tvrk die

da.

etatitArrke Ilenn

Dinner

Biltmare Salad

Creamy Vinaigrette Dressing Prime Filet Mignon Topped with Sauteed Mushrooms Broccoli Bakst Potato Citrus Sherbet Cafe, Cafe Decaf, Tea Artistic Roster

Lawny Combs, and Co-Artistic Director, has held his Horn, Ilthuraft &kg, has re- position of Principal Clarinet of the balances her career as Assistant Chicago Symphony Orchestra since 1978, calved degrees in Music and Piano Principal Horn with the Chicago Performance from Smith College having Joined the Orchestra as assist- Symphony Orchestra with increas- ant first clarinet in 1974. Prior to and the Vienna Hochschule fuer his cooing to Chicago, Combs was ing amounts of chanter music. Musik. She has made concert ap- She Joined the Symphony In 1979, pearances In Vienna, Linz and Principal Clarinet of the Montreal following four years with the Symphony for five years and held the London, and has toured the United Lyric Orchestra. She re- States, Europe, and the Orient post of Principal Clarinet with the ceived degrees from Ithaca Mee 0,1eans Philharmonic. Combs stud- with international artists such College and Northwestern Univer- as violaists Mobuko imai and ied at the Eastman School of Music sity, and in 1980 was awarded with Stanley Hasty, and, after gradu- Thomas 'Umbel, violinist Scholmo the Ein Heidenieben Prize at the Mina, and bassist Gary Karr. Ms. ation, with Leon Russinoff in Mee York. international Horn Solo Competi- While in Montreal, he was a founding Sabot has also been a frequent tion. Mt. Uilliams Is a frequent soloist in live broadcasts on member of the ensemble, guest recitalist at the inter- music ensemble, Music° Camerata WFMT, Chicago's Fine Arts Radio, national Horn Congress and Is a as well as a sought-after cheer Montreal. Combs is a much sought founding member of Summit Brass, after chamber musician as well as a ber musicians. She is on the a group of America's finest Piano and Chamber Music Faculty solo artist and has guested with the brass players. Vermeer quartet, soprano Kathleen at . Battle, and leading orchestras University. throughout the 'arid. program

Sonata for Piano and Horn, Op. 17 Ludwig van Beethoven (1770-1827) Allegro moderato Poco Adagio, quasi Andante Allegro moderato

Trio for Clarinet, Horn, and Piano George Richberg (1918- )

Sonata for Clarinet and Piano, Op. 120, no. 1 Johannes Brahms (1833-1897) Allegro appassionato Andante un poco Adagio Allegretto grazioso Vivace TRIO FOR CLARINET, NORM AND PIANO by George Rochberg In his early career, American composer George Rochberg was a student of twelve-tone techniques and serialization, but as he continued writing he felt serial ism could lead to -a sterile and mechanical academicism unless balanced by a composer's constant SONATA FOR PIANO RHO NORN,OP. 17 preoccupation with the expressive as well as techni- cal aspects of music," and pieces from after 1964 by Ludwig van Beethoven evidence his drawing inspiration from past styles and This horn and piano duo, Jotted down hastily for a techniques. This melding of styles and techniques is recital on 18 April 1800 with the Bohemian horn clearly audible in this Trio, written in 1948 and virtuoso Johann Wentzel Stich, is the only duo revised in 1980. The first movement has the instru- Beethoven wrote for this combination of instruments. ments weaving around each other in different scale Within the work we wear all the hallmarks of the form patterns, occasional contrapuntal passages with the and structure of the Classic Period, but there are also horn serving as the cantus firmus, playing with hints of Beethoven's breaking away from the strictures melodic fragments. The second movement utilizes of the past The opening call of the horn and the star- twelve-tone techniques, the instruments moving ling tonal shifts of the development section of the first among permutations of the original row, and in the movement are offset by the regular phrase structure third movement Richberg again uses twelve-tone and adherence to traditional sonata form. The second writing, but this time in fugal patterns. movement is so brief as to function more as an elabo- rate introduction to the third movement Rondo then as SONATA FOR CLARINET AND PIRNO, an independent movement, even to its conclusion on the dominant of the key of the Rondo and Beethoven's OP. 120, No.1 directions to the musicians to move directly to the by Johannes Brahma third movement Written in 1894, the two clarinet sonatas of Opus 120 are the last chamber-music works of Brahms. Both were written for Richard Muhlfeld, clarinettist of the Meinigen Orchstra, whose sensitivity and wirtuosity were an inspiretlonn to Brahms. The sonata in F-Minor has all the familiar hallmarks of Brehms style-. an effective use of the clarinet's dramatic quali- ties, particularly in its shifts from lower to higher registers; a clarity and singularity of tone; a certain melancholy; a restraint which seldom breaks out Into We wish to thank more exuberant passages. Each of the four movements Jerry's Piano Service follow the traditional structure of the genre.

