PUBLICATIONS Autumn 2012 CORNERHOUSE PUBLICATIONS AUTUMN 2012 INDEX TO FEATURED PUBLISHERS
Cornerhouse provides a specialist sales and distribution service for many of the most Art Editions North 1 innovative publishers, galleries and museums working in contemporary visual arts. Our list Artangel 1 encompasses all the visual arts including architecture, art theory and education, design, Aspex 2 GLJLWDOPHGLDIDVKLRQ¿OPDQGYLGHRSDLQWLQJSHUIRUPDQFHSKRWRJUDSK\DQGVFXOSWXUH Bluecoat 2 We have over 2,800 titles currently available. If you require further details or if you want to British Council 2 place an order please contact us or visit our online bookstore. Chinese Arts Centre 3 For further information about our services, please contact Paul Daniels, Publications Coracle 3 Director. Cornerhouse 4 Ffotogallery 5 Cornerhouse Publications Firstsite 5 70 Oxford Street, Manchester M1 5NH, England Forma 6 Publications Director Paul Daniels FutureEverything 7 GlobalArtAffairs Publishing 7 orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies Haunch of Venison 7 trade orders / enquiries +44 (0)161 200 1501 Kelly Richardson Hayward Publishing 8 mail order / enquiries +44 (0)161 200 1502 Art Editions North Legion Artangel Henry Moore Institute 9 general enquiries +44 (0)161 200 1503 distributed by Cornerhouse world-wide distributed by Cornerhouse in the UK Ikon Gallery 9 texts by Kelly Gordon, Alistair Robinson, fax +44 (0)161 200 1504 Holly Hughes, Louis Grachos, Ryan Doherty email [email protected] Information as Material 11 edited by Alistair Robinson, Ryan Doherty online bookstore www.cornerhouse.org/books John Hansard Gallery 11 JRP|Ringier* 12 Ant Macari Yael Bartana Canadian artist Kelly Richardson is Kerber Verlag** 23 texts by Richard Grayson, Neil Mulholland, And Europe Will Be Stunned one of the leading representatives TRADE TERMS Verlag der Buchhandlung Walther König 28 Alistair Robinson The Polish Trilogy of a new generation of artists Please email orders to [email protected] Lisson Gallery 40 Ant Macari is one of the most exciting working with digital technologies to texts by Jacqueline Rose, Boris Groys, Standard discount 35%. Manchester City Galleries 41 Joanna Mytkowska, Adi Ophir, Ariella Azoulay A small order surcharge of £3.00 will be added to orders of less than £25 invoice value. young artists in England, working create hyperreal, highly charged Matt’s Gallery 42 edited by Eleanor Nairne UK orders carriage free. Overseas carriage charged at cost. across every conceivable medium, landscapes. Richardson creates Verlag für moderne Kunst Nürnberg 42 from drawing and wall drawing, video works that imagine an array of The New Art Gallery Walsall 46 And Europe Will Be Stunned RETURNS installation, sculpture, performance, possible futures for humankind. She Returns by permission only. In case of damage, defect or dispatch error please contact New Contemporaries (1988) Ltd 46 EULQJVWRJHWKHUIRUWKH¿UVWWLPHWKH and video. Macari was one of the few draws on the imagery of science- Cornerhouse Publications at the address above. Parasol unit 46 FRPSHOOLQJWULORJ\RI¿OPVPDGHE\ British artists to be selected by the ¿FWLRQFLQHPDOLWHUDWXUHDQGWKH Authorised returns must be sent to: Cornerhouse Returns, c/o NBN International, Airport Picture This 47 Yael Bartana in Warsaw in Poland New Museum, New York as one of history of landscape painting to Business Centre (ABC), 10 Thornbury Road, Plymouth, PL6 7PP, England. Rakennustieto Publishing 48 between 2007 and 2011. The same the most promising artists worldwide visualise the kinds of relationships Please note that returns sent to Cornerhouse’s Manchester address will not be accepted. Research Group for Artists Publications 48 \HDU%DUWDQDEHFDPHWKH¿UVW under 32 for their exhibition and mankind may yet have to the Richter & Fey Verlag 48 non-national to exhibit in the Polish PAYMENT catalogue, Younger Than Jesus, natural world. Richardson has been Ridinghouse 50 Pavilion at the 54th Venice Biennale. Cheques should be made payable to Cornerhouse Publications and drawn on a UK and has had a solo show at Baltic, selected for the Beijing, Gwangju Shisha 52 Revolving around the activities of bank. Payment can be made directly into our bank account – please contact us for further performed at Tate Modern, and been and Busan biennales, and collected Stour Valley Arts 52 the Jewish Renaissance Movement details. We also accept payment by American Express, Eurocard, Maestro, MasterCard or awarded commissions by Project by major museums across the USA in Poland, a group that calls for VISA. All payments must be made in £ sterling. *JRP|Ringier titles are distributed by Cornerhouse in the UK and Europe Space Leeds, Locus+, Side, the and Canada, from the Hirshhorn the return of three million Jews to (excluding Germany, Austria, Switzerland and France) SALES REPRESENTATIVES Grundy Art Gallery and Leeds Art Museum Washington to the Musée 3RODQG%DUWDQD¶V¿OPVWUDYHUVHD Gallery amongst others. His work has d’art contemporain de Montreal. This For details of our sales representatives please refer to the Trade Information page on our **Kerber Verlag titles are distributed by Cornerhouse in the UK, Scandinavia landscape scarred by the histories website www.cornerhouse.org/books and Eastern Europe drawing and writing at its centre. It book is a comprehensive look at of competing nationalisms and makes reference to different orders of her work to date. It accompanies a nightmares across Europe and the ONLINE BOOKSTORE Cornerhouse also distributes titles for the following publishers: image-making and myths, from tattoo touring exhibition Legion initiated by Middle East. An extensive sequence Full details of all titles distributed by Cornerhouse are available from our online bookstore and outsider art to heraldry and Northern Gallery for Contemporary RIFRORXUVWLOOVIURPWKHWKUHH¿OPV www.cornerhouse.org/books where customers can purchase titles quickly and securely. $UQRO¿QL_$UWDQG6DFUHG3ODFHV_7KH$UWV&DWDO\VW_$UWV&RXQFLO(QJODQG medieval illuminated manuscripts. Art with Grundy Art Gallery, $XWRJUDSK$%3_$\H$\H%RRNV_%HDP_%ODLQ_6RXWKHUQ_&DPHUDZRUN – Mary Koszmary (Nightmares), Greater Manchester Arts Centre Limited trading as Cornerhouse Publications 7KH&DUDYDQ*DOOHU\_&DVWOH¿HOG*DOOHU\3XEOLFDWLRQV_&HQWUHIRU$UW By combining different sources and Blackpool; Towner, Eastbourne; Mur i Wieza (Wall and Tower), Reg no. 1681278 VAT no. GB125522146 Reg Charity no. 514719 ,QWHUQDWLRQDO5HVHDUFK &$,5 _&HQWUHIRU&RQWHPSRUDU\$UWV &&$ genres, Macari encourages a close Albright-Knox Art Gallery, Buffalo; &RQWURO0DJD]LQH_7KH'UDZLQJ5RRP_'X0RQW%XFKYHUODJ_eGLWLRQV and Zamach (Assassination) – is reading of the cultures he makes and the commission of Mariner 9 by accompanied by transcriptions of the Cornerhouse is Greater Manchester’s international centre for contemporary visual arts 5HYXH1RLUH_(QJDJH 1DWLRQDO$VVRFLDWLRQIRU*DOOHU\(GXFDWLRQ _,QVWLWXWH RI&RQWHPSRUDU\$UWV ,&$ _,QVWLWXWHRI,QWHUQDWLRQDO9LVXDO$UWV ,QLYD reference to. Tyneside Cinema. VSHHFKHVLQWKH¿OPVDQGYDULRXV DQG¿OP/RFDWHGLQWKHKHDUWRI0DQFKHVWHU8.WKHFHQWUHKDVÀRRUVRIFRQWHPSRUDU\ ,QYHQWRU\_.KDGLMD3URGXFWLRQV_/HQ*UDQW3KRWRJUDSK\_/LYHUSRRO%LHQQLDO /RZU\3UHVV_0DQFKHVWHU0HWURSROLWDQ8QLYHUVLW\_0HDG*DOOHU\_0LOWRQ essays. Co-published by Artangel DUWJDOOHULHVFLQHPDVFUHHQVDEDUFDIpDQGERRNVKRS)RUZHHNO\XSGDWHVRQ¿OPV Art Editions North £10.00 Art Editions North £20.00 .H\QHV*DOOHU\_0RGHUQ$UW2[IRUG_1DWLRQDO0XVHXPV/LYHUSRRO_3KDURV with Ikon, Birmingham; Louisiana exhibitions, events and the latest news, log on to www.cornerhouse.org ISBN 9780954911973 ISBN 9780954911966 $UWV)RXQGDWLRQ_3KRWRZRUNV_6DDWFKL*DOOHU\3XEOLFDWLRQV_6DLQVEXU\ Museum of Modern Art, Humlebaek; &HQWUHIRU9LVXDO$UWV_6DORQ_6LWH*DOOHU\_6RXWKDPSWRQ&LW\$UW*DOOHU\ softback 80 pages hardback 148 pages While every effort has been made to ensure that the contents of this catalogue are 7DWWRQ3DUN%LHQQLDO_7UDPZD\_7XUQSLNH*DOOHU\_hPUDQ3URMHFWV 48 illustrations 84 colour illustrations Museum of Modern Art Warsaw; Van 8QLYHUVLW\RI+HUWIRUGVKLUH*DOOHULHV_8UELV_9HOYHW3UHVV_9LHZSRLQW accurate, all details are subject to change at any time and without notice. 220 x 170 mm 220 x 280 mm Abbemuseum, Eindhoven. 3KRWRJUDSK\*DOOHU\_7KH:HOOFRPH7UXVW_:LWWHGH:LWK Artangel £29.95 ISBN 9781902201269 hardback 160 pages illustrated in colour and b&w Cover image: Mel Bochner, Blah, Blah, Blah, 2011 (detail). Oil on velvet (ten panels). 245 x 305 mm Overall: 284.5 x 533.4 cm | 112 x 210 in. © Mel Bochner 2012, courtesy Ridinghouse, London 1 AUTUMN 2012
The Song of the aspex the Bluecoat British Council Chinese Arts Centre Machines Coracle distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Yu-Chen Wang texts by Jennifer Thatcher, Bob Dickinson, Nicolas de Oliveira/Nicola Oxley, Rudyard A Hundred Seas Rising Humancraft: Venice Takeaway Institution for the Kipling, Sophia Crilly, Chelsea Pettitt Erica Van Horn Suki Chan Contaminating Science Ideas to Change British Future échafaudage
Stanya Kahn Swandown Wonder Chamber
Cornerhouse It’s Cool, I’m Good artists: Andrew Kötting, Iain Sinclair Ffotogallery Karen Ingham firstsite distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide texts by Glenn Phillips, Henriette Huldisch, texts by David Drake, Ken Arnold, Sarah Perks Swandown is a travelogue and Karen Ingham
odyssey of Olympian ambition; a Great Lengths 2012 Cornerhouse, in collaboration with SRHWLF¿OPGLDU\DERXWHQFRXQWHU Other Spaces Karen Ingham is an artist with a keen Andrea Hamilton An Artist Residency on the Abandon Normal Devices Festival myth and culture. It is also an Jo Longhurst interest in the natural sciences and Sorry I’m Late (AND) and Susanne Vielmetter Los endurance test and pedal-marathon KRZVFLHQWL¿FLGHDVDQGSURFHVVHV Olympic Park texts by Charlotte Cotton, Sara Knelman, texts by Michelle Cotton, Anthea Hamilton, Angeles Projects, presents this in which Andrew Kötting (the David Drake inform contemporary image making. Catherine Wood artist: Neville Gabie accompanying publication on the ¿OPPDNHU DQG,DLQ6LQFODLU WKH Wonder Chamber brings together edited by Michelle Cotton edited by Simon Grennan RFFDVLRQRIWKH¿UVW(XURSHDQVROR writer) pedal a swan-shaped pedalo Jo Longhurst’s new body of work various bodies of work produced exhibition of new and recent work by by Ingham over the last decade in Between 2010 and 2012, Neville from the seaside in Hastings to develops her interest in perfection. Sorry I’m Late is a monographic acclaimed Los Angeles artist Stanya the form of ‘an imaginary museum Gabie was Artist in Residence for Hackney in London, via the English She turns her enquiry into notions publication about British artist Kahn. Using humour as a central with its interconnected spaces for the Olympic Delivery Authority. inland waterways. With a nod of the ideal body to the pursuit of Anthea Hamilton’s work, published device, It’s Cool, I’m Good presents the display of seemingly disparate Focusing on the emerging world- to Werner Herzog’s Fitzcarraldo perfect performance, exploring the E\¿UVWVLWHRQWKHRFFDVLRQRIKHU a selection of videos and drawings, and eclectic objects and artefacts’. scale and world-class development and a pinch of Dada, Swandown physical and emotional experiences solo exhibition of the same name characterised by the artist’s signature A key element of Ingham’s practice of the Olympic Park in Stratford, east documents Kötting and Sinclair’s of elite gymnasts in training and ¿UVWVLWH&ROFKHVWHU6HSWHPEHU blend of dark comedy, visceral is to play on and subvert the way London, Gabie created a suite of epic journey, on which they are competition. The works incorporate – 25 November 2012). Featuring characters and reluctant optimism. objects are collected, archived and new artworks that approach one of joined by invited guests including classic photographic portraiture, a newly commissioned essay by 6SHFL¿FDOO\FRPPLVVLRQHGIRUWKH displayed in science museums, Great Britain’s largest construction comedian Stewart Lee, writer Alan appropriated photographs and hybrid Tate Curator of Contemporary Art & exhibition, Kahn also premieres putting them in the service of projects in terms of the human body, Moore and actor Dudley Sutton. photographic works inspired by Performance Catherine Wood and an her latest video work Who Do You contemporary art. Engaging with DQGUHÀHFWXSRQWKHSHUVRQDODQG This was a perilous journey, akin Plato’s perfect solids, and Popova extended interview between Hamilton Think You Are. Kahn’s video works science, playfully mimicking and social experiences of such a huge to the river voyage of Bogart and and Rodchenko’s revolutionary DQG¿UVWVLWH¶V6HQLRU&XUDWRU0LFKHOOH navigate personal trauma and reconstructing its ideas and methods, undertaking. This book presents Hepburn in The African Queen. It experiments with aesthetic forms for Cotton, the book also includes full resilience; mundane interactions the artist sheds light on the complex and illuminates the temporary was also, for Kötting, a tribute to the the construction of a new, Utopian colour images of previous projects and casual jokes belie a deeper process of technical, biological artworks made by Gabie, in which legendary performer, traveller and society. The book reveals how DQGWKHH[KLELWLRQDW¿UVWVLWH consciousness of environmental and cultural formation that both representations of duration and conceptual artist Bas Jan Ader, who Longhurst worked with a body of concerns, social and political VKDSHVRXUIXWXUHVDQGGH¿QHV ¿UVWVLWH WEF distance draw together the physical in 1975 was lost at sea attempting to original photographic source material, alienation. Also featured is an cross the Atlantic in a pocket cruiser. sketches and studies made as human experience. Published ISBN 9780948252358 construction of the Olympic Park softback 72 pages interview with Stanya Kahn by Bren Swandown was commissioned visiting artist at Heathrow Gymnastic on the occasion of the exhibition and the extremities and habits of illustrations tbc O’Callaghan, Visual Art Programme Karen Ingham: Wonder Chamber at human performance. Encompassing by the Abandon Normal Devices Club and at the World Gymnastics dimensions tbc Manager, Cornerhouse. Published Ffotogallery, Cardiff, 10 March – SKRWRJUDSK\¿OPLQVWDOOHGREMHFWV (AND) Festival and premiered at Championships. Published to 2FWREHU on the occasion of the exhibition Cornerhouse, Manchester in summer accompany the exhibition at Oriel 14 April 2012. durational actions and a uniquely Anthea Hamilton, Pulley, 2007. Image courtesy Stanya Kahn: It’s Cool, I’m Good, at curated historic exhibition, the 2012. Mostyn Gallery, Llandudno, 16 IBID Projects, London and the artist. Cornerhouse, Manchester, 23 June – )IRWRJDOOHU\ artworks reveal the sheer complexity June – 30 September 2012 and 16 September 2012. &RUQHUKRXVH Ffotogallery, Cardiff, 20 October – ISBN 9781872771892 and achievement of building both ISBN 9780956957139 softback 68 pages 8 December 2012. 65 colour illustrations an Olympic Park and creating a new &RUQHUKRXVH GXDOHGLWLRQ'9'DQG%OXUD\PXOWLUHJLRQ resource for London, expressing the 190 x 135 mm 275 x 220 mm ISBN 9780956957122 )IRWRJDOOHU\ 1RYHPEHU excitement, uncertainty and triumph hardback 128 pages ISBN 9781872771915 of going to great lengths. 55 colour, 32 b&w illustrations hardback 100 pages 158 x 210 mm illustrations tbc &RUQHUKRXVH,Q6LWH$UWV 230 x 115 mm ISBN 9780956957146 (QJOLVKDQG:HOVKWH[W VRIWEDFNZLWK'9' SDJHV illustrated in colour 297 x 210 mm 4 5 AUTUMN 2012
Nigel Henderson & Simon Periton GlobalArtAffairs Bombyx Mori Forma FutureEverything Haunch of Venison Eduardo Paolozzi distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Publishing distributed by Cornerhouse world-wide Hammer Prints 1954–74 texts by Katherine Wood, Jes Fernie distributed by Cornerhouse world-wide edited by Asana Greenstreet texts by Michelle Cotton, Lesley Jackson, Robin Spencer Dicky Star and the The FutureEverything Károly Keserü Nancy Holt edited by Michelle Cotton Bombyx Mori is a monographic publication about British artist Simon Garden Rule Manual (2011) Papertiger 2009–2012 Photoworks In 1954 artists Nigel Henderson and 3HULWRQ¶VZRUNSXEOLVKHGE\¿UVWVLWH Tony White texts by Drew Hemment, Kate Taylor, Kevin edited by Patrick Heide Contemporary Art artists: Nancy Holt, Robert Smithson Eduardo Paolozzi formed a creative on the occasion of a new public Smith, Chris Speed, Julian Tait, Adam Nieman, texts by Ben Tufnell, Douglas Fogle text by Tony White partnership under the company name artwork in 2012, installed in the Jon Whittle, Will Simm, Nigel Davies, Stefan This catalogue focuses on works on of Hammer Prints Limited. Over the 'VKDSHGJDUGHQVDW¿UVWVLWH3HULWRQ Agamanolis, Manuel Lima, Nashid Nabian, paper by the Hungarian artist Károly Nancy Holt’s photoworks constitute Dicky Star and the Garden Rule Carlo Ratti, Amalie Roberts researched the garden’s eighteenth course of the next seven years, the follows young couple Laura Morris Keserü: drawings of graphite and a major body of work by one of century design in collaboration with edited by Drew Hemment two artists established a commercial and her boyfriend Jeremy through ink, watercolours and collages, also the key artists of the late twentieth the landscape architects, to create venture, collaboratively designing the turbulent days at the end of The FutureEverything Manual the folded, crumpled, embossed, century. It is extraordinary that many relevant planting for the renewed patterns and working with industry April 1986 when the world’s worst introduces the FutureEverything punched and punctured papers in of these works have never been scheme. His work is inspired specialists to produce wallpapers, nuclear accident occurred at the digital innovation labs and methods, which the medium and the process printed – let alone exhibited – before partly by the site; there is a long- fabrics, ceramic tiles, furniture Chernobyl nuclear power plant the themes of the 2011 edition of become the subject. Showing a wide now; a function perhaps of Holt’s established mulberry tree in the and tableware using their designs. in the Ukrainian Soviet Socialist the FutureEverything Festival, and range of formal means, Keserü’s VXFFHVVDVDVLWHVSHFL¿FSXEOLF gardens of East Hill House, and the Published on the occasion of the Republic of the former Soviet Union. includes a number of interesting works on paper tend to be more artist and sculptor but also her role worms of the silkmoths that appear H[KLELWLRQDW¿UVWVLWH'HFHPEHU± Jeremy and Laura’s story is told in essays. Founded in 1995 and based expressive, experimental and playful as custodian of Robert Smithson’s in his artworks were essential to 24 February 2013, which charts the vivid daily chapters that follow the in Manchester, FutureEverything than his paintings. ‘It was always OHJDF\,WLVKRSHGWKDWZLWKWKLV¿UVW domestic silk production in nineteenth history of Hammer Prints within the unfolding disaster’s impact in the presents a global festival of art, most important for me to present in-depth showing and publication century Colchester. Primarily a context of their broader artistic output UK, but are also determined by their music, and ideas, and an award something enjoyable, visually of her photographic oeuvre, the visual essay, this large-format and other collaborations such as own quixotic puzzle: each chapter celebrating the creative imagination engaging through the complexity full extent of Holt’s important and book also includes an interview the exhibitions, Parallel of Life and must be told using all of the answers that will shape our future. It also of colours and resonating forms. innovative contribution can now between Periton and Jes Fernie, Art (Institute of Contemporary Arts, to the Guardian Quick Crossword runs year-round innovation labs on This might be an old fashioned begin to be fully recognised. Nancy ¿UVWVLWH¶V$VVRFLDWH&XUDWRUZKLFK London, 1953) and This is Tomorrow from that day in 1986. Drawing on themes such as open data, urban formalist view, but I still believe in Holt is one of the leading artists of contextualises the development of (Whitechapel Art Gallery, London, newspaper archives of the former interface, remote collaboration and this kind of painting. The meticulous her generation and a pioneer in site- the commission. 1956). The publication documents independent left-wing weekly Leeds environmental mass observation. execution is also crucial to me. VSHFL¿FDUWDQG¿OPDQGYLGHRZRUN original exhibition research, features Other Paper and the then still Published after the FutureEverything Well crafted, handmade art – we She is one of a group of important contributions from leading experts ¿UVWVLWH could call it ‘Retro-Avant-Garde’ or international artists who initiated the ISBN 9780948252341 broadsheet Guardian, Tony White 2011 Festival (11 – 14 May 2011). including Eduardo Paolozzi’s ‘Retro-garde’ – still has the power to Land Art movement in the late 1960s. VRIWEDFN LQVOLSFDVH SDJHV creates an evocative story of mid- remind us of the physicality of being biographer Robin Spencer and 35 colour, 9 b&w illustrations 1980s life. This book accompanies a )XWXUH(YHU\WKLQJ This catalogue features images design historian Lesley Jackson, and 348 x 334 mm touring exhibition of works by Jane ISBN 9780955736094 human’. (Károly Keserü). Included of Holt’s key works such as Pine softback 44 pages includes full colour reproductions of and Louise Wilson entitled Atomgrad is an interview with Károly Keserü Barrens (1975) and the iconic Sun their designs and artwork alongside illustrated in colour and b&w conducted by Martina Fortuni and Tunnels (1976). Published alongside (Nature Abhors a Vacuum), 210 x 148 mm hitherto unseen working material. commissioned in April 2010 as a a letter from Richard Rijnvos to an exhibition at Haunch of Venison, response to the 25th anniversary of the artist. London, 8 June – 25 August 2012. ¿UVWVLWH WEF the Chernobyl disaster. ISBN 9780948252365 *OREDO$UW$IIDLUV3XEOLVKLQJ +DXQFKRI9HQLVRQ hardback pages tbc ISBN 9783941763128 ISBN 9781905620661 illustrations tbc Forma £5.00 hardback 128 pages hardback 84 pages 280 x 215 mm ISBN 9780954828868 104 colour illustrations 112 colour, 36 b&w illustrations 'HFHPEHU softback 50 pages 266 x 213 mm 280 x 225 mm WH[WRQO\ Hammer Prints, Sgraffito wallpaper 210 x 148 mm
