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BARRY N. MALZBERG Introduction by D
REVELATIONS A Paranoid Novel of Suspense BARRY N. MALZBERG Introduction by D. Harlan Wilson AP ANTI-OEDIPUS PRESS Revelations Copyright © 1972 by Barry N. Malzberg ISBN: 978-0-99-915354-3 Library of Congress Control Number: 2020934879 First published in the United States by Warner Paperback First Anti-Oedipal Paperback Edition: March 2020 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author and publisher. Published in the United States by Anti-Oedipus Press, an imprint of Raw Dog Screaming Press. www.rawdogscreaming.com Introduction © 2020 by D. Harlan Wilson Afterword © 1976 by Barry N. Malzberg Afterword to an Afterword © 2019 by Barry N. Malzberg Cover Design by Matthew Revert www.matthewrevert.com Interior Layout by D. Harlan Wilson www.dharlanwilson.com Anti-Oedipus Press Grand Rapids, MI www.anti-oedipuspress.com SF SCHIZ FLOW PRAISE FOR THE WORK OF BARRY N. MALZBERG “There are possibly a dozen genius writers in the genre of the imaginative, and Barry Malzberg is at least eight of them. Malzberg makes what the rest of us do look like felonies!” —Harlan Ellison “Malzberg makes persuasively clear that the best of science fiction should be valued as literature and nothing else.” —The Washington Post “One of the finest practitioners of science fiction.” —Harry Harrison “Barry N. Malzberg’s writing is unparalleled in its intensi- ty and in its apocalyptic sensibility. His detractors consider him bleakly monotonous and despairing, -
Top Hugo Nominees
Top 2003 Hugo Award Nominations for Each Category There were 738 total valid nominating forms submitted Nominees not on the final ballot were not validated or checked for errors Nominations for Best Novel 621 nominating forms, 219 nominees 97 Hominids by Robert J. Sawyer (Tor) 91 The Scar by China Mieville (Macmillan; Del Rey) 88 The Years of Rice and Salt by Kim Stanley Robinson (Bantam) 72 Bones of the Earth by Michael Swanwick (Eos) 69 Kiln People by David Brin (Tor) — final ballot complete — 56 Dance for the Ivory Madonna by Don Sakers (Speed of C) 55 Ruled Britannia by Harry Turtledove NAL 43 Night Watch by Terry Pratchett (Doubleday UK; HarperCollins) 40 Diplomatic Immunity by Lois McMaster Bujold (Baen) 36 Redemption Ark by Alastair Reynolds (Gollancz; Ace) 35 The Eyre Affair by Jasper Fforde (Viking) 35 Permanence by Karl Schroeder (Tor) 34 Coyote by Allen Steele (Ace) 32 Chindi by Jack McDevitt (Ace) 32 Light by M. John Harrison (Gollancz) 32 Probability Space by Nancy Kress (Tor) Nominations for Best Novella 374 nominating forms, 65 nominees 85 Coraline by Neil Gaiman (HarperCollins) 48 “In Spirit” by Pat Forde (Analog 9/02) 47 “Bronte’s Egg” by Richard Chwedyk (F&SF 08/02) 45 “Breathmoss” by Ian R. MacLeod (Asimov’s 5/02) 41 A Year in the Linear City by Paul Di Filippo (PS Publishing) 41 “The Political Officer” by Charles Coleman Finlay (F&SF 04/02) — final ballot complete — 40 “The Potter of Bones” by Eleanor Arnason (Asimov’s 9/02) 34 “Veritas” by Robert Reed (Asimov’s 7/02) 32 “Router” by Charles Stross (Asimov’s 9/02) 31 The Human Front by Ken MacLeod (PS Publishing) 30 “Stories for Men” by John Kessel (Asimov’s 10-11/02) 30 “Unseen Demons” by Adam-Troy Castro (Analog 8/02) 29 Turquoise Days by Alastair Reynolds (Golden Gryphon) 22 “A Democracy of Trolls” by Charles Coleman Finlay (F&SF 10-11/02) 22 “Jury Service” by Charles Stross and Cory Doctorow (Sci Fiction 12/03/02) 22 “Paradises Lost” by Ursula K. -
Alan Moore's Miracleman: Harbinger of the Modern Age of Comics
Alan Moore’s Miracleman: Harbinger of the Modern Age of Comics Jeremy Larance Introduction On May 26, 2014, Marvel Comics ran a full-page advertisement in the New York Times for Alan Moore’s Miracleman, Book One: A Dream of Flying, calling the work “the series that redefined comics… in print for the first time in over 20 years.” Such an ad, particularly one of this size, is a rare move for the comic book industry in general but one especially rare for a graphic novel consisting primarily of just four comic books originally published over thirty years before- hand. Of course, it helps that the series’ author is a profitable lumi- nary such as Moore, but the advertisement inexplicably makes no reference to Moore at all. Instead, Marvel uses a blurb from Time to establish the reputation of its “new” re-release: “A must-read for scholars of the genre, and of the comic book medium