Peggy Lee and More* •

Total Page:16

File Type:pdf, Size:1020Kb

Peggy Lee and More* • that emotional motor crash from citr 101%9 fm our fifth annual women's issue featuring: le tigre ndidi cascade & matriarch qb miss murgatroid | peggy lee and more* •. March 2000 Free F.T.T.W. "H20 fuses the early sound and power off NY hardcore {the best in the world, come on, admit Itf) with melodic sounding punk to SBC H2H HlfP create inspiring and amazing music." These guys deserve everything March 27 at they can get for not forgettin' their roots." Hie Starfish Room -UNDER THE VOLCANO "Gratifying hardcore" -SUBURBAN VOICE www.eDiaDh.cetii e•• www.ft2ag8.com album available everywhere Epitaph E^gSSSMS iSUE 204 • MARCH 2000 • THAT MAGAZINE FROM CITR 101 .9FM Irregulars GIRLS RULE? PEGGY LEE 9 /MATRIARCH QB & NDIDI CASCADE 10 THE FEMINISTS IN YOUR NEIGHBORHOOD 11 MISS MURGATROID 13 LE TIGRE 14 Regulars INTERVIEW HELL 4 editrix: 7" 5 barbara andersen KILL YR BOYFRIEND 6 ad rep: LOUDER THAN A BOMB 6 maren hancock VIDEOPHILTER 7 art director: UNDER REVIEW 16 jenny watson REAL LIVE ACTION 21 production manager: CHARTS (WARNING! CONTAINS LYDIA LUNCHI) 23 tristan winch GOOD TASTY COMIC 23 art and design: ON THE DIAL 24 jenny, ken paul, tristan DATEBOOK 26 photography and illustrations: jason da silva, ann Cover goncalves, colleen heslin, diane kadota COLLEEN HESLIN TOOK THIS GORGEOUS PHOTO OF LOCAL proofreaders: ACCORDIONIST IDA NLELSON (BEANS, RADIOGRAM) AND WE kerry bleek, nick bradley, LIKED IT SO MUCH WE PUT IT ON THE COVER. LAYOUT BY OUR ciprian gligor, duncan BRAND NEW ART DIRECTOR, JENNY WATSON! mchugh, christa min, cat moore, gibby peach, katie © "DiSCORDER" 2000 by the Student Radio Society of the riecken, anthony schrag, University of British Columbia. All rights reserved. Circulation erin show, miriam 13,000. torchinsky Subscriptions, payable in advance, to Canadian residents are contributors: $ 15 for one year, to residents of the USA are $ 15 US; $24 CDN barbara a, tania a, chris ?, elsewhere. Single copies are $2 (to cover postage, of course). julie c, val c, jay d, jamaal Please make cheques or money orders payable to DiSCORDER f, robin f, tamara g, DEADLINES: Copy deadline for the April issue is March 15th. Ad hancunt, oksana k, samuel space is available until March 22nd and can be booked by call­ k, doretta I, godfrey I, ing Maren at 604.822.3017 ext. 3. Our rates are available christa m, katrina m, upon request. DiSCORDER is not responsible for loss, damage, or penelope m, sam m, gibby any other injury to unsolicited manuscripts, unsolicited artwork p, anthony s, tobias v, (including but not limited to drawings, photographs and trans­ nat x parencies), or any other unsolicited material. Material can be sub­ on the dial: mitted on disc (Mac, preferably) or in type. As always, English is preferred. Send e-mail to DiSCORDER at anna friz [email protected]. charts: From UBC to Langley and Squamish to Bellingham, CiTR can be julie colero heard at 101.9 fM as well as through all major cable systems in datebook: the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ barbara line at 822.2487, our office at 822.3017 ext. 0, or our news distribution: and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail matt steffich us at: [email protected], visit our web site at scum men's auxilliary: http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC, V6T 1Z1, gabriel peach CANADA. publisher: linda scholten printed in Canada Walter: I want Gene Simmons' bass. Sanne: I want Mick Jagger's butt. Radio! Lastly Cage, tell us...would you rather make jam or The two are not necessarily incompatible. Ask yourself a question and answer it. Inter! Question: Can someone really accuse one of being a post-modern feminist apologist wimp and expect it to be an insult? Answer: Well yeah, someone did, and he was really angry. I almost view peed myself laughing while trying to sputter out, "Them's fightin' http://www.passive-aggressive_records.com <[email protected]> • [Silence (consulting lawyers)] DiSCORDER Who are you (names, instruments played, If you could change one thing about the Vancouver favourite kind of monkey)? music scene, what would it be? Is it perfect just the way Sanne: (Vocals/guitar) Homosapien. it is? Walter: (Bass) Baboon; I don't understand how they can have such Alex: I would change it to Seattle. serious expressions