DOCSLIB.ORG

International Students' Concert & Live Webcast

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
International Students' Concert & Live Webcast DISTANCE LEARNING AND RECORDING ARTS 12TH ANNUAL INTERNATIONAL STUDENTS’ CONCERT & LIVE WEBCAST dl.msmnyc.edu/live TUESDAY, APRIL 11, 2017 | 7:30 PM THE WILLIAM R. AND IRENE D. MILLER RECITAL HALL TUESDAY, APRIL 11, 2017 | 7:30 PM THE WILLIAM R. AND IRENE D. MILLER RECITAL HALL 12TH ANNUAL INTERNATIONAL STUDENTS’ CONCERT & LIVE WEBCAST PROGRAM PAUL HINDEMITH Viola Sonata, Op. 11, no. 4 (1895–1963) Fantasie Thema mit Variationen Anna-Lea Rebholz, viola (Germany) Yadi Liang, piano (China) One of the leading German composers of the 20th century, Paul Hindemith wrote pieces for almost every instrument. What is remarkable is that he was also able to play nearly all of them. His music reflected the realities of the challenging years after the First World War. In 1919 Paul Hindemith composed the first sonata for viola and piano, which is in a romantic style. As a professional viola player himself, he endeavored to demonstrate the graceful and expressive sound of the viola. TURKAR GASIMZADE Shur makam (b. 1988) Humay Gasimzade, piano (Azerbaijan) In Shur makam, the music techniques of makam—the traditional classical music of Azerbaijan—are explored through traditional prelude and fugue form. Turkar Gasimzade’s music makes extensive use of makam modes and its features. XINJIANG FOLK SONG 一杯美酒 A Cup of Good Wine ARR. DONGYONG JI Xiaoyue Liu, soprano (China) Lingyao Mu, piano (China) This traditional folk song expresses a young woman’s love. She regards her adoration of her lover as a cup of good wine. If the man she loves drinks the wine, he will be completely immersed in the sweetness of love. This song’s melody and rhythm display typical Chinese features and always make people want to dance. SU JIN KANG Meteorite (2017) (b. 1994) Su Jin Kang, composer (South Korea) Martha Cargo, alto flute, C flute, and piccolo (United States) I was inspired to write Meteorite after visiting my old friend, Hayley Smith, in the summer of 2016 after she had surgery to remove a brain tumor. After her surgery, she found out the tumor had been cancerous. Thankfully the surgery went well and my friends and I were able to spend time with Hayley to celebrate her health and support her in her life-altering experience. It was amazing to see Hayley stay positive in the face of uncertainty and pain. Meteorite was specifically inspired by my experience star-gazing with Hayley and some friends at a cabin in Maine. Lying down on a deck on a pitch-black night gazing at the sky, we saw shooting stars and were amazed by the beauty before our eyes. What joy it is to experience beauty with friends who love and care for each other: This piece commemorates the beauty that was displayed in the starry sky and the joy and love I experienced with Hayley and friends. ISAAC ALBÉNIZ Sevilla (Sevillana) from Suite Española, Op. 47 (1860–1909) Fabio Álvarez, piano (Spain) In the works constituting the Suite Española, the first title,Sevilla, refers to the region that the piece represents and the subtitle, Sevillanas, indicates the musical form of the dance of the region. In describing his Suite Española, Albéniz wrote This music is a bit infantile, plain, spirited; but in the end, the people, our Spanish people, are something of all that… there is less musical science, less of the grand idea, but more color, sunlight, flavor of olives…It appears to me like the carvings in the Alhambra, those peculiar arabesques that say nothing with their turns and shapes, but which are like the air, like the sun, like the blackbirds or like the nightingales of its garden. GERARDO GUEVARA El Espantapájaros (b. 1930) Despedida David Vázquez Jaramillo, guitar (Ecuador) Martín Granda Vintimilla, guitar (Ecuador) Xiaoyue Liu, soprano (China) Gerardo Guevara was born in 1930 in Quito, Ecuador. In 1959 he traveled to Paris, where he studied composition with Nadia Boulanger at the École Normale de Musique on a scholarship from UNESCO. He also studied musicology at the Sorbonne. After twelve years in Paris, Guevara decided to go back to Ecuador. Back in his home country he served as conductor of the National Symphony Orchestra and director of the National Conservatory of Music, where he taught. Considered the link between generations of nationalist musicians and contemporary musical proponents, Guevara is one of the most relevant and important composers in Ecuador. Both of these pieces were composed by Guevara with a pasillo rhythm, one of the most popular in Ecuadorian folk music. Pasillo