FRANK ROBINSON Jr. RIP"SCRAP IRON" LRBC Dry
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The Milestones Repertoire
MOTOWN CHART HITS ABC – Jackson 5 Good as Hell – Lizzo Ain’t No Mountain High Enough – Marvin Gaye & Tammi Higher Love – Kygo & Whitney Houston Terrell Promises – Calvin Harris ft. Sam Smith Baby I Need Your Lovin – Four Tops All About The Bass – Meghan Trainor Baby Love – The Supremes Blurred Lines – Robin Thicke Can’t Help Myself (Sugar Pie Honey Bunch) – Four Tops Budapest – George Ezra Dancing In The Street – Martha and The Vandellas Can’t Stop The Feeling – Justin Timberlake Endless Love – Diana Ross & Lionel Ritchie Feel It Still – Post Malone Higher Ground – Stevie Wonder Forget You – Cee Lo Green How Sweet It Is (To Be Loved By You) – Marvin Gaye For You – Payne/Ora I Heard It Through The Grapevine – Marvin Gaye Get Lucky – Daft Punk I Want You Back – Jackson 5 Happy – Pharrell Williams I Wish – Stevie Wonder Havana – Camila Cabello I’ll Be There – Jackson 5 Moves Like Jagger – Maroon 5 Let’s Get It On – Marvin Gaye Only Girl In The World – Rihanna My Girl – The Temptations Shake It Off – Taylor Swift Reach Out I’ll Be There – Four Tops Shape Of You – Ed Sheeran Signed Sealed Delivered – Stevie Wonder Thinking Out Loud – Ed Sheeran Stop In The Name Of Love – The Supremes Treasure – Bruno Mars Tears Of A Clown – Smokey Robinson & The Miracles Uptown Funk – Ronson/Mars Tracks Of My Tears – Smokey Robinson & The Miracles What’s Going On – Marvin Gaye You Can’t Hurry Love – Supremes Your Love Keeps Lifting Me Higher – Jackie Wilson FUNK All This Love That I’m Giving – Gwen McCrae Brick House – The Commodores Dance To The Music – Sly -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
HEMEKIA COPELAND Uncivil War by Marc Lipkin 1 2 - SIX CD REVIEWS by Various Writers 29 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020
Six New CD Reviews S HEMEKIA C OPELAND - Uncivil War Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today ALASTAIR GREENE Click THE NEW WORLD BLUES Here! H NEW ALBUM H Produced by Tab Benoit for WHISKEY BAYOU RECORDS Available October 23, 2020 “Fronting a power blues-rock trio, guitarist Alastair Greene breathes in sulfuric fumes and exhales blazing fire.” - Frank John Hadley, Downbeat Magazine “Greene is a no frills rock vocalist. His fiery solos prove him a premier shredder who will appeal to fans of Walter Trout, Joe Bonamassa, and Albert Castiglia.” - Thomas J Cullen III, Blues Music Magazine “On THE NEW WORLD BLUES, Alastair makes it clear why he is a ‘guitar player’s guitar player,’ and this recording will surely leave the Alastair Greene stamp on the Blues Rock World.” - Rueben Williams, Thunderbird Management, Whiskey Bayou Records alastairgreene.com whiskeybayourecords.com Available October 23rd at alligator.com and other fine retailers GENUINE HOUSEROCKIN’ MUSIC SINCE 1971 BLUES MUSIC ONLINE October 23, 2020 - Issue 21 Table Of Contents 06 - SHEMEKIA COPELAND Uncivil War By Marc Lipkin 1 2 - SIX CD REVIEWS By Various Writers 29 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 PHOTOGRAPHY © COURTESY ALLIGATOR RECORDS COVER PHOTOGRAPHY © MARILYN STRINGER Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! -
At a Glance Concert Schedule
At A Glance Concert Schedule SC- Supper Club CH- Concert Hall MB- Music Box Full Venue RT- Rooftop Deck RF- Riverfront Porch PDR- Private Dining Room Sun 4/23 CH Turning Point Church Presented by NEO Church Planting network Weekly Worship Service (View Page) Sun 4/23 SC BB King Brunch With Travis "The Moonchild" Haddix (View Page) Sun 4/23 CH Bob Mould Solo Electric Show with Hüsker Dü Frontman (Tickets) Wed 4/26 SC Topic: Cleveland Starts Here: History of Western Reserve Historical Society Storytellers: Kelly Falcone-Hall & Dennis Barrie Cleveland Stories Dinner Parties (View Page) Thu 4/27 SC Motown Night with Nitebridge Enjoy the jumpin' sounds of your favorite classic hits! (View Page) Thu 4/27 CH Dan Fogelberg Night with The Don Campbell Band (Tickets) Sun 4/30 CH Turning Point Church Presented by NEO Church Planting network Weekly Worship Service (View Page) Sun 4/30 SC Beatles Brunch With The Sunrise Jones (Tickets) Sun 4/30 SC Cleveland Songwriters Showcase Raymond Arthur Flanagan, Rebekah Jean, & Austin Stambaugh (View Page) Wed 5/3 SC Topic: Plans Made, Plans Changed: CLE’s Urban Design Storyteller: Chris Ronayne Cleveland Stories Dinner Parties (View Page) Thu 5/4 SC Rebels Without Applause One of Cleveland's Longtime Favorite Cover Bands Celebrating 35 Years! (View Page) Fri 5/5 CH Martin Barre of Jethro Tull Award-Winning Legendary Guitarist (Tickets) Fri 5/5 SC Tequila! Cinco de Mayo Party with Cats on Holiday Tequila Flights, Taco Features and more! (Tickets) Sat 5/6 SC Hey Mavis Northeast Ohio’s Favorite Americana Folk -