6 7 AUTUMN 2012
Jamie Shovlin Light The Universal Various Arrangements Hayward Publishing Henry Moore Institute Ikon Gallery distributed by Cornerhouse in the artists: David Batchelor, Olafur Eliasson, Dan Addressability of Flavin, Conrad Shawcross, James Turrell, and distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide text by Martin Holman UK and Europe others Dumb Things
The exhibition Various Arrangements texts by Cliff Lauson, Philip Ball, Anne Wagner Mark Leckey Curates (Haunch of Venison, London, 18 William Kentridge artist: Mark Leckey Sarah Lucas Bedwyr Williams Light, published on the occasion of April – 26 May 2012) extended Jamie Prints texts by Dr Alixe Bovey, Erik Davis, Ordinary Things My Bad a major exhibition at the Hayward Shovlin’s interest in exploring the Frances Stark texts by Roger Malbert, Rosalind Krauss, Gallery (21 January – 28 April 2013), texts by Lisa Le Feuvre, Gilda Williams, texts by Karen MacKinnon, Mark Beasley, IDOOLELOLW\RIFODVVL¿FDWLRQV\VWHPV Kate McCrickard Anne Wagner, Deborah Orr Bedwyr Williams includes some of the most visually Turner Prize-winner artist Mark exploring an absurdist premise: edited by Lisa Le Feuvre stimulating and compelling artworks Leckey, presents the latest in that intellectual achievement can William Kentridge is internationally My Bad is Bedwyr Williams’ largest created using light since the 1960s, Hayward Touring’s celebrated be ranked or scored according to a DFFODLPHGIRUKLVGUDZLQJV¿OPV Ordinary Things brings a sculptural solo exhibition to date and this as well as newly commissioned series of artist-curated exhibitions. points system. The exhibition was and theatre, and opera productions. and scholarly approach to the work accompanying catalogue presents artworks by contemporary artists. The Universal Addressability based around the cover designs of +HLVDOVRDQLQQRYDWLYHDQGSUROL¿F of Sarah Lucas, underlining her the most comprehensive survey of Featuring over 25 artists, Light takes of Dumb Things will explore the Fontana Modern Masters series, printmaker, often experimenting VWDWXVDVRQHRIWKHPRVWVLJQL¿FDQW his work. Williams observes the world as its starting point the sculptural the theme of transformative a set of pocket guides published with challenging formats and British artists. Lucas’ sculptures are with a sharp eye and wry humour. His use of light as a way of altering our technology, a kind of techno- between 1970–95 on eminent writers, combinations of printing techniques made of and from the human body, work includes a wide range of media, perception of space in contemporary animism, whereby the inanimate scientists and philosophers such to create highly-worked, intensely and from the ordinary things that including performance, sculpture, art. Individual artworks featured comes to life, and no distinction as Proust, Freud and Sartre. This atmospheric imagery. His prints, surround us. In NUDS (2009–), limbs painting and photography. Drawing here explore aesthetic possibilities – is drawn between things mental catalogue includes full colour images including some new works, range can be seen wrapping around each on his own personal narratives and colour, duration, black light, shadows, and things material, the sacred of the works and photographs of in scale from intimate etchings and other in knotted couplings and solo family histories – from school days QDWXUDODQGDUWL¿FLDOOLJKWSURMHFWLRQ and the profane. Contemporary the works in Jamie’s studio, and is drypoints to linocuts on rice paper DFUREDWLFVWKHFHOOXOLWHPDUNHGÀHVK in a North Wales farming community – through immersive, experiential works of art, mechanical objects, accompanied by a text of the artist in and canvas measuring 2.5 metres formed from ‘natural’ tights stuffed to his experiences as an artist-in- environments. The use of light as a historical material from science conversation with Martin Holman. high, and are reproduced on a variety ZLWKÀXIIDQGVWLIIHQHGE\ZLUHWKH residence – Williams has become means of expressing more socially of materials, a tactile approach and archaeological museums, delicate surface bruised and wrinkled known for sculpture and performance or politically-driven concerns is +DXQFKRI9HQLVRQ which is echoed in the design and and imagery from the internet will as the bodies perch on their breeze- ZRUNUHÀHFWLQJRQUXUDOOLIHORVV also addressed, as are the inroads ISBN 9781905620654 production of this unique book which coexist in an ambient environment, block supports. Many books looking memory and the folly of ambition. My made by cutting-edge technology in hardback 108 pages includes an interview with the artist creating ‘a colossal body across time at Lucas’ work have focused on her Bad draws its title from an American illustrated in colour contemporary light installation; LEDs, by Kate McCrickard. His distinctive and space’. The most imaginative, as a central player within British art vernacular phrase for admitting 290 x 230 mm lasers and computer-controlled use of light and shadow and innovative and authoritative thinkers in the 1990s. Ordinary Things offers fault. The exhibition is comprised lighting all make an appearance in silhouettes, his concern with memory DQGZULWHUVLQWKLV¿HOGDUHEURXJKW a counter position, turning to the largely of newly commissioned these works. and perspective, and his absorption together in this book – practitioners of sculptural rather than the sensational, installation and sculptural pieces, in literary texts, are all strongly in art-writing, cultural criticism and the to identify Lucas’ consistent marking a departure from the artist’s +D\ZDUG3XEOLVKLQJ WEF history of technology. Three unique, evidence throughout this book. ISBN 9781853323041 TXHVWLRQLQJRIWKHGH¿QLWLRQRI previous concerns with Wales new texts deal with themes including hardback 192 pages tbc sculpture. Published alongside the and ‘Welshness’. Published to +D\ZDUG3XEOLVKLQJ WEF illustrated in colour monstrosity, the power of writing and exhibition Sarah Lucas: Ordinary accompany the exhibition Bedwyr ISBN 9781853323010 280 x 235 mm the boundless power of the internet. Things at Henry Moore Institute, Williams: My Bad at Ikon Gallery (16 softback 144 pages tbc -DQXDU\ Leeds, 19 July – 21 October 2012. May – 8 July 2012) and touring to 100 illustrations in colour and b&w tbc DYDLODEOHWRFXVWRPHUVLQWKH8.RQO\ +D\ZDUG3XEOLVKLQJ WEF Glynn Vivian Art Gallery, Swansea 210 x 245 mm ISBN 9781853323058 +HQU\0RRUH,QVWLWXWH 'HFHPEHU David Batchelor, Magic Hour hardback 144 pages tbc in partnership with Mission Gallery, ISBN 9781905462391 QRWDYDLODEOHWRFXVWRPHUVLQ1RUWK6RXWKDQG 140 colour illustrations tbc Swansea (17 November 2012 – softback 80 pages &HQWUDO$PHULFD 210 x 180 mm 6 January 2013). 40 colour, 11 b&w illustrations )HEUXDU\ 205 x 165 mm Universal Archive (12 Coffee Pots), 2012 © the QRWDYDLODEOHWRFXVWRPHUVLQ1RUWK6RXWKDQG ,NRQ*DOOHU\ artist and David Krut Fine Art, New York and &HQWUDO$PHULFD Johannesburg. Image courtesy David Krut Fine ISBN 9781904864776 Art, New York and London softback 112 pages Object-Fantom, 1937 by Toyen. Courtesy Galerie illustrated in colour and b&w Zlatá Husa 240 x 170 mm 8 9 AUTUMN 2012
Boyd & Evans How To Use Fool’s John Myers Stuart Whipps Views Middle England Why Contribute to the Spread Information as Material John Hansard Gallery Gold of Ugliness? distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide texts by Tyler Cann, Christopher Finch Sarah Browne texts by Paul Lewis, Eugenie Shinkle, Ian Jeffrey texts by Jeremy Millar, Tessa Giblin, Sarah text by Catherine O’Flynn Artist-couple Boyd & Evans have Browne, Chris Lee, Marshall Sahlins been working together since 7KLVLVWKH¿UVWPDMRUH[KLELWLRQ This is an illustrated catalogue to Do or DIY Jennifer Anyan by Midlands-based artist John 1968. Their paintings, while highly ,NRQSUHVHQWVWKH¿UVW8.VROR accompany Stuart Whipps’ show artists: Craig Dworkin, Nick Thurston, Embodied Memories Myers. Comprising black and white Simon Morris representational, have a perspective, exhibition by Dublin-based artist at Ikon, including an essay by texts by Jennifer Anyan, Claire Masset, photographs made in the 1970s, scale and composition that often 6DUDK%URZQHDVXUYH\RI¿OPDQG Birmingham novelist Catherine Samantha Erin Safer edge closer to the surreal. The air sculptural works, including the artist’s Ikon’s selection includes Middle O’ Flynn. The major work of this ‘Remember the lessons of literary feels thin, time frozen and gravity entry for the 2009 Venice Biennale. England (1970–1974), a number exhibition, Why Contribute to the history. Don’t wait for others to Embodied Memories, a project by suspended in their dreamlike Using ‘the economy’ as the basis of portraits of individuals and Spread of Ugliness? (2011), centres validate your ideas. Do it yourself.’ artist and fashion stylist Jennifer pictures. Photography has also for her artistic practice, Browne families living in and around the on 487 boxes of archived paperwork Mixing anecdote and advocacy, the Anyan, is set in a temporary shop become more central to their work works with small communities of Black Country. Myers’ approach from the architectural practices of ¿UVWVHFWLRQRIWKLVWZRSDUWSROHPLFDO location in central Southampton. in recent years, with shocks of people, documenting resourceful LVGRFXPHQWDU\LQVW\OHUHÀHFWLQJ John Madin. John Madin, active essay offers an introduction to the The exhibition showcases startling colour penetrating landscapes of the forms of exchange such as gifting, the taste, self-perceptions and in Birmingham for over 30 years, concealed history of do-it-yourself new artworks that are made to be American Southwest. With selections subsistence, poaching and subsidies, aspirations of the people he GHVLJQHGPDQ\EXLOGLQJVWKDWGH¿QHG publishing – as undertaken by some worn. Poised between sculpture from over 40 years of their work to reveal the hidden social relations photographed. Thus we observe Birmingham as a modernist city. of the most revered writers in the and couture, the works are based together, Ikon presents Boyd & that exist in small-scale economic them in their sitting rooms and Several have since been pulled down modern Western literary canon, on recollections of items purchased (YDQV¶¿UVWPDMRUVXUYH\H[KLELWLRQ structures. Published on the occasion bedrooms, or in their leisure or work or are under threat of demolition. from Laurence Sterne (1713–1768) from the city’s old Tyrrell & Green Published on the occasion of the of the exhibition How To Use Fool’s spaces, surrounded by the telling Birmingham Central Library, the to Irma Rombauer (1882–1941) department store. Developed from exhibition Boyd & Evans: Views at Gold at Ikon Gallery, 15 February paraphernalia of their daily lives. largest civic library in Europe and via Virginia Woolf (1871–1922) research undertaken with local Ikon Gallery, 18 July – 2 September – 29 April 2012, and Contemporary They pose with deliberate stances considered by some to be a landmark and Derek Walcott (1930–). people, Jennifer’s subtle reinventions 2012. Art Gallery, Vancouver, 13 July – 2 and gestures, responding to the of post-war functionalist architecture Having looked back at some of the are touching, at times humorous September 2012. Co-published with sense of occasion engendered in Britain, is due to be demolished monuments of literary history, the but always respectful, and explore ,NRQ*DOOHU\ Project Arts Centre, Dublin, and E\0\HUV¶XVHRID*DQGRO¿SODWH in 2013. Whipps focuses on archival second section takes its charge from the distance between memory, ISBN 9781904864783 Contemporary Art Gallery, Vancouver. camera set on a tripod with a dark material relating to Madin’s work on the epigraph, ‘Institutions cannot communication and interpretation. softback 112 pages viewing cloth. Published on the prevent what they cannot imagine’, Embodied Memories was illustrated in colour and b&w the library, the former Birmingham occasion of the exhibition John and looks forward to the political commissioned by the John Hansard 245 x 245 mm ,NRQ*DOOHU\ Post and Mail printworks and the ISBN 9781904864752 Myers: Middle England at Ikon Queen’s Square shopping centre in SUD[LVRIWKHWZHQW\¿UVWFHQWXU\¶V Gallery and developed through Art softback 184 pages Gallery, 30 November 2011 – West Bromwich, amongst others. GLJLWDOIXWXUH7KHHVVD\ZDV¿UVW at the Heart, a partnership of key illustrated in colour and b&w 5 February 2012. commissioned as the Foreword arts organisations in Southampton 185 x 135 mm Published on the occasion of the exhibition at Ikon Gallery, 30 for the London Art Book Fair 2011 working to bring the city’s emerging ,NRQ*DOOHU\ November 2011 – 5 February 2012. catalogue. Published in a limited cultural quarter to life. Supported by ISBN 9781904864721 edition to accompany an eponymous Solent Research & Enterprise and softback 128 pages solo exhibition at the Whitechapel 79 b&w illustrations ,NRQ*DOOHU\ CREADM. Published to accompany 245 x 200 mm ISBN 9781904864738 Gallery, London, April – May 2012; the exhibition, Embodied Memories softback 84 pages and at the Laurence Sterne Museum, by Jennifer Anyan at John Hansard 51 colour illustrations Coxwold, August 2012. Gallery, 9 May – 30 June 2012. 310 x 240 mm ,QIRUPDWLRQDV0DWHULDO -RKQ+DQVDUG*DOOHU\ ISBN 9781907468124 ISBN 9780854329311 softback 24 pages softback 48 pages WH[WRQO\ 25 colour, 1 b&w illustrations 135 x 105 mm 250 x 210 mm
10 11 AUTUMN 2012
Caroline Bergvall Nick Stewart Art and the City Iñaki Bonillas Yvette Brackman Ghost Pieces: Four language- WHICH IS THE: 49 Views JRP|Ringier A Public Art Project J. R. Plaza Archive Systems and Scenarios distributed by Cornerhouse in the UK based installations and Europe artists: Ai Weiwei, Bettina Pousttchi, Charlotte texts by Luigi Amara, Michel Blancsubé, texts by Helene Lundbye Petersen, In September of 2011, Nick Stewart Posenenske, Christian Jankowski, Doug Sarah Demeuse, Rubén Gallo, Veronica Heike Munder edited by Caroline Bergvall, Erica Scourti spent a week driving along and Aitken, Frank Stella, Fred Sandback, Hamish Gerber, Claudio Isaac, Lorena Marron, Tom edited by Heike Munder, Helene Lundbye across the Irish border. At each Fulton, Lara Almarcegui, Los Carpinteros, McDonough, Dieter Roelstraete, Ivan Ruiz Petersen, Sabine Russ Ghost Pieces is a DVD compilation Hans Arp Manfred Pernice, Martin Creed, Matias crossing, he recorded factual details edited by Ekaterina Alvarez, Maria Minera that documents four language-based Ovi Bimba Faldbakken, Matt Mullican, Oscar Tuazon, of the landscape. Screen-grabs of the Paul McCarthy, Roe Ethridge, San Keller, Taiyo This monograph covers 20 years installations by French-Norwegian places he visited taken from Google text by Juri Steiner Onorato/Nico Krebs, Valentin Carron, Yona In 2003, Mexican artist Iñaki Bonillas of Yvette Brackman’s works and writer and artist Caroline Bergvall. Friedman Maps are presented in this project, as edited by Juri Steiner, Melanie Dankbar introduced the photographic archive SURMHFWV,WLVWKH¿UVWSXEOLFDWLRQWR It spans more than a decade and texts by Christoph Doswald, Markus Miessen, much for their aesthetic qualities as belonging to his grandfather, José bring together a large selection of LQFOXGHVKHUPXFKQRWHG¿UVW Hans Arp was one of the most Hans Ulrich Obrist, Anna Schindler, Philip Rodríguez Plaza, into his work. for any relation to the artist’s actual Ursprung diverse work revealing underlying installation in two different sitings, LQQRYDWLYHDQGLQÀXHQWLDODUWLVWVRI Its content which, since that time, experience of those sites. The book’s edited by Christoph Doswald themes such as the body, memory, Say: “Parsley” DV the twentieth century. With a playful title refers to the peculiar relation has undergone a wide range of identity, commerce, and origin, and well as her more recent exhibition hand and a multifaceted practice that of geography to politics in Ireland. Art and the City is published on the operations, has permitted him to the legacies of war. The book is Middling English (2010) and the included sculpture, relief, painting, ‘North’ both indicates a direction and occasion of the international festival combine elements that seemed, RUJDQLVHGDURXQG¿YHLQWHUYLHZVE\ event Ghost Cargo (2011). Each collage and poetry, Arp juggled the a national identity: the North. The of the same name held in Zurich in a priori, incompatible: on the one Helene Lundbye Petersen, which ZRUNH[SORUHVVSHFL¿FDVSHFWVRI dominant art currents of Cubism, same is true of ‘South’. Nick Stewart summer 2012. Inviting more than 40 hand, a personal, biographical were conducted in New York in questions of cultural belonging Surrealism and Constructivism, was born and brought up on the artists to present works in the public narrative, consisting of anecdotes 2011. Each interview focuses on and language violence through combining seemingly contradictory north coast of Northern Ireland. The space, the manifestation takes as a and rather personal character a set of themes. The book also methods that challenge dimensions geometric and organic formal idioms contrast between the beauty of the point of departure the transformation notes; and, on the other, a quasi- includes an essay by Heike Munder, and perceptions of language use in with the artistic ‘-isms’ of his epoch. landscape of his birth place and the of the west area of Zurich from an VFLHQWL¿FVHQVHRIFRPSLODWLRQDQG director of the Migros Museum für space, in sound. The videos have In 1916, Arp was invited by Hugo Ball traumatising reality of its religious industrial zone to a trendy residential FODVVL¿FDWLRQ&RQFHSWXDOLVHGDV Gegenwartskunst, Zurich, which been edited and treated to be viewed to take part in the Cabaret Voltaire and political divisions remain a neighbourhood. Gathering together a kind of catalogue raisonné, J.R. explores the artist’s work in relation as pieces in their own right. The DVD at Spiegelgasse 1 in Zurich. The formative perception of the place that contributions by artists such as Plaza Archive sets out to assemble to memory and the body. The book also includes an in-depth interview now iconic event marked the birth still informs his art today. Ai Weiwei, Martin Creed, Hamish a series of theoretical and literary has been conceptualised and between the artist and Stephen of Dadaism and the beginnings of a Fulton, Matt Mullican, Bettina digressions by a number of writers, developed by the artist, Helene Foster, Director of the John Hansard long overdue breakthrough for Arp. -RKQ+DQVDUG*DOOHU\ Pousttchi, Oscar Tuazon among philosophers, and poets, on 20 of the Lundbye Petersen, and Heike Gallery. Caroline Bergvall is based Ovi Bimba is a revelatory publication ISBN 9780854329427 many others, this book explores the works that Bonillas has created from Munder, and is edited by Sabine in the UK and works across media, exploring these early years of Arp’s hardback 100 pages FRQGLWLRQRIFLWLHVLQWKHWZHQW\¿UVW the material of this archive – a vast Russ, managing editor of Bomb languages and artforms. Questions 40 colour illustrations practice, focusing on his time in century through the history of art collection of images. The publication Magazine, New York. of cultural belonging, new literacies, dimensions tbc Zurich during the birth of Dada to his interventions and discussions in the is part of the series of artists’ projects language violence, bilingual realities sculptures in the 1940s and 1950s. public realm. edited by Christoph Keller. -53_5LQJLHU and historical sourcing are at the This publication positions these ISBN 9783037642801 heart of her work. diverse pieces alongside those of -53_5LQJLHU -53_5LQJLHU softback 200 pages Arp’s fellow artists, including his wife, ISBN 9783037642962 ISBN 9783037642474 155 colour, 20 b&w illustrations -RKQ+DQVDUG*DOOHU\ Sophie Taeuber-Arp. Published with softback 392 pages hardback 126 pages 240 x 170 mm 20 b&w illustrations ISBN 9780854329465 +DXVHU :LUWK=XULFK/RQGRQ 84 colour, 288 b&w illustrations '9' ZLWKIROGRXWFRYHU 3$/IRUPDW 190 x 113 mm New York. 270 x 190 mm running time: 52:51 (QJOLVKDQG*HUPDQWH[W 6 colour illustrations 210 x 147 mm -53_5LQJLHU ISBN 9783037642979 hardback 104 pages 106 colour, 8 b&w illustrations 306 x 238 mm (QJOLVKDQG*HUPDQWH[W
12 13 AUTUMN 2012