in Spanish literally means “little step.” At first this rhythm was conceived as a fast instrumental dance written in a ¾ measure. Over time it acquired a slower tempo and poetic lyrics, giving it a melancholic and nostalgic feeling instead of a festive dance spirit. El Espantapájaros was originally written for solo piano, while Despedida was written for piano and soprano. The arrangements for solo guitar and guitar soprano duo at this performance were made by David Vázquez. TEXTS AND TRANSLATIONS Despedida Farewell Adiós amor, Adieu my love, Adiós querida, Adieu my dear, Te dejo esta canción de amor y en I leave you this love song and with ella mi vida, it my life. Mis ojos llorarán por tus negros ojos, My eyes will cry for your black eyes, Mis labios sufrirán la ausencia de My lips will suffer the absence of tus besos. your kisses. Y seguiré viviendo, y viviré And I will keep on living, and I will soñando, live dreaming, 4 Y soñaré en el beso que vuelva a And I will dream on the kiss that encontrarnos. meets us again Adiós amor, te llevaré en mi alma Adieu my love, I will take you in my prendida, enlightened soul, Te dejo esta canción de amor y en I leave you this love song and with it ella mi vida. my life. FRANCISCO SANTIAGO Madaling Araw (1889–1947) ERNANI CUENCO Nahan (1936–1988) (Text by Levi Celerio) Ramon Gabriel S. Tenefrancia, tenor (Philippines) Yibai Shao, piano (China) Madaling Araw is among the immortal kundiman (songs expressing intense love) in the Philippine repertoire, composed by Philippine National Artist for Music Francisco Santiago. Although the topic of the kundiman is often unrequited love, Santiago’s kundiman tend to convey a more hopeful message. Madaling Araw is a desperate call to a lover to return and once again be the light of the poet’s life. Nahan is one of the popular compositions of Philippine National Artist for Music Ernani Cuenco, with a text by another Philippine artist, Levi Celerio. The song is about two lovers, one who refuses to express love openly and the other who tries sweetly to draw it out. The song is representative of Philippine lambing (tenderness). TEXTS AND TRANSLATIONS Madaling Araw Dawn Irog kong dinggin ang tibok ng puso My dear, listen to the beat of my Sana’y damdamin hirap nang heart sumuyo Feel the suffering of one who woos Manong itunghay ang matang Look at the tender eyes mapungay That are the only light in my na siyang tanging ilaw ng buhay fading life kong papanaw. In the midst of darkness, let your Sa gitna ng kadimlan, magmadaling dawn come araw ka And I am suspended in mercy and At ako ay lawitan ng habag at passion 5 pagsinta. And I will die of the sadness of life Kung ako’y mamatay sa lungkot, Come closer and I live niaring buhay And if that happens my love, my Lumapit ka lang at mabubuhay life will be blessed At kung magkagayon mutya, I will experience happiness mapalad ang buhay ko because of you Magdaranas ng t’wa ng dahil sa iyo You are the dawn my love, my Madaling araw ka sinta liwanag bright star ko’t tanglaw Come my love, and love me Halina irog ko at mahalin mo ako Look my love, Manungaw ka liyag My light and aspirations Ilaw ko’t pangarap And here is the dawn at madaling araw na. Nahan Where Diba sabi mo’y kay ganda ng lahat Didn’t you say everything was Kulay rosas pa ang mga bulaklak beautiful? Tila sa akin ay ayaw kang magtapat Weren’t the flowers even rosy pink? ‘Yan ba ang sabi mong pag-ibig ay You seem unwilling to open up to wagas me. Ang iyong ngiti dati ay kay tamis Is this what you called eternal love? Pag ikaw at ako ay nagkakalapit Your smiles used to be so sweet Nahan ang yakap mong dati ay When you and I came close to each mahigpit other At ang ligaya kong, matamis mong Where are your embraces that used halik. to be so tight? And my joy, your sweet kisses. NICANOR ABELARDO Mutya ng Pasig (1926) (1893–1934) (Text by Deogracias del Rosario) Jamie Charisse Sampana, soprano (Philippines) Yibai Shao, piano (China) Mutya ng Pasig is another kundiman love song from the Philippines, this one based on a folktale. It is about the tragic fate of a beautiful maiden. 6 TEXT AND TRANSLATION Mutya ng Pasig The Muse of Pasig Kung gabing ang buwan At night when the moon sa langit ay nakadungaw; gazes down from the heavens; Tila ginigising ng habagat As if roused by the warm monsoon winds sa kanyang pagtulog sa tubig; from her sleep in the deep. Ang isang larawang puti at busilak A picture of paleness and passion, Na lugay ang buhok na animo’y agos; with her hair flowing down like waves; Ito ang Mutya ng Pasig! this is the Lady of Pasig, Ito ang Mutya ng Pasig. this is the Lady of Pasig.