The J. Geils Band You're Gettin' Even While I'm Gettin' Odd Mp3, Flac, Wma
The J. Geils Band You're Gettin' Even While I'm Gettin' Odd mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: You're Gettin' Even While I'm Gettin' Odd Country: US Released: 1984 Style: Blues Rock, Pop Rock MP3 version RAR size: 1621 mb FLAC version RAR size: 1978 mb WMA version RAR size: 1334 mb Rating: 4.8 Votes: 879 Other Formats: TTA VQF AC3 AIFF AHX MPC AU Tracklist A1 Concealed Weapons 3:30 A2 Heavy Petting 4:16 A3 Wasted Youth 4:30 A4 Eenie Meenie Minie Moe 3:54 A5 Tell 'Em, Jonesy 4:46 B1 You're Gettin' Even While I'm Gettin' Odd 6:56 B2 The Bite From Inside 5:50 B3 Californicatin' 4:07 B4 I Will Carry You Home 6:09 Companies, etc. Recorded At – Long View Farm Studios Mixed At – Record Plant, N.Y.C. Mastered At – Master Cutting Room Pressed By – Capitol Records Pressing Plant, Winchester Manufactured By – Capitol Records, Inc. Published By – Center City Music Published By – Last Licks Music Phonographic Copyright (p) – EMI America Records Copyright (c) – EMI America Records Credits Alto Saxophone, Baritone Saxophone – Crispin Cioe Backing Vocals – Cookie Watkins (tracks: A2, A4, B1, B4), Fonda Rae (tracks: A2, A4, B1, B4), Judith Spears (tracks: A2, A4, B1, B4) Bass – Daniel Klein Choir – The Institutional Radio Choir (tracks: B4) Cover [Coordinator] – Henry Marquez Design [Front Cover] – Seth Justman, Stephen Jo Bladd* Directed By [Choir] – Carl Williams, Jr.* Drums, Lead Vocals, Backing Vocals – Stephen Jo Bladd* Engineer – Steve Marcantonio Engineer [Additional Assistance] – Carol Cafiero Engineer [Additional] – John Mathias* Engineer [Assistant] – Jesse Henderson Guitar – J. -
The Spirit of the Living Creatures Was in the Wheels -- Ezekiel 1:21
The spirit of the living creatures was in the wheels -- Ezekiel 1:21 "Wheels Within Wheels deepens the musical experience created at Congregation Bet Haverim by lifting the veil between the ordinary and the sacred, so that our earthy expression of musical holiness connects with the celestial resonance of the universal. Like Ezekiel’s mystical vision, the spirals of harmonies, voices and instruments evoke contemplation, awe and celebration. At times Wheels Within Wheels will transport you to an intimate experience with your innermost self, and at other times it will convey a profound connection with the world around you." -- Rabbi Joshua Lesser THE MUSICIANS OF CONGREGATION BET HAVERIM Chorus Soprano: Nefesh Chaya, Sara Dardik, Julie Fishman, Nancy Gerber, Joy Goodman, Ellie McGraw, Theresa Prestwood, Rina Rosenberg, Faith Russler, Sandi Schein Alto: Jesse Harris Bathrick, Elke Davidson, Gayanne Geurin, Kim Goldsmith, Rebecca Green, Carrie Hausman, Alix Laing, Rebecca Leary Safon, AnnaLaura Scheer, Valerie Singer, Linda Weiskoff, Valerie Wolpe, McKenzie Wren Tenor: Ned Bridges, Brad Davidorf, Faye Dresner, Henry Farber, Alan Hymowitz, Lynne Norton Bass: Dan Arnold, Gregg Bedol, David Borthwick, Gary Falcon, Bill Laing, Bill Witherspoon, Howard Winer Band Will Robertson, guitar, keyboards; Natalie Stahl, clarinet, saxophone; Sarah Zaslaw, violin, viola; Reuben Haller, mandolin; Jordan Dayan, bass, electric bass; Mike Zimmerman, drum kit, percussion; Henry Farber and Gayanne Geurin, percussion; with Matthew Kaminski, accordion Strings Sarah Zaslaw and Benjamin Reiss, violin; David Borthwick, viola; Ruth Einstein, cello; Will Robertson, double bass Children’s Choir and CBH Community School Chorus director: Will Robertson Music director: Gayanne Geurin Thank You It takes a shul to raise a recording. -
