DOCSLIB.ORG

Keanu Reeves

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Keanu Reeves 3/2/2021 Keanu Reeves: Humans About To Break Free From 'The Matrix' https://yournewswire.com/keanu-reeves-breaking-free-matrix/ Go MAR APR MAY ⍰ ❎ 56 captures 22 f 5 Feb 2018 - 24 Dec 2020 2017 2018 2019 ▾ About this capture HOME NEWS HEALTH SCI/ENVIRONMENT TECHNOLOGY ENTERTAINMENT CONSPIRACIES CONTACT US CONTACT US TERMS OF USE PRIVACY ADVERTISE HEADLINES [ April 21, 2018 ] Video: Everything You’ve Been Told SEARCH … Keanu Reeves: Humans About Mutant Flowers To Break Free From ‘The Spotted At Matrix’ Fukushi ma Nuclear February 2, 2018 Baxter Dmitry News, US 54 Disaster Site July 21, 2015 13 Video: 9- 11 FBI Whistleb lower Robert Wright Testimo ny October 21, 2014 0 Florida A war is being fought that will shape the future of Scientist s Create human existence and the world we leave for our Artificial Category https://web.archive.org/web/20180422032217/https://yournewswire.com/keanu-reeves-breaking-free-matrix/ 1/6 3/2/2021 Keanu Reeves: Humans About To Break Free From 'The Matrix' https://yournewswire.com/keanu-reeves-breaking-free-matrix/children, according to Keanu Reeves, who saysGo MARhe isAPR MAY 5 ⍰ ❎ Hur ric an 56 captures 22 f e In A 5 Feb“quietly 2018 - 24 Dec optimistic 2020 ” about the future because 2017 2018 2019 ▾ About this capture Lab “humanity is showing signs of breaking free from the matrix.“ September 11, 2017 2 “The human race has been enslaved for thousands of years,” Keanu Reeves said while lming in the Mojave Edward Desert, explaining that “we have been kept in a mental Snowde n Offers prison by shadowy elites and secret societies that have Online Privacy done all they can to suppress us and stop us reaching our Tips: potential.” Drop Dropbox , But the Matrix star, who was lming scenes from Faceboo k And Squarespace’s upcoming Super Bowl commercial, says Google the real world matrix is beginning to crack. “Humanity is October 15, 2014 showing signs of breaking free from the matrix. What a 1 time to be alive! We are living in exciting times.” Blue Explaining that he has been studying ancient texts Origin Successf including the Vedanta and the Upanishads and learning ully about the nature of reality, Keanu said, “Yeah, sure, there Lands Reusable are a lot of people still only interested in keeping up with Suborbit al Rocket the Kardashians, but a signicant chunk of the population In Texas have woken up. November 24, 2015 1 Find Out More > 34,221 Video: Ex- “Most importantly there is now a war being fought between Military Whistle our overlord masters and those who wish to set us free.“ Blower Exposes Chemtra ils December 2, 2015 6 https://web.archive.org/web/20180422032217/https://yournewswire.com/keanu-reeves-breaking-free-matrix/ 2/6 3/2/2021 Keanu Reeves: Humans About To Break Free From 'The Matrix' https://yournewswire.com/keanu-reeves-breaking-free-matrix/ Go MAR APR MAY ⍰ ❎ Iran 56 captures 22 Jason Rezaian f Relea 5 Feb 2018 - 24 Dec 2020 2017 2018 2019 ▾ About this capture ses Four US Priso ners Januar y 16, 2016 0 Keanu Reeves on the set of Sqarespace’s new Super Bowl commercial, lmed in the Mojave Desert. Israelis Attack British What is the matrix? Activists On Keanu Reeves says the matrix is a holographic universe Balfour Apology being projected to us by those who wish to control us. Mission October Humanity has been suppressed and controlled in this 31, 2017 manner for millennia. We think it is real, but in actual 4 fact it is just a lm being played to the collective consciousness, presenting itself as ‘reality’. Govern ment Study Keanu Reeves is not alone in believing humanity has Finds Babies been living in a matrix for thousands of years. Who Receive Vaccines Some of the world’s richest and most inuential people 10x are convinced that we are living in a computer More Likely To simulation. At least two of Silicon Valley’s tech Die billionaires are pouring money into eorts to break April 24, 2017 humans out of the simulation that they believe we are 42 living in. Fox Elon Musk believes the chances we are not living in a News: Seth matrix-style computer simulation are “billions