as a whole.” That line came from an article written by Graeme McMillan, but it is worth noting that McMillan’s full quote from the original article begins with a specific reference to Moore: “[Miracleman] represents, thanks to an erratic publishing schedule that both predated and fol- lowed Moore’s own Watchmen, Moore’s simultaneous first and last words on ‘realism’ in superhero comics—something that makes it a must-read for scholars of the genre, and of the comic book medium as a whole.” Marvel’s excerpt, in other words, leaves out the very thing that McMillan claims is the most important aspect of Miracle- man’s critical reputation as a “missing link” in the study of Moore’s influence on the superhero genre and on the “medium as a whole.” To be fair to Marvel, for reasons that will be explained below, Moore refused to have his name associated with the Miracleman reprints, so the company was legally obligated to leave his name off of all advertisements. -
Would You Understand What I Meant If I Said I Was Only Human?”
”Would you understand what I meant if I said I was only human?” The Image of the Vampire in Stephenie Meyer’s Twilight and Charlaine Harris’s Dead Until Dark Jessica Dimming Fakulteten för humaniora och samhällsvetenskap English IV 15hp Supervisor Magnus Ullén Examiner Adrian Velicu HT 2012 Abstract In this essay I have decided to look at two very popular vampire novels today, Dead Until Dark by Charlaine Harris and Twilight by Stephenie Meyer. The focus of this essay is to look at the similarities and differences between these two novels and compare them to each other but also to the original legend of the vampire; this by using Dracula and other famous vampire stories to get an image of the vampire of pop-culture. I look at the features of the vampires, their abilities and different skills, and also sex and sexuality and how it is represented in these different stories. Even though the novels attract a wide audience they are written for a younger one and have a love story as its center. In this essay I give my opinion and view of the vampires and what I believe to be interesting with the morals and looks of the vampires as one of the different aspects. 2 Content Introduction 3 The Gothic novel 6 The legend of the vampire 7 Setting 10 Narrator 38 Features of the vampires in Twilight 43 Features of the vampires in Dead Until Dark 53 Vampires as sexual objects 67 Love and sexuality in Twilight 75 Love and sexuality in Dead Until Dark 86 Conclusion 95 Works cited 30 3 Introduction Dead Until Dark and Twilight by top selling authors Charlaine Harris and Stephenie Meyer are both novels written for young adults, somewhere between the ages of 14-24, with one major theme in common, vampires. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
Alastair Reynolds
Alastair Reynolds Born in 1966, Alastair Reynolds trained as an astronomer before working for the European Space Agency on a variety of science projects. He started publishing science fiction in 1990, and has now produced more than sixty short stories, as well as fourteen solo novels. His recent books include the Poseidon's Children trilogy, a Doctor Who novel, and a collaboration with Stephen Baxter, entitled The Medusa Chronicles. He has won the BSFA, Sidewise, Seiun and European Science Fiction Society awards, and has been a finalist for the Hugo, Arthur C Clarke, Locus and Sturgeon awards. After a long residence in the Netherlands, he now lives with his wife in the Welsh valleys, not too far from his place of birth. Other than writing, he enjoys hillwalking, astronomy, birdwatching, guitars, and indulging his passion for steam trains. Agents Robert Kirby Associate Agent 0203 214 0800 Kate Walsh [email protected] 020 3214 0884 Publications Fiction Publication Notes Details United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Elysium Fire Featuring Inspector Dreyfus - one of Alastair Reynolds most popular characters - 2018 this is a fast paced SF crime story, combining a futuristic setting with a gripping Gollancz tale of technology, revolution and revenge. One citizen died a fortnight ago. Two a week ago. Four died yesterday . and unless the cause can be found - and stopped - within the next four months, everyone will be dead. For the Prefects, the hunt for a silent, hidden killer is on . -
Sasquan Convention Guide
