Finding Hope
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Number 70, 09/10/2015
No. 70 STATE OF MICHIGAN JOURNAL OF THE House of Representatives 98th Legislature REGULAR SESSION OF 2015 House Chamber, Lansing, Thursday, September 10, 2015. 12:00 Noon. The House was called to order by the Speaker. The roll was called by the Clerk of the House of Representatives, who announced that a quorum was present. Afendoulis—present Gamrat—present Kosowski—present Potvin—present Banks—present Garcia—present LaFontaine—present Price—present Barrett—present Garrett—present Lane—present Pscholka—present Bizon—present Gay-Dagnogo—present Lauwers—present Rendon—present Brinks—present Geiss—present LaVoy—present Roberts, B.—present Brunner—present Glardon—present Leonard—present Roberts, S.—present Bumstead—present Glenn—present Leutheuser—present Robinson—present Byrd—present Goike—present Liberati—present Runestad—present Callton—present Graves—present Love—present Rutledge—present Canfield—present Greig—present Lucido—present Santana—present Chang—present Greimel—present Lyons—present Schor—present Chatfield—present Guerra—present Maturen—present Sheppard—present Chirkun—present Heise—present McBroom—present Singh—present Clemente—excused Hoadley—present McCready—present Smiley—present Cochran—present Hooker—present Miller, A.—present Somerville—present Cole—present Hovey-Wright—present Miller, D.—present Talabi—present Cotter—present Howrylak—present Moss—present Tedder—present Courser—present Hughes—present Muxlow—present Theis—present Cox—present Iden—present Neeley—present Townsend—present Crawford—present Inman—present Nesbitt—present -
BROKEN HORN BULL a Collection of Essays
BROKEN HORN BULL A Collection of Essays by MARTIN ANBEGWON ATUIRE B.A., University of Colorado, Denver, l998 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Fine Arts Department of English 2011 This thesis entitled: Broken Horn Bull A Collection of Essays written by Martin Anbegwon Atuire has been approved for the Department of English Associate Professor Marcia Douglas Associate Professor John-Michael Rivera _________________________________________ Assistant Professor Noah Eli Gordon Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Abstract Atuire, Martin Anbegwon (M.F.A. English, Creative Writing) Broken Horn Bull A Collection of Essays Thesis directed by Associate Professor Marcia Douglas I am a native Buli speaker and belong to the second generation of Bulsa who had the chance to obtain formal education in English. None of my grandparents, and hardly anyone from their generation had the opportunity to go to school. The first schools were established by the British beginning with my father’s generation. My mother never had the opportunity to go to school. She was therefore non-literate in English and Buli. During the colonial era, schools were mostly in the southern part of Ghana while the north, where I come from, was mostly left alone to its native ways and native forms of education. With such background I find myself as a writer working at a very interesting and exciting time in the history of our language and narrative forms. -
Office Space
1 EXT. DR. SWANSON'S OFFICE - NIGHT Peter and Anne sit in chairs along with another couple about the same age as Peter and Anne. It's a group-therapy type situation. They are in a small semicircle around DR. SWANSON, an extremely overweight, unhealthy-looking, middle aged psychologists. Peter is "opening up." PETER ...and I was sitting in my cubicle this morning and I thought -- this is as good as it's ever going to get. I'm probably gonna spend the next forty years of my life at a job like this. In fact, ever since I started working, every single day of my life has been the worse than the day before it. So that means that every single day you see me, it's the worse day of my life. DR. SWANSON So what about today? Is today the worse day of your life? PETER Yep. DR. SWANSON Wow, that's messed up. (Catching himself) I'm sorry. Go on. PETER So I was hoping that maybe you could sort of zonk me out so that I'm not aware that I'm even at work -- like I come home and I think I've been fishing all day or something. DR. SWANSON Well, that's not really what I do Peter. (Looking over his notes) What this sounds like to me is a typical mid-life crisis... ANNE But he's only 26. DR. SWANSON Yes that is a little young, but nowadays mid-life crises have been (MORE) 2 DR. SWANSON (CONT'D) known to happen as early as nineteen. -
Grace and Peace Home Worship Guide for June 21, 2020 Opening