while possessing such colourful bums. Walter: There is no scene and that's just perfect. Alex: (Drums) ??? Sanne: Yeah. Cage, we here at Radio Hell are honoured to have you Given an unlimited budget, what one piece of gear Sanne doing your FIRST IVER performance as Cage with the lineup we see before usl That's exciting! You don't look would Cage blow it on? like you are new at this, though. From where has each Alex: Neil Peart's drum kit from 2112. of you come, and how did you end up where you are? Alex: We haven't come a hell of a long way. Walter: Sonne's house Sanne: Nanaimo Station, and how did we end up here? Jake's Lambert Walter, were you, in a past life, a jazz bass man? If not, do you wish that you maybe could have been? Do you wish Alex would use a brush more often as he's beatin' the skins? F>,'f n Walter: Despite my best efforts, I cannot recall anything about my with Cage past lives; as to being a jazzy bass man, it would probably be a sight better than being the potato farmer I probably was. Alex using brushes? That's just being cruel Have you ever been caged? Or been cage dancers? Vancouver ^ W^l KILL ROCK ^ 4C^f ^ " ™ STARS "^ ^ ' Lois Maffeo & Brendan Canty t's funny. There really are good never a good idea if you ask LEY AND HIS MAGICAL The Union Themes CD bands in Vancouver, but they me. Yeah, yeah. I know what HAIRY AIRY OLAS, what Ichoose not to send me demo you're thinking. People say it to would you think of? Garbage, tapes. The best local bands try me often. Who asked you? you say? Good thought. With really hard to pretend that <[email protected]> songs like "Morning Boner" and they're not from here. They're I went through a ska phase. "Pig Fucker" you know you have ashamed to be associated with It lasted for about 16 minutes. I a winner. Dwayne Dibley Sleater-Kinney Vane Drld- don't know where NOT FOR sounds like a sixer of bad beer. 'AIL HANDS ON THE BUD ONE' LP/CD music scene. Come on, every­ THE CROWD is from, but they He likes to use metal fonts and body. Bryan Adams is from umlauts as well. Included in the our beautiful city. Aren't you tape was a sticker of a pair of proud, damn it? breasts. Thanks, thanks a lot. (PO Box 59, 1895 Commercial This month I have something BANGS Dr., Vancouver, BC, V5N 4A6) good to write about. P:ANO's Before putting this tape in, I demo tape is impressive. Of •SWEET REVENGE' LP/CD held it up in the air and said, course, I had to hijack the tape "Please be good, please be from someone else because the good." I knew it wouldn't be hor­ band didn't send me a copy. rid because I have heard The Thrones P:ano play model pop songs ROBERT IAN HERRE s music with strings! The lead singer's before. Some of his songs are •SPERM WHALE' 12" EP voice is comforting, and the well written, but I could do with­ back up vocals blend in quite out the hippie rhythms and the (CD has 'WHITE RABBIT nicely. It might make the band taped over Joe Jackson's Look reverb on his guitar. His vocals WHITE RHBBIT WHITE RABBIT' EP) very happy if I compared them Sharp. Some might say that's ter­ are much lower than I remem­ to Low. Yes, imagine Low as ribly wrong. Well, their tune ber. Maybe it's not the same teenagers and you might just "Luciano" ain't half bad. guy. On the inner cover, Herre for a catalog write ta hear P:ano. Unfortunately, the Danceable, at least, although a printed "The Mocking Bird," a PMB 418 tape takes a turn for the worse little boring. And the horns are Bukowski poem. I like Bukowski on the second side. P.ano turns meek. Yup. Ska music. (No too, but I'd never admit it. (2- 120 STATE ST. NE into a heap of bad samples and kSSS&i DLYMPIA,WA 98501 address) 3318 Main St., Vancouver, BC, loops. Sampling the same sam­ If I said, DWAYNE DIB- V5V 3M7) • ples as The Beastie Boys is lyww.killrackatarg. dftatributea by Maraa*' 7 ^^cAzDOO Offs, The l-4-5s, Spoon, and Silver Scooter all joined together in order to wear lots of must have had a lot of make-up, glitter wigs, and tight fun cutting and pasting pants. Oh yeah, and they play the lady-bits together for 7 W0* glam rock, too. I know what inch you're thinking —"Covers of 'Suffragette City' and '20th Century Boy' on one album? I the orange, pixelated just can't get enough!" Boy, are flesh in the world could you dumb. It's no not distract me from the WF, 5'8", brown hair and else you'd like to compare them good.