to one.” Rich Sent 44k DNC Emails To WikiLea ks https://web.archive.org/web/20180422032217/https://yournewswire.com/keanu-reeves-breaking-free-matrix/ 3/6 3/2/2021 Keanu Reeves: Humans About To Break Free From 'The Matrix' https://yournewswire.com/keanu-reeves-breaking-free-matrix/ Go MAR APR MAY May⍰ 17, 2017 ❎ 56 captures 22 2 f 5 Feb 2018 - 24 Dec 2020 2017 2018 2019 ▾ About this capture U.S. Double Standard s May Lead To WW3 Says Iran’s Defense Minister April 27, 2016 0 Petition Gains Moment “Many people in Silicon Valley have become obsessed with um For the simulation hypothesis, the argument that what we Suspend ed experience as reality is in fact fabricated in a computer,” Officer Who writes The New Yorker’s Tad Friend. “Two tech Refused billionaires have gone so far as to secretly engage scientists To Kill Bear to work on breaking us out of the simulation.” Cubs July 10, 2015 But Keanu Reeves believes the Silicon Valley guys have 0 got it slightly wrong about breaking free of the matrix. He has a word of advice for the tech billionaires. Info On 19th “Put your wallets back in your pockets. This has nothing to Century UFO do with money or computers. It’s a spiritual shift that needs Sighting In New to take place, not a ‘hack’.“ York Recently Unearthe d April 7, 2016 0 Stephen Hawking : Our Attitude https://web.archive.org/web/20180422032217/https://yournewswire.com/keanu-reeves-breaking-free-matrix/ 4/6 3/2/2021 Keanu Reeves: Humans About To Break Free From 'The Matrix' https://yournewswire.com/keanu-reeves-breaking-free-matrix/ Go MAR APR MAY Tow⍰ards❎ We alth 56 captures 22 f Threaten 5 Feb 2018 - 24 Dec 2020 2017 2018 2019 ▾ About this capture s Humanit y July 31, 2016 2 Trump Throws Campaig Keanu spent his time stargazing, sitting by an open re, and conversing with new n Aide In friends. Jail For Elite Pedo According to Keanu, that spiritual shift is taking place. Ring People are tired of unnecessary wars, totalitarian Ties April 23, leadership, and authoritarian control. People are 2017 waking up to what is really important in life. 15 “I think people were really scared the world was ending until, you know, very recently. It just felt like things had gotten out of control. We’d lost any hope of being able to save ourselves from the dark forces in the world. “But just open your eyes for a minute and look around at what’s happening. It’s astonishing. People like Trump are lifting the veil on an astonishing web of interconnected manipulation. “Love him or loathe him, he is allowing humanity to wake from its slumber and see that the same few people, the same secret societies, the f*cking New World Order, are actively controlling our lives and suppressing our true ability.” “But people are slowly waking up. It’s time to take back our innite power and ing open the doors of the mental prison we have been encouraged to build for ourselves. It’s https://web.archive.org/web/20180422032217/https://yournewswire.com/keanu-reeves-breaking-free-matrix/ 5/6 3/2/2021 Keanu Reeves: Humans About To Break Free From 'The Matrix' https://yournewswire.com/keanu-reeves-breaking-free-matrix/ Go MAR APR MAY ⍰ not an easy thing to do, but it’s time to walk into the light of ❎ 56 captures 22 f 5 Febfreedom 2018 - 24 Dec.” 2020 2017 2018 2019 ▾ About this capture About Latest Posts Baxter Dmitry Baxter Dmitry is a writer at Your News Wire. He covers politics, business and entertainment. Speaking truth to power since he learned to talk, Baxter has travelled in over 80 countries and won arguments in every single one. Live without fear. Email: [email protected] Follow: @baxter_dmitry PREVIOUS NEXT Chicago Pedo Says He’s House Memo States Innocent Because He Hillary Clinton Paid For Identies As ‘9-Year-Old Illegal Trump Boy’ Surveillance Disqus seems to be taking longer than usual. Reload? THE PEOPLE’S VOICE, INC. Facebook 137 N. Larchmont Blvd Twitter Suite 118 Los Angeles Google CA 90004 Email: [email protected] Phone: (424) 666-1274 Copyright © 2018 The People’s Voice, Inc. All rights reserved | Your News Wire https://web.archive.org/web/20180422032217/https://yournewswire.com/keanu-reeves-breaking-free-matrix/ 6/6.