Come On In My Jimmie Durham Nina Fischer / Joana Hadjithomas & Thomas Hirschhorn Karl Holmqvist Kitchen A Matter of Life and Death and Maroan el Sani Khalil Joreige Video Anthology 1993–2010 ‘K Singing The Robert Johnson Book Spelling Dystopia texts by Suzanne Cotter, Jean-Michel Frodon, text by Thomas Hirschhorn text by Karl Holmqvist Michèle Thériault edited by Stéphanie Moisdon edited by Beatrix Ruf, Steinar Sekkingstad texts by Heiner Blum, Bill Brewster, Roman texts by Guy Brett, Bart de Baere, Jimmie text by Mami Kataoka Durham, Anders Kreuger, Richard William Hill edited by Clément Dirié, Michèle Thériault Flügel, DJ Harvey, Theo Parrish, Ewan edited by Christoph Keller, Maroan el Sani, Pearson, Tobias Rehberger, Ivan Smagghe, edited by Anders Kreuger Nina Fischer For Thomas Hirschhorn, one of This new artist’s book, ‘K from Karl Tobias Thomas, Ricardo Villalobos Since the mid-1990s, Lebanese today’s most talked-about artists, Holmqvist explores different levels edited by Ata Macias, Christoph Keller Jimmie Durham is one of the most This publication shows the process artists Joana Hadjithomas and Khalil video has always been a favoured of textual interaction with art. Both LQÀXHQWLDODUWLVWVWRGD\2IKLVDUW RIGHYHORSLQJDQGUHDOLVLQJWKH¿OP Joreige have worked together in the medium of expression. Since the as concrete poems or language Nightclubs are not only hotbeds he says that it ‘works against the installation Spelling Dystopia, about visual arts and cinema, shooting early 1990s, he has created stand- ‘drawings’, in which words and of sin or places where dance and two foundations of the European the Japanese island Hashima, GRFXPHQWDULHVDQG¿FWLRQVXFKDV alone video works, or used the letters come to form patterns, and SRSPXVLFDUHVKDSHGUH¿QHG tradition: Belief and Architecture.’ once the most densely populated I Want To See, starring Catherine medium to record performances through repetitions somewhere and processed, but also where art, Sculpture, seen as the coming place on earth, a coal mine until Deneuve and Rabih Mroué and and complete three-dimensional between sense and non-sense, design, fashion, and culture meet together of object, image, and word, 1974, and a symbol today of a screened at the Cannes Festival in installations with his so-called ¿JXUDWLRQDQGDEVWUDFWLRQ+LVZRUN in a whirlwind of hedonism. Come is fundamental to his practice, but ruthless exploitation of resources. 7KHLUSUDFWLFHLQERWK¿HOGVLV ‘integrated videos’. His video work may also take the form of longer On In My Kitchen is the story of he is also a poet, essayist, and Today the abandoned island is imbued with a distinctive aesthetic demonstrates the economy of spoken word poems intended such a place. Located in Offenbach educator. Durham’s life as an artist better known as a ghost island that occupies spheres of the visible means, the formal energy, and direct for performance readings, again am Main, Robert Johnson is an began in the mid-1960s in Texas. through mangas, video games, and DQGWKH¿FWLRQDOQRXULVKLQJD strength as well as the political and investigating the formats of repetition internationally renowned club whose In the early 1970s he worked in movies. Spelling Dystopia asks fascinating back and forth between aesthetical conscience he has shown and variation, but with more of a existence now spans more than Geneva. In the late 1970s he was a how memory operates, how a site OLIHDQG¿FWLRQ,QYHVWLJDWLYH for 25 years in his oeuvre. This rhythmic and musical structure a decade. With an assemblage of political organiser with the American wears its history, both physically processes, excavation, and the unique anthology brings together 12 tied to memory training techniques images and texts, which sometimes Indian Movement, Director of the and metaphorically, and visualises representations of historic, social, video works made between 1993 and oral tradition. Substantial parts explain and sometimes glorify, this International Indian Treaty Council the shift in collective memory. The cultural, and political factors are at and 1996 – such as Les Monstres, of the book’s material are in fact book traces the history and future and its representative to the United book contains sketches, research the heart of their practice. Following Lust For Live, Robert Walser Video, gathered as ‘loans’ from other of a crackpot idea that in its best Nations. Between 1987 and 1994 material, production stills, series of the duo’s different bodies of work and Otto Freundlich Fan – as well artists, forming something of a mini- moments has touched people he was based in Mexico, and photographic images, and a manga since the early psycho-geographic as a selection of ‘integrated videos’ collection of language-art practices (musicians, artists, photographers, thereafter in Europe. Published to realised in collaboration with Kasuga mapping of Beirut to the recent realised between 1997 and 2010. and references from Zurich and designers, fashion groupies, and accompany Durham’s exhibition Tsubaki, a Japanese manga artist. projects gathered together under the This DVD is edited and introduced Berlin Dada, Futurism, Vorticism, nightclub geeks), inspiring something at M HKA, Antwerp, this book is The publication is part of the series of title Lebanese Rocket Society, this by the French art critic and curator Lettrisme, and onward to more between heavenly splendour and a comprehensive retrospective artists’ projects edited by Christoph ERRNLVWKH¿UVWPRQRJUDSKGHGLFDWHG Stéphanie Moisdon, founder of bdv contemporary formulations from earthly joy. This publication is part of featuring more than 100 works from Keller. to the artists. (bureau des vidéos) and one of his artists such as Ferdinand Kriwet and the series of artists’ projects edited all his creative periods. ¿UVWVXSSRUWHUV Shannon Ebner. Published as a joint by Christoph Keller. -53_5LQJLHU -53_5LQJLHU collaboration with Kunsthalle Zürich -53_5LQJLHU ISBN 9783037642757 ISBN 9783037642405 English edition -53_5LQJLHU and Bergen Kunsthall. -53_5LQJLHU ISBN 9783037642894 softback 136 pages ISBN 9783037642948 French edition ISBN 9783037643020 ISBN 9783037642740 softback 160 pages softback 160 pages 84 colour, 46 b&w illustrations '9'PXOWLUHJLRQ3$/6(&$0 -53_5LQJLHU softback 376 pages 160 colour, 54 b&w illustrations 100 colour illustrations 285 x 210 mm running time: 90:00 ISBN 9783037642931 243 colour, 190 b&w illustrations 310 x 240 mm English and Japanese text 286 x 237 mm 190 x 135 mm 270 x 200 mm softback 324 pages (QJOLVKDQG*HUPDQWH[W 10 colour, 1 b&w illustrations 190 x 128 mm
14 15 AUTUMN 2012
Roni Horn Pierre Joseph Ragnar Kjartansson =R¿D.XOLN David Maljkovic New Relations in Art Selected Drawings 1984–2012 texts by Nicolas Bourriaud, Liam Gillick, Works Related to Music Przemyslaw Kwiek Sources in the Air and Society Stéphanie Moisdon 2012–2001 texts by Tacita Dean, Briony Fer, Dave Hickey KwieKulik texts by Charles Esche, Annie Flechter, texts by Claire Bishop, Beatrice Gibson, edited by Clément Dirié, Lionel Bovier edited by Michaela Unterdörfer Anselm Franke, Alessandro Rabottini, Thomas Hirschhorn, Sandra Höptner, Mischa texts by Philip Auslander, Edek Bartz, texts by Jacek Dobrowolski, Maciej Gdula, Alessandro Vicentelli Kuball, Kristin Marek, Nina Möntmann, Heike Munder, Markús þór Andrésson .ODUD.HPS:HOFK=R¿D.XOLN3U]HP\VODZ With his fellow artists Philippe edited by Nick Aikens Jacques Rancière, Eva Schmidt, Gerald ‘If you were to ask me what I do, edited by Heike Munder, Raphael Gygax Kwie, Ewa Majewska, Sitkowska Maryla, Pawel Schröder, Beate Söntgen, Apolonia Sustersic, I would say I draw – this is the Parreno, Dominique Gonzalez- Moscicki, Luiza Nader, Tomasz Zaluski Sources in the Air accompanies Franz Erhard Walther, Friederike Wappler, primary activity and that all my work Foerster, and Bernard Joisten, In his performances – which edited by Georg Schöllhammer, Lukasz Astrid Wege, Lawrence Weiner, Harald Welzer Pierre Joseph contributes to the Ronduda David Maljkovic’s three-part has this in common regardless of often extend over several weeks edited by Friederike Wappler UHGH¿QLWLRQRIWKHDHVWKHWLFRIDUW or months – the Icelandic artist exhibition of the same name at idiom or material.’ (Roni Horn in a 6LQFHWKH V=R¿D.XOLNDQG since the 1990s. He is the author Ragnar Kjartansson explores the Van Abbemusem, Eindhoven; Theodor W. Adorno described letter to Paulo Herkenhoff, 2003). Przemyslaw Kwiek (KwieKulik) of groundbreaking exhibitions and not only his own physical and BALTIC Centre for Contemporary Art, artworks as windowless nomads, for In the mid-1980s, Horn began have pioneered the transformation works – created on his own or in psychological limits and the Gateshead; and GAMeC, Bergamo. it is through their double character developing a drawing technique of artistic practice into social collaboration – such as the Paradise essence of early performance art, ,QFOXGLQJ¿OPVVFXOSWXUHFROODJH as both autonomous and ‘fait social’ using pigment and cut and arranged experimentation. KwieKulik sought to Workshops, 1990, the pop culture but also the artist’s status and the and installations from the past 10 that unsolved antagonisms of paper. The drawings carry a strong reconcile artistic praxis with everyday Characters to be reactivated series, different images of his role. For his years, Sources in the Air is the reality return in them as immanent physicality which may best be life, essentially based on the premise 1991–1997, or the collaborative installation The Schumann Machine Croatian artist’s most comprehensive problems of form. Socially committed compared to architecture. For that form is a fact of society. The projects of the 2000s that made (2008), created for Manifesta 7, survey to date. Architecturally re- contemporary artists, however, the past two decades, drawing couple’s pioneering approach to KLPDVHPLQDO¿JXUHIRUWKHQHZ he spent several hours every day FRQ¿JXUHGDQGUHVWDJHGGLIIHUHQWO\ experiment with other spheres of has remained an essential part of ¿OPSKRWRJUDSK\DQGPXOWLVFUHHQ generation of French artists. His for two weeks singing the cycle at each of the three venues, Sources reference. They involve human Horn’s practice. Selected Drawings slide projection epitomises their approach successively deals with of songs Dichterliebe (1840) by in the Air expands on Maljkovic’s beings as actors in communicative 1984–2012SUHVHQWVIRUWKH¿UVW unique variation of expanded cinema. issues such as the permanence of Robert Schumann (1810–1856). recent interest in exhibition strategies processes of reality construction, time a comprehensive selection of This comprehensive monograph things and the digital manipulation The characteristic features of his and the semiotics of display. The thus creating new spaces of Horn’s drawings, ranging from the documents their collective works of reality, questions of knowledge performances are the melancholy, but publication serves as the bind possibility. The New Relations in artist’s initial work with pigment and from 1971 to 1987, illuminating the and transmission, of how to produce also absurdly comical moments. This between each of the exhibition’s Art and Society conference hosted varnish on index cards in the mid- radically unique position of the artists forms, and how they evolve. ERRNXQLWHVIRUWKH¿UVWWLPHDOORI iterations. Richly illustrated, it by the Campus Museum of the Art 1980s to the large-scale and extreme in the history of neo-avant-garde in Introduced by a retrospective essay Kjartansson’s works related to music examines the political, aesthetic Collections of the Ruhr-University complexity of the recent drawings. Central Europe. The book covers and by French art critic and curator from 2001 to 2012. With contributions and scenographic threads deployed of Bochum (RUB) considered this Published with Hauser & Wirth documents more than 200 events, Stéphanie Moisdon, this book is by Philip Auslander, Heike Munder, within Maljkovic’s practice, assessing challenge and took the exhibition =XULFK/RQGRQ1HZ 16 17 AUTUMN 2012 David Noonan Paulina Olowska Luigi Ontani Parachute Raymond Pettibon Clive Phillpot texts by Michael Bracewell, Jennifer Higgie, texts by Adam Szymczyk, Jan Verwoert CoacerVolubilEllittico The Anthology (Vol. 1) Whuytuyp Booktrek: Selected Essays on Dominic Molon edited by Lionel Bovier texts by Jean-Christophe Ammann, texts by Thomas Crow, Thierry de Duve, Hal text and edited by Lynn Kost Artists’ Books Since 1972 edited by Lionel Bovier Andrea Bellini, Andrea Cortellessa Foster, Dan Graham, Reesa Greenberg, Serge texts by Christophe Cherix, Clive Phillpot Paulina Olowska’s work edited by Marianna Vecellio Guilbaut, Hans Haacke, Louis Marin, Philip Raymond Pettibon is mostly known Monk, Jeff Wall edited by Lionel Bovier London-based Australian artist David demonstrates an interest in for his comic-book-like drawings to Noonan works, in Jennifer Higgie’s Luigi Ontani holds a singular position edited by Alexander Alberro, Chantal Communist Poland’s fascination Pontbriand which he appends disconcerting This volume gathers together the words, ‘with found photographic with Western consumerism and in the contemporary art landscape. and sarcastic texts. Capturing essays written by Clive Phillpot imagery taken from performance celebrates the spirit and stylish Dealing since the beginning of the In 1975, a small group of marginal American youth, its VLQFH RQWKHGH¿QLWLRQDQG manuals, textile patterns, and archive improvisations of the ‘Applied 1970s with such notions and topics discontented members of the disillusionment and antagonism development of artists’ books. A photographs to make densely layered Fantastic’ – a term coined by Polish as identity and sexuality, the sacred international art community in the toward society, Pettibon’s subject former librarian at Chelsea School montages. These works at once writer Leopold Tyrmand in 1954, to and the profane, the hybrid and the Canadian province of Quebec posed matter is often violent and brutal. of Art in London, Phillpot became VXJJHVWVSHFL¿FPRPHQWVLQWLPH describe the vernacular re-creations kitsch, and Occidental and Oriental the following question: ‘What do we As well as artist’s books, fanzines, Director of the Library at the MoMA and invoke disorientating atemporal of Western styles. In her paintings, cultures, he creates a corpus of know of contemporary art outside of and prints, Pettibon’s production in New York in 1977, and mapped spaces from which myriad narratives collages, and knitted works, Olowska DUWZRUNVWKDWDUHTXDOL¿HGE\WKHLU Quebec, in Canada or abroad?’ By includes animations and large RXWWKH¿HOGRIDUWLVWV¶ERRNVIURP emerge.’ Noonan begins each of his incorporates text and graphics from polymorphous aspect and their way of an answer, the cutting-edge wall installations. This publication an institutional point of view. screen-printed canvases by making found illustrations or images that denial of boundaries. Whether in magazine Parachute was launched, focuses on Pettibon’s works made Collaborating with Printed Matter and a collage. His images encapsulate have a decidedly ‘behind the Iron his photographic portraits in which founded by Chantal Pontbriand and between 2006 and 2011. It is the Franklin Furnace among other places the romanticism of Golden Age Curtain’ look, while paying tribute to he impersonates Leonardo, Dante, France Morin. Artists such as Jeff ¿UVWFRPSUHKHQVLYHFODVVL¿FDWLRQ dedicated to the medium of the book, cinema, and its associations with American Pattern and Decoration Pinocchio, or San Sebastian, Wall, Bill Viola, Stan Douglas, and and investigation of his work from Phillpot helped raise awareness PHPRU\¿FWLRQDQGPRGHUQ art of the 1970s and its use of non- in his ceramic or papier-mâché PDQ\RWKHUVKDGWKH¿UVWVLJQL¿FDQW this particular period, which is to these objects, while giving them mythology. Using the liturgy of traditional contemporary art media sculptures, in his large paintings, critical reception of their work in characterised as one of meaningful the necessary credentials to enter art itself as a departure point for such as tiles and textiles. This or in his early video works, he Parachute.6LPLODUO\¿JXUHVVXFKDV change. Whuytuyp opens a new PXVHXPV7KLVERRNLVD¿UVW invention, Noonan conceives of his SXEOLFDWLRQLVWKH¿UVWPRQRJUDSK affects a new reading of art history, Douglas Crimp, Hal Foster, Reesa perspective on the work of this collection of these historical texts, work as ‘documentation’ of plausible to offer an overview of her work. postmodernism, and appropriation Greenberg, and Laura Mulvey eminent artist and presents an manifestos, catalogues entries, and performances: his cast of characters It includes an interview with strategies. This volume features a published highly pertinent essays in expanded thesis of his artistic essays dedicated to Ed Ruscha’s, are positioned as participators in Adam Szymczyk and an essay by complete chronology of the artist. the journal early on in their careers. practice as a historiography. Sol LeWitt’s, Dieter Roth’s, and highly elaborate artworks, invoking JanVerwoert. Olowska has had solo Published on the occasion of Luigi The essays collected in this volume Richard Long’s books. It will prove FRYHUWDQGIXWXULVWLFULWXDO7KH¿UVW exhibitions at Tramway, Glasgow Ontani’s touring exhibition at Castello KDYHEHHQVHOHFWHGIURPWKH¿UVW -53_5LQJLHU an invaluable reference for all those comprehensive monograph on the ISBN 9783037642900 (2010); Pinakothek der Moderne, di Rivoli, Turin; Le Consortium, Dijon; 25 years of Parachute’s publication interested in the evolution of artists’ artist, this book offers an overview hardback 64 pages Munich (2009–2010); DAAD Galerie, and Kunsthalle Bern. history and deal with museums, art books and their perception in the of his work and is accompanied with 50 colour, 4 b&w illustrations Berlin (2008–2009); and Portikus, history, and theory. 286 x 205 mm artworld. Part of the Documents texts by Michael Bracewell, Jennifer -53_5LQJLHU Frankfurt (2007). series, co-published with Les presses Higgie, and Dominic Molon. ISBN 9783037642863 hardback 312 pages -53_5LQJLHU du réel and dedicated to critical -53_5LQJLHU 237 colour, 66 b&w illustrations ISBN 9783037641965 writings. -53_5LQJLHU ISBN 9783037642870 260 x 200 mm softback 180 pages ISBN 9783037642054 softback 160 pages (QJOLVK*HUPDQDQG,WDOLDQWH[W 8 b&w illustrations softback 160 pages 100 colour illustrations 210 x 150 mm -53_5LQJLHU 100 colour illustrations 286 x 237 mm ISBN 9783037642078 286 x 237 mm softback 160 pages 50 b&w illustrations 210 x 150 mm 18 19 AUTUMN 2012 William Pope.L Pamela Rosenkranz Sgrafo vs. Fat Lava Esther Shalev-Gerz Stroll Sturtevant Black People Are Cropped / No Core texts by Ronan Bouroullec, Horst Makus, texts by Nora M. Alter, Georges Didi- texts by Daniel Baumann, Balthazar Lovay Image over Image Nicolas Trembley Huberman, Nicole Schweizer, Annika Wik, Skin Set Drawings 1997–2011 texts by Alex Kitnick, Robin Mackay, edited by Balthazar Lovay texts by Daniel Birnbaum, Bruce Hainley, James E. Young Reza Negarestani edited by Nicolas Trembley Fredrik Liew, Paul McCarthy, Stéphanie texts by Iain Kerr, Helen Molesworth, edited by Nicole Schweizer Moisdon, Beatrix Ruf, Sturtevant William Pope.L edited by Gianni Jetzer, Hilke Wagner, How can one think about and make Katya Garcia-Anton Whether it is a question of Sgrafo a group exhibition today? This is one edited by Fredrik Liew edited by Clément Dirié This monograph gives a vases, of Raymond Loewy’s Form of the questions this publication could comprehensive overview of the William Pope.L is a visual and For the past decade, Pamela 2000 for Rosenthal (1954), or of the answer based on the experience of Since her debut exhibition in variety and scope of the research performance-theatre artist and Rosenkranz has sought to collapse improbable Fat Lava glacis of the Balthazar Lovay, a Swiss artist and New York in 1965, Sturtevant has carried out by Esther Shalev-Gerz educator who makes culture out the meaning of the artwork into the 1970s, postwar German ceramics a co-founder of the independent art notoriously insisted on the power of RYHUWKHSDVW\HDUVLQKHU¿OPV of contraries and confronts issues meaninglessness of pure materiality. attest to a surprising stylistic space Hard Hat in Geneva. Invited to thought, performing investigations video-installations, photographs, of race, sex, power, consumerism, In challenging these conditions of inventiveness and diversity. Through organise an exhibition at Le Manoir into the underlying structure of art. DQGVLWHVSHFL¿FZRUNV DPRQJWKHP and social class. His extended art, she activates a contemporary these creations, both well-known and de Martigny in the Swiss Alps, he Her legendary repetitions of works numerous projects for memorials corpus of drawings deals with the form of nihilism. From paintings anonymous designers knew how to responded by creating a kind of by other artists is a groundbreaking and community-based schemes). absurdities and perversities of produced from the foil of emergency capture the impulses of a society mental universe in which left and achievement in challenging concepts The book aims to highlight the intentional language, especially blankets or Ralph Lauren-branded in the middle of reconstruction and right cerebral cortexes could at last such as originality, authenticity, VSHFL¿FZD\VLQZKLFKWKHDUWLVW racist language and language latex paint and soft drinks, to plastic desirous of looking to the future. talk to each other. To achieve this, and the conventions surrounding deals with issues of knowledge, associated with categorising and ZDWHUERWWOHV¿OOHGZLWKVNLQRUXULQH Mixing references to Op art, the he brought together 60 international DXWKRUVKLS+HU¿UVWDUWLVWLF memory, history, and testimony naming colour. Black People Are hued liquids, to a monitor featuring geometry of a Verner Panton, and local artists, photographers, and statements are contemporary with, through the space of the installation. Taut, Brown People Are The Green an approximation of and challenge or the vegetal style of the hippie press cartoonists, and juxtaposed or indeed predate, the most famous As Shalev-Gerz states, ‘My terrain Ray, Blue People Are What We Do to Yves Klein blue, Rosenkranz’s wave, these objects follow a path contemporary artworks with medieval essays and lectures on the subject of investigation is the construction of To Homosexuals, French People artworks take aim at the empty of exaggerated shape unique in devotional relics and so-called ‘art by Barthes, Foucault, and Deleuze. memory. My aim is to challenge and And Roma, Purple People Are The centres of history, politics, and our the history of forms. In this sense brut’. As a literary extension of the In recent years, Sturtevant has disturb normalized expectations of Perfect Cone For The King Not His contemporary culture as a whole. they simultaneously incarnate the exhibition $GYHQWXUH5HÀHFWLRQDQG expanded her practice to include memoires, and of historiography, by Body, are some examples of this No CoreLVWKH¿UVWPRQRJUDSKRQ inevitable bombacity that menaces Ambush, this book offers a photo- mass-media images and her own GLVUXSWLQJWKHYDULRXVIRUPVRIRI¿FLDO on-going series made by the self- Rosenkranz’s increasingly celebrated design, and its aspirations to report of the successive sections and ¿OPHGPDWHULDO7KLVKDVVKHGQHZ histories, including anthropology, proclaimed ‘friendliest black artist in oeuvre and features an overview autonomy as a quasi-artistic practice. a conversation between Balthazar light on her career and emphasises ethnology, and museology.’ Published America’. This book offers a selection of the work that she developed It is this crossing of intentions and Lovay and Swiss art critic and curator how her life-long artistic practice has with the Musée cantonal des of drawings, made between 1997 in three recent institutional solo this body of supposedly ordinary Daniel Baumann, co-curator of the continuously and effectively levelled Beaux-Arts, Lausanne. and 2009, some sketches and two exhibitions in Geneva, New York, objects that this publication explores, Carnegie International 2013. harsh, rebellious, and intelligent critical texts by artist and writer Iain and Braunschweig, Germany. with a text by the specialist Horst critique at a society that consists -53_5LQJLHU Kerr and Chief Curator at the Institute Published with the Centre d’art Markus, and an interview with the -53_5LQJLHU increasingly of simulacra and the Contemporain Geneva, Swiss ISBN 9783037642764 experience industry. This publication of Contemporary Art (Boston) Helen designer Ronan Bouroullec. softback 160 pages ISBN 9783037642849 Molesworth, as well as one of the Institute Contemporary Art, New York 100 colour illustrations softback 64 pages has been produced on the occasion 24 colour, 2 b&w illustrations artist’s own texts. and Kunstverein Braunschweig. -53_5LQJLHU 286 x 237 mm of Sturtevant’s exhibition at Moderna ISBN 9783037642771 English and French text 165 x 105 mm Museet in Stockholm and Kunsthalle softback 64 pages -53_5LQJLHU -53_5LQJLHU Zurich. ISBN 9783037643013 22 colour illustrations ISBN 9783037642696 165 x 105 mm softback 64 pages hardback 192 pages -53_5LQJLHU 35 colour illustrations 95 colour, 10 b&w illustrations ISBN 9783037642825 165 x 105 mm 295 x 240 mm softback 108 pages 53 colour, 10 b&w illustrations 210 x 130 mm English and Swedish text 20 21 AUTUMN 2012 Ante Timmermans 7RZQ*RZQ&RQÀLFW Igor Zabel Béatrice Dreux Christian Eisenberger Contemporary Art Theory Kerber Verlag palestine, mothers and skies Reserve – help me kill me texts by Julie Enckell Julliard, Konrad Bitterli artists: Beca Lipscombe, Caitlin Keogh, distributed by Cornerhouse in the UK, Elizabeth Radcliffe, Lucile Desamory, Lucy edited by Julie Enckell Julliard texts by Igor Zabel, Igor Spanjol Scandinavia and Eastern Europe texts by Léonce Dreux, Robert Fleck, texts by Christian Eisenberger, McKenzie, pelican avenue, Verena Dengler edited by Ana Devic, Igor Spanjol, Rainer Fuchs, Stella Rollig Markus Gugatschka texts by Constance Barrère Dangleterre, Belgian artist Ante Timmermans, Maria Hlavajova edited by Béatrice Dreux Catriona Duffy, Kris Krimpe, Lucy McEachan, LVRQHRIWKHPRVWDFWLYH¿JXUHVRI Lucy McKenzie, Anne Pontégnie, Isabella Eduardo Arroyo Christian Eisenberger does not Anna-Maria Ritter, Beatrix Ruf, Philipp Traun, Igor Zabel (1958–2005) was a The complexity of Béatrice Dreux’s wait for exhibitions. Instead, he the contemporary drawing scene. texts by Eduardo Arroyo, Belinda Grace Peter York Using very simple techniques for his Slovenian curator, writer, and Gardner oeuvre operates in an intensely presents his works immediately for edited by Beatrix Ruf drawings, which are almost entirely cultural theorist. This important edited by Thomas Levy SULYDWHVSDFHDQGLQÀXHQFHGE\WKH public display and discussion. His black and white, and obsolete translation of his writings will enrich artist’s biography and beyond the countless street art works and public The Museum Bärengasse, where technology in his installations (record WKHLQWHUQDWLRQDOFULWLFDO¿HOGWKURXJK Eduardo Arroyo is a multi-talent; not poetry of the works, simultaneously interventions, presented in this richly the Kunsthalle Zürich has been players, overhead projectors, etc.), Zabel’s extraordinary analytical and just a painter, but also an author negotiates political and social illustrated catalogue, never attempt temporarily located, is a highly he serves as an accurate eyewitness emphatic thinking and writing. As well and stage designer. Arroyo views themes: Palestine, Algeria, heaven, to enhance – or distort – the street unusual building for a contemporary of our modern times. He notably as texts dealing with international himself as a European citizen, and mothers and ultimately the cosmos. scene. From the very beginning, art gallery: there is no stylistic focuses on issues surrounding issues, his writings can serve as a draws from art history for his work. Even though the paintings are they convey a unique and original cohesion, and the interior is a WKHQDWXUHFXOWXUHGHEDWHDQG methodology model for research However, literature, the worlds of ¿JXUDWLYHWKHZRUNVDUHQRWLQWHQGHG aesthetic and message. Far removed confusing labyrinth of tiny chambers the representation of the modern into Eastern European art practices, comics, boxing and his own ideas – to tell a story but rather to slowly from anti-art, Eisenberger’s growing with elaborate panelling, decorative city as a ghost city, a landscape which often share common stand the man in a hat, the chimney-sweep, dissect major themes – from image body of work encompasses nearly stucco, and prominent ceramic of numerous skyscrapers, a no- points and problems. The selected VKRHV¿JXUHVLQVLOKRXHWWHDQG to image, over and over again. The DOODUWLVWLFJHQUHVDQGUHÀHFWVDERYH stoves. In this quasi-domestic setting, man’s land. Both poetically ironic texts are divided into four chapters: featureless faces – provide him with extensive visual work is accompanied all a struggle for a contemporary the exhibition 7RZQ*RZQ&RQÀLFW and disenchanted, his work is also East-West and Between (dialogue DQH[WHQVLYHUHSHUWRLUHIRUKLVÀDW by numerous texts written by art aesthetic. brought together Lucy McKenzie, a meditation on the pregnancy of and perception of the Other in the stylish pictures, which in addition to a historians and curators and by an Verena Dengler, Lucile Desamory, language and words in our lives. context of the complex relations certain absurd humour also contain a interview with Dreux’s father about .HUEHU9HUODJ Caitlin Keogh, Beca Lipscombe, ISBN 9783866786608 Published on the occasion of his established after the fall of the Wall serious profundity and an enigmatic his time as a soldier in the Algerian pelican avenue, and Elizabeth hardback 576 pages exhibitions at Musée Jenish, Vevey, in 1989), Strategies and Spaces of dimension. This book is published War. Radcliffe to explore textiles by both 519 colour, 2 b&w illustrations and Kunstmuseum St-Gallen, this Art (strategies of representation and on the occasion of an exhibition to 170 x 110 mm artists and designers whose works ERRNLVWKH¿UVWPRQRJUDSKRQ theories of display, the role of the mark Arroyo’s 75th birthday at LEVY .HUEHU9HUODJ (QJOLVKDQG*HUPDQWH[W of art and so-called applied art raise ISBN 9783866786110 Ante Timmermans’ work. It brings curator, and the new understanding Galerie Hamburg, containing works issues relating to social formatting. hardback 176 pages together emblematic drawings and of the white cube), Ad Personam from the period of 1975 to 2011. For the purposes of the exhibition, 109 colour, 58 b&w illustrations installations from each series made (individual artists and art from 290 x 230 mm WH[WLOHVDUHGH¿QHGDVHQFRPSDVVLQJ by the artist since the beginning of Socialist Realism and conceptualism .HUEHU9HUODJ (QJOLVK*HUPDQDQG)UHQFKWH[W fashion – both industrial and ISBN 9783866786752 the 2000s. to postmodernism and contextual hardback 144 pages produced by hand – and the craft art, particularly in Slovenia and 115 colour illustrations -53_5LQJLHU practices of tapestry weaving, South-Eastern Europe), and Extras embroidery, and printed textiles. 240 x 170 mm ISBN 9783037642788 English edition (selected columns on arts and (QJOLVKDQG*HUPDQWH[W ,6%1 *HUPDQHGLWLRQ culture). ISBN 9783037642795 French edition -53_5LQJLHU hardback 64 pages ISBN 9783037642887 -53_5LQJLHU 77 colour, 9 b&w illustrations hardback 112 pages ISBN 9783037642382 286 x 205 mm 64 colour illustrations softback 240 pages 258 x 205 mm 20 b&w illustrations (QJOLVKDQG*HUPDQWH[W 210 x 150 mm 22 23 AUTUMN 2012 FLUXUS AT 50 Anton Henning Charline von Heyl Wilma Hurskainen IN VIEW Ilya Kabakov artists: Alison Knowles, Ben Patterson, Ben Chapardages, style & volupté Now or Else Heiress Photography from the Collage of Spaces Vautier, Dick Higgins, Emmett Williams, text and edited by Aeneas Bastian texts by Andrea Nixon, Francesco Manacorda, text by Ann-Christin Bertrand Wemhöner Collection text by Ilya Kabakov Geoffrey Hendricks, George Brecht, George Ellen Seifermann, Kirsty Bell, Gavin Delahunty Maciunas, Joe Jones, Joseph Beuys, Milan edited by Wilma Hurskainen artists include: Alfredo Jaar, Andrea Stappert, edited by Wolfgang Roth Knizak, Nam June Paik, Philipp Corner, Robert Anton Henning links together a Bettina Pousttchi, Chi Peng, Darren Almond, Fillou, Takako Saito, Wolf Vostell network of ironic borrowings and Charline von Heyl’s painting displays Like poems, Wilma Hurskainen’s Isaac Julien, Jean-Baptiste Huynh, Larry Fink, In parallel with his work as a graphic Michael Najjar, Nick Brandt, Nobuyoshi Araki, texts by Stefan Fricke, Alexander Klar, an amalgam of the most diverse references from recent art history photographs perceptively link poetry Paolo Mazzanti, Peter Beard, Peter Lindbergh, artist and illustrator in the Soviet Sarah Maske that extends to the era of Pablo effects, which generate vibrating with humour, and open up spaces of Richard Hamilton, Robert Mapplethorpe, Union, Ilya Kabakov also focused edited by Alexander Klar Picasso and Francis Bacon. Interiors, energies and tensions: dynamic associations to our own experiences Spencer Tunick, Steven Klein, Vanessa on painting very early in his career. Beecroft, Will McBride, Wu Shanzhuan & Inga VWLOOOLIHVDQGSLQXSQXGH¿JXUHV forms enfold graphic structures, of the spectator. In her No Name Painting has also been a key feature 7KH¿UVWHYHU)OX[XVSHUIRUPDQFH Svala Thorsdottir, Yang Fudong, Yu Ji, Zhang are surrounded by and steeped in dazzling colours encounter muted series, Hurskainen, who has strong Dali, Zuoxiao Zuzhou of the countless installations that he took place 50 years ago as part of abstract patterns and arabesques. In shades, abstract gestures collide with connections with the Helsinki School, text by Ulrike Münter has produced in recent decades. the International Fluxus Festival of his latest series of works, the artist WKHÀHHWLQJPHPRU\RIVRPHWKLQJ explores the themes of childhood and edited by Philipp Bollmann ‘The tradition of depicting ‘reality’ the Newest Music at the Museum responds to a male nude painted by real. Heyl creates pictures that, as memory. Childhood and adulthood demands the depiction of an object Wiesbaden. Now this key moment is Théodore Géricault (1791–1824). she says in her own words, ‘have are present, like layers, in the same IN VIEW is the second volume D¿JXUHWKLQJVEXLOGLQJVHWF being revived here. FLUXUS AT 50 His treatment of colour and visual the iconic value of signs yet always photograph. By loosely attaching of a publication series on the against the background of some aims to reconstruct and reappraise space makes it clear that in studying remain ambivalent and mysterious in texts to the images, Hurskainen Wemhöner collection. Focusing on space, and the resulting principle this performance, musical and artistic Géricault’s work he is primarily their meaning...’ Now or Else offers recreates memories (including those one of the most important areas has not radically wavered over the movement. This catalogue presents interested in the possibilities offered an in-depth insight into von Heyl’s that are false and invented) and of the collection, this publication course of the entire history of art. Fluxus stories, motifs and methods by painting. fascinating oeuvre and shows a continues their visual representation. provides an exciting glimpse into This principle is rejected in the works using objects, musical scores and focused selection of paintings dating +HUPDLQREMHFWLYHLVWR¿QGRXW contemporary photography’s wide- presented here: the viewer sees only images from that period. Reworking .HUEHU9HUODJ from the mid-1990s as well as some and question how a text and a ranging trends. The spectrum space against the background of the original festivals led to the ISBN 9783866786967 current works on paper. Published photograph mediate a story. covered here ranges from the other space.’ (Ilya Kabakov) exposure of a lot of myths, but it still hardback 64 pages on the occasion of the exhibition classical portrait to time-exposure didn’t detract from the fascination of 36 colour illustrations Charline von Heyl: Now or Else at .HUEHU9HUODJ landscape photography, the .HUEHU9HUODJ the Fluxus idea in itself, which back 305 x 243 mm Tate Liverpool, 24 February – 27 May ISBN 9783866786042 nude and fashion, digitally edited ISBN 9783866786813 then spread out from Wiesbaden to (QJOLVKDQG*HUPDQWH[W 2012; and at Kunsthalle Nurnberg, hardback 112 pages photographs, staged photographs hardback 36 pages change the world. Published on the 48 colour illustrations 14 colour illustrations 11 July – 30 September 2012. and performance, all the way to occasion of the exhibition FLUXUS 270 x 220 mm 295 x 295 mm overpainting and collage. (QJOLVK*HUPDQDQG5XVVLDQWH[W AT 50 at Museum Wiesbaden, 2 June .HUEHU9HUODJ – 23 September 2012. ISBN 9783866787339 .HUEHU9HUODJ WEF softback 130 pages ISBN 9783866786592 .HUEHU9HUODJ 66 colour, 16 b&w illustrations hardback 230 pages tbc ISBN 9783866786998 290 x 230 mm illustrated in colour and b&w hardback 192 pages (QJOLVKDQG*HUPDQWH[W 280 x 240 mm 111 colour, 43 b&w illustrations 285 x 215 mm 24 25 AUTUMN 2012 Fabian Marcaccio Jens Nagels Nothing – and Obsessions THE OPÉRA Private Function Some USA Stories Floating Everything R. B. Kitaj (1932–2007) Annual Magazine for Classic Art Photography in the GDR text and edited by Martin Hentschel text by Eva Schestag The De-Stijl Artist Friedrich texts by Tracy Bartley, Inka Bertz, Edward & Contemporary Nude 1949–1989 Chaney, Roman Martin Deppner, Michal edited by Jens Nagels Photography Volume I artists: Arno Fischer, Christian Borchert, Vordemberge-Gildewart Friedlander, Eckhart Gillen, Cilly Kugelmann, Fabian Marcaccio moves between Evelyn Richter, Gundula Schulze Eldowy, David N. Myers artists: Barron Claiborne, Bart Hess, Bear texts by Roman Zieglgänsberger, Evelyn Helga Paris, Jens Rötzschs, Kurt Buchwald, genres. Painting is always his starting In Floating, photographer Jens Kirkpatrick, Christian Coigny, Christian Bergner, Vera Klewitz edited by Jüdisches Museum Berlin Maria Sewcz, Peter Langner, Roger Melis, Kettiger, Christian Witkin, Cynthia Berger, point; from there, he strikes out into Nagels takes us on a journey through Sibylle Bergemann, Sven Marquardt, Thomas edited by Museum Wiesbaden David Bellemere, David Lindsey Wade, David real space in various ways, including Florschuetz, Tina Bara, Ulrich Wüst, Ursula Southeast Asia. From one place to Together with his artist friends Frank Spaeth, Elene Usdine, Eric Marrian, Imogen Arnold monumental installations and works the next, adrift from one encounter Friedrich Vordemberge-Gildewart Auerbach, Lucian Freud and Leon Cunningham, Jo Schwab, Joachim Baldauf, with sculptural dimensions. Recently, to another, he takes everything in Jonathan Narducci, Joon Kim, Joscha texts by Ulrich Domröse, Jana Duda, T. O. (1899–1962) was one of the Kossoff, the American artist R. B. Immisch, Andreas Krase, Bernd Lindner, Marcaccio has increasingly focused Kirchknopf, Jürgen Klauke, Madame Peripetie, with the watchful eye of a traveller. PRVWLQÀXHQWLDODUWLVWVRI*HUPDQ Kitaj was one of the pioneers of Marc van Dalen, Michael Barolet, Mona Kuhn, Gabriele Muschter, Urs Stahel, Uwe Warnke, on current sociopolitical themes. The He records everyday life with his Constructivism and, amongst other DQHZW\SHRI¿JXUDWLYHDUWLQWKH Olivier Valsecchi, Quentin de Briey, Rene Daniela Zeilinger title of his exhibition and catalogue, camera, even things that perhaps do things, a member of the De Stijl 1960s. Ten years later, in the mid- Fietzek, Ruben Brulat, Valeria Mitelman edited by Berlinische Galerie Some USA Stories – and the series QRWVHHPLPSRUWDQWDW¿UVWJODQFH group surrounding Piet Mondrian and 1970s, Kitaj positioned himself as text and edited by Matthias Straub of twelve new works – refer to the But he overrules this and takes Theo van Doesburg. 2012 marks a Jewish artist and saw himself as How did free art photography The aesthetic and cultural wealth, dark side of recent American history: these things with him because they the 50th anniversary of his death an instigator of a modern Jewish art express itself under the authoritarian the long tradition and classical status the Waco disaster in Texas, the are actually unique. The result is a DQGLVD¿WWLQJRFFDVLRQIRUWKLV movement. It is worth rediscovering conditions prevailing in the former of opera as a high-art function here mass suicide decreed by Jim Jones mosaic of photos, sorted in groups richly illustrated survey of his work. the importance of this aspect of East Germany (GDR)? And how as an inspirational metaphor for a in Guyana, the Fallujah massacre and according to themes, which Selected works and documents, Kitaj’s oeuvre. Strong colours and did it change over the decades? volume of photographs published in Iraq, and the student murders at invites us to look more closely, some of them never before made a wealth of motifs and pictorial This exhibition catalogue features a annually and which deals with the Columbine High School. make comparisons and discover the public, present Vordemberge- citations, which add to the mystery of total of 33 selected photographers most sensitive and direct kind of everyday and cultural rites. Gildewart not only as a painter and the painting, are characteristic of all who show how, despite numerous .HUEHU9HUODJ portrait: nude photography – the graphic artist but also as an interior his works. Published to accompany obstacles, free art photography did ISBN 9783866787353 human body as both stage and .HUEHU9HUODJ designer, typographer and architect. the exhibition Obsessions: R.B. Kitaj H[LVWDQGFULWLFDOO\UHÀHFWHGVRFLDO hardback 144 pages ISBN 9783866786677 theatre play. The publisher Matthias conditions. The selected positions 105 colour, 2 b&w illustrations Sketches and photocollages from (1932–2007), 21 September 2012 hardback 108 pages Straub presents a rich spectrum convey the most important threads 260 x 220 mm 945 colour, 2 b&w illustrations his visitors’ books also give a picture – 27 January 2013 at Jüdisches of large and small portrayals, with of development: montage and (QJOLVKDQG*HUPDQWH[W 220 x 210 mm of his artistic environment, which Museum Berlin. both young, as yet unknown, nude (QJOLVKDQG*HUPDQWH[W included not only László Moholy- experimentation, documentary photographers and classic works by Nagy and Hannah Höch but also .HUEHU9HUODJ WEF perspective and social reportage and OLYLQJDQGGHDGPDVWHUVRIWKLV¿HOG writers such as Joachim Ringelnatz. ISBN 9783866787315 the work of young newcomers in the hardback 256 pages tbc Published to accompany the 1980s. Published to accompany the illustrated in colour .HUEHU9HUODJ WEF exhibition .QVWOHULVFKH)RWRJUD¿HLQ exhibition nichts – und alles, Der De- ISBN 9783866787483 310 x 240 mm der DDR 1949–1989 at Berlinische Stijl-Künstler Friedrich Vordemberge- softback 200 pages tbc Marrano (The Secret Jew), 1976. Oil and charcoal Gildewart, at Museum Wiesbaden, illustrated in colour and b&w Galerie, Berlin, 4 October 2012 – on canvas © Kitaj Estate. Courtesy of Michael 28 January 2013. 24 November 2012 – Spring 2013. Moritz and Harriet Heyman 310 x 240 mm Photo credit: Jo Schwab .HUEHU9HUODJ WEF .HUEHU9HUODJ WEF ISBN 9783866786882 ISBN 9783866787261 hardback 328 pages tbc hardback 160 pages tbc illustrated in colour and b&w illustrated in colour 270 x 230 mm 250 x 195 mm (QJOLVKDQG*HUPDQWH[W Friedrich Vordemberge-Gildewart, Composition No. 35, 1927, Museum Wiesbaden Sibylle Bergemann, Susi, 1976 © Nachlass Sibylle Bergemann Berlinische Galerie 26 27 AUTUMN 2012 Cornelia Schleime Daniel Spoerri Verlag der Buchhandlung Daniel Buren William S. Burroughs Shezad Dawood The colour, the body, the face, in the Natural History Museum Excentrique(s), Monumenta CUT Piercing Brightness Walther König the eyes – an Incompetent Dialogue? 