Recommended publications
  • An N U Al R Ep O R T 2018 Annual Report
    ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1.
    [Show full text]
  • Jewish Tour Guide Buenos Aires
    Jewish Tour Guide Buenos Aires uncommonlyCirripede or recursive, as fishyback Brandy Blare never converts scored her any spites misdemeanours! propining pointlessly. Chryselephantine Fremont slings hotly. Hale decimate American express or additional cost is served is specifically argentine found in any warranties related to tour guide as time by university of buenos aires is a departure Bsas4u Tours in Buenos Aires and Travel Activities. Flexibility to empty your rithm during the hours we agree. While exploring ba tour guides in jewish population is the air conditioning, ideal for its cheesy transgressions. THINGS TO relay IN BUENOS AIRES. US Dollars per income and makes a green gift. Iguazu river resort in the air to? Your tour guides i could see the air conditioner and guillermo for travel with colonial europe, moved further south east side. Ariel was a wonderful tour guide with knowledge of Buenos Ares is one We thoroughly enjoyed seeing himself the important Jewish sites Also our driver was. Booking site will very modern and jewish tours give you! Jewish Buenos Aires Tour Heritage Historic Jews Community. You my have expect much fun! Buenos Aires City Kosher Jewish Guide Vacations Trips the biggest web. Next our tour guide will bounce you highlight the traditional San Telmo neighborhood in. Visiting the institutions of the Jewish Community are our Buenos Aires Jewish Tour you can travel through its history lest the challenges it has help during the XX century. Get this tour guides that you will accompany your current circumstances or palermo. Salito is pay outstanding tour guide personable knowledgeable and of delight.
    [Show full text]
  • OTHER CAMP: RETHINKING CAMP, the 1990S, and the POLITICS of VISIBILITY
    OTHER CAMP: RETHINKING CAMP, THE 1990s, AND THE POLITICS OF VISIBILITY By Sarah Margaret Panuska A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English—Doctor of Philosophy 2019 ABSTRACT Other Camp: Rethinking Camp, the 1990s, and the Politics of Visibility By Sarah Margaret Panuska Other Camp pairs 1990s experimental media produced by lesbian, bi, and queer women with queer theory to rethink the boundaries of one of cinema’s most beloved and despised genres, camp. I argue that camp is a creative and political practice that helps communities of women reckon with representational voids. This project shows how primarily-lesbian communities, whether black or white, working in the 1990s employed appropriation and practices of curation in their camp projects to represent their identities and communities, where camp is the effect of juxtaposition, incongruity, and the friction between an object’s original and appropriated contexts. Central to Other Camp are the curation-centered approaches to camp in the art of LGBTQ women in the 1990s. I argue that curation— producing art through an assembly of different objects, texts, or artifacts and letting the resonances and tensions between them foster camp effects—is a practice that not only has roots within experimental approaches camp but deep roots in camp scholarship. Relationality is vital to the work that curation does as an artistic practice. I link the relationality in the practice of camp curation to the relation-based approaches of queer theory, Black Studies, and Decolonial theory. My work cultivates the curational roots at the heart of camp and different theoretical approaches to relationality in order to foreground the emergence of curational camp methodologies and approaches to art as they manifest in the work of Sadie Benning, G.B Jones, Kaucyila Brooke and Jane Cottis, Cheryl Dunye, and Vaginal Davis.