Load more

Recommended publications
  • See It Big! Action Features More Than 30 Action Movie Favorites on the Big
    FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films
    [Show full text]
  • Thematic, Moral and Ethical Connections Between the Matrix and Inception
    Thematic, Moral and Ethical Connections Between the Matrix and Inception. Modern Day science and technology has been crucial in the development of the modern film industry. In the past, directors have been confined by unwieldy, primitive cameras and the most basic of special effects. The contemporary possibilities now available has enabled modern film to become more dynamic and versatile, whilst also being able to better capture the performance of actors, and better display scenes and settings using special effects. As the prevalence of technology in society increases, film makers have used their medium to express thematic, moral and ethical concerns of technology in human life. The films I will be looking at: The Matrix, directed by the Wachowskis, and Inception, directed by Christopher Nolan, both explore strong themes of technology. The theme of technology is expanded upon as the directors of both films explore the use of augmented reality and its effects on the human condition. Through the use of camera angles, costuming and lighting, the Witkowski brothers represent the idea that technology is dangerous. During the sequence where neo is unplugged from the Matrix, the directors have cleverly combines lighting, visual and special effects to craft an ominous and unpleasant setting in which the technology is present. Upon Neo’s confrontation with the spider drone, the use of camera angles to establishes the dominance of technology. The low-angle shot of the drone places the viewer in a subordinate position, making the drone appear powerful. The dingy lighting and poor mis-en-scene in the set further reinforces the idea that technology is dangerous.
    [Show full text]
  • What's in a Name? the Matrix As an Introduction to Mathematics
    St. John Fisher College Fisher Digital Publications Mathematical and Computing Sciences Faculty/Staff Publications Mathematical and Computing Sciences 9-2008 What's in a Name? The Matrix as an Introduction to Mathematics Kris H. Green St. John Fisher College, [email protected] Follow this and additional works at: https://fisherpub.sjfc.edu/math_facpub Part of the Mathematics Commons How has open access to Fisher Digital Publications benefited ou?y Publication Information Green, Kris H. (2008). "What's in a Name? The Matrix as an Introduction to Mathematics." Math Horizons 16.1, 18-21. Please note that the Publication Information provides general citation information and may not be appropriate for your discipline. To receive help in creating a citation based on your discipline, please visit http://libguides.sjfc.edu/citations. This document is posted at https://fisherpub.sjfc.edu/math_facpub/12 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. What's in a Name? The Matrix as an Introduction to Mathematics Abstract In lieu of an abstract, here is the article's first paragraph: In my classes on the nature of scientific thought, I have often used the movie The Matrix to illustrate the nature of evidence and how it shapes the reality we perceive (or think we perceive). As a mathematician, I usually field questions elatedr to the movie whenever the subject of linear algebra arises, since this field is the study of matrices and their properties. So it is natural to ask, why does the movie title reference a mathematical object? Disciplines Mathematics Comments Article copyright 2008 by Math Horizons.
    [Show full text]
  • The Matrix As an Introduction to Mathematics
    St. John Fisher College Fisher Digital Publications Mathematical and Computing Sciences Faculty/Staff Publications Mathematical and Computing Sciences 2012 What's in a Name? The Matrix as an Introduction to Mathematics Kris H. Green St. John Fisher College, [email protected] Follow this and additional works at: https://fisherpub.sjfc.edu/math_facpub Part of the Mathematics Commons How has open access to Fisher Digital Publications benefited ou?y Publication Information Green, Kris H. (2012). "What's in a Name? The Matrix as an Introduction to Mathematics." Mathematics in Popular Culture: Essays on Appearances in Film, Fiction, Games, Television and Other Media , 44-54. Please note that the Publication Information provides general citation information and may not be appropriate for your discipline. To receive help in creating a citation based on your discipline, please visit http://libguides.sjfc.edu/citations. This document is posted at https://fisherpub.sjfc.edu/math_facpub/18 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. What's in a Name? The Matrix as an Introduction to Mathematics Abstract In my classes on the nature of scientific thought, I have often used the movie The Matrix (1999) to illustrate how evidence shapes the reality we perceive (or think we perceive). As a mathematician and self-confessed science fiction fan, I usually field questionselated r to the movie whenever the subject of linear algebra arises, since this field is the study of matrices and their properties. So it is natural to ask, why does the movie title reference a mathematical object? Of course, there are many possible explanations for this, each of which probably contributed a little to the naming decision.