.< 1 • O 7' CDto an=' 3 •r 01 <0r O O n r i•-•m PV4 . Co0 t O m 1-•• 011 C 01 rtai co ca. a CL HGar0'0CDM ‘4,- H r 0.0, ooloonooamomt-artm mm O O Mr &1 1 a ()Pi& rm • mr O 0'Or ()DE m < 0 rr 1 to 0 , to or O rr M • 01 11 Hti a O 0'n rt 1 ap ,

••• 0) -4 .10 0 .0 us CI O X o- m

a r rrrmarrtmMa'Emata r a m r M Pirr0r•N CD 0' rr r 0'01 " , 4 0 r a"cl (D• r1 1-110 O =co a M mrr-irr50r O a 1 O w (D3nco3a O m mrm0.< O 1 0 ,

,, l 0'

1-- 0 n 0

.

- nti0'0com0L..)rt4 E

00M00.V.COMCOM0"'

0 rr 3 0 al 0 r

M0000m

mCOmmmra0 roammw 0 M a, 4::)•I- 0 o in 0 CDrrr (4-0 nam0m0 'OV'M. /114 Pi0 0' CDM• CD Coci) rnrwwa nZmmtOrmco 0 0'1- 0W CLmrrrOfCD0 0 '0 0 11'rr£01sO o PIM£41 1101uMr0M V' r co Ca.0 • om mn

1 a rt cartV.

t nr I- 0,E4. - -

r 0' 0 rI-1PsM

01 01- CL Mr•i-••rr0Co0)7•I• 1

•

•COMM

m

an PI 0rr mmantimi< a'arr r< 1 0 r•-• (./3 01-• 3 r rr0 010001 73/ Co 01-•t- IP:

ogHmoulryato•tw , its-p1,111 PS X0r•toC•I CO CDrrr owartm COO00mom • 0 Co M Ocli 0i- 0 £D' r MOrp CO (0 1 r0'01 Plr 0•• Dm a Marti-- D rr CorZ

1 03 'z z Aew —

0 CD0'M£ zz fiL Aep u ns . Oa 111 CD 0'0'rm(D•ti r-Mrt ma

7' 7 < Co arra rm 0

1 . - 0tor-

tr Pil rem 0 3•-.1-.00,0cor • n< to 0 L. ° r , '<

mi<•r0'•Co a'co cortEm 0)to ,

, 0 • a

rr 0CD1 01 <

1 rt H V

0) 0%CII- matt

rt oi0'.<.,:io<1-1 0 a-o 0 CL -2

1 al0m01

. -.• P m , 0 m 0 0 Ca r CD 0 rrHto , n

. -

.

• Co0)r0 mm, mu49.41maa di eH p u e u ll oiA da --Jacor 0E0m K.) OP - v. 1--anmo 11 0rt

rt corrI..- a COHI PS CL•LI0 MI COPI (Dryc Co CD 0rf a I-. rt

co3 IA (D 0 rr.gil0' a v'o - cram D0I- 0 1 rttor0Mto rt rtamrtrm0'< N0

ar c , •-.0 < 01 , - Om

o y P e .") p u e sa n t) , e 4 0•1-. 1 rr 0 0 CD rr Pt1 On r CoCI to oal- 3 0 O I... 1-•0 0 PI•• Ph 01•-• tin't m r 4M rr