Load more

Recommended publications
  • Administration of Donald J. Trump, 2019 Remarks at the National
    Administration of Donald J. Trump, 2019 Remarks at the National Governors Association Dinner February 24, 2019 Thank you very much, everybody. This is an honor. Fifty-nine Governors. Think of that. But we actually have—we added a few from the islands, so we broke it down to 49. But we love to exaggerate just a little bit. [Laughter] This has been a—really, a great couple of days. We've had a lot of fun together. And it's been, you know, very special. We've gotten to know each other. We've gotten to like each other, in almost all cases. Let's see, one or two cases. Every case, I would say. [Laughter] Every single case. I just want to thank Vice President Mike Pence and our Second Lady, Karen. Thank you very much. Thank you, Mike, very much. And I especially want to thank our really great Cabinet for being here. We have most members of the Cabinet and our great new Attorney General. And, Bill Barr and Mrs. Barr, thank you very much. Thank you. I can say this: Our country is doing very, very well. We are doing record business. We're doing record employment. Right now we have the most people working in our country than ever in the history of our country, close to 160 million people. And that's a big thing. And I'll give you a little advance information. I see Steve Mnuchin is here, and Ambassador Lighthizer. We just left a big meeting with China, and we just put out a statement, and we're doing very well with China.
    [Show full text]
  • 2016 YEAR in REVIEW Drexzy Jian Plays with Building Blocks in a Sponsorship-Supported Early Childhood Care and Development Center the POWER in the Philippines
    CHILD SPONSORSHIP: 2016 YEAR IN REVIEW Drexzy Jian plays with building blocks in a sponsorship-supported early childhood care and development center THE POWER in the Philippines. OF CHILD 2016 YEAR SPONSORSHIP IN REVIEW In 2016, we put your Photo: Save the Children in the Philippines generosity to work, giving the world’s children what every child deserves — a future. Photo: Save the Children in Malawi Sponsorship Reaches Children In Nepal, children build strong Our pioneering sponsorship programs address the foundations in sponsorship programs that will set them unique needs of the world’s most vulnerable children, on a path to success. THE POWER OF CHILD SPONSORSHIP 3 Sponsorship Reaches Children giving them a healthy start, the opportunity to 4 Numbers to Know learn and protection from harm. We empower local YOUR IMPACT 6 Together, We Make a World of Difference communities to achieve immediate and lasting change 8 Our Sponsorship Community Impact for girls and boys in desperate need. Because every 10 Our Work in the United States 12 Pioneers in Sponsorship child deserves the best chance for a bright future. 16 Innovating for the Future A COMMUNITY OF SPONSORS MIRACLE HAPPY 18 Sanyu Comes Home Save the Children 20 Girls Light Up the World staff in Haiti help children write letters 21 Partnering for Good Their Names Say It All to their sponsors, an We dedicate this year’s report to Miracle, Happy and all the sponsored important part of WHO’S WHO the sponsorship children whose names remind us of the joy of sponsorship. Nine-year- 22 Our Dedicated Team experience.