    [Show full text]
  • Living in the Matrix: Virtual Reality Systems and Hyperspatial Representation in Architecture
    Living in The Matrix: Virtual Reality Systems and Hyperspatial Representation in Architecture Kacmaz Erk, G. (2016). Living in The Matrix: Virtual Reality Systems and Hyperspatial Representation in Architecture. The International Journal of New Media, Technology and the Arts, 13-25. Published in: The International Journal of New Media, Technology and the Arts Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2016 Gul Kacmaz Erk. Available under the terms and conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License (CC BY-NC-ND 4.0). The use of this material is permitted for non-commercial use provided the creator(s) and publisher receive attribution. No derivatives of this version are permitted. Official terms of this public license apply as indicated here: https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected].
    [Show full text]
  • What Is the Link Between Religion, Myth and Plot in Any 2 Films of the Science Fiction Genre
    Danielle Raffaele Robert A Dallen Prize Topic: A study of the influence of the Bible on the two contemporary science fiction films, The Matrix and Avatar, with a focus on the link between religion, myth and plot. The two films The Matrix (1999, the Wachowski brothers) and Avatar (2009, James Cameron)1 belong to the science fiction genre2 of the contemporary film world and each evoke a diverse set of religiosity and myth within their respective plots. The two films are rich with both overt and subvert religious imagery of motifs and symbolism which one can interpret as belonging to many diverse streams of religious thought and practice across the globe.3 For the purpose of this essay I will be focussing specifically on one religious mode of thought being a Judeo-Christian look at the role of the Messiah and its relation to the hero myth. I will develop this by exploring the archetype of the hero with the two different roles of the biblical Messiah (one being conqueror, and the other of 1 In this essay I presume the reader is familiar with the two films as I do not provide an extensive synopsis or summary of them. I recommend going to the Internet Movie Database (http://imdb.com) and searching for ‘The Matrix’ and ‘Avatar’ for a generous reading of the two plots. 2 Science fiction as a genre will not be discussed in this essay but a definition that struck me as useful for the purpose here is, “My own definition is that science fiction is literature about something that hasn’t happened yet, but might be possible some day.
    [Show full text]
  • 3.2 Bullet Time and the Mediation of Post-Cinematic Temporality
    3.2 Bullet Time and the Mediation of Post-Cinematic Temporality BY ANDREAS SUDMANN I’ve watched you, Neo. You do not use a computer like a tool. You use it like it was part of yourself. —Morpheus in The Matrix Digital computers, these universal machines, are everywhere; virtually ubiquitous, they surround us, and they do so all the time. They are even inside our bodies. They have become so familiar and so deeply connected to us that we no longer seem to be aware of their presence (apart from moments of interruption, dysfunction—or, in short, events). Without a doubt, computers have become crucial actants in determining our situation. But even when we pay conscious attention to them, we necessarily overlook the procedural (and temporal) operations most central to computation, as these take place at speeds we cannot cognitively capture. How, then, can we describe the affective and temporal experience of digital media, whose algorithmic processes elude conscious thought and yet form the (im)material conditions of much of our life today? In order to address this question, this chapter examines several examples of digital media works (films, games) that can serve as central mediators of the shift to a properly post-cinematic regime, focusing particularly on the aesthetic dimensions of the popular and transmedial “bullet time” effect. Looking primarily at the first Matrix film | 1 3.2 Bullet Time and the Mediation of Post-Cinematic Temporality (1999), as well as digital games like the Max Payne series (2001; 2003; 2012), I seek to explore how the use of bullet time serves to highlight the medial transformation of temporality and affect that takes place with the advent of the digital—how it establishes an alternative configuration of perception and agency, perhaps unprecedented in the cinematic age that was dominated by what Deleuze has called the “movement-image.”[1] 1.