0 ma'

er Qr M pi

I

Co rrI+Phri 1 ► 4 Wr I- 6 .< rr•0toCD 1 4 0, " 03 0 .< Cu•11Cl•htM mcommom 1 rr - CD , r Z a co •,,) g rr0 0) 04rr•Cu (0 0I- HI 0 0 r 'Okla tLe , CD Cu

to artcom -

al--.1-

rtcD coart..1 ■

H'Ilg" swasaid Aipnoid rEMM0 •••• 0<

0 03Laft Po 1 r r 0011-.- Co• 0 0'CDto 1 0,9C1-4

CD leq TiTm s4aeouoo eqj,

rr(Drr0•

r CDCo C o amI-- 1 1- -XIII • -4 CoPs , n co•ri X _00011- Cl- a c.• • O Z 1-"00aP• • 0) pr < CD 11to(-4 I-+ 1 1 1 ti a'm . 4 0)M HO • O (11 anon> n 0100 -4 CO 0' CL £01

a 1

rwHrtmennomrtomn rr r rr P-P•131D'toPI0•0'r- c 0mrtmm a rtnb m clina' 30 rt ro 1-r1G0ra(1a' a a CD 0 , '0 0 1 m 0ramrt , 1410 O • v'fb an) O O oi0a 1 • rr

an - .0 r n •1.-• 0 5 r<0 CD co

m MPri 0 PI03CD00rrr0 0 ots MM011110 ta'al 10.<•rt H M '<0 1- ►

n 0' -, , 1 0 0' OP CIP rt- M

-

rt 1 0 0" M Cl. 0'oCD5PI0rra<•1 CL m OD

1 0 , -sOtotYPIMMZ0001 -40(D

.4 reCDPs 0 CLC nm 00 1Ito

, I-. corO0'0'0 0 r-- 01 OP - 0 E•-.1-irtrtrt

, 01 0-3 torr Co G(1)M0)5P-•0CD 11 0 CI 03

, , 0 to c1 a 0.0 , 0 01 CD ar 1-.1-1,a

D 'Ms ■ 0 00 0rt

.0 0 P1£etM11'rr -•

.•

0MRMPI&M 0 ov

oT g

ueT /T art corrOPION

bTE qa au T O T EUX 2 4 TH uopne JO 0

(D m Q CD010rrrn rr to 0co1-.1 Pi 0r r 1-••HI0 0

rrOM 0. os r CD 0

P9 COrr0 01 0

ej H 0 u a111 o rr su aeg - 4uT 2S Gi TTuiso aTsT eq

11 0CIM • r-to rr rsPs m to r r • 0100rrG co

3 0 trap- m CD rr rt

✓ P., 1 m 0 cD m o 1.-

O 1 O H.

arla nlooN rt 0 03sC1 E0

.

" 0' rt 00 1.6 CD PiI-

0 mm 7 £ 0 o r r171

rr I- ‹) O < • • I- M r-.0 0 rt. 11 rt 1 • (D g , - da 1

HO 0 001 ran CDPs0.1 11 11'CD 3 rr M CDrr O rr 0 O 03 r

(Dm 0' to a 11 da O co Or0 co 1 0 0+M 0 1-•• ,, CO to ›moP a r a 1 0 rtm o' O & H. ,

la orr

, - ,

0 ›rcu 0 410..soCl

PI N Or o to I- ) 030 0 cro, n n I. V M 1 I M t. , • ,

rr

›. 1-

1

, H0 o m m • m

0 1-1 m ■ CO tt rt o -

..

m›m 01 da CD 0 D'r• 0 i CO M. CL MotO 1- lioNnoo smt I H , Ps . H CD 3 8 ,

0 U) a m m- o r r M m &

2 c.4 m CD o H to V tf aqoyulqug '0 0 73 0

National Conservatory of France. Presently a harpist with the Milwaukee Symphony, she has also played with the Houston Symphony and as an extra with the Chicago Symphony. Gail has taught at Indiana University and is presently teaching privately and at the "Score Project",a model cities music school for underprivileged children. She has ar- ranged and written many compositions and teaching methods for children, and is in the process of compiling material for a beginning book for harp students.