    [Show full text]
  • March 2010 Quebec Sales Tax to Increase
    Volume XXVIIi, No. 3 March 2010 www.filipinostar.org Quebec sales tax to increase By: THE CANADIAN PRESS the sales tax, you can decide to save 10/03/2010 5:58 PM before you spend," he said. QUEBEC - Quebec's economic Rumours have been development minister says an increase circulating that Finance Minister in the provincial sales tax would be fair Raymond Bachand plans to include and be better than raising income two successive sales tax increases of taxes. one percentage point each when he "After turning over all the rocks tables his budget near the end of the and looking at cuts, if we go in that month. direction, the sales tax would have less The second hike would be of a negative impact," Clement Gignac added to the increase of one said Wednesday. percentage point already scheduled Gignac said an increase in the for January 2011. That was laid out in a sales tax would be fairer because previous budget. everyone, including businesses, pays The two increases would plug the tax when they buy something. the holes left by the reduction of two Citing experts, Gignac added percentage points in the federal GST the measure would likely encourage and would give Quebec about $3.2 people to save money. billion. Increase in the rate of the "If you take (money) off a paycheque, Québec you don't really get a choice but with See Page 4 Quebec Sales Tax Clement Gignac, Quebec’s economic development minister Highly acclaimed Panday Tinig celebrates silver anniversary The Panday Tinig Choral Ensemble will celebrate its 25th anniversary on Saturday, April 24, 2010 at 6:30 p.m.
    [Show full text]
  • BETTER TIMES AHEAD About the Cover
    BETTER TIMES AHEAD About the cover The year 2009 could have been a diffi cult year were it not for the Filipinos’ indominable spirit. Amidst the many challenges, GMA Network, Inc. capitalized on its strength and moved forward decisively, unwavering in its faith that together, Filipinos will rise above all these and look forward to better times ahead. rhick_COVER-BACK.indd 1 5/8/2010 1:45:09 PM CONTENTS 2 Corporate Purpose, Vision and Core Values 6 Better Times Ahead Chairman’s Message 14 On Target Report on Operations 20 Profi le of the Business 34 Corporate Social Responsibility 40 Advocating Good Governance 44 Awards 46 Corporate Governance 50 Executive Profi le 60 Financial Statements 120 Contact Information INSIDE FRONT.indd 1 4/27/2010 4:56:11 PM CORPORATE PURPOSE We enrich the lives of Filipinos everywhere with superior Entertainment and the responsible delivery of News and Informati on. CORPORATE VISION We are the most respected, undisputed leader in the Philippine broadcast industry and the recognized media innovator and pacesett er in Asia. We are the Filipinos’ favorite network. We are the adverti sers’ preferred partner. We are the employer of choice in our industry. We provide the best returns to our shareholders. We are a key partner in promoti ng the best in the Filipino. CORE VALUES We place God above all. We believe that the viewer is Boss. We value our People as our best assets. We uphold Integrity and Transparency. We are driven by our Passion for Excellence. We strive for Effi ciency in everything we do.
    [Show full text]
  • Pandaigdig Na Saligan Sa Pagbibigay Ng Informasyon Sa Osaka
    Pangunahing Kaalaman para sa Pamumuhay sa Osaka （Filipino Edisyon） Pandaigdig na Saligan sa Pagbibigay ng Informasyon sa Osaka Ni-rebiso noong Nobyembre 2019 Kaalamang Esensyal sa Pamumuhay sa Osaka Table of Contents Index Ayon sa Layunin Ⅰ. Pagtugon sa Emerhensiya ・・・1 1. Listahan ng mga Telepono para sa Emerhensiya 2. Sa Isang Emerhensiya (Sunog, Biglaang Pagkakasakit, Krimen) Sunog, Biglaang Pagkakasakit at Kapinsalaan, atbp., Kapag Naging Biktima ng Krimen, Paghingi ng tulong sa pamamagitan ng telepono, Mga Parte ng Katawan 3. Paghahanda sa Kalamidad Bagyo, Lindol , Mga maaaring pagkunan ng impormasyon tungkol sa kalamidad , Evacuation Area o hinanjo, Listahan ng mga gamit na dadalhin sa isang emerhensiya Ⅱ.Kalusugan at Pagpapagamot ・・・8 1. Pagpapagamot (Paggamit ng Medikal Institusyon) Pagpapagamot sa Bansang Hapon, Medikal Institusyon, Pagpapaospital, Mga Ospital na Nakakaintindi ng Wikang Banyaga, Kapinsalaan o Karamdaman sa Gabi o sa Araw na walang Pasok, Gamot 2. Medikal Insyurans (National Health Insurance, Nursing Care, etc.) Medikal Insyurans sa Bansang Hapon, National Health Insurance, Serbisyong Medikal sa mga Matatanda (Medical Service System for the Elderly People with Longevity), Nursing Care Insurance 3. Pangangalaga sa Kalusugan Pampublikong Health Center, Health Center ng Munisipyo Ⅲ.Pamumuhay at Tirahan ・・・16 1. Paghahanap ng Tirahan Pag-aaplay sa Pampublikong Tirahan sa Osaka, Ibang Pampublikong Pabahay, Paghahanap ng Pribadong Tirahan, Mga Babayaran sa Paggawa ng Kontrata ng Pag-uupa 2. Paglipat ng Tirahan at Pag-alis sa Bansang Hapon Mga Kailangang Gawin Bago Umalis sa Inuupahang Tirahan, Pagkatapos Makalipat sa Bagong Tirahan, Pag-alis sa Bansang Hapon 3. Tubig o Water Supply Pagpapakabit ng Tubig, Bayad sa Tubig, Dapat Tandaan sa Taglamig 4.