    [Show full text]
  • Adam Sandler: Mentor Of
    ADAM SANDLER: MENTOR OF MIDDLE-CLASS MASCULINITY AND MANHOOD A Thesis Presented to the Faculty of California State University, Stanislaus In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History By Kathleen Boone Chapman April 2014 CERTIFICATION OF APPROVAL ADAM SANDLER: MENTOR OF MASCULINITY AND FATHERHOOD by Kathleen Boone Chapman Signed Certification of Approval Page is on file with the University Library Dr. Bret E. Carroll Date Professor of History Dr. Samuel Regalado Date Professor of History Dr. Marcy Rose Chvasta Date Professor of Communications © 2014 Kathleen Boone Chapman ALL RIGHTS RESERVED DEDICATION I am dedicating this work to my three dear friends: Ronda James, Candace Paulson, and Michele Sniegoski. Ronda’s encouragement and obedience to the Lord gave me what I needed to go back to school with significant health issues and so late in life. Candace, who graduated from Stanford “back in the olden days,” to quote our kids, inspired me to follow my dream and become all God wants me to be. Michele’s long struggle with terminal kidney disease motivated me to keep living in spite of my own health issues. We have laughed and cried together over many years, but all of you have given me strength to carry on. Sorry two of you made it to heaven before I could get this finished. I also want to give credit to my husband of forty years who has been a faithful breadwinner, proof-reader, and a paragon of patience. What more could any woman ask for? He has also put up with me yelling at my computer and cursing Bill Gates – A LOT.
    [Show full text]
  • Unbelievable Bodies: Audience Readings of Action Heroines As a Post-Feminist Visual Metaphor
    Unbelievable Bodies: Audience Readings of Action Heroines as a Post-Feminist Visual Metaphor Jennifer McClearen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2013 Committee: Ralina Joseph, Chair LeiLani Nishime Program Authorized to Offer Degree: Communication ©Copyright 2013 Jennifer McClearen Running head: AUDIENCE READINGS OF ACTION HEROINES University of Washington Abstract Unbelievable Bodies: Audience Readings of Action Heroines as a Post-Feminist Visual Metaphor Jennifer McClearen Chair of Supervisory Committee: Associate Professor Ralina Joseph Department of Communication In this paper, I employ a feminist approach to audience research and examine the individual interviews of 11 undergraduate women who regularly watch and enjoy action heroine films. Participants in the study articulate action heroines as visual metaphors for career and academic success and take pleasure in seeing women succeed against adversity. However, they are reluctant to believe that the female bodies onscreen are physically capable of the action they perform when compared with male counterparts—a belief based on post-feminist assumptions of the limits of female physical abilities and the persistent representations of thin action heroines in film. I argue that post-feminist ideology encourages women to imagine action heroines as successful in intellectual arenas; yet, the ideology simultaneously disciplines action heroine bodies to render them unbelievable as physically powerful women.
    [Show full text]
  • Theaters 3 & 4 the Grand Lodge on Peak 7
    The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • 22Nd Anniversary of the MATRIX: Fans Highlight Interesting Information from This Trilogy
    22nd Anniversary of THE MATRIX: fans highlight interesting information from this trilogy The successful Matrix trilogy will be available on HBO Max beginning on June 29thThe sci-fi trilogy, which premiered in 1999, describes a future in which the reality perceived by human beings is the matrix, a simulated reality created by machines in order to pacify the human population. Here is some of the information collected by fans that perhaps you did not know:The Bullet Time Effect was used for the first time in cinema. It is a filming technique that allows you to film specific action scenes in 360 degrees and play them back in slow-motion. Its premiere was so successful that at the time it became Warner Bros’ biggest hit to date (1999). It was the first film in the world to sell 1 million DVDs. Some of the actors that were considered for parts in the project were: Sandra Bullock, Brad Pitt and Leonardo DiCaprio Keanu Reeves decided to share his earnings with the entire team that took part in filming the movie, such as makeup, sound, lighting, etc. The recognizable code that appears on screens when the Matrix is encoded is a Japanese sushi recipe. The shooting scene in the lobby of the building where the Agents are holding Morpheus took 10 days to film. Ironically, the name Morpheus comes from Greek mythology and means God of sleep, which contradicts his role in the film. The movie was filmed in Australia although the names of the streets in the film come from Chicago.
    [Show full text]