2012: Esquisses Graphiques distributed by Cornerhouse in the UK text by Ian MacFadyen texts by Mark Bartlett, Shumon Basar, Jean Fisher, Mathew G. Gregory, Abdellah Karroum, texts by Jean-Christophe Ammann, texts by Christian Köberl, Margit Berner, edited by Axel Heil Ghalya Saadawi, Elaine Speight & Charles Anna Wesle Bazon Brock, Heike Eipeldauer, Reinhard ‘The drawings I make are a way Quick, Michael Stanley, Sam Thorne edited by Anna Wesle, Jean-Christophe Golebiowski, Gottfried Korff, Barbara Morton Bartlett of trying to understand what my This book presents a wide selection Räderscheidt, Daniel Spoerri edited by Gerrie van Noord Ammann Secret Universe 3 imagination would like. A long time of the artistic output of the writer ago, I wrote about what I meant At the invitation of the Vienna text by Lee Kogan William S. Burroughs, and shows Piercing BrightnessLVWKH¿UVWPDMRU Cornelia Schleime is one of the by “drawing”, and why I don’t use Natural History Museum, Daniel edited by Claudia Dichter, Udo Kittelmann works that he created during monograph on the work of British most important artists of our time. this term when I “draw” on a sheet the 1960s with Brion Gysin, Ian Her subjects are almost always Spoerri is embarking on an artist Shezad Dawood. For a number When Morton Bartlett died at the of paper. For me, drawing is found Sommerville, and Anthony Balch women, in painting, drawings and unconventional dialogue with objects of years, Dawood has developed a age of 83 his relatives found 15 in my works, in situ, shapes that under the name of ‘The Third Mind’ ZDWHUFRORXUV+HU¿JXUHVDUHEDVHG in the museum’s collections. He unique, discursive and collaborative chests containing half-life-size form in space, walls that are built as well as ‘Collaborations’ with other as much on the eroticism of the juxtaposes his works of art with the approach to making art through dolls and accessories: twelve girls and that form curved, straight and artists such as John Giorno and line as on a mythical interplay of collections, having been inspired a practice that incorporates light and three boys, self-sewn clothes, broken lines. Anything that helps *HRUJH&RQGR,DQ0DF)DG\HQތV the human being and the animal to some of his assemblages by his VFXOSWXUHWH[WLOHSDLQWLQJDQG¿OP black-and-white photographs of the me clarify certain thoughts, on the essay explores the varied being. Schleime’s pictures, some tours of the museum. The dialogue Known for his tumbleweeds – ironic dolls as well as countless studies other hand, constitutes a “graphic connections between literary and of which are large in scale, exert a is ‘incompetent’ insofar as Spoerri sculptural fusions of Islamic and and archive material. Bartlett began sketch”. My handwritten texts fall experimental visual production which fascination that cannot be escaped. GLVSHQVHVZLWKDVFLHQWL¿FDSSURDFK contemporary culture, Dawood designing these dolls, as true to into this category.’ (Daniel Buren, are also traceable in the interview, She achieves something special: she in favour of an at-times ambivalent gained international acclaim for nature as possible, in the mid-1930s. March 2012). Daniel Buren is the made by Jean-Jacques Lebel in Paris knows instinctively how to generate humour. This publication allows Feature, a ‘zombie Western’ He studied anatomy books and Monumenta 2012 guest artist. This in 1982, that is published here for the the individual in an explosion of us to look at Spoerri’s works in a set in the English countryside. the history of costume, learned to book, a collection of preparatory ¿UVWWLPHLQ(QJOLVK7KHLQWURGXFWLRQ colour, immerse a body line into brand-new light by revealing in a Concentrating on the artist’s sew and to mould with clay. Each sketches for his project underneath by Axel Heil focuses on ‘the future of DUHÀHFWLRQRIOLJKWDQGLQWHJUDWH thoroughly unusual manner the HQJDJHPHQWZLWK¿OPDQGSDUWLFXODUO\ ¿JXUHWRRNXSWRRQH\HDUWRFUHDWH the nave at the Grand Palais, follows WKHSDVW¶UHVHDUFKLQJWKHLQÀXHQFHRI actions into the intimacy of a self- artist’s enthusiasm for museums KLVVFLHQFH¿FWLRQIHDWXUHPiercing Bartlett designed various costumes the development of Excentrique(s) %XUURXJKVތLGHDVH[SHULPHQWVDQG UHÀHFWLRQ3XEOLVKHGRQWKHRFFDVLRQ of natural history, natural-history Brightness, this publication features and made wigs for each of his dolls from the initial research – methods on a younger generation of of the exhibition Cornelia Schleime: collections, and the high art of images of past exhibitions, projects and then staged them in life-like abandoned, remodelled, mixed – to artists. Published to accompany the Die Farbe, der Körper, das Antlitz, collecting. Published on the occasion and individual works. Contrary to situations and photographed them. WKHGH¿QLWLYHFKRLFHV exhibition The Name is Burroughs die Augen at Museum Franz of the exhibition Daniel Spoerri in the classic catalogue raisonné All of this work was created for at ZKM, Zentrum für Kunst und Gertsch, Switzerland, 24 March – the Natural History Museum – an 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ structure of artists’ monographs, purely private purposes and was Medien, Karlsuhe and Deichtorhallen 2 September 2012. Incompetent Dialogue? at the Natural ISBN 9791090490086 this publication functions as a meta- History Museum, Vienna, 23 May – never shown during his lifetime. softback 108 pages +DPEXUJ6DPPOXQJ)DOFNHQEHUJLQ text, highlighting recurrent ideas 2012–2013. .HUEHU9HUODJ 17 September 2012. The dolls, approximately 200 black illustrated in colour and b&w and themes in Dawood’s practice. ISBN 9783866786660 and white photographs, drawings, 280 x 210 mm Published on the occasion of the hardback 96 pages .HUEHU9HUODJ FRORXUVOLGHVDQGFRVWXPHVZHUH¿UVW English and French text 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ exhibition Shezad Dawood: Piercing ISBN 9783863352295 69 colour illustrations ISBN 9783866787285 discovered in 1993. This publication Brightness, touring the UK in 280 x 240 mm hardback 192 pages softback 164 pages DFFRPSDQLHVWKH¿UVWVRORH[KLELWLRQ 100 colour and b&w illustrations 2011–12. (QJOLVKDQG*HUPDQWH[W 92 colour illustrations of work by Morton Bartlett in a 240 x 166 mm 240 x 170 mm German museum. 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ ISBN 9783863351465 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ hardback 160 pages ISBN 9783863351625 103 colour, 60 b&w illustrations softback 104 pages 270 x 170 mm 39 colour, 44 b&w illustrations 245 x 205 mm (QJOLVK)UHQFKDQG*HUPDQWH[W 28 29 AUTUMN 2012 Jan De Cock Thomas Demand Explosion! Hans-Peter Feldmann Urs Fischer Morgan Fisher A Romantic Exhibition Executive Painting as Action Catalogue Madame Fisscher Two Exhibitions texts by Johan Holten, Liene Aerts, texts by Thomas Demand, Karl Schlögel, artists include: Adel Abdessemed, Allan texts by Brigitte Huck, Helena Tatay texts by Caroline Bourgeois, Patricia texts by Thom Andersen, Rainer Bellenbaum, Luc Dereyke Bart Lootsma, Karola Kraus Kaprow, Andy Warhol, Bruce Nauman, Cai edited by Helena Tatay Falguières, Michele Robecchi Sabeth Buchmann, Yve-Alain Bois, edited by Johan Holten edited by Museum für moderne Kunst Guo-Qiang, Ceal Floyer, Francis Alÿs, George edited by Urs Fischer Morgan Fisher (MumoK) Vienna Brecht, Jackson Pollock, Jean Tinguely, edited by Sabine Folie, Susanne Titz John Baldessari, John Cage, Jutta Koether, Hans-Peter Feldmann rose to Jan De Cock creates structures Lawrence Weiner, Niki de Saint-Phalle, Paul prominence in the early 1970s, Bringing together more than 30 As a compliment to the extensive American artist Morgan Fisher LQVSDFHZLWKDQDUFKLWHFWXUDOÀDLU McCarthy, Robert Rauschenberg, Tony earning worldwide acclaim for works from numerous international range of literature on the work of Conrad, Yoko Ono, Yves Klein became prominent in the early that operate as complex systems his expansive and encyclopaedic collections spanning almost Thomas Demand, this book explains texts by Maguns af Petersens, Julia Robinson, VDVDQH[SHULPHQWDO¿OPPDNHU of interlocking fragments. The photographic series. Often presented two decades of genre-crossing the artist’s working method using Ming Tiampo in the structuralist milieu, whose beholder is compelled to engage in the form of books, posters, production, Madame Fisscher, Urs two striking and complex pieces: HGLWHGE\$QQ6R¿1RULQJ'DQLHO%LUQEDXP main interest was not the content with the formal language of highly postcards and installations, these Fischer’s solo exhibition at Palazzo Presidency, 2008 and Embassy, of that depicted but rather the condensed sculptures made of After the second world war, a number collections link Feldmann’s life-long Grassi in Venice in 2012, presents )RUWKH¿UVWWLPHWKH analysis of the medium itself. In industrially produced materials that of painters in different parts of the fascination with collecting elements an overview of the artist’s career production process of these works the mid 1990s Fisher turned to assemble repetitions and variations world began to attack painting’s of visual culture. Among the earliest from the late 1990s to the present is documented, page for page, in monochrome painting and the of individual modules into expansive fundamental assumptions in ways works is a series of booklets titled day. The exhibition is populated LOOXVWUDWLRQV$W¿UVWWKHSKRWRJUDSKV installation of monochrome paintings. overall compositions. This publication that were at once both aggressive Bilder (Pictures), each consisting by meticulous reconstructions of appear to be of real, existing places. Fundamental questions on the is designed as a handbook offering and playful. The creative act itself of a collection of photographs of familiar objects that seemingly defy At second glance, however, they history and aesthetic of perception a systematically structured overview was as important as the painting that everyday subjects or situations. His gravity – live nude models, a half-dog prove to be clever reconstructions of as well as its inscription in genres of Jan De Cock’s art. Detailed resulted from it. In this borderland Time Series, produced during the whose tail wags like a metronome, reality. Using photographic templates and technologies are central in all descriptions interweave to produce between painting and performance, mid 1970s, expanded upon this, ZD[¿JXUHVZKRVHIRUPVPHOWRYHU from the media, the artist builds life- of Morgan Fisher’s work. Foregoing an encyclopaedic wealth of details chance or the spectator were often chronicling the most banal events time, a levitating birthday cake, and size models, accurate to the smallest the illusionism of narrative, Fisher and minute observations that recruited as co-creators of the frame by frame, thereby effectively a sprawling installation that escapes detail, which he then photographs, reveals the conditions of perception ultimately call the very idea of the work. In recent years, interest in slowing down the passage of time. WKHFRQ¿QHVRIWKHJDOOHULHVWR DQG¿QDOO\GHVWUR\V%HKLQGKLV LQKLV¿OPVDQGUHÀHFWVWKHFUHDWLRQ organised survey in question. The performance art has increased, and Published to accompany Feldmann’s LQ¿OWUDWHWKHSXEOLFVSDFHVRIWKHFLW\ work, which is originally based on a DQGWKHQDWXUHRIWKH¿OPLFLPDJH artist himself has already published with it interest in its roots. Explosion! major exhibition at the Serpentine All of this offers an opportunity to sculptural concept, is an extremely His post-conceptual painting deals six so-called ‘Cahiers’ that, together Painting as Action explores the Gallery, London, 11 April – 3 June examine Fischer’s continuous search labour-intensive and time-consuming with the relation between colour, size with this handbook, illustrate his connections and cross fertilisations KLV¿UVWVRORSUHVHQWDWLRQLQD for new sculptural solutions, in which process. and form of an image, frames, the preoccupation with a twentieth- between painting, performance London public gallery, he presents the artist’s material investigations UHODWLRQVKLSRI¿JXUHDQGJURXQGDV century icon: Jacqueline Kennedy and conceptual art. Published to works from throughout his career. are imbued with a poignant temporal 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ well as the observer’s point of view Onassis. accompany the exhibition at Moderna dimension and a biting sense of ISBN 9783865608826 – themes that have been contested softback 112 pages Museet, Stockholm, 2 June – 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ humour. 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ since the abstraction of modernism 42 colour, 3 b&w illustrations 9 September 2012. ISBN 9783863351472 ISBN 9783863351717 180 x 140 mm hardback 232 pages 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ and minimalism. softback 192 pages illustrated in colour and b&w ISBN 9780984721030 (QJOLVKDQG*HUPDQWH[W 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ 44 colour illustrations 305 x 240 mm softback 234 pages 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ ISBN 9783863351915 270 x 180 mm (QJOLVKDQG*HUPDQWH[W illustrated in colour and b&w ISBN 9783863351694 softback 224 pages (QJOLVKDQG*HUPDQWH[W 250 x 200 mm hardback 244 pages 200 colour illustrations English, French and Italian text illustrated in colour and b&w 280 x 217 mm 280 x 200 mm English and Swedish text (QJOLVKDQG*HUPDQWH[W 30 31 AUTUMN 2012 Forget Fear The Future Will Be... Cyprien Gaillard Herzog & de Meuron + Laura Horelli Image Counter Image 7th Berlin Biennale for China The Recovery of Discovery Ai Weiwei texts by Klaus Wowereit, Marius Babias, DUWLVWV $GHOD-XãLü$KODP6KLEOL$OIUHGR Kathrin Becker, Sophie Goltz, Maeve Connolly, Jaar, Hans-Peter Feldmann, Harun Farocki, Contemporary Art texts by Hal Foster, Marion von Osten, Thoughts on What’s to Come: Serpentine Gallery Pavilion Dieter Roelstraete -DVPLODäEDQLü-RKQ6PLWK/DQJODQGV %HOO Susanne Pfeffer texts by Pawel Althamer, Gábor Bakos, Curated by Hans Ulrich Obrist 2012 edited by Kathrin Becker, Marius Babias, Monika Huber, Nin Brudermann, Omer Fast, Yael Bartana, Daniel Blatman, Einar Örn edited by Susanne Pfeffer Sophie Goltz Radenko Milak, Roy Samaha, Sean Snyder, Benediktsson, Christian Boltanski, Galit Eilat, texts by Hans Ulrich Obrist, Ginevra Elkmann, texts by Julia Peyton-Jones, Hans Ulrich Téo Hernandez, Thomas Ruff, Thomson & Julián García, Jón Gnarr, Jan Tomasz Gross, Philip Tinari Preserving a monument goes hand Obrist, Jacques Herzog, Pierre de Meuron, Craighead, Trevor Paglen, Wilhelm Sasnal Jerzy Hausner, Péter Juhász, Gideon Levy, Ai Weiwei, Joseph Rykwert This catalogue documents for the edited by Karen Marta, Philip Tinari texts by David Levi Strauss, Marion G. Müller, Renzo Martens, Antanas Mockus, Joanna in hand with destroying it. In order ¿UVWWLPHWKHEURDGRHXYUHRIWKH Georges Didi-Huberman, Tom Holert Mytkowska, Luis Ospina, den Pixadores, to preserve architecture, cultural Internationally celebrated curator The design team responsible for the artist Laura Horelli. In addition to Srda Popovic, Alison Ramer, Dorota monuments and relics, they are edited by Okwui Enwezor, Patrizia Dander Sajewska, Árpád Schilling, Marcin Sliwa, Hans Ulrich Obrist is often asked celebrated Beijing National Stadium, text-based works and photographs, often re-located, allowing urban ,JRU6WRN¿V]HZVNL+DQV&KULVWLDQ7lXEULFK about the future of art. His answer which was built for the 2008 Olympic Horelli in particular uses video The exhibition Image Counter Image, Joanna Tokarska-Bakir, Fernando Vallejo, displacement to arise – leading to is always that we have to listen Games, comes together again in as a medium, sometimes also in at Haus der Kunst, Munich, 10 June Olafur Eliasson the disappearance of the concept to artists. Since 2005, Obrist has London in 2012 for the Serpentine’s multi-channel video installations. – 16 September 2012, focused on edited by Artur Zmijewski, Joanna Warsza of autonomous geography and expanded this narrative to ask acclaimed annual commission, being In her research she focuses on WKHFULWLFDODQDO\VLVRIYLROHQWFRQÀLFWV archaeology. The dislocation of a not only artists but also writers, presented as part of the London communicative processes and in the media, beginning with the This book is a reader of the 7th monument does not only alter the architects, mathematicians, 2012 Festival, the culmination of the their media, and political and social First Gulf War of 1990–1991 to the Berlin Biennale for Contemporary history of its original location, but also scientists, poets, photographers, Cultural Olympiad. The Pavilion is requirements in the globalised September 11, 2001 terrorist attacks Art (2012) and a manifesto. Artur leads to a radical re-interpretation designers, novelists, professors, Herzog & de Meuron and Ai Weiwei’s world. Horelli’s conceptual on the World Trade Center, and Zmijewski writes in his foreword: of the monument itself. For his lawyers, actors, and philosophers to ¿UVWFROODERUDWLYHEXLOWVWUXFWXUHLQ objective is to approach ‘reality’ in a ending with the events of the Arab ‘This publication is a report on exhibition in 2011 at KW Institute complete the sentence, ‘The future the UK. This year’s Pavilion will take subjective way, in order to excerpt Spring of 2011. Media coverage has the process of arriving at real for Contemporary Art, Berlin, will be... ‘, resulting in a range of visitors beneath the Serpentine’s urban environments, events and FKDQJHGVLJQL¿FDQWO\LQWKHODVWWZR action within culture, at an artistic Cyprien Gaillard created a new work different readings on what lies ahead. lawn to explore the hidden history relationships from her past and decades. Through the Internet and, pragmatism. What interested us were containing complex implications, 7KH¿UVWLQDVHULHVRISXEOLFDWLRQV of its previous Pavilions. Eleven current residences from their original more recently, via Web 2.0’s social concrete activities leading to visible which will only be revealed through the China edition of The future will columns characterising each past contexts and to link them in a new media, communication channels HIIHFWV:HZHUHLQWHUHVWHGLQ¿QGLQJ DQDFWRIFRPSOHWHGH¿DQFH be… is a collection of answers to Pavilion and a twelfth column way. This creates an intertext, which have been expanded to include answers, not asking questions. Similar to public amnesia, lost in Obrist’s question from protagonists representing the current structure will connects the different courses opportunities for direct peer-to- We were interested in situations in the hopeless interaction with the working in China, and encourages VXSSRUWDÀRDWLQJSODWIRUPURRI of time as well as their subtexts, peer exchange. Because of their which solutions are implemented monument, the gradual destruction readers to delve into the futuristic metres above ground. The Pavilion’s and at the same time undermines decentralised structures, these responsibly… We consider politics becomes a part of the aesthetic of imaginings of a profoundly complex interior is clad in cork, a sustainable the documentary representative. FKDQQHOVDUHGLI¿FXOWWRFRQWURODQG to be among the most complex and resistance. This catalogue depicts society. building material chosen for its Published on the occasion of Horelli’s are used as an alternative source of GLI¿FXOWRIKXPDQDFWLYLWLHV:H the gradual destruction of the unique qualities and to echo the solo exhibition at Neuer Berliner reporting on political events (even met artists, activists, and politicians sculpture and features a conversation 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ excavated earth. Kunstverein (n.b.k.), Berlin, 29 if the role of social media in crisis who engage in substantive politics with Cyprien Gaillard and Susanne through art. The book is the result of ISBN 9789881622327 November 2011 – 20 January 2012. remains controversial). softback 300 pages Pfeffer. 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ our encounters with those people.’ 38 colour and b&w illustrations ISBN 9783863352202 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ Includes an audio CD created by 184 x 128 mm hardback 140 pages 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.RHQLJ ISBN 9783863351137 ISBN 9783863352080 artist, Teresa Margolles. 