    [Show full text]
  • The Renaissance Society Presents Shared Eye, a New Installation by Artist Sadie Benning
    The Renaissance Society presents Shared Eye, a new installation by artist Sadie Benning. In this series of mixed-media panels, images are layered and interpolated, suggesting the complexities of representation inherent in visual communications Shared Eye consists of 40 panels that have been cut up and re-assembled. Composed of mounted digital snapshots, found photographs, objects, and painted elements, the pieces hover between mediums, often starting as a drawing and evolving into a sculptural wall work. The frame ratio of each panel and the number of panels in each of 15 sequences has been determined by the mathematical parameters of Blinky Palermo’s 1976 work To the People of New York City: Palermo’s installation is composed of 40 seemingly non-representational paintings presented in a rhythmic pattern of scale, proximity, and number. In Shared Eye, the juxtaposition of images produces a fragmented but intensely felt friction, similar to what we experience in dreams, or while thinking, when the images stored in our minds unfold and forge new connections to produce narratives. The title of Benning’s installation emphasizes an understanding of vision as a shared act and of perception as a construct built upon a spectrum of separate, converging, associative, and at times conflicting components. This “shared eye” has a certain utility, but it can also manifest as feelings of discomfort, anger, and acts of violence. Shared Eye highlights how internalized and automatic the pervasive surveillance-like affect of Capitalism and its attendant structures of patriarchy, misogyny, racism, and xenophobia can become. The artist illustrates, in both poetic and critical terms, this associative construction of meaning: for Benning, it is imperative to name and disrupt this system of organizing information, as it relates to this particular moment of deep political uncertainty.
    [Show full text]
  • (PDF) Tommyland Anthony Bozza, Tommy
    [PDF] Tommyland Anthony Bozza, Tommy Lee - pdf download free book Free Download Tommyland Ebooks Anthony Bozza, Tommy Lee, PDF Tommyland Popular Download, Free Download Tommyland Full Popular Anthony Bozza, Tommy Lee, free online Tommyland, Download Free Tommyland Book, Download Online Tommyland Book, Download PDF Tommyland Free Online, read online free Tommyland, book pdf Tommyland, Anthony Bozza, Tommy Lee epub Tommyland, Download Tommyland E-Books, Download Online Tommyland Book, Download Tommyland E-Books, Read Online Tommyland Book, Read Tommyland Online Free, Read Best Book Tommyland Online, Tommyland pdf read online, Tommyland Read Download, Tommyland Ebook Download, Free Download Tommyland Books [E-BOOK] Tommyland Full eBook, CLICK HERE FOR DOWNLOAD pdf, mobi, epub, azw, kindle Description: Review "The pages vibrate with Lee's crazy energy." -- Entertainment Weekly "As good as the gold in Goldschlager." -- Time "A compelling yet obscene personal treatise, on fame and the insanity of out celebrity- crazed culture." -- The Washington Post "Deliciously dirty." -- Glamour About the Author Tommy Lee was born in Athens, Greece, and moved with his family to California at the age of one. In his musical career he is famous for being the wild drummer of one of the most successful and outrageous bands of the 1980s. A master showman, Lee's antics included performing onstage with a revolving drum kit. Since Mötley Crüe, he has devoted himself to the rap-metal act Methods of Mayhem, on which he collaborated with programming expert Scott Humphrey and rapper TiLo. Lee's last album, a more traditional hard-rock collection, Never a Dull Moment, was released in 2002.
    [Show full text]
  • Club Cele- Brates Islamic Week of Aware- Nevent: the Week Wear One Someday
    C A LIFO R NI A S T A T E U NIVE RS IT Y , F U LLE R TON INSIDE A look inside the newest 3 n NEWS: A student’s passion reflected in her hotel in dancing Las Vegas 4 nSPORTS: Fencing team cuts out three —see Detour opponents on Sunday page 7 VOLUME 69, I SSUE 37 THURSDAY N OVEMBER 11, 1999 Club cele- brates Islamic week of aware- nEVENT: The week wear one someday. “Lots of girls wear crop tops and began with several tight clothes to get noticed,” Farooqui said. “They get attention, but do they speakers and ended get respect? I don’t think so. It’s silly to think that the hijaab means a with a dinner woman is oppressed.” Another misconception discussed, BY TRACYE BISHOP is that Muslims are all Arab terror- Staff Writer ists. According to Rafiek Jadallh, a senior majoring in religious studies, As part of Islamic Awareness Week, the media - movies in particular - is the Muslim Student Association partly to blame for this stereotype. (MSA) hosted a series of discussions “Films like ‘True Lies’ and ‘Not in an effort to inform both Muslims Without my Daughter’ do not show us and non-Muslims about the Islamic in a positive light,” Jadallh said. faith. Jadallh continued by saying that The series on Islam started Monday some recent movies, such as “13th evening with a discussion of miscon- Warrior” and “Three Kings,” have ceptions and stereotypes. done a better job portraying Muslims One of the most prevalent mis- accurately. RUSS LAHODNY/Daily Titan conceptions surrounding Muslims Dianna Williams (above, below) pretends to have suffered lacerations to her arms and forehead for the bomb preparedness activity.