Sasquan Convention Guide The 73rd World Science Fiction Convention Spokane, Washington, USA, Earth • August 19–23, 2015 See inside back cover for Doubletree map. CONTENTS 1 Sasquan The 73rd World Science Fiction Convention Spokane, Washington, USA, Earth • August 19-23, 2015 2 ...................... Quick Reference 27 ......................... Wednesday 39 ...........................Thursday 67 ............................. Friday 96 ........................... Saturday 124 ...........................Sunday 136 ...............Participant Schedules Credits: Chair: Sally Woehrle Program Division Head: Laurie Mann Convention Guide Editor: Paul Selkirk Proofreader: Kaye Tornbrugh Content Organizers: Phyllis Eide, Laurie Mann Cover: Brad W. Foster “World Science Fiction Society,” “WSFS,” “World Science Fiction Convention,” “Worldcon,” “NASFiC,” “Hugo Award,” and the distinctive design of the Hugo Award rocket are service marks of the World Science Fiction Society, an unin- corporated literary society. 2 QUICK REFERENCE Greetings from the Chair Greetings and Welcome to Sasquan! All the staff and I are happy that you have made the trek to beautiful Spokane. We are working on making this an experience that you will remember for years. Inside this book is most everything that you need to know about Sas- quan. Tere are policies so that you know what is expected. Tere are lists of where everything in the Convention Center and Hotels are located. By everything I mean items such as: t Where are the Exhibits and specific exhibits? t Where is the Art Show, Dealers Room, Programming Rooms, and the Office? t Where and when are certain Events? t What are the hours of operation for all of these places? So please take a few minutes to look through this book. Ten go out and have a wonderful exciting and informative time. -
Jonathan Lethem, Amnesia Moon the US Election This Week Has Sent Me
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Birkbeck Institutional Research Online Jonathan Lethem, Amnesia Moon The US election this week has sent me back to Jonathan Lethem’s second novel, the science fiction picaresque Amnesia Moon (1995). The novel depicts a dystopian near future in which a catastrophe has fragmented America into a series of communities that are worlds unto themselves. A character refers to the ‘FSRs’ – Finite Subjective Realities – in which people are locked into locally distorted perceptions. The one I was looking for was Vacaville, California, into which the protagonist Chaos stumbles. The town has a number of strange features. For one, the populace has to move house once a week, taking their few possessions with them. For another, they are governed by a system of ‘Luck’. The local government tests each citizen’s Luck and some are deemed unlucky, which becomes a self-fulfilling prophecy. Citizens also compete to make each other unluckier by writing out violations for each other’s behaviour. Third, government and media are peculiarly collusive. Joining the household of local resident Edie and her young sons, Chaos watches television with them: ‘“Test Your Luck!” was on, the afternoon game show hosted by President Kentman’. A game show – hosted by the President? Another programme is Moving Day: ‘Like today’, a boy explains, ‘when everybody has to move, except it’s about how all the government stars change houses’. ‘Government stars?’, wonders Chaos, like the reader. ‘Like movie stars’, Edie explains: ‘It’s not real. -
Books Added to the Collection: July 2014
Books Added to the Collection: July 2014 - August 2016 *To search for items, please press Ctrl + F and enter the title in the search box at the top right hand corner or at the bottom of the screen. LEGEND : BK - Book; AL - Adult Library; YPL - Children Library; AV - Audiobooks; FIC - Fiction; ANF - Adult Non-Fiction; Bio - Biography/Autobiography; ER - Early Reader; CFIC - Picture Books; CC - Chapter Books; TOD - Toddlers; COO - Cookbook; JFIC - Junior Fiction; JNF - Junior Non Fiction; POE -Children's Poetry; TRA - Travel Guide Type Location Collection Call No Title AV AL ANF CD 153.3 GIL Big magic : Creative living / Elizabeth Gilbert. AV AL ANF CD 153.3 GRA Originals : How non-conformists move the world / Adam Grant. Irrationally yours : On missing socks, pick up lines, and other existential puzzles / Dan AV AL ANF CD 153.4 ARI Ariely. Think like a freak : The authors of Freakonomics offer to retrain your brain /Steven D. AV AL ANF CD 153.43 LEV Levitt and Stephen J. Dubner. AV AL ANF CD 153.8 DWE Mindset : The new psychology of success / Carol S. Dweck. The geography of genius : A search for the world's most creative places, from Ancient AV AL ANF CD 153.98 WEI Athens to Silicon Valley / Eric Weiner. AV AL ANF CD 158 BRO Rising strong / Brene Brown. AV AL ANF CD 158 DUH Smarter faster better : The secrets of prodctivity in life and business / Charles Duhigg. AV AL ANF CD 158.1 URY Getting to yes with yourself and other worthy opponents / William Ury. 10% happier : How I tamed the voice in my head, reduced stress without losing my edge, AV AL ANF CD 158.12 HAR and found self-help that actually works - a true story / Dan Harris. -