71 colour, 10 b&w illustrations ISBN 9783863352059 softback 184 pages softback 200 pages 255 x 220 mm softback 84 pages illustrated in colour and b&w 146 colour illustrations 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ 50 colour illustrations 230 x 160 mm 285 x 215 mm ISBN 9783863351298 360 x 270 mm (QJOLVKDQG*HUPDQWH[W (QJOLVKDQG*HUPDQWH[W VRIWEDFN DXGLR&'SDJHV (QJOLVKDQG*HUPDQWH[W 19 colour, 32 b&w illustrations 210 x 150 mm 32 33 AUTUMN 2012 Anthony McCall Paul McCarthy & Dieter Meier Roman Ondák Yoko Ono John Pawson Five Minutes of Pure Sculpture Damon McCarthy Works 1968–2012 and the Yello Observations TO THE LIGHT Katalog text by Noam M. Elcott Caribbean Pirates: 13 Video Years texts by Julia Peyton-Jones, Hans Ulrich text by Alison Morris In his seminal work Observations Obrist, Alexandra Munroe, Chrissie Iles edited by Henriette Huldisch, Udo Kittelmann Projections texts by Stefan Zweifel, Harald Falckenberg, edited by Winfried Nerdinger Max Dax, Dieter Meier (1995–2011) Ondák cut from a edited by Hubert Klocker book – perhaps a monograph on The works of Anthony McCall exist edited by Harald Falckenberg, Stefan Zweifel Yoko Ono: TO THE LIGHT has been John Pawson is a master of RQWKHERXQGDULHVEHWZHHQ¿OP perception – a series of details published on the occasion of Yoko minimalism. The buildings and Paul McCarthy has always staged sculpture, and drawing. They are Giving Dieter Meier – conceptual comprising images and captions. Ono’s exhibition at the Serpentine objects of this internationally his ‘battles of material’ in unusual ÀHHWLQJDQG\HWWKH\DSSHDUVROLG artist, performer, ’elementary’ Presented on the gallery walls Gallery. Including seminal works renowned British architect are settings. This picture book, designed and tangible, inviting the viewer to VLWXDWLRQLVWSRHWHVVD\LVW¿OPPDNHU singly or combined in diptychs and IURPWKURXJKRXWKHUSUROL¿FFDUHHU characterised by his art of ‘leaving by the artist himself, offers a glimpse LQWHUDFWZLWKWKHDUWZRUN0F&DOO¿UVW and of course musician and lyricist, triptychs, these cuttings form a WKHH[KLELWLRQUHÀHFWVXSRQWKH out’ – they fascinate with their pure LQVLGHKLVH[SDQVLYH¿OPDWHOLHU became known in the early 1970s who together with Boris Blank wrote universal vocabulary of individual enormous impact that she has made effects of space, proportion, light and at the staging of the performance with his unique light installations, music history under the moniker and collective relationships and on contemporary art, exploring her PDWHULDO,QÀXHQFHGE\-DSDQHVH Caribbean Pirates from 2006 – a Solid Light Films. These consisted of <(//2DQG¿QDOO\FDWWOHEUHHGHU exchanges, of physical movements, LQÀXHQWLDOUROHDFURVVDZLGHUDQJH culture and minimalist art, Pawson scenic allusion to political power animated lines of light projected in a who successfully runs restaurants mental projections, momentary of media. Catalogue texts include an GH¿QHVKLVLGHDRIWKHPLQLPXP and conquest phantasmagoria dark, misty room; the resulting three in Zurich with organic meat and intuitions, or suspended states in-depth discussion of the Serpentine as perfection and quality that steeped in sex, in which the genre of dimensional forms slowly move about choice red wine from his Argentinian of mind on which the artist’s Gallery exhibition by Alexandra arises when every detail and every piracy, always popular in Hollywood the space. The artist began this ODWLIXQGLXP±D¿WWLQJLQWURGXFWLRQ research is grounded. Hung at 0XQURHDQGRI2QRތVXVHRI¿OPDVD connection is reduced to that which is mythology, is paraphrased. VHULHVLQ ZLWKWKHLQÀXHQWLDO¿OP is not easy. This comprehensive various levels, the images and medium by Chrissie Iles. The essays essential. With models, large-format Line Describing a Cone, and further monograph, which includes a their laconic texts capture subtle, are accompanied by an interview photographs, material studies and 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ nuanced psychological situations with the artist by Julia Peyton-Jones developed his ideas in installations ISBN 9783863351939 catalogue raisonné and is produced objects, this publication provides an such as Long Film for Four Projectors softback 102 pages in conjunction with exhibitions in and ordinary attitudes through a and Hans Ulrich Obrist. Published on overview of John Pawson’s work (1974). Following a creative hiatus illustrated in colour Hamburg and Karlsruhe, presents balanced combination of similar the occasion of the exhibition Yoko and demonstrates the phenomenon of over 20 years, McCall returned 300 x 265 mm WKHYDULHW\RIWKLVH[FHSWLRQDODUWLVWތV and contrasting gestures, postures, Ono: TO THE LIGHT at Serpentine of ‘emptiness’. This book presents, (QJOLVKDQG*HUPDQWH[W to these projects after the turn of activities and tracks the uninterrupted and gazes. The exhibition space is Gallery, London, 19 June – amongst others, his own house the millennium. The availability of course of his artistic production with a ‘edited’ by this intervention. In these 9 September 2012. in London (1999), the Cistercian computer animation and digital richly illustrated overview of his work. works, where micro and macro monastery Novy Dvur in the Czech 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ projection has given him the means ,QFOXGHGLVD'9'RIHDUO\¿OPVDQG mirror each other, Ondák does not Republic (2004), the footbridge ISBN 9783863352219 to formulate his conceptual work in music videos by the band YELLO. provide an alternative to reality; Sackler Crossing in Kew Gardens, rather, he gives the audience a key softback 96 pages new ways. 4 colour, 40 b&w illustrations London (2006), and the Stone 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ with which to access and identify the 255 x 220 mm House for La Triennale di Milano ISBN 9783863351960 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ variety of different observations and (2010). Published as part of the hardback 272 pages ISBN 9783863351557 interpretations that reality offers. exhibition John Pawson held in the softback 96 pages 600 colour illustrations 306 x 228 mm Architekturmuseum der TU München illustrated in colour and b&w 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ 300 x 235 mm ISBN 9783863351885 at Pinakothek der Moderne, hardback 148 pages 1 May 2012 – 20 May 2012. illustrated in colour and b&w 230 x 297 mm 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ ISBN 9783863351496 hardback 128 pages 128 colour and b&w illustrations 240 x 170 mm (QJOLVKDQG*HUPDQWH[W 34 35 AUTUMN 2012 Slavica Perkovic Francis Picabia Pop Art Gerhard Richter Gerhard Richter Ed Ruscha Vertigo texts by Zdenek Felix, Jean-Jacques Lebel, Europa / USA – From the Beirut Drawings and Watercolours Reading Ed Ruscha Rainer Metzger, Hans-Peter Wipplinger texts by Lewis Baltz, Gus Blaisdell & Jean- Grosshaus Collection texts by Lamia Joreige, Sandra Dagher, 1957–2008 texts by Douglas Coupland, W. S. Di Piero, Claude Moineau edited by Hans-Peter Wipplinger Achim Borchardt-Hume Beatrice von Bismarck, Yilmaz Dziewior artists: Alex Katz, Allen Jones, Andy Warhol, texts by Henri Loyrette, Dieter Schwarz, David Hockney, Richard Hamilton, Roy Stéphane Hamelin edited by Yilmaz Dziewior Slavica Perkovic’s work has always This monograph published on the Lichtenstein, Tom Wesselmann Gerhard Richter: Beirut presents a thematised the confounding of occasion of the retrospective show texts by Thomas Gädeke, Margret Schütte VLJQL¿FDQWQXPEHURIRYHUSDLQWHG In honour of the major retrospective Reading Ed Ruscha focuses on Ed events in her life with imagined or on Picabia at Kunsthalle Krems, 15 photographs produced by Richter devoted to the remarkable career 5XVFKDތVDUWLVWLFLQWHUHVWLQERRNV projected characters and scenarios. June – 4 November 2012, shows This catalogue offers a representative since the mid-1980s. Rarely seen in of Gerhard Richter, initiated by writing and the act of reading, which The Vertigo project began in 1995, key works of the artist from his sample of the work of several print, the overpainted photographs Tate Modern in 2011 (touring to he has pursued continuously over inspired by the artist’s passion for various artistic phases. Picabia is pop artists: from America: Tom bring together the artist’s long- Nationalgalerie, Staatliche Museen ¿YHGHFDGHV:RUGVDQGWH[WDSSHDU +LWFKFRFN¶V¿OPDQGDOHQJWK\VWD\LQ considered to be a great innovator, Wesselmann, Roy Lichtenstein, Andy standing fascination with the nature zu Berlin, and Centre Pompidou, in his work as motifs, as symbols San Francisco. Perkovic visited most provocateur, instigator, man about Warhol and Alex Katz, from England: of photography and the language Paris) the Louvre, as a partner of or in the form of books as actual of the locations in Vertigo and started town, unconventional thinker and David Hockney, Allen Jones and of abstract painting. Based on this event, will exhibit in 2012 about objects, and reading as a meaning- to make a video reconstructing maverick of modernism who entered Richard Hamilton and from Germany: Richter’s own photographic archives, 100 works on paper as well as the generating process is explored HOHPHQWVIURPWKH¿OPLQWHUPVZLWK into art history both as a painter and Fritz Köthe. The focus of both the the imagery ranges from domestic artist’s Two Sculptures for a Room and manipulated through various her own story. a poet. Few artists of the twentieth exhibition (Stiftung Schleswig- and family photos to holiday snaps, by Palermo in the museum’s Mollien artistic means. The essays written century have expressed as many Holsteinische Landesmuseen, landscapes, mountain ranges rooms of the Department of Prints for this catalogue by the authors 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ contradictory aspects and styles Schloss Gottorf, 6 May – 21 October and studio shots. Also featured and Drawings. Published on the Douglas Coupland and W. S. Di ISBN 9783863351328 in their oeuvre as Picabia. This 2012) and this accompanying is Museum Visit, a series of 234 occasion of the exhibition at Musée Piero approach this aspect in literary- hardback 188 pages exhibition catalogue includes an catalogue is on paintings, works on over-painted photographs, each 127 colour illustrations du Louvre, Paris, 7 June – poetic form. Beatrice von Bismarck 275 x 155 mm extensive and illustrated biography, paper and multiples by Wesselmann photograph having been taken 17 September 2012. examines the status of the book as a and a complete bibliography and Köthe. In addition, portfolios during a typical busy day at Tate piece of work, a publishing medium compiled by Stephanie Damianitsch. such as Hockney’s The Blue Guitar Modern. Published on the occasion 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ and an exhibition (format), while and June Ekman’s Class by Katz RI5LFKWHU¶V¿UVWH[KLELWLRQLQ/HEDQRQ ISBN 9791090490147 Yilmaz Dziewior gives an overview of 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ are presented in their entirety. The (developed by Beirut Art Center hardback 96 pages (G5XVFKDތVGHDOLQJVZLWKWKHERRN ISBN 9783863352233 catalogue has an introduction by illustrated in colour and b&w (BAC)) Gerhard Richter: Beirut also 240 x 200 mm as a medium and his relationship hardback 206 pages Thomas Gädeke and an essay by 200 colour and b&w illustrations PDUNVWKH¿UVWSXEOLFDWLRQRQWKH to the written word. Also included 255 x 210 mm Margret Schütte, and includes a short artist’s work in Arabic. Conceived by are large format illustrations of the (QJOLVK)UHQFKDQG*HUPDQWH[W biography and a list of selected solo Richter himself, the publication reads exhibited works, exhibition views and exhibitions of each artist. from one direction in English, from a comprehensive appendix. the other in Arabic, and includes a 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ foreword by BAC directors Lamia 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ ISBN 9783863351588 Joreige and Sandra Dagher. ISBN 9783863352325 softback 232 pages hardback 256 pages 152 colour illustrations illustrated in colour 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ 240 x 200 mm 300 x 240 mm ISBN 9783863351779 (QJOLVKDQG*HUPDQWH[W (QJOLVKDQG*HUPDQWH[W softback 256 pages illustrated in colour and b&w 240 x 180 mm English and Arabic text 36 37 AUTUMN 2012 Thomas Schütte Larry Sultan and Tal R Wolfgang Tillmans Utopia YOU KILLED ME FIRST Public / Political Mike Mandel Man Over Board FESPA Digital / FRUIT Gesamtkunstwerk The Cinema of Transgression LOGISTICA texts by Ulrich Loock, James Lingwood, texts by Jonathan Lethem, Connie Lewallen, texts by Beate Ermacora, Jacob Fabricius, artists include: Christian Boltanski, Daniel texts by Sylvère Lotringer, Carlo McCormick, Hans Rudol Reust Magdalena Holzhey, Gregor Jansen Jonas Mekas, Susanne Pfeffer, Jack Sargeant, Carter Ratcliff, Thomas Wagner, Charlotte text by Wolfgang Tillmans Buren, Franz West, Gelatin, Gerwald edited by Ulrich Loock Cotton edited by Beate Ermacora, Gregor Jansen Rockenschaub, Gordon Matta-Clark, Gregor Nick Zedd edited by Thomas Zander About one year ago, Wolfgang Schneider, Heimo Zobernig, Hermann Nitsch, edited by Susanne Pfeffer Ilya Kabakov, Isa Genzken, Jason Rhoades, Public / Political provides an Tal R has conceived this publication Tillmans was prompted by his own Jonathan Meese, Joseph Beuys, Liam Gillick, Nightmarish scenarios of violence, overview of more than 30 years of This richly illustrated publication as an artist’s book with 36 double- curiosity to visit Fruit Logistica in Marcel Broodthaers, Markus Schinwald, dramatic states of mind, and work by Thomas Schütte. His art is FKURQLFOHVIRUWKH¿UVWWLPHWKH sided panels on which the artist Berlin, the most important convention Martin Kippenberger, Monica Bonvicini, Paul McCarthy, SUPERFLEX, Thomas Hirschhorn, SHUYHUVHVH[XDODE\VVHV±WKH¿OPV characterised by stylistic variation. collaborative artwork by Mike Mandel has arranged numerous small for the international fruit trade. Tom Burr, Valie Export of the Cinema of Transgression that However, a common thread through DQG/DUU\6XOWDQ7KHLUSUROL¿FDUWLVWLF photographs – illustrations put ‘I was left open-mouthed by the texts by Agnes Husslein-Arco, Werner were consciously aimed at shock, this heterogeneous collection can collaboration began in 1973 when together in the style of a photo album crazy displays and the variety and Hofmann, Holger Birkholz, Boris Groys, provocation, and confrontation, bear be found in his reaction to political they were both graduate students and then digitally photographed complexity of the international fruit Bettina Steinbrügge, Eva Kernbauer, Simon Baier, Joao Ribas, Anselm Franke witness to an extraordinary radicality. events and the presentation of his at the San Francisco Art Institute. and reproduced. In this he sets his trade and its processing machinery. edited by Agnes Husslein-Arco, Bettina ,QWKH VDJURXSRI¿OPPDNHUV work in public spaces. Conversely, During the course of the next 12 paintings, drawings, sculptures and I reacted with my camera straight Steinbrügge, Harald Krejci from the Lower East Side in New the concentration on political years, they created 19 projects collages as well as his excursions away, but left the pictures for a while York went on a collision course with and public works of art enables together. During this period their LQWRWKHJHQUHRI¿OP±DOOIURPWKH so I could look at them with a bit of Utopia Gesamtkunstwerk attempts to the conventions of American society. exceptionally diverse pieces to projects took the form of artists’ past 15 years – in new relationships distance, although I was immediately analyse a phenomenon, which has Sometimes shot with stolen camera be brought together in a coherent books, How To Read Music In One to one another and creates a kind thinking of an artists’ book in the been hotly debated for more than HTXLSPHQWWKH¿OPVFRQWDLQVWULGHQW context. Each work, some of which Evening, 1974, and Evidence, of kaleidoscope of his work to date format of Concorde’ (Wolfgang 100 years. Avant-garde art, in which analyses of life in the Lower East DUHSXEOLVKHGKHUHIRUWKH¿UVW 1977; a series of a dozen outdoor in a very unique, idiosyncratic and Tillmans). The resultant 66 pictures the idea of the Gesamtkunstwerk 6LGHGH¿QHGE\FULPLQDOLW\EUXWDOLW\ time, is annotated. Through the billboards in the form of hand fascinating way. DUHSXEOLVKHGQRZIRUWKH¿UVWWLPH WRWDOXQLYHUVDODUWIRUP FDPHLQWR drugs, AIDS, sex, and excess. Even documentation of a discussion painted photographs, silkscreen – as an artists’ book in the format of EORRPKDVLQVWDOOHGD¿UVWVKLIWLQ 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ though the movement has remained between Ulrich Loock and the artist posters, oil paintings and digitally his bestselling classic 1997 Walther meaning of the term as a unit of art ISBN 9783863351601 largely unknown, the Cinema of comes the added complexity of SULQWHGSRVWHUV ± D¿OP König book Concorde. and life. This publication and the hardback 104 pages 7UDQVJUHVVLRQKDVEHHQDVLJQL¿FDQW access to Schütte’s own perspective JPL, 1980; and an installation, exhibition Utopia Gesamtkunstwerk illustrated in colour LQÀXHQFHIRUODWHUJHQHUDWLRQVRI on his political and public work. Newsroom, 1983. Although they both 330 x 230 mm 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ (21er Haus, Vienna, 20 January – artists. Published on the occasion Included is an interview with Thomas pursued individual projects during ISBN 9783863352110 20 May 2012) begins where Der softback 144 pages of the exhibition YOU KILLED ME Schütte by Ulrich Loock. this 12 year span they nurtured Hang zum Gesamtkunstwerk ended 120 colour illustrations FIRST: Cinema of Transgression at and developed an intense and (Harald Szeemann’s landmark show 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ 240 x 160 mm KW Institute of Contemporary Art, focused artist collaboration. Their he curated in 1983). Featuring more ISBN 9783865604149 seminal work, Evidence has been Berlin, 19 February – 9 April 2012. hardback 220 pages than 50 artists from the 1950s until widely recognised as a landmark 160 b&w illustrations today it presents new views on the 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ photographic book. 240 x 170 mm phenomenon. ISBN 9783863351571 softback 176 pages 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ illustrated in b&w ISBN 9783863352066 ISBN 9783863351403 295 x 210 mm hardback 264 pages softback 242 pages (QJOLVKDQG*HUPDQWH[W 190 colour, 60 b&w illustrations illustrated in colour and b&w 248 x 288 mm 245 x 200 mm 38 39 AUTUMN 2012 Richard Deacon Dan Graham Jason Martin Rashid Rana Lisson Gallery Association Not Yet Realised: Pavilion ,Q¿QLWLYH Everything is Happening at Manchester City Galleries distributed by Cornerhouse world-wide Drawings Once distributed by Cornerhouse world-wide text by Francis Gooding text by Sue Hubbard text by Brian Hatton texts by Alnoor Mitha, David Elliott, Throughout his practice, Richard edited by Dorothy Feaver Jason Martin makes paintings about Hans Ulrich Obrist, Sarah Perks Allora & Calzadilla Deacon has employed diverse paint – its materiality, sculptural edited by Rute Ventura The First Cut Vieques Videos 2003–2010 materials including wood, aluminium, 2QHRIWKHZRUOG¶VPRVWLQÀXHQWLDO presence and transformative, artists: Abigail Reynolds, Anderson M. Studio, This publication celebrates Andrea Dezsö, Andrea Mastrovito, Andreas text by Yates McKee plastic, steel, ceramic, glass, rubber, conceptual artists, Dan Graham has alchemical nature. The energy of resin, polycarbonate, leather and Martin’s process is palpable in a new internationally acclaimed artist Kocks, Andy Singleton, Béatrice Coron, edited by Dorothy Feaver been investigating the relationship Chris Jones, Chris Kenny, Claire Brewster, cloth: exploiting their potential to between architectural environments series of rich, dark, monochromatic 5DVKLG5DQD¶V¿UVWVRORSXEOLF Elisabeth Lecourt, Emma van Leest, Georgia Made over the course of a decade, create complex and challenging and those who inhabit them since oil on aluminium works. In Tempest exhibition in the UK. The exhibition Russell, James Aldridge, Justine Smith, Kara forms. It is a radical vocabulary (2011), the dense swathes of colour Rashid Rana: Everything is Walker, Laura Cooperman, Long-Bin Chen, Allora & Calzadilla’s videos Returning the late 1960s. His very personal and Manabu Hangai, Mia Pearlman, Nicola Dale, a Sound (2004), Under Discussion that encompasses the organic, intuitive exploration of architectural DUHDSSOLHGLQWKLFNÀXLGRYHUODLG Happening at OnceZDV¿UVW Noriko Ambe, Peter Callesen, Rob Ryan, Sarah (2005) and Half Mast/Full Mast amorphous, geometric, rectilinear, space and perception has come to brushstrokes. Light plays across the presented in Cornerhouse, Bridgland, Su Blackwell, Susan Cutts, Susan intimate and monumental. Along surface echoing the dynamism and Manchester in 2011 as part of the Stockwell, Tom Gallant, Violese Lunn, Yuken (2010) were shown together for EHGH¿QHGE\KLVSDYLOLRQV%OXUULQJ Teruya with his continued interest in vigour of its making. Sensual and Asia Triennial 11 and subsequently WKH¿UVWWLPHDW/LVVRQ*DOOHU\ the line between art and architecture, edited by Fiona Corridan, Natasha Howes London. Each video addresses the material exploration, Association Graham’s pavilions comprise tactile, each work in this group is in 2012 at New Art Exchange, Nottingham. It included new and complicated history of Vieques, an illustrates Deacon’s fascination with steel, mirror and glass structures GH¿QLWLYHO\DXWRQRPRXV7KHWLWOHV The First Cut is a major exhibition recent works that cut across inhabited island off Puerto Rico that the relationship of the individual that create diverse optical effects. invite contemplation and emphasise featuring new and recent works by conventional notions of the scale was used by the United States Navy component to the structural whole Created as hybrids, they operate the inherent narrative of the work but over 30 international contemporary and status of the photographic as a bomb-testing range from 1941 and new works in ceramic, aluminium as quasi-functional spaces and art the meaning is mutable. Published on artists who work with paper in object, opening up its potential to until 2003. The Navy was forced to and steel evidence this investigation. installations. Studies of space and the occasion of the exhibition Jason revolutionary ways. Featuring represent cultural, social and physical evacuate by a civil disobedience Published on the occasion of Richard light, they are situated in public 0DUWLQ ,Q¿QLWLYH at Lisson Gallery, established and emerging artists realities. The beautifully illustrated campaign waged by local residents, Deacon: Association at Lisson spaces and are activated by the London in May 2012. from America, Australia, China, publication includes an introduction with supporters throughout the world. Gallery, London, 11 May – 23 June presence of the viewer. Rigorously Denmark, France, Germany, Italy, /LVVRQ*DOOHU\ by co-curators Alnoor Mitha, Allora & Calzadilla contributed to the 2012, this catalogue is a beautiful conceptual, uniquely beautiful and Japan, Romania, Sweden and the ISBN 9780947830359 visual culture of this campaign with a record of some of Deacon’s ceramic, avowedly public, the pavilions exhibit Artistic Director of Asia Triennial hardback 88 pages UK, it explores how the humble steel and aluminium sculptures, Manchester 11 and Research Fellow long-term, multi-sited project entitled a deliberate disorientation and 31 colour illustrations scrap of paper is transformed into at MMU MIRIAD and Sarah Perks, Landmark, informed by questions made between 2009 and 2012. playfulness that Graham encourages. 