    [Show full text]
  • VAGRANT RECORDS the Lndie to Watch
    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
    [Show full text]
  • The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
    Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC).
    [Show full text]
  • New Queer Cinema, a 25-Film Series Commemorating the 20Th Anniversary of the Watershed Year for New Queer Cinema, Oct 9 & 11—16
    BAMcinématek presents Born in Flames: New Queer Cinema, a 25-film series commemorating the 20th anniversary of the watershed year for New Queer Cinema, Oct 9 & 11—16 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Sep 14, 2012—From Tuesday, October 9 through Tuesday, October 16, BAMcinématek presents Born in Flames: New Queer Cinema, a series commemorating the 20th anniversary of the term ―New Queer Cinema‖ and coinciding with LGBT History Month. A loosely defined subset of the independent film zeitgeist of the early 1990s, New Queer Cinema saw a number of openly gay artists break out with films that vented anger over homophobic policies of the Reagan and Thatcher governments and the grim realities of the AIDS epidemic with aesthetically and politically radical images of gay life. This primer of new queer classics includes more than two dozen LGBT-themed features and short films, including important early works by directors Todd Haynes, Gus Van Sant, and Gregg Araki, and experimental filmmakers Peggy Ahwesh, Luther Price, and Isaac Julien. New Queer Cinema was first named and defined 20 years ago in a brief but influential article in Sight & Sound by critic B. Ruby Rich, who noted a confluence of gay-oriented films among the most acclaimed entries in the Sundance, Toronto, and New Directors/New Films festivals of 1991 and 1992. Rich called it ―Homo Pomo,‖ a self-aware style defined by ―appropriation and pastiche, irony, as well as a reworking of history with social constructionism very much in mind . irreverent, energetic, alternately minimalist and excessive.‖ The most prominent of the films Rich catalogued were Tom Kalin’s Leopold and Loeb story Swoon (the subject of a 20th anniversary BAMcinématek tribute on September 13) and Haynes’ Sundance Grand Jury Prize winner Poison (1991—Oct 12), an unpolished but complex triptych of unrelated, stylistically diverse, Jean Genet-inspired stories.
    [Show full text]
  • Razorcake Issue
    RIP THIS PAGE OUT Curious about how to realistically help Razorcake? If you wish to donate through the mail, please rip this page out and send it to: Razorcake/Gorsky Press, Inc. PO Box 42129 Los Angeles, CA 90042 Just NAME: turn ADDRESS: the EMAIL: page. DONATION AMOUNT: 5D]RUFDNH*RUVN\3UHVV,QFD&DOLIRUQLDQRWIRUSUR¿WFRUSRUDWLRQLVUHJLVWHUHG DVDFKDULWDEOHRUJDQL]DWLRQZLWKWKH6WDWHRI&DOLIRUQLD¶V6HFUHWDU\RI6WDWHDQGKDV EHHQJUDQWHGRI¿FLDOWD[H[HPSWVWDWXV VHFWLRQ F RIWKH,QWHUQDO5HYHQXH &RGH IURPWKH8QLWHG6WDWHV,562XUWD[,'QXPEHULV <RXUJLIWLVWD[GHGXFWLEOHWRWKHIXOOH[WHQWSURYLGHGE\ODZ SUBSCRIBE AND HELP KEEP RAZORCAKE IN BUSINESS Subscription rates for a one year, six-issue subscription: U.S. – bulk: $16.50 • U.S. – 1st class, in envelope: $22.50 Prisoners: $22.50 • Canada: $25.00 • Mexico: $33.00 Anywhere else: $50.00 (U.S. funds: checks, cash, or money order) We Do Our Part www.razorcake.org Name Email Address City State Zip U.S. subscribers (sorry world, int’l postage sucks) will receive either Grabass Charlestons, Dale and the Careeners CD (No Idea) or the Awesome Fest 666 Compilation (courtesy of Awesome Fest). Although it never hurts to circle one, we can’t promise what you’ll get. Return this with your payment to: Razorcake, PO Box 42129, LA, CA 90042 If you want your subscription to start with an issue other than #72, please indicate what number. TEN NEW REASONS TO DONATE TO RAZORCAKE VPDQ\RI\RXSUREDEO\DOUHDG\NQRZRazorcake ALVDERQDILGHQRQSURILWPXVLFPDJD]LQHGHGLFDWHG WRVXSSRUWLQJLQGHSHQGHQWPXVLFFXOWXUH$OOGRQDWLRQV The Donation Incentives are…