    [Show full text]
  • Foreign Participants (PDF)
    Name: Datin Paduka Hajah Adina Othman Position: Deputy Minister, Ministry of Culture, Youth and Sports Country of Origin: Brunei Biography: ADINA OTHMAN is the Deputy Minister of Culture, Youth and Sports since May 2010. She graduated from University of Kent, and University College, London in 1977 and 1980 respectively. Her working experiences encompass the fields of culture, youth and sports and community development. She is also a former Commissioner for ASEAN Commission on the Promotion and Protection of the Rights of Women and Children. She is a leading proponent on the rights of women and children and other vulnerable groups and delivered various papers in areas covering Community Development and Women issues. It is an undeniable fact that in order to achieve real and lasting progress, women must be placed at the forefront of the socio-economic agenda. Empowering women is key towards a more sustainable and better quality of life for all. Our presence here today and our achievement to date is living testament of that fact. It is therefore a privilege and an honour for me to be among the contributors of such progress at the World Assembly for Women in Tokyo 2014. This Assembly allows us to reaffirm our commitment to the continued participation of women and press towards a more equitable society for us all. I wish to congratulate Japan for organizing such a prestigious event and pray that the successful convening of WAW! Tokyo 2014 would spur women’s power from strength to strength for the benefit of all – men, women and children and towards enhancing greater peace and understanding in the world.
    [Show full text]
  • A Th a Th a G It D Th Ab B
    BETTER TIMES AHEAD About the cover The year 2009 could have been a diffi cult year were it not for the Filipinos’ indominable spirit. Amidst the many challenges, GMA Network, Inc. capitalized on its strength and moved forward decisively, unwavering in its faith that together, Filipinos will rise above all these and look forward to better times ahead. rhick_COVER-BACK.indd 1 5/8/2010 1:45:09 PM CONTENTS 2 Corporate Purpose, Vision and Core Values 6 Better Times Ahead Chairman’s Message 14 On Target Report on Operations 20 Profi le of the Business 34 Corporate Social Responsibility 40 Advocating Good Governance 44 Awards 46 Corporate Governance 50 Executive Profi le 60 Financial Statements 120 Contact Information INSIDE FRONT.indd 1 4/27/2010 4:56:11 PM CONTENTS 2 Corporate Purpose, Vision and Core Values 6 Better Times Ahead Chairman’s Message 14 On Target Report on Operations 20 Profi le of the Business 34 Corporate Social Responsibility 40 Advocating Good Governance 44 Awards 46 Corporate Governance 50 Executive Profi le 60 Financial Statements 120 Contact Information INSIDE FRONT.indd 1 4/27/2010 4:56:11 PM CORPORATE PURPOSE We enrich the lives of Filipinos everywhere with superior Entertainment and the responsible delivery of News and Informati on. CORPORATE VISION We are the most respected, undisputed leader in the Philippine broadcast industry and the recognized media innovator and pacesett er in Asia. We are the Filipinos’ favorite network. We are the adverti sers’ preferred partner. We are the employer of choice in our industry. We provide the best returns to our shareholders.