Grace and Peace Home Worship Guide for June 21, 2020 Opening Prayer Call to Worship Psalm 65:1-4 Song1 “Better Is One Day” Scripture John 6:60-71 Sermon2 “Take A Good Look” Pastor Jonathan Olsen Prayer Giving3 Song “In Christ Alone” Benediction 1 Thessalonians 5:23-24, 28 1 Lyrics are provided in this PDF. 2 A full transcript of the sermon is provided in this PDF. 3 You can give online through our website, our church app, or by mail. Better Is One Day In Christ Alone How lovely is Your dwelling place, O Lord almighty In Christ alone my hope is found, He is my light my strength my song For my soul longs and even faints for You This Cornerstone this solid Ground, firm through the fiercest drought and storm For here my heart is satisfied within Your presence What heights of love what depths of peace I sing beneath the shadow of Your wings When fears are stilled when strivings cease My Comforter my All in All, here in the love of Christ I stand CHORUS: Better is one day in Your courts, better is one day in Your house In Christ alone who took on flesh, fullness of God in helpless babe Better is one day in Your courts than thousands elsewhere This gift of love and righteousness, scorned by the ones He came to save (Than thousands elsewhere) Till on that cross as Jesus died, the wrath of God was satisfied For every sin on Him was laid, here in the death of Christ I live One thing I ask and I would seek, to see Your beauty To find You in the place Your glory dwells There in the ground His body lay, light of the world by darkness slain (REPEAT) -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Angry, for the Way I Have Treated Myself
Meet Sam Literary Magazine Staff Members & Editorial/Advertising Policy Anabel Hjellen Editor-in-Chief Suben Hwang Associate Editors-in-Chief Natasha Britt Entertainment Editor Juan Gomez Chyanne Chambers Yaneli Cortes Paul Cummings Jada Jackson Shahed-Fatim Aisheh Staff Writers Kyle LoJacono Advisor Contents By Suben Hwang ........................................................................................................................................... 4 By Juan Gomez .............................................................................................................................................. 8 By Shahed-Fatim Aisheh ............................................................................................................................. 12 By Anabel Hjellen-Diaz ................................................................................................................................ 16 By Chyanne Chambers ................................................................................................................................ 22 By Jada Jackson ........................................................................................................................................... 29 By Paul Cummings ....................................................................................................................................... 38 By Natasha Britt .......................................................................................................................................... 48 By -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Walk Away Pastor Ted Cunningham
Sacred Echoes Part 1 – Walk Away Pastor Ted Cunningham Today, we are starting a new series called Sacred Echoes. What is the sacred echo? Years ago, my friend, Margret Feinberg, wrote a book called The Sacred Echo. She’s been here a couple of times. Her last time here, she helped train speakers and writers at our church with how to write better. She calls the sacred echo God using his Word in our lives. It just shows up at unexpected times and through different people and places. For the month of November, we want to explore the sacred echo. We hope to hear from you about your sacred echo. The teaching team will be participating in this over the next month. We’re going to start today with the sacred echo I’ve had for a little while now and that is talking about walking away. We’re going to talk about five toxic people that you need to walk away from. But, before we jump into that, I want to just share with you a definition, a brief introduction into the idea of sacred echoes. In Hebrews 4, we read, 12 For the word of God is alive and active. And all God’s people said… Amen. This is not a book that you read and walk away from; this is a book you read, and it changes you because this is the Word of God. You should go to this book to feed you every day, to nourish you, to correct you, to challenge you, and to change you. -
Jo Ellis (Completed 12/13/20) Page 1 of 15 Transcript by Rev.Com
This transcript was exported on Dec 18, 2020 - view latest version here. Speaker0 (00:12): You're listening to the journey on podcast with Warwck Schiller. Warwick is a horseman trainer, international clinician and author, whose mission is to help people achieve a deeper connection with their horses through his transformational training program. Warwick (00:35): G'day everybody it's Warwick Schiller and welcome back to another episode of the journey on podcast. You know, you might've heard at the start of this episode and the previous episodes, there's this catchy little song that plays that the lyrics started out journey on the magic laws within the trials we ride. And I want to tell you a little bit about that, uh, that song as a whole song, we'll play it for you here in a minute. But I was contacted a couple of years ago. Well, maybe a year or so ago by a fellow named Joe Ellis from South Africa. And he sent me an email and he said that he is a, uh, a music producer and he's also a subscriber to my online videos. And he had some epiphanies after to, after watching the online videos and going through the work with his own horses and, uh, that he used to be a musician and used to read a lot of songs and had not written or recorded for quite a while since he's been just doing that, the music producing. Warwick (01:29): And, uh, so he, he said he he'd written this song and he actually sent me a, um, an acoustic version of that song and I listened to it and I just absolutely loved it. -