267 x 251 mm extraordinary creations, through Programme and Engagement such as: ‘How is land differentiated Published on the occasion of the cutting, folding and sculpting. The /LVVRQ*DOOHU\ Director, Cornerhouse; an essay from other land by the way it is exhibition Dan Graham’s Pavilions at title alludes to the beginning of the ISBN 9780947830366 by David Elliott, curator, writer and marked? Who decides what is worth Lisson Gallery, London, 21 March – creative process but also suggests a hardback 80 pages cultural historian; and an interview preserving and what should be 39 colour illustrations 28 April 2012. violent and sinister action. Published with Rashid Rana conducted by destroyed? How does one articulate 292 x 246 mm to accompany the exhibition The Hans Ulrich Obrist, curator, writer an ethics and politics of land use?’ /LVVRQ*DOOHU\ First Cut at Manchester City Galleries ISBN 9780947830373 and Co-director at the Serpentine Published on the occasion of Allora (Manchester Art Gallery and The softback 94 pages Gallery. The title is published by & Calzadilla: Vieques Videos 2003 – Gallery of Costume), 4 October 2012 52 colour, 25 b&w illustrations Lisson Gallery in association with 2011 at Lisson Gallery, London, 23 210 x 170 mm – 27 January 2013. November 2011 – 14 January 2012. Cornerhouse. 0DQFKHVWHU$UW*DOOHU\ /LVVRQ*DOOHU\ /LVVRQ*DOOHU\&RUQHUKRXVH ISBN 9780901673824 ISBN 9780947830335 ISBN 9780955047893 softback 96 pages softback 88 pages hardback 120 pages illustrated in colour 68 colour, 21 b&w illustrations illustrated in colour 240 x 170 mm 270 x 200 mm 285 x 215 mm Justine Smith, The Judge 2012 © the artist 40 41 AUTUMN 2012 Alison Turnbull Verlag für moderne The Art of William The Circus as a Candida Höfer Matt’s Gallery Sea the Stars Haus Ludwig distributed by Cornerhouse world-wide Kunst Nürnberg S. Burroughs Parallel Universe distributed by Cornerhouse in the UK texts by Ed Krcma, Alison Turnbull in Cut-ups, Cut-ins, Cut-outs artists include: Alexander Calder/Carlos texts by Kaspar König, Isabel Pfeiffer- conversation with Pat Fisher Vilardebo, Bruce Nauman, Charles & Ray Poensgen, Eduard Beaucamp, texts by Synne Genzmer, Tim Head, C. A. edited by Pat Fisher Eames, Charlie Chaplin, Cindy Sherman, Barbara Engelbach Howe, Barry Miles, Jon Savage Imogen Stidworthy Amor Psyche Aktion – Diane Arbus, Erwin Wurm, Federico Fellini, (.) It is no surprise for an artist who Jeppe Hein, Joe Scanlan, Jonathan Monk, On November 28, 2010 Professor Wien William S. Burroughs, an icon of Julian Rosefeldt, Julien Bismuth, Matthew Irene Ludwig died unexpectedly. In deals with systems of information Barney, Nives Widauer, Olaf Breuning, Peter texts by Steven Connor, Mladen Dolar, Imogen the American Beat Generation, The Feminine in Viennese Blake, Roni Horn, Simmons & Burke, Ugo her will she bestowed a number of Stidworthy, Caroline Bergvall, Alphonso Lingis DQGFODVVL¿FDWLRQWUDQVODWLQJLPDJHV admired as a revolutionary and both methodically and intuitively Actionism Rondinone, Ulrike Lienbacher, Ulrike Ottinger, spectacular pieces and permanent homosexual intellectual, and Zilla Leutenegger loans from her estate to Museum This artist’s book designed by Jack through drawing and painting, that a artists: Günter Bus, Hermann Nitsch, criticised for his enthusiasm for Otto Muehl, Rudolf Schwarzkogler texts by Thomas Häusle, Gerald A. Matt, Ludwig and Museum Schnütgen. Fisher focuses on encounters and catalogue, ‘a complete list of things; ¿UHDUPVHVWDEOLVKHGDQHZIRUP Matthias Christen, Synne Genzmer, Verena texts by Karl iro Goldblat, Pilar Parcerisas, 7RPDUNWKH¿UVWDQQLYHUVDU\RIKHU spaces between languages through usually arranged systematically’, of writing: the cut-up method. Text Konrad, Tinatin Natsvlishvili, Birgit Peter, August Ruhs, Michaela Pöschl, Almuth Angela Stief, Martin Walkner, Cathérine Hug death, Museum Ludwig has installed the work of Imogen Stidworthy with would be unmistakably part of the Spiegler, Andrea Schurian, Reinhard fragments are intuitively strung edited by Martin Walkner, Verena Konrad a room exhibiting works from Peter contributions from writers Caroline process. Sea the Stars encompasses Priessnitz together to form open associative Bergvall, Steven Connor, Mladen an array of Alison Turnbull’s research and Irene Ludwig’s private collection narrative structures in order to Curtain up for the world of acrobats, Dolar and Alphonso Lingis, and materials, key works and installation Viennese Actionism focused that will be on public display for the expand the boundaries of language clowns and exotic animals! artists Werner Feiersinger, Aglaia shots to create a new constellation attention on individual freedom and YHU\¿UVWWLPH7KHVKRZFDVHZLOO and describe human consciousness. Contemporary artists introduce us Konrad and Willem Oorebee. Taking from which to see the artist’s work. helped create greater tolerance, also include three works by Candida Assembling Burroughs’s legendary to the world of the circus and focus Stidworthy’s artistic practice as a As Ed Krcma writes in his essay, one both in the sexual and interpersonal Höfer that depict the couple’s shotgun paintings and cut-ups in on a wonderful location of place of starting point, it traces paths between of the things Turnbull’s work reveals sphere. The effects of the cultural private rooms. Before the artworks such different media as text-image cognition of the world, of surprises the images and texts to address is that seeing is part of a dynamic shock triggered by the rebellion of were brought to their new home in collages, photo montages, and and sensations, a place of poetry, related questions. Central to these relationship, involving immediate Actionism, which was also against Museum Ludwig, the Peter and Irene tape experiments, the publication but also of excitement and anxiety. LVDUHÀHFWLRQRQWKHYRLFHDQGWKH reactions and sustained thought. baroque Catholicism and the Ludwig Foundation commissioned highlights the crossover character The circus, as a parallel world, has social and cultural borders which For those familiar with Turnbull this sacrosanct family, can still be felt artist and photographer Candida RIKLVRHXYUHZKLFKKDVLQÀXHQFHG found a role as a projection surface, manifest in it. How are we located catalogue captures her creative work today. Next to the internationally well Höfer to document the interior of their wide areas of pop culture, music, above all in the different genres of in the voice and language, and at an exciting point in its evolution, known Actionists Hermann Nitsch, home in its original state. and techniques of digital sampling. art. Published on the occasion of the how does this shape our relation to ZKLOHJHQHUDOO\LWHPERGLHVWKHÀDVK Otto Muehl, Günter Bus and Rudolf Included are the interviews: Colin exhibition The Circus as a Parallel 9HUODJIUPRGHUQH.XQVW1UQEHUJ of recognition that accompanies Schwarzkogler, today, the women, ourselves, our bodies and the spaces Fallows with Barry Miles, Allen ISBN 9783869843476 with their efforts to change things in Universe at Kunsthalle Wien, 4 May we inhabit? Stidworthy’s voice runs the beautifully resolved images and Ginsberg and Gregory Corso with softback 96 pages the revolutionary 1960s, remain to a – 2 September 2012. through the book in the form of ideas. Published on the occasion William S. Burroughs, Lee Ranaldo illustrated in colour of the exhibition Alison Turnbull at large extent unknown. They became 225 x 170 mm video stills, photographs, transcripts with William S. Burroughs. 9HUODJIUPRGHUQH.XQVW1UQEHUJ involved in Actionism through their (QJOLVKDQG*HUPDQWH[W and research materials which are Talbot Rice Gallery, University of ISBN 9783869843179 FRQ¿JXUHGZLWKWKHFRQWULEXWLRQV Edinburgh, 10 March – 5 May 2012. artist partners, whom they supported 9HUODJIUPRGHUQH.XQVW1UQEHUJ softback 320 pages into new images and relationships. with physical actions. Viennese ISBN 9783869843155 127 colour, 25 b&w illustrations Published by Matt’s Gallery, London 0DWW¶V*DOOHU\7DOERW5LFH*DOOHU\ collector and gallery owner Julius hardback 176 pages 250 x 200 mm and the Jan van Eyck Academie, ISBN 9781873108574 Hummel has compiled visual material illustrated in colour and b&w softback 64 pages that quite emphatically presents the 245 x 195 mm The Netherlands. 65 colour illustrations involvement of the feminine and (QJOLVKDQG*HUPDQWH[W 170 x 270 mm 0DWW¶V*DOOHU\-DQYDQ(\FN$FDGHPLH androgynous, which consciously or ISBN 9780907623779 subconsciously is contained in the softback 256 pages work of the Activists. illustrated in colour and b&w 240 x 170 mm 9HUODJIUPRGHUQH.XQVW1UQEHUJ ISBN 9783869843704 softback 338 pages 250 colour illustrations 220 x 165 mm 42 43 AUTUMN 2012 Hong Kong Artists MADE 4 YOU Made in Germany Zwei Manifesto Collage Der Nackte Mann / Arnulf Rainer 20 Portraits Design for Change International Art in Germany 'H¿QLQJ&ROODJHLQWKH The Naked Man Rainer Kosmos Twenty-First Century artists: Adrian Wong, Chihoi, Chow Chun Fai, texts by Friedrich von Borries, Hartmut artists include: Alexander Wolff, Alexandra artists: Andy Warhol, David Hockney, Edvard texts by Helmut Friedel, Arnulf Rainer Eastman Cheng, Eric Sui, Florian Ma Ho Yin, Esslinger, Thomas Geisler, Barry M. Katz, Bircken, Cyprien Gaillard, Helen Verhoeven, artists: Birgit Brenner, Ceal Floyer, Dash Munch, Egon Schiele, Eric Fischl, Gelatin, Ho Sin Tung, Kwan Sheung Chi, Lam Tung- Sonia Laszlo, Jeremy Myerson, Hans Prihoda, Jorinde Voigt, Julia Schmidt, Kathrin Sonntag, Snow, Douglas Kolk, Ellen Gallagher, Gilbert & George, Keith Haring, Maria Lassnig, Selected works from four decades pang, Lee Kit, Leung Ka-yin Joey, Magdalen Katarina V. Posch, Katja Schechtner, Caroline Keller/Kosmas (Aids-3D), Keren Cytter, Epaminonda, Frank Stella, Gert and Uwe Matthew Barney, Oskar Kokoschka, Robert Wong, Morgan Wong, Nadim Abbas, Pak Seifert, Christoph Thun-Hohenstein Kitty Kraus, Klara Lidén, Matti Braun, Max present Arnulf Rainer’s cosmos in Tobias, Gregor Hildebrandt, Hannah Hoch, Jon Mapplethorpe, Ron Mueck Sheung Chuen, Phoebe Hui, Samson Young, Frisinger, Michael Pfrommer, Michael Riedel, Kessler, Jörg Herold, Kurt Schwitters, Martha a far more complex, colourful and Tang Kwok-hin, Tsang Kin-Wah, Wong Wai Yin Natalie Czech, Nina Canell, Nina Rhode, Olaf texts by Sabine Fellner, Elisabeth Nowak- ‘The goal of MADE 4 YOU is to Rosler, Meg Cranston, Oliver Laric, Raoul abundant way than the restriction Holzapfel, Omer Fast, Rosa Barba, Sâdane Thaller, Stella Rollig, Barnabás Bencsik, Peter texts by Connie Lam, Anthony Yung, Pauline Hausmann, Raphael Danke, Tal R, Thomas demonstrate and communicate $¿I6LPRQ)XMLZDUD6XVDQQH0:LQWHUOLQJ Weiermair, Paula Diehl, Christina von Braun, to the position of the ‘overpainter’ J. Yao, Philip Tinari, Kito Nedo Hirschhorn, Tobias Rehberger design as a strategic and holistic way Suse Weber, Sven Johne, Ulf Aminde, Ulla von Hedvig Turai, Katalin Simon suggests. Among other things, the edited by Christoph Noe, Cordelia Noe Brandenburg texts by Cornelius Borck, Ralf Burmeister, RI¿QGLQJDQGFUHDWLQJVXVWDLQDEOH Thomas Koehler, Annelie Lütgens, Henning exhibition includes Arnulf Rainer‘s texts by Susanne Figner, Martin Germann, The Naked Man features numerous and successful solutions and Ritter, Martha Rosler, Christiane zu Salm, early Abstractions from the 1960s, Hong Kong ArtistsLVWKH¿UVW Antonia Lotz, Kathrin Meyer, Carina Plath, examples of works featuring the experiences, and to convey at the Peter Stohler, Heidy Zimmermann which allow for an analysis of picture international publication dedicated Gabriele Sand, Kristin Schrader, Ute Stuffer, male nude, spanning the period same time that design as a cross- René Zechlin edited by Christiane zu Salm format and colour application. Large- to the emerging generation of artists from Classical Modernism to the disciplinary profession requires format ‘overpaintings’ from the late born between the late 1970s and the present day. The overview of the a new level of public and private Made in Germany Zwei: In contemporary art, the collage 1950s to the early 1970s show the mid 1980s, and introduces 20 artists tradition of the artistic subject in commitment, from education to Internationale Kunst In Deutschland technique has been experiencing brushwork alternating between working in a variety of media from the twentieth century shows the politics and the economy. We also is a collaborative project in 2012 DUHQDLVVDQFHZLWKDUWLVWV¿QGLQJ contemplation and expression, and pencil drawing to public performance, impressive spectrum of artistic ZDQWWRHQFRXUDJHSHRSOH±¿UVW between three major art institutions in new ways to use collage; they might exemplify the processual painterly from painting to computer-animated work devoted to the naked man. and foremost creative talents – to the city of Hanover: the Kunstverein, adopt the classical approach – development. The selection ranges video work. Featured artists include Initially only relevant as a subject in become a part of this already global the Sprengel Museum, and the glueing, overpainting and alienating from the subsequent expressively Nadim Abbas, Ho Sin Tung, Lam a mythological context, artists start movement: Design for Change’ kestnergesellschaft. This exhibition existing images – but they also draw SRZHUIXO¿QJHUSDLQWLQJVWRWKH Tung-pang, Tsang Kin-Wah, Wong experimenting openly with the male (Hartmut Esslinger, founder of frog format is conceived as a kind of on new, computer-aided media. This earthy Geologica paintings, and the Wai Yin and Adrian Wong. A series self-nude around 1900: the unclothed design). This catalogue interrogates ‘antipode’ to the documenta and publication and the accompanying delicately coloured ‘veil paintings’ of introductory essays on identity, male body goes through identity new tendencies and strategic showcases 44 positions. The diverse symposium and exhibition at the from the 1990s. In addition, rare culture, urbanism, economy and crises and phases of sovereignty approaches that work for positive and impressive works are presented Belinische Galerie (23 May – 17 videos from Rainer’s performative artistic traditions provides the context as well as attempts to deconstruct change in the face of the big by way of numerous depictions and September 2012) drew on the work of the 1970s can be seen for the work and ideas of this group traditional depictions of masculinity. challenges confronting us. Numerous concise descriptions. gallery’s inventory and Christiane again. Published to accompany the of artists. Published to accompany the cutting-edge product design teams zu Salm’s About Change, Collection exhibition at Arnulf Rainer Museum exhibition at Lentos Kunstmuseum are featured including Apple, BMW 9HUODJIUPRGHUQH.XQVW1UQEHUJ which concentrates on artists – Baden, May – October 2012. 9HUODJIUPRGHUQH.XQVW1UQEHUJ ISBN 9783869843346 Linz and Ludwig Muzeum, Budapest ISBN 9783869843223 Group DesignworksUSA, Ford, and their work – who consistently softback 272 pages or selectively employ the collage in 2012–13. softback 224 pages Philips Design, Porsche Design, and 378 colour, 15 b&w illustrations 9HUODJIUPRGHUQH.XQVW1UQEHUJ illustrated in colour Sennheiser Siemens. 270 x 210 mm principle. ISBN 9783869843360 9HUODJIUPRGHUQH.XQVW1UQEHUJ 265 x 215 mm (QJOLVKDQG*HUPDQWH[W hardback 160 pages ISBN 9783869843575 illustrated in colour and b&w 9HUODJIUPRGHUQH.XQVW1UQEHUJ 9HUODJIUPRGHUQH.XQVW1UQEHUJ hardback 320 pages 295 x 245 mm ISBN 9783869843469 ISBN 9783869843407 illustrated in colour (QJOLVKDQG*HUPDQWH[W softback 240 pages hardback 232 pages illustrated in colour and b&w 270 x 210 mm illustrated in colour and b&w (QJOLVKDQG*HUPDQWH[W 300 x 215 mm 275 x 235 mm (QJOLVKDQG*HUPDQWH[W (QJOLVKDQG*HUPDQWH[W 44 45 AUTUMN 2012 Jannis Kounellis Navid Nuur The New Art Gallery New Contemporaries Parasol unit PHANTOM FUEL distributed by Cornerhouse world-wide text and edited by Ziba Ardalan Picture This Walsall (1988) Ltd distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide text and edited by Ziba Ardalan This publication accompanies Parasol unit’s solo exhibition of Arte To accompany his solo exhibition Eric Bainbridge Bloomberg New Bharti Kher Povera protagonist Jannis Kounellis at Parasol unit, London, in March The Sensible Stage (28 November 2012 – 24 February Collages Contemporaries 2012 texts by Ziba Ardalan, Gayatri Sinha, 2013, Navid Nuur will produce an Staging and the Moving Image Tom Morton, Aveek Sen 2013), one of the world’s leading artist’s book offering readers a very WH[WVE\6WHSKHQ6QRGG\-RQDWKDQ*ULI¿Q artists: Anita Delaney, Bryan Dooley, Emanuel artists: Anja Kirschner & David Panos, edited by Ziba Ardalan contemporary artists with a career Röhss, Evariste Maiga, Freya Douglas-Morris, private view into the intricacies of his Annabel Frearson, Annabel Nicolson, Cara Made during time spent in the George Eksts, George Little, Jack Brindley, spanning more than 40 years. Born artistic practice. Iranian born artist Tolmie, Carolee Schneemann, Charlotte Moth, Jackson Sprague, Jamie Buckley, Jan May, Born in the UK, Bharti Kher relocated in the Greek port of Piraeus in 1936, Clare Gasson, Gail Pickering, Jimmy Robert, North East of England, Bainbridge’s Navid Nuur’s process-based works Marc Camille Chaimowicz, Marcelline Delbecq, Jennifer Bailey, Jennifer Phelan, Lauren to India, the country of her parents Kounellis has lived in Rome since collages have a North Eastern Godfrey, Max Ruf, Natalie Finnemore, Nicola question the connections between Marguerite Duras, Public Movement, Tom precedent in Richard Hamilton Frimpong, Nicole Morris, Oliver Osborne, Piotr in 1993 where she continues to live 1956. His work has developed idea and form. Utilising a range of Nicholson, Yael Davids who, 40 years earlier made his pop Krzymowski, Polly Read, Salome Ghazanfari, and work. Now one of India’s best- as a mixture of painting, collages media, including drawing, text and texts by Alain Badiou & Elie During, Bridget Samuel Taylor, Sarah Jones, Simon Senn, Suki known contemporary artists, Kher’s and the staging of installations, Crone, Vanessa Desclaux, Anne-Sophie collages in Newcastle, and 20 years Seokyeong Kang, Tara Langford, Tony Law, installation, Nuur’s practice examines Dinant, Beatrice Gibson, Pil and Galia before Hamilton – Kurt Schwitters Tyra Tingleff art juxtaposes opposites – modernity ‘environments’, performances and how the art object might extend Kollectiv, Isla Leaver-Yap, Lisa Panting, who ‘merzed’ his ephemera, the texts by Cullinan Richards, Nairy Baghramian, clashes with tradition, East contrasts theatrical shows, through which beyond the physical and temporal Dominic Andrew Paterson, Lucy Reynolds, Ian White result of which was a sequence of Rosalind Nashashibi with West, the personal and global Kounellis expresses the tensions and conventions of an exhibition, and edited by Bridget Crone proto-pop art pictures. Through ‘cut edited by Eileen Daly, Rebecca Heald are divergent. Incorporating bindi alienation of contemporary society, into the minds of viewers. Following painting, sculpture and installation, and with the multiplicity, obscurity in the great twentieth century and paste’, the old way of doing, The Sensible Stage is a collection This exhibition catalogue is published each with a strong sense of narrative, and fragmentation of its language. tradition of the artist’s book, the Bainbridge creates new relationships of newly commissioned discursive, alongside the annual show that Kher draws her heterogeneous Jannis Kounellis’ exhibition at Parasol publication will be based on Nuur’s between images that have been theoretical and creative texts that features the work of 29 artists. New practice into a unique and compelling unit will mark a key period in his sketchbooks, and documents his abstracted and detached from their explore the moving image in relation Contemporaries has a long and mythology. This comprehensive career, demonstrating the breadth of ZRUNLQJVRYHUD¿YH\HDUSHULRG original source and context of brand to performance, time and the event. illustrious history. Established in monograph explores Bharti Kher’s the artist’s practice to date. Selected Incorporating preparatory sketches, and commercial message. These It provides a series of individual 1949, this annual show has been multidisciplinary practice, and early bodies of work created in 1960s notes, drawings and exhibition plans, collages are glistening and playful, proposals and speculations on GHGLFDWHGWRSUR¿OLQJWKHZRUNRI features essays by Parasol unit and 1970s will be shown in dialogue alongside texts and colour images even risqué (can images be risqué the intersections of what might be young, new and emerging artists at 'LUHFWRU&XUDWRU=LED$UGDODQDUW with new works, produced by the of works in an energetic collage, the these days?!). A surface fetish is termed ‘live-ness’ in moving image the start of their professional careers. critic and curator Gayatri Sinha, artist for the exhibition as a response book will provide a fascinating insight present: skin glows, hair shines and and performance art practices today. The selectors this year were: Cullinan and Tom Morton, curator, writer to the older works on display. Essays into Nuur’s complex conceptual eyes glisten, colour is sumptuous. Unfolding around the concept of Richards, Nairy Baghramian, and and contributing editor for frieze, by Ziba Ardalan and invited writers practice. 