Brevard Live November 2013
Brevard Live November 2013 - 1 2 - Brevard Live November 2013 Brevard Live November 2013 - 3 4 - Brevard Live November 2013 Brevard Live November 2013 - 5 6 - Brevard Live November 2013 Content November 2013 FEATURES page 51 EDDIE SCOTT MEMORIAL ROCK & BLUES FESTIVAL Eddie Scott Going Home Jam will remem- Rock legend Johnny Winter will headline ber the music and life of Eddie Scott who the inaugural Space Coast Rock & Blues Columns passed away last month. Many famous per- Festival held at the Valkaria Airport. This formers will come together for an unfor- is a brand-new venue. gettable concert to raise funds to pay for Page 17 Charles Van Riper funeral cost for the beloved soul singer. 22 Political Satire Page 10 FOREIGN STARR-DOM Calendars Jack Starr received the Ambassador Life- Live Entertainment, SPACE COAST STATE FAIR time Achievement Awards at the 2013 25 The fair is back in town with over 200 Concerts, Festivals BMAs. Brevard Live sat down with the popular thrill rides, shows and attractions metalist who has been a celebrated per- to entertain the masses at Space Coast Sta- former at countless festivals in Europe. CD Reviews dium in Viera. It is pre-holiday family fun 31 by John Leach at its finest. Page 19 Page 13 Steve Keller ROYAL ROCK WEDDING Local Lowdown ART FESTIVALS Much has been said, posted and comment- 33 & Five Questions Two traditional and unique art festivals ed about the wedding of Charles and Lissa are scheduled in November: The ArtWorks Knight, Brevard’s popular rock’n’roll Knights After Night in Eau Gallie and Space Coast Art Festival couple. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Whose Blues?" with Author Adam Gussow November 14, 5Pm ET on TBS Facebook Page
November 2020 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 36, No 11 Sugar Brown (aka Ken Kawashima) will discuss "Whose Blues?" with author Adam Gussow November 14, 5pm ET on TBS Facebook Page CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 MBA Nominees Announced Loose Blues News Whose Blues? Blues Reviews Remembering John Valenteyn Blues Events TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2020 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Ron Clarkin (Treasurer), Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Lori Murray, Ed Parsons, Jordan Safer (Executive), Paul Sanderson, Mike Smith Musicians Advisory Council: Brian Blain, Alana Bridgewater, Jay Douglas, Ken Kawashima, Gary Kendall, Dan McKinnon, Lily Sazz, Mark Stafford, Dione Taylor, Julian Taylor, Jenie Thai, Suzie Vinnick,Ken Whiteley Volunteer & Membership Committee: Lucie Dufault, Rose Ker, Mike Smith, Ed Parsons, Carol Flett Grants Officer: Barbara Isherwood Office Manager: Hüma Üster Marketing & Social Media Manager: Meg McNabb Publisher/Editor-in-Chief: Derek Andrews Many thanks to Betty Jackson and Geoff Virag for their help at the Managing Editor: Brian Blain Toronto Blues Society Talent Search. [email protected] Contributing Editors: Janet Alilovic, Hüma Üster, Carol Flett Listings Coordinator: Janet Alilovic Attention TBS Members! Mailing and Distribution: Ed Parsons Due to COVID-19 pandemic, TBS is unable to deliver a physical Advertising: Dougal Bichan [email protected] copy of the MapleBlues November issue. -
Selective Tradition and Structure of Feeling in the 2008 Presidential Election: a Genealogy of “Yes We Can Can”
Selective Tradition and Structure of Feeling in the 2008 Presidential Election: A Genealogy of “Yes We Can Can” BRUCE CURTIS Abstract I examine Raymond Williams’s concepts “structure of feeling” and “selective tradition” in an engagement with the novel technical-musical-cultural politics of the 2008 Barack Obama presidential election campaign. Williams hoped structure of feeling could be used to reveal the existence of pre-emergent, counter-hegemonic cultural forces, forces marginalized through selective tradition. In a genealogy of the Allen Toussaint composition, “Yes We Can Can,” which echoed a key campaign slogan and chant, I detail Toussaint’s ambiguous role in the gentrification of music and dance that descended from New Orleans’s commerce in pleasure. I show that