    [Show full text]
  • President Nez and First Lady Meet with Israel Ministry of Foreign Affairs During Cultural Exchange Visit
    FOR IMMEDIATE RELEASE February 7, 2020 President Nez and First Lady meet with Israel Ministry of Foreign Affairs during cultural exchange visit PHOTO: Navajo Nation President Jonathan Nez and First Lady Phefelia Nez with Director of the U.S. Consulates Department Itai Bardov, Deputy Director of the U.S. Consulates Department Revital Malca, and Gil Haskel who serves as the Deputy Director General for the Ministry of Foreign Affairs and Head of MASHAV – Israel’s Agency for International Development Cooperation in Jerusalem, Israel on Feb. 6, 2020. JERUSALEM, Israel – Navajo Nation President Jonathan Nez and First Lady Phefelia Nez met with officials with the Israel Ministry of Foreign Affairs in Jerusalem, Israel on Thursday, during a self- funded cultural exchange trip to learn more about the government of Israel’s vision and efforts toward economic, infrastructure, and agricultural development that may help the administration’s efforts to build a stronger Navajo Nation. For the last several months, President Nez, First Lady Nez, and a small group of Navajo citizens worked together with faith-based organizations to fundraise and plan for the week-long trip. Thursday’s meeting was held with Director of the U.S. Consulates Department Itai Bardov, Deputy Director of the U.S. Consulates Department Revital Malca, and Gil Haskel who serves as the Deputy Director General for the Ministry of Foreign Affairs and Head of MASHAV – Israel’s Agency for International Development Cooperation. “The country of Israel had made substantial advances in technology that have helped in the development of their capital infrastructure, tourism industry, agricultural production, and their overall economy.
    [Show full text]
  • 1955 Vol. 4 No. 3 December
    TfrulLvttn Museum Headquarters LAM BERT CASTLE Garret Mountain Reservation uf thr Paterson,N. l. It urxat 6,nuntq-f;Itxhurtrul fr nwt1 Vcl. 1V DECEMBER,I955 No. 3 This number of The varied collection of manu- B ttlletin is most respect- scripts, books, curios and fu111' dedicated to the Indian artifacts from our rnany donors of gifts to first curator, the late the l{useum and to the Albert Henry Heusser; 1:enefactorsof the Society. the lovely collection of To all of you, THn Passarc lusterware, pewter, fine CouNTY HTsToRICAL So- china, Staffordshire and crErY is most grateful. other porcelains from the The first donor to our late Le Grand Parish and }{useurn was Mrs. Bryce Miss 1\,taryGledhill. The Eunnell. one of the incor- most recent bequest, and porators in 1926 and a a most substantial one, respected trustee of the the complete furnishings, organi zation until her linens. glass,china, silver, death. This gift was a etc. from the mansion of framed lithograph of a the late Mrs. Helen Ster- locomotive made in Pat- rett Mc Burney formerly erson in the 1850s. From of Paterson and late of this beginnitg, many Atlanta, Georgia. thousands of gifts have Among the many out- been received through the standing collections re- interest and the generos- ceived as gifts are the ex- ity of hundreds of friends. tensive manuscript and JENNIETUTTLE HOBART While many of the d.onors published music collee- gave one or a few objects, Benefoctor tion from the pen of the others contributed collec- late John G. Zabrtskie: tions, varied and numerous.
    [Show full text]
  • White House Staff and Organization: Ten Observations
    THE WHITE HOUSE TRANSITION PROJECT 1997—2017 SMOOTHING THE PEACEFUL TRANSFER OF DEMOCRATIC POWER Report 2017—10 WHITE HOUSE STAFF AND ORGANIZATION: TEN OBSERVATIONS Martha Joynt Kumar, Director White House Transition Project Funded by the ii Smoothing the Peaceful Transfer of Democratic Power WHO WE ARE & WHAT WE DO The White House Transition Project. Established in 1997 to provide information to incoming White House staff members so that they can hit the ground running, The White House Transition Project includes a group of presidency scholars from across the country who participate in writing essays about past transitions and the inner workings of key White House offices. Since its creation, it has assisted campaigns in the 2000, 2004, 2008, 2012, and 2016 presidential election years, and participated in the 2001, 2009 and now the 2017 presidential transitions with the primary goal of streamlining the process and enhancing the understanding of White House operations. WHTP maintains an important, international dimension by consulting with foreign governments and organizations interested in improving governmental transitions. http://whitehousetransitionproject.org Rice University’s James A. Baker, III Institute for Public Policy. Founded in 1993 on the campus of Rice University, the Baker Institute has twenty programs that focus on a broad range of issues including energy, health, conflict resolution, science and technology, tax and expenditure policy and Latin America and China studies. With an eye toward educating and engaging the next generation of leaders, the Baker Institute collaborates with experts from academia, government, the media, business, and nongovernmental and private organizations. http://bakerinstitute.org The Moody Foundation.