The Barrington Area Arts Council Committee for "Music in the Home";

Flo Bash Bailey Davis Mary Ellen Henehan Sue Keating-Hostess Don Klein - BACOG Muriel Rosen Kathy Umlauf - Chairperson A special thank you to Walter Horban. invites you to join the SUNDAY AFTERNOON MUSIC SERIES in Barrington homes,featuring outstanding solo and group musicians 1977-1978 Season: SUNDAY, OCTOBER 23 3:00 P.M. DONALD PECK, First Chair Flutist, Chicago Symphony Orchestra MELODY LORD, Piano Accompanist; LOLA RAND, Narrator CHANSONS de BILITIS by Claude Debussy with poems narrated in French, will be included. The piece was recently discovered by Mr. Peck and this shall be its third public performance. SUNDAY, JANUARY 15 3:00 P.M. FIORI MUSICALES Music of the Baroque era performed on original instruments, which will include a recorder, viola da gamba, one-keyed flute, three-keyed and harpsichord. SUNDAY, MARCH 19 3:00 P.M. STEVEN SUVADA, Classical Guitarist JOHN VORRASI, One of the selections will be Anon. In Love by William Walton. SUNDAY, MAY 7 3:00 P.M. WILLIAM SCHOEN, Violist, Chicago Symphony Orchestra MONA REISMAN SCHOEN, Violinist, Lyric Opera Orchestra and Piano Accompanist

Reservations limited. Refreshment, Series of 4 concerts — $20. after $6 for single reservations the No individual reservations will be available for the last performance, concert. -

0 C ae r co k •

0 ▪ so 0 C 0 0 0 C 112' 0u -0a

• h tc i v lio o

3 a Isr

m § g g 0 0. an 0 0 X xxg • ° 0 0 in 6/ in to 0 O0 0 0 O C 0 8 da g 6 < ‘11 g cn c0 0 0

•

.24 IN 61 -34 6 3 U 67:1 cr.) 12 L L cl) ut o C4 cea 3

L 03 C o 5 -5o g L

co N

In 1 N N .r. 0 • W■

ao L L 0

..cC o -s 1981-1982 1982 — 1983 Chicago Camerata Chicago Symphony Woodwind Trio Charles Pikler leader, soloist, violin Donald Peck flute Teddy Jares violin, viola Larry Combs clarinet Laurie Wells violin, viols Willard Elliot Virginia Graham violin Ben Cernota cello Chicago Arts Quartette Kay Ragsdale flute Thomas Hall violin Jean Bishop flute Otaker Sroubek violin Jean Oelrich oboe William Schoen viola Tom Zeman harpsichord Don Moline cello Paul Dallas

William Ferris Chorale John Vorrasi director Ray Still oboe Thomas Still .piano Andrea Swan .piano The Ariel Chamber Ensemble Richard Pik classical guitar Shirley Makes harpsichord Patrick Ferreri classical guitar Ann Whaley flute David Cowen cello 1984 — 1985 Jobars Lyre Richard Graffe flauto traverso 1983 - 1984 Roger Goodman harpsichord The Sheffield Winds Swan Ross viola de gamba Gwymeth Moon clarinet Sherri Beth Hoffman flute Connie Gitlin clarinet Norman Robertson baroque violin Ian Ward french horn Catherine Byers french horn Charles Pikler violin Arthur Ashley bassoon David Schrader piano Johathan Sherwin bassoon The Chicago Woodwinds Robert Swan violin Larry Combs clarinet Jennie Wagner violin Donald Peck flute Barbara Fraser violin Mike Hammock oboe Willard Eliot bassoon Symphony Brass Quintet of Chicago Gail Williams french horn William H. Scarlett Matt Comerford trumpet Chicago Symphony Orchestra Claintat Daniel Gingrich french horn Samuel Magad violin Frank Crisfulli Milton Preves viola Rex Martin Leonard Chausow cello Mike Crestafulli basse Carol Honiberg piano 1985 - 1986 1986 - 1987 David Schrader organ The City Musick Elaine Scott Bank artistic director The Vermeer Quartet The Chicago ti4,--04■6 Shmuel Ashkenasi violin conductor Pierre Menard violin Dieter Koiber viola Richard Young .piano Carol Honigberg Marc Johnson cello

violin Symphony Brass Quintet of Chicago Arnold Brostoff trumpet piano William Scarlett Lenore Lams trumpet Matthew Comerford french horn Daniel Gingrich Donald Peck flute trombone violin Frank Crisfulli Paul Phillips tuba Rex Martin Melody Lord-Lunberg .piano SINCERE aRATLTUTE TO:

Our Hosts Thru the Years

Mr. & Mrs. D. Bachman Mr. & Mrs. Judson Ball Barrington High School Mr. & Mrs. Richard Beckman Mr. & Mrs. Berndtson Mr. & Mrs. Willard Brown, Jr. Mr. & Mrs. J. Carfagno Mr. & Mrs. Fesmire Mr. & Mrs. J. 6. Flannery Good Shepherd Manor Mr. & Mrs. T. Z. Hayward The Ice House Mr. & Mrs. Herbert L. Johnson Mr. & Mrs. J. S. Keating Mr. & Mrs. Jack Keating, Jr. Mr. & Mrs. Theodore Koerner III Lake Barrington Shores Mr. & Mrs. David Mayland Mr. & Mrs. W. McGinley Mr. & Mrs. D. Parsons Mr. & Mrs. G. K. Raab Mr. & Mrs. J. Sanfilippo Mr. & Mrs. R. Schmidt Mr. & Mrs. H. B. Smith, Sr. Patrons

Mr. & Mrs. Prem Advani Mr. & Mrs. Jasper B. Sanfilippo Mr. & Mrs. L. W. Alberts Mrs. Theresa M. Schoen Mr. & Mrs. Philip Bash Mr. & Mrs. Bryher M. Sears Mr. & Mrs. Donald F. Bouseman Dr. & Mrs. J. Ralph Seaton, Jr. Mr. & Mrs. William Braithwaite Mr. & Mrs. Frank J. Scherschel Mr. & Mrs. Willard A. Brown, Jr. Mrs. Thelma S. Stevens Mr. & Mrs. Martin L. Cassell, Jr. Mr. & Mrs. David Umlaut. Mr. & Mrs. Robert Parker Coffin Dr. & Mrs. Gerald D.Young, Jr. Mr. & Mrs. Earle M. Combs III Mr. & Mrs. Thomas C. Dabovich Mr. & Mrs. John W. Edwards 1987 Marathon Concert Contributors Ms. R. Ewart Mrs. Richard E. Fuhrman Mr. & Mrs. L. W. Alberts Mrs. Lorraine Gorski Mr. & Mrs. Philip Bash Mr. & Mrs. Michael J. Graft Mr. & Mrs. Martin L. Cassell, Jr. Mr. & Mrs. L. Dale Griffith Mr. & Mrs. Robert Parker Coffin Mr. & Mrs. C. R. Gulbransen, Jr. Mrs. Richard E. Fuhrman Mr. & Mrs. William V. Hansen Mr. & Mrs. Robert F. Gatechair Mr. & Mrs. J. Bruce Harreld Mr. & Mrs. W. R. Grabenkort Mrs. William D. Horne Mr. & Mrs. Michael J. Graft Mr. & Mrs. Jepson Mr. & Mrs. L. Dale Griffith Mrs. Lucie F. Johnson Mr. & Mrs. David W. Hay Mrs. Deirdre D. Kieckhefer Mrs. Frances T. Horne Mr. & Mrs. Krautkramer Mrs. Lucie F. Johnson Mr. & Mrs. Gaylen Larson Mrs. Deirdre D. Kieckhefer Mr. & Mrs. F. William Muench, Jr. Miss Marjorie J. Luther Mr. & Mrs. Albert Osran Mrs. Janice B. Rackow Mr. & Mrs. George Overton Mrs. Paulson Rainwater MIME loN THE ;font conneartt (PAK AND PILE81,47)

Sharon Advani Mary Ellen Henehan* Gladys Mrenhola Walter Horban* Natalie Alberts Luci Johnson Paula Barlett Judith Lavender Flo Bash* Don Klein Susan Bateman Judy Kritzmire Marcia Bouseman Jeanette Muench Diane M. Butterfield Claudia Partipilo Kathy Carroll Pam Reavey Oinny Combs* Muriel Rosen Barbara Dailey Marian Sanfilippo Juanita Donoghue Barbara Thomas Birdie Edwards Kathy Umlaut* Diana Francis Gloria Wallace Bonnie Orabenkort Grace Wytmar Mite Young

*founding member nit 110•41.1th Or ADM ORS

Roy N. Abare Corliss D. Anderson Carol M. Beese Willard A. Brown, Jr. Mitchell Erland Sally H. Fairweather James G. Fitzgerald Thomas Z. Hayward Rich Jernstedt Donald Klein Nancie Kozel Richard P. Spicuzza Curtis C. Verschoor