pleasure commerce and struggles against racial segregation were intimately connected. I argue that Toussaint defanged rough subaltern music, but he also promoted a shift in the denotative and connotative uses of language and in the assignments of bodily energy, which Williams held to be evidence of a change in structure of feeling. It is the question of the counter-hegemonic potential of subaltern musical practice that joins Raymond Williams’s theoretical concerns and the implication of Allen Toussaint’s musical work in cultural politics. My address to the question is suggestive and interrogative rather than declarative and definitive. Barack Obama’s 2008 American presidential election and the post-election celebrations were the first to be conducted under the conditions of “web 2.0,” whose rapid spread from the mid-2000s is a historic “cultural break” similar in magnitude and consequence to the earlier generalization of print culture.1 In Stuart Hall’s terms, such breaks are moments in which the cultural conditions of political hegemony change.2 They are underpinned by changes in technological forces, in relations of production and communication. -
Dr. Richard Brown Faith, Selfhood and the Blues in the Lyrics of Nick Cave
Student ID: XXXXXX ENGL3372: Dissertation Supervisor: Dr. Richard Brown Faith, Selfhood and the Blues in the Lyrics of Nick Cave Table of Contents Introduction 2 Chapter One – ‘I went on down the road’: Cave and the holy blues 4 Chapter Two – ‘I got the abattoir blues’: Cave and the contemporary 15 Chapter Three – ‘Can you feel my heart beat?’: Cave and redemptive feeling 25 Conclusion 38 Bibliography 39 Appendix 44 Student ID: ENGL3372: Dissertation 12 May 2014 Faith, Selfhood and the Blues in the lyrics of Nick Cave Supervisor: Dr. Richard Brown INTRODUCTION And I only am escaped to tell thee. So runs the epigraph, taken from the Biblical book of Job, to the Australian songwriter Nick Cave’s collected lyrics.1 Using such a quotation invites anyone who listens to Cave’s songs to see them as instructive addresses, a feeling compounded by an on-record intensity matched by few in the history of popular music. From his earliest work in the late 1970s with his bands The Boys Next Door and The Birthday Party up to his most recent releases with long- time collaborators The Bad Seeds, it appears that he is intent on spreading some sort of message. This essay charts how Cave’s songs, which as Robert Eaglestone notes take religion as ‘a primary discourse that structures and shapes others’,2 consistently use the blues as a platform from which to deliver his dispatches. The first chapter draws particularly on recent writing by Andrew Warnes and Adam Gussow to elucidate why Cave’s earlier songs have the blues and his Christian faith dovetailing so frequently. -
Cookin' in Louisiana with a Side of Blues
Cookin' In Louisiana With a Side of Blues Photo by Ÿ Joseph A. Rosen By Kenny Neal Not only was I brought up with the blues – playing guitar and for our hometown folks, playing the blues. At the end of the night, beating drums around the house as a kid – the kitchen was the it was time for more food, and that’s when my Aunt Gert would next room over and there was always something stewing on the be ready to sell you a potato salad, a fried chicken sandwich or a stove. In Louisiana, we have a passion for music, food and fun. hot sausage link boiled, with a side order of crackers and mustard. My family loves to cook outside on burners and in big cast I was brought up with different types of cooks in my family. My iron skillet pots – that way, nobody gets left out, there’s enough grandmother was a slow cook, she believed in taking her time food for everyone. We also like to compete against each other and letting the food simmer. We’d run into the house and ask if when cooking. Nowadays, being the eldest of 10, I sit back and the food was ready, and she’d say, “No, and get out of here. Go watch my younger siblings cook because they all think they’re back into the yard and play.” We would be really hungry when it the best in the world. They show up for a big cookout, each came to eating time, but it was well worth the wait.