Orwellian Methods of Social Control in Contemporary Dystopian Literature
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Documental de la Universidad de Valladolid FACULTAD de FILOSOFÍA Y LETRAS DEPARTAMENTO de FILOLOGÍA INGLESA Grado en Estudios Ingleses TRABAJO DE FIN DE GRADO A Nightmarish Tomorrow: Orwellian Methods of Social Control in Contemporary Dystopian Literature Pablo Peláez Galán Tutora: Tamara Pérez Fernández 2014/2015 ABSTRACT Dystopian literature is considered a branch of science fiction which writers use to portray a futuristic dark vision of the world, generally dominated by technology and a totalitarian ruling government that makes use of whatever means it finds necessary to exert a complete control over its citizens. George Orwell’s 1984 (1949) is considered a landmark of the dystopian genre by portraying a futuristic London ruled by a totalitarian, fascist party whose main aim is the complete control over its citizens. This paper will analyze two examples of contemporary dystopian literature, Philip K. Dick’s “Faith of Our Fathers” (1967) and Alan Moore’s V for Vendetta (1982-1985), to see the influence that Orwell’s dystopia played in their construction. It will focus on how these two works took Orwell’s depiction of a totalitarian state and the different methods of control it employs to keep citizens under complete control and submission, and how they apply them into their stories. KEYWORDS: Orwell, V for Vendetta , Faith of Our Fathers, social control, manipulation, submission. La literatura distópica es considerada una rama de la ciencia ficción, usada por los escritores para retratar una visión oscura y futurista del mundo, normalmente dominado por la tecnología y por un gobierno totalitario que hace uso de todos los medios que sean necesarios para ejercer un control total sobre sus ciudadanos. -
Network Aesthetics
Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor ___________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 ABSTRACT Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor __________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 Copyright by Patrick Jagoda 2010 Abstract Following World War II, the network emerged as both a major material structure and one of the most ubiquitous metaphors of the globalizing world. Over subsequent decades, scientists and social scientists increasingly applied the language of interconnection to such diverse collective forms as computer webs, terrorist networks, economic systems, and disease ecologies. The prehistory of network discourse can be -
View Book Sample
Pulling Up Stakes A Tale of Relenting Horror PART ONE OF TWO Peter David CRAZY 8 PRESS Crazy Eight Press is an imprint of Second Age, Inc. Copyright © 2012 by Peter David Cover illustration by Glenn Hauman Design by Aaron Rosenberg All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address Crazy 8 Press at the official Crazy 8 website: www.crazy8press.com First edition One My Dumb Ass Situation With My Mother ake up. It’s time to go out and kill something.” “W I moaned softly and pulled my blanket over my head. “Vincent!” said my mother, Dina Hammond, and this time she reached down and shook me so violently that I was sure my teeth were rattling. “Vince, for God’s sake! You haven’t got all night!” My head poked out from underneath the blanket like a turtle from its shell and I looked at her with bleary eyes. “I’m actually pretty sure that I do.” “Oh good. You’re alive.” My mother frowned in concern. “You’ve been sleeping through a lot of days lately.” “Well, I’ve been working nights.” “Let me check.” “Oh, Mom, for God’s sake—” “Let me. Check.” There was no waffling in Mom’s tone; noth- ing that indicated that there was going to be any wiggle room in the discussion or any possible negotiating of terms. You’d think I was fourteen instead of twenty-four.