Boas Feministas, Enquanto Para Madonna, Expressar Sua Sexualidade Era Algo Que Deveria Ser Natural a Todos
a i n d a e s t o u a q u i a i n d a e s t o u a q u i aa i i n d d a a ee s s t o o u u aa q q u u i i a i n d a e s t o u a q u i a i n d a e s t o u a q u i inspirado no projeto MADONNA,SEXAGENÁRIA sesc rio preto agosto de 2018 Asas pessoaspessoas dizemdizem queque sousou cAs o n t rpessoas o v e r s a . cdizem o n t r oque v e rsou s a . Masmasc o n tachoacho r o v e r sque aque . aa Mascoisacoisa acho mais maisque controversaco na t rcoisa o v e rquemais s a fizque foi c ofiz n f t ricar o v efoi r s a aqui.f ique cM ichaelfiz a rfoi sea foi. qficar u Tupac i aqui.. semichael foi.Michael sePrince foi. se foi. setupac foi. seTupacWhitney foi. se foi. seprince foi. sePrince foi.Amy se foi. Winehousewhitney seseWhitney foi.foi. se foi. Amy Winehouse Davidamy winehouse w se foi.. se foi. david bowiese foi. David se foi...Bowie se f...oi. mas ainda estou aqui. HEY BRASIL, VAMOS PIMBAR! por Harlen Félix, 40 ator e jornalista “Hey, Brasil, vamos pimbar!” Era isso que Madonna falava ao microfone enquanto descia no palco, minimamente vestida, sentada sobre um enorme globo de espelhos, na turnê The Girlie Show, que marcou sua primeira passagem pelo Brasil, em 1993. -
Madonna's Postmodern Revolution
Journal of Literature and Art Studies, January 2021, Vol. 11, No. 1, 26-32 doi: 10.17265/2159-5836/2021.01.004 D DAVID PUBLISHING The Rebel Madame: Madonna’s Postmodern Revolution Diego Santos Vieira de Jesus ESPM-Rio, Rio de Janeiro, Brazil The aim is to examine Madonna’s revolution regarding gender, sexuality, politics, and religion with the focus on her songs, videos, and live performances. The main argument indicates that Madonna has used postmodern strategies of representation to challenge the foundational truths of sex and gender, promote gender deconstruction and sexual multiplicity, create political sites of resistance, question the Catholic dissociation between the physical and the divine, and bring visual and musical influences from multiple cultures and marginalized identities. Keywords: Madonna, postmodernism, pop culture, sex, gender, sexuality, politics, religion, spirituality Introduction Madonna is not only the world’s highest earning female entertainer, but a pop culture icon. Her career is based on an overall direction that incorporates vision, customer and industry insight, leveraging competences and weaknesses, consistent implementation, and a drive towards continuous renewal. She constructed herself often rewriting her past, organized her own cult borrowing from multiple subaltern subcultures, and targeted different audiences. As a postmodern icon, Madonna also reflects social contradictions and attitudes toward sexuality and religion and addresses the complexities of race and gender. Her use of multiple media—music, concert tours, films, and videos—shows how images and symbols associated with multiracial, LGBT, and feminist groups were inserted into the mainstream. She gave voice to political interventions in mass popular culture, although many critics argue that subaltern voices were co-opted to provide maximum profit. -
Emotional Storytelling Choreography—A Look Into the Work of Mia Michaels
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2011 Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels Bethany Emery Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2534 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Bethany Lynn Emery 2011 All Right Reserved Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Bethany Lynn Emery M.F.A., Virginia Commonwealth University, 2011 M.A.R., Liberty Theological Seminary, 2003 BA, Alma College, 2001 Directors: Amy Hutton and Patti D’Beck, Assistant Professors, Department of Theatre Virginia Commonwealth University Richmond, Virginia July 2011 ii Acknowledgement The author would like to thank several people. I would like to thank my committee members Professor Amy Hutton, Dr. Noreen Barnes and Professor Patti D’Beck for sticking with me through this process and taking time during their summer plans to finish it out. I especially would like to thank Professor Hutton for her guiding hand, honest approach while also having an encouraging spirit. I would like to thank friends Sarah and Lowell for always being there for me though the happy and frustrating days.