    [Show full text]
  • Kid Congo Powers Double Record Release Party
    KID CONGO POWERS DOUBLE RECORD RELEASE PARTY KID CONGO POWERS DOUBLE RECORD RELEASE PARTY Tonic, March 3, 2006 Kid Congo Powers is celebrating the release of two albums on March 3, 2006 at Tonic. The first, Solo Cholo, is a career-spanning compilation focusing on the legendary guitarist’s work as a vocalist and songwriter from 1985 to the present. The second, Philosophy and Underwear, is the debut recording of his current New York band, Kid Congo and the Pink Monkey Birds - in which Kid not only sings, but also plays blistering dual guitars with ace Jack Martin (Knoxville Girls, Honeymoon Killers, etc.). After twenty-five years in the recording business (The Cramps’ Psychedelic Jungle was 1981), these two albums are the first full-length recordings that focus on Kid’s songs. The event also marks New York Night Train (www.newyorknighttrain.com) webzine’s debut as a record label. For this momentous occasion Kid has gathered an all-star cast of collaborators, friends, and favorites that will amount to one of the most unusual assemblages of underground figures in downtown history. The headliner is of course Kid Congo and the Pink Monkey Birds. The Birds will also back up Thalia Zedek (ex-Come, Live Skull, Uzi, etc.) on a few Gun Club numbers (Zedek is the vocalist who reminds Kid most of Jeffrey Lee Pierce). Another highlight of the evening is the reunion of the original New York version of Congo Norvell – Kid, Sally Norvell (actress, ex-Norvells, Prohibition, etc.), Jim Sclavunos (Nick Cave and the Bad Seeds and Vanity Set, ex-Sonic Youth, Cramps, etc.), Paul Wallfisch (Botanica, ex-Firewater, Love and Rockets, etc.), and Brian Emrich (film composer, ex-Foetus, Toasters, etc.).
    [Show full text]
  • Newsletter August/September 2018 Hanover Area Arts Guild
    Newsletter August/September 2018 Hanover Area Arts Guild Dates to Note: It’s Membership Renewal Time Aug 3: Arts Guild students The membership year in the Arts Guild runs from September 1 through August 31. That with work on display may means it’s time to renew for the 2018-2019 membership year. Dues remain the same for pick up work, if desired all categories of membership. Note that “youth” membership has been reclassified as Through Aug 31: Annual “student” membership for anyone under the age of 18, as well as anyone who can show a $99 & Under Sale; Art valid college student ID. Renewal rates are: from Arts Guild Classes Active/Adult member - $50 in west gallery Family membership - $70 Aug 13: Board meeting, Student member - $15 7pm You will not receive a renewal notice in the mail. Please send a check to the gallery, or Aug 18&19: Front desk stop in to renew in person (we’d love to see you!). If any of your contact information has remodeling changed (name, address, phone, email), be sure to let us know when you renew. Cash, Sept 1: Membership year check and credit cards are accepted. Remember, your membership must be current for begins – are your dues you to display your artwork, to enter the Fall Show, and to get a discount on classes. paid? Corporate and supporting members are receiving separate renewal notifications. Sept 4: Gallery committee meets, 9am Sept 4-29: Exhibit of Art Newsletter News from The Drawing Room Sept 10: Board meeting, If you read the last issue of the newsletter, you know that a change to bi-monthly publication was pending.
    [Show full text]