    [Show full text]
  • List of Dvd/Vcd/Cd Tapes As of December 2016
    La Salle University Ozamiz City 7200 Libraries and Media Centers LIST OF DVD/VCD/CD TAPES AS OF DECEMBER 2016 Title Main Casts Accession no. Copyrig Type of No. of Running ht Date Material Copy/ies Time 10, 000 BC 655 2008 DVD 1 01:49:00 101 cocktails at home 1174 2009 DVD 1 01:20:00 12 Virtues of a Good teacher: To shine in 633 VCD 1 youthful Hearts 17 Best Philippine Folk Dances 369 VCD 1 18 Best Philippine Folk Dances 367 VCD 1 19 Best Philippine Folk Dances 368 VCD 1 1st mother tongue based multilingual education 811 DVD 1 international conference in the Philippines 2011 20 Best Catholic Hymns, Inspirational Hits & 679 VCD 1 Songs for the Virgin Mary mother of Christ 20 Best of Hawaiian songs 384 VCD 1 20 Best Philippine Folk Dances 370 VCD 1 20 Best Philippine Rondalla 375 VCD 1 20 Classic Love songs 889 DVD 1 2011 Wiley CPA Exam Review: Auditing and 963 DVD 1 Attestation 2011 Wiley CPA Exam Review: Financial 962 DVD 1 Accounting and Reporting 2012 782 2009 DVD 1 02:38:00 2015 CCP Calendar 1192 VCD 1 1 21 Best Philippine Folk Dances 371 VCD 1 21 Best Philippine Rondalla 373 VCD 1 21st century skills: Promoting creativity and 785, DVD 2 Innovation in the classroom 796 22 Best Philippine Folk Dances 390 VCD 1 22 Best Philippine Rondalla 374 VCD 1 22 Golden Trumpet Hits 1051 VCD 1 23rd sea games karate Do 310 VCD 1 24 Best of Clarinet 1050 VCD 1 24 Best Philippine Folk Dances 391 VCD 1 25 Best World’s Famous Folk Dances and 388 VCD 1 Ethnic Music 26 Best Philippine Folk Dances: The Maharlika 389 VCD 1 Rondalla 26 Hawaiian: Tahitian
    [Show full text]
  • The Glimmerglass Festival
    A 2017 Guide FEATURE ARTICLE Training Opera’s Next Generation A Tale of Two Festivals April 2017 Festivals Editor’s Note In our largest and most varied Guide to Summer Festivals yet, we focus on a common thread: training the next generation of performers and the artistic personnel who support them. At many festivals, young artists receive private lessons, coaching sessions, master classes, or all of the above during the day. By night they are either performing, observing the seasoned pros who train them by day, or a combination of the two. But honing or developing the skills of tomorrow’s generation of musicians is only part of the equation. It’s summertime, after all, and while the living may not exactly be “easy,” it’s certainly a lot more relaxed than during the season or school year. Consider the difference between waiting in the green-room line post-concert A 2017 Guide to shake the maestro’s hand vs. running into him in the festival cafeteria line, or at the local pub after the concert, or on a morning jog. Such is the kind of cross-fertilization for which festivals are known, and one of the reasons they are such ideal settings for rising artists. Sometimes the trainees are fully integrated into the schedule, such as at the Santa Fe Opera, where young artists are featured, often in leading roles. Sometimes they work independently of the main event, such as at Tanglewood, where the Tanglewood Music Center Orchestra, for instance, is comprised entirely of TMC Fellows and plays its own concerts, alongside the center-stage Boston Symphony Orchestra (whose members form much of the faculty).
    [Show full text]