young people will, first of all, have a sincere purpose of respecting and protecting our civilization; secondly, that they will apply Western methods to study our civilization and discover its true character; thirdly, that they will put our civilization in order and supplement it with others' so that it will be transformed and become a new civilization; and fourthly, that they will extend this new civilization to the outside world so that it can benefit the whole human race.13 Levenson perceived in Liang's wishful thinking the dilemma common to the mind of modern China: an emotional attachment to China's past and an intellectual commitment to Western values.14 Yet under lying all such intellectual efforts to come to grips with Confucian China and its modern transformation was the strong faith in the ability of human consciousness to understand and to shape historical reality.