7KHUHLVDSXVKSXOORIUHSXOVLRQDQG ‘staging’, this book discusses the use Rosalind Nashashibi. This publication alongside an interview with the artist will provide an insight into Kounellis’ attraction, Bainbridge has looked too of performance and theatre strategies accompanies the exhibition New by curator and writer Aveek Sen. artwork. 3DUDVROXQLW WEF carefully at the pages of fashion and in contemporary art as a means to lifestyle magazines. Published on Contemporaries at LJMU Copperas Published on the occasion of Bharti ISBN 9780956024787 hardback tbc 192 pages tbc question the boundaries of stage and the occasion of the exhibition, Eric Hill Building, Liverpool Biennial, 15 Kher’s solo exhibition at the Parasol 3DUDVROXQLW WEF September – 18 November 2012 and unit, London, 14 September – ISBN 9780956024770 illustrated in colour screen. Bainbridge: Supercollage at The New 250 x 190 mm ICA, London, 27 November 2012 – 11 November 2012. hardback pages tbc Art Gallery Walsall, 4 May – 0DUFK 3LFWXUH7KLV 13 January 2013. illustrated in colour 21 July 2012. dimensions tbc ISBN 9780955496127 3DUDVROXQLW Navid Nuur, Layout design for Publication. 1RYHPEHU &RXUWHV\ WKHDUWLVW3ODQ%&OXM%HUOLQDQG0DUWLQ softback 168 pages 1HZ&RQWHPSRUDULHV /WG ISBN 9780956024763 1HZ$UW*DOOHU\:DOVDOO Zomeren, Amsterdam 25 colour, 10 b&w illustrations ISBN 9780956613325 hardback 180 pages Untitled, 1977 Three parts: steel spiral around a ISBN 9781907363016 235 x 165 mm hardback 120 pages illustrated in colour pier with an electric train, window partially blocked hardback 160 pages with steel, and incision in the wall. Dimensions 80 colour illustrations 275 x 205 mm 134 colour illustrations variable. Kounellis Studio. 165 x 135 mm 285 x 210 mm Jennifer Phelan, Squirrel, 2011 46 47 AUTUMN 2012 Research Group for Fred Sandback Thomas Schütte Thomas Schütte Rakennustieto Publishing Drawings 1968–2000 Frauen One Man Houses distributed by Cornerhouse in the UK Richter & Fey Verlag Artists Publications distributed by Cornerhouse in the UK and Eastern Europe distributed by Cornerhouse world-wide text by Gianfranco Verna texts by Andrea Bellini, Dieter Schwarz texts by Andrea Bellini, Dieter Schwarz Fred Sandback’s minimal drawings Thomas Schütte is one of the most 7KRPDV6FKWWH¶V¿UVWVFDOHPRGHOV Encounters Volume 2 Drawing – in and Erich Reusch are concerned with the ambivalence singular of present-day artists, who in the 1980s presented rooms to live Architectural Essays outside – Writing It is the Space of the line; a line can portray ventures to deploy techniques, and work. While the atelier houses something or it can merely be the genres and themes long thought UHÀHFWWKHDUWLVW¶VRZQDFWLYLW\WKH text by Juhani Pallasmaa artists: Ans Nys, Kelly Chorpening, text by Karen van den Berg edited by Peter MacKeith Peter Morrens, Rebecca Fortnum line itself, representing or presenting, passé, such as the sculpturally symbolic forms for bunkers, which The architect and sculptor Erich generating illusions or doing away IRUPHGIHPDOH¿JXUHLQSHUPDQHQW reveal Schütte’s sceptical view of The essays comprising this new In the Greek word graphein, drawing Reusch is among the artists who, with them. Sandback developed a materials like bronze, aluminium and things and his black humour, offer volume by Finnish architect, educator and writing share an etymological after World War II, fundamentally way of working which dispensed steel. Preceded by small ceramic security and a place of retreat. and critic Juhani Pallasmaa are root. This closeness can be seen contributed to a new understanding with the mass and weight of ¿JXUHVWKHIHPDOHVFXOSWXUHVFDPH Twenty years later, Schütte once drawn from an intensive decade of in medieval manuscripts or, more of sculpture. In the 1950s he worked materials, ultimately using acrylic about at the end of the 1990s and again took up imaginary model teaching, lecturing and writing in the prosaically, in the early scrawls as a freelance architect, but from yarn, sometimes multi-coloured, show the gamut of his experimental architecture with light pavilions new millennium. New intellectual of children where there is little 1964 he devoted himself increasingly that stretched across architectural SUD[LV7KH¿UVWUHFOLQLQJIHPDOH made out of wood and leftovers from territories are explored, focusing distinction between drawing and to sculpture. Reusch became space. He made sculptures whose nudes can still be assigned to the his atelier, commercial buildings on concepts of ‘vagueness’ and writing. From a phenomenological known at the end of the 1960s for factual existence plays against the HQWRXUDJHRIFODVVLFLVW¿JXUHVIURP like petrol stations or car parks, ‘atmosphere’. Importantly, a series of perspective writing and drawing his Elektrostatischen Objekte, i.e., perceptual illusions they create, the early twentieth century and recall as well as concert halls and event artistic and architectural ‘portraits’ are are also closely related. Although Plexiglas cases to which, according addressing physical surroundings Maillol’s weighty nudes. In contrast, ORFDWLRQV:KLOHWKH¿UVWPRGHOV nested inside the thematic structure they are considered discrete to the climate and outside friction, as well as the audience in what he the following monumental Frauen UHPDLQURRWHGLQD¿FWLRQDOZRUOG and amongst the more abstract disciplines, with different modes of gas soot pigments arbitrarily stuck, called the ‘pedestrian space’. This with sawn-off limbs, distortions, the models of the One Man Houses FRQWHPSODWLRQV7KHVHVSHFL¿F comprehension and interpretation, for leaving painterly traces behind. As title accompanies the exhibition Fred ERGLHVVWHDPUROOHGÀDWLQWDQWDOLVLQJ from 2003 on were converted into critical commentaries and personal the maker there can be a similarity of with his environments, as well as Sandback: Drawings 1968–2000 at poses – ruthlessly exposed on steel reality. In 2007 he built a house appreciations have a prominent place process. Writing retains the potential his sound and air works, the issue Annemarie Verna Gallery, Zürich, work tables – resist any attempt to for two French collectors, and in in the author’s repertoire. Portraits are to slide into drawing, drawn lines can for him is a decisive expansion of Switzerland, 2005. categorise their style into the canon 2009 – following the Ferienhaus für drawn of prominent Finnish artists such easily become letters. Drawing – in our experience of the space around RIRI¿FLDODUWKLVWRU\7KHVHVWLOOKDYH Terroristen – a pavilion-like house as Kain Tapper, Juhana Blomstedt, and outside – Writing investigates us. While the laser and ultrasonic 5LFKWHU )H\9HUODJ WKHLUMXVWL¿FDWLRQ6FKWWHVD\V‘now with glass walls as a possible ISBN 9783937572338 Maaria Wirkkala, Jorma Hautala, and the slippage between these two acts. tracks, 1969, let space become that there’s no longer the stress of design for new architecture as well Raimo Utriainen and notable Finnish softback 32 pages Individually and together, over a year, sensually perceptible as a force having to start a revolution at every as an oppositional praxis in our architects such as Alvar Aalto, Reima 26 colour illustrations four visual artists, Peter Morrens, ¿HOGSHUYDGHGE\RSWLFDOPDJQHWLF 260 x 210 mm and any occasion’. society. This publication provides Pietilä, and the partnership of Mikko Kelly Chorpening, Ans Nys and and acoustic waves, the most (QJOLVKDQG*HUPDQWH[W a comprehensive survey of the Heikkinen and Markku Komonen. Rebecca Fortnum have developed recent wall applications – colourful 5LFKWHU )H\9HUODJ DUFKLWHFWXUDOPRGHOVIURPWKH¿UVW These are all leavened by further ISBN 9783941263420 an interactive project to explore the painting fragments – charge the room years to today’s design projects. commentaries on Steven Holl, Fred hardback 160 pages visual relationship between writing considerably with weight and tension. 195 colour illustrations Sandback, and Rachel Whiteread – 5LFKWHU )H\9HUODJ and drawing, and this book is the 300 x 200 mm and the great Finnish designer Tapio ISBN 9783941263482 result of their speculations. Published 5LFKWHU )H\9HUODJ English and French text Wirkkala as well as the award-winning hardback 160 pages by RGAP in collaboration with Sint- ISBN 9783941263444 )LQQLVK¿OPGLUHFWRU$NL.DXULVPlNL hardback 84 pages 150 colour illustrations Lucas Visual Arts Ghent. 39 colour, 21 duotone illustrations 300 x 200 mm 5DNHQQXVWLHWR3XEOLVKLQJ 248 x 305 mm English and French text ISBN 9789522670205 5HVHDUFK*URXSIRU$UWLVWV3XEOLFDWLRQV (QJOLVKDQG*HUPDQWH[W softback 336 pages ISBN 9780956902436 500 colour illustrations softback 168 pages 250 x 190 mm illustrated in colour 240 x 170 mm 48 49 AUTUMN 2012 Qiu Shihua Rose Finn-Kelcey Anya Gallaccio Evan Holloway Fiona Rae Ridinghouse Maybe you can live on the text by Silke von Berswordt-Wallrabe distributed by Cornerhouse in the UK texts by Guy Brett, Sarah Kent, texts by Jan van Adrichem, Norman Bryson, texts by Ralph Rugoff, Liz Kotz and Europe Michael Stanley Briony Fer, Lucía Sanromán moon in the next century edited by Britta E. Buhlmann, Udo Kittelmann Los Angeles based artist Evan texts by Sarah Brown, Gilda Williams The Chinese painter Qiu Shihua Conceptual artist Rose Finn- British installation artist Anya Holloway makes idiosyncratic Kelcey’s work is characterised by Gallaccio works largely with natural in his light, cloudy-white painted Mel Bochner sculptures that turn matters of A leading painter of her generation, unpredictability and a diversity of PDWHULDOV±RIWHQÀRZHUVWUHHV landscapes, invokes apparently texts by Achim Borchardt-Hume, João aesthetic taste and any appreciation Fiona Rae’s distinctive, energetic, approach and medium. The artist and sugar – to create installations untouched nature in which only Fernandes, Ulrich Wilmes, Briony Fer of slick fabrication on their head. humorous and complex works ¿UVWFDPHWRSURPLQHQFHLQWKH ZKLFKDUHRIWHQVLWHVSHFL¿FDQG indications of paths, rivers or trees Subtle comments on modern challenge and expand the modern HDUO\ VZLWKKHUVHULHVRIÀDJV due to the organic materials used, and structures of space such as the 2QHRIWKHIRXQGLQJ¿JXUHVRI sculpture’s weighty legacy are conventions of painting. Participation which made reference to the wind centred on the idea of change and silhouettes of a chain of hills become Conceptual art, and one of its most interwoven repeatedly with colours in Damien Hirst’s 1988 Freeze, and weather at the site on which transformation. This monograph painstakingly visible. Elements astute critics, Mel Bochner combines DQG¿JXUHVRIWHQDSSHDUWREH the Venice Biennale 1990 and the WKH\ZHUHDI¿[HG,QWKHPLG V comprehensively catalogues the of traditional Eastern landscape colour and language in his work. This physically trapped within the works Turner Prize in 1991 brought her to mid-1980s, Finn-Kelcey turned to artist’s work over her career to date, painting, such as the strong reduction title is published on the occasion WKHPVHOYHV+LV¿UVWPRQRJUDSK early renown. Solo exhibitions have performance and from the late 1980s featuring over 200 full colour images. in colour and in precise details, are RIKLV¿UVWPDMRU(XURSHDQVXUYH\ showcases his extensive use of been held at Kunsthalle Basel; ICA, she began making installation-based New texts by Lucía Sanromán, who combined with the early abstraction which focuses on the artist’s new materials combined to produce a London and Carré d’Art – Musée work such as Bureau de Change investigates the role of the landscape of western modernist movements. work in relationship to that from the complex amalgamation of systems, d’art contemporain de Nîmes. This (1987), a response to the sale of Van in Gallaccio’s work; Norman Bryson Landscape no longer serves to 1960s and 1970s.This monograph colour spectrum charts and 3D publication examines Rae’s paintings Gogh’s 6XQÀRZHUV Her recent work who analyses the notion of ‘psychic represent real situations or the focuses on the role of colour, the diagrams of social structures with a from the last decade when she began includes public commissions such as fantasy’ in the installation blessed; rational exploration of an illusionist purity of thought and visual pleasure nod to a primitive pleasure in people to explore, in painterly analogues, Angel (2004), an oversized emoticon Briony Fer who discusses the artist’s picture plane, but becomes an in Bochner’s most recent work, creating and engaging with man- many of the new visual conventions message out of shimmer discs. In use of natural light and earth; and occasion for a painterly treatment. such as his series of paintings made objects. With over 100 images familiar to a post-Photoshop )LQQ.HOFH\¶V¿UVWFRPSUHKHQVLYH Jan van Adrichem who looks at 7KHXQGH¿QHGRSHQQHVVRIWKHPRWLI in which he used a thesaurus to and essays by Ralph Rugoff, Liz generation, mixing graphic and monograph, Guy Brett presents an Gallaccio’s move into bronze casts and of spaciousness, the interplay generate humorous word chains. Kotz and an interview with the artist cartoon imagery with abstract marks overview of her work alongside over as well as a conversation between between full and empty, brings any Achim Borchardt-Hume discusses and Bruce Hainley, this publication and spontaneous gestures to create 70 colour images, while Sarah Kent Clarrie Wallis and Gallaccio, orientation towards recognisability the role of colour in Bochner’s offers an in-depth overview of this an iconoclastic synthesis of painterly and Michael Stanley each take an in accompany the work. to naught. The experience of latest work, Ulrich Wilmes looks fascinating artist’s work. languages. Published to accompany GHSWKORRNDWDVSHFL¿FLQVWDOODWLRQV placelessness unsettles one’s own at new paintings in relation to past the exhibition at Leeds Art Gallery, Ridinghouse £28.00 perceptibility, while simultaneously work, João Fernandes explores Ridinghouse £24.95 11 May – 26 August 2012. language and Briony Fer considers Ridinghouse £19.95 ISBN 9781905464609 ISBN 9781905464616 the sense of sinking into an hardback 256 pages notions of corruption in Bochner’s ISBN 9781905464685 softback 192 pages imaginary landscape becomes softback 180 pages tbc 200 colour illustrations 140 colour illustrations 5LGLQJKRXVH/HHGV$UW*DOOHU\ work. Published by Ridinghouse in possible. 70 colour illustrations tbc 294 x 245 mm 286 x 245 mm ISBN 9781905464579 association with Whitechapel Gallery, 257 x 210 mm softback 64 pages 5LFKWHU )H\9HUODJ London, Haus der Kunst, Munich, 47 colour illustrations ISBN 9783941263406 and Museu de Arte Contemporânea 290 x 245 mm hardback 180 pages de Serralves, Porto, on the occasion 76 colour illustrations of the exhibition Mel Bochner at 273 x 298 mm (QJOLVKDQG*HUPDQWH[W Whitechapel Gallery, London, 12 October – 30 December 2012. Ridinghouse £24.95 ISBN 9781905464661 softback 224 pages 170 colour illustrations 286 x 245 mm 2FWREHU 50 51 AUTUMN 2012 INDEX TO NEW AND FORTHCOMING TITLES Allora & Calzadilla: Vieques Videos 2003–2010 40 Herzog & de Meuron + Ai Weiwei: Parachute: The Anthology (Vol.1) 19 Serpentine Gallery Pavilion 2012 33 Amor Psyche Aktion – Wien: The Feminine in John Pawson: Katalog 35 Viennese Actionism 42 Charline von Heyl: Now or Else 24 Simon Periton: Bombyx Mori 6 Jennifer Anyan: Embodied Memories 11 Thomas Hirschhorn: Video Anthology 1993–2010 15 Slavica Perkovic: Vertigo 36 Araam: Breathing Space 52 Candida Höfer: Haus Ludwig 43 Raymond Pettibon: Whuytuyp 19 Hans Arp: Ovi Bimba 12 Evan Holloway 51 Clive Phillpot: Booktrek Edward Arroyo 23 Karl Holmqvist: ‘K 15 Selected Essays on Artists’ Books Since 1972 19 Art and the City: A Public Art Project 13 Nancy Holt: Photoworks 7 Francis Picabia 36 The Art of William S. Burroughs: Cut-ups Hong Kong Artists: 20 Portraits 44 Pop Art: Europa / USA – From the Grosshaus Collection 36 Cut-ins, Cut-outs 43 Laura Horelli 33 William Pope.L: Black People are Cropped / Eric Bainbridge: Collages 46 Skin Set Drawings 1997–2011 20 Erica Van Horn: échafaudage 3 Yael Bartana: And Europe Will Be Stunned Private Function: Art Photography in the GDR 1949–1989 27 Roni Horn: Selected Drawings 1984–2012 16 The Polish Trilogy 1 Fiona Rae: Maybe you can live on the moon How to Use Fool’s Gold: Sarah Browne 10 Bridget Riley Morton Bartlett: Secret Universe 3 28 in the next century 51 Humancraft: Contaminating Science With Art Caroline Bergvall: Ghost Pieces Arnulf Rainer: Rainer Kosmos 45 Works 1960–1966 Shisha Stour Valley Arts Gina Czarnecki 2 Four language-based installations 12 distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Rashid Rana: Everything is Happening at Once 41 A Hundred Seas Rising: Suki Chan 2 Bridget Riley: Works 1960–1966 Bloomberg New Contemporaries 2012 46 Erich Reusch: It is the Space 48 Wilma Hurskainen: Heiress 25 features over 40 works from the Mel Bochner 50 Kelly Richardson: Legion 1 Image Counter Image 33 beginning of the artist’s impressive Araam Science, Nature and Iñaki Bonillas: J. R. Plaza Archive 13 Gerhard Richter: Beirut 37 Institution for the Future 3 career. These iconic black and Breathing Space Boyd & Evans: Views 10 Gerhard Richter: Drawings and Watercolours Identity In View: Photography from the Wemhöner Collection 25 white works – paintings, gouaches Yvette Brackmann: Systems and Scenarios 13 1957–2008 37 artists: Halima Cassell, Zarah Hussain Understanding the Value of Pierre Joseph 16 and prints – challenge the viewer’s Daniel Buren: Excentrique(s), Momumenta 2012 Bridget Riley: Works 1960–1966 52 edited by Fareda Khan, Pippa Kenyon-Leigh Experiential Learning in a sensations and form the foundation Esquisses Graphiques 29 Ilya Kabakov: Collage of Spaces 25 Pamela Rosenkranz: No Core 20 of Riley’s continued explorations of Land Art Context Araam: Breathing Space was William S. Burroughs: CUT 29 Stanya Kahn: It’s Cool, I’m Good 4 Ed Ruscha: Reading Ed Ruscha 37 shape, movement and perception a unique curatorial programme text by Lucy Medhurst The Circus as a Parallel Universe 43 William Kentridge: Prints 8 Fred Sandback: Drawings 1968–2000 49 over the following four decades and initiated by Shisha in partnership Jan De Cock: A Romantic Exhibition 30 Károly Keserü: Papertiger 2009–2012 7 Cornelia Schleime: The colour, the body, the face, the eyes 28 continued today. Over 30 full-colour This title aims to distil the research with Mid Pennine Arts. Building on Come On In My Kitchen: The Robert Johnson Book 14 Bharti Kher 46 illustrations are presented alongside TXHVWLRQDQG¿QGLQJVIURPDQ Thomas Schütte: Frauen 49 cultural links between the North Shezad Dawood: Piercing Brightness 29 Ragnar Kjartansson: Works Related to Music 2012–2001 16 a selection of essays, including an eponymous paper submitted as Thomas Schütte: One Man Houses 49 West of England and Pakistan, the interview with David Sylvester from an MA dissertation. The research Richard Deacon: Association 40 Jannis Kounellis 47 Thomas Schütte: Public/Political 38 project platformed the work of two 1967 that discusses the distinctive, sought to identify what educational Thomas Demand: Executive 30 =R¿D.XOLN3U]HP\VODZ.ZLHN .ZLH.XOLN Science, Nature and Identity: Understanding the Value of exciting, contemporary artists Halima optically vibrant works that Riley was outcomes emerge through the use Dicky Star and the Garden Rule: Tony White 6 Light 8 Experiential Learning in a Land Art Context 52 Cassell and Zarah Hussain through making during this important period, of experiential learning in a Land Do or DIY 11 Sarah Lucas: Ordinary Things 9 The Sensible Stage: Staging and the Moving Image 47 residencies in Pakistan and the UK, and a conversation with Maurice Art context. The primary research Drawing – in and outside – Writing 48 Ant Macari 1 Sgrafo vs Fat Lava 20 and a unique touring exhibition. de Sausmarez. This publication material was drawn from two years Beatrice Dreux: palestine, mothers and skies 23 MADE 4 YOU: Design for Change 44 Esther Shalev-Gerz 21 Araam was conceived to enable accompanies the two-part exhibition of a Stour Valley Arts project called Qiu Shihua 50 ‘breathing space’ for both artists to Jimmie Durham: A Matter of Life and Death and Singing 14 Made In Germany Zwei: International Art in Germany 44 of the same name at Karsten Down Time, funded through a Jamie Shovlin: Various Arrangements 8 research, develop new ideas and Christian Eisenberger: Reserve – help me kill me 23 David Maljkovic: Sources in the Air 17 Schubert, London, and Hazlitt national initiative Chances 4 Change experiment with creative disciplines. Encounters Volume 2: Architectural Essays 48 0DQLIHVWR&ROODJH 'H¿QLQJ&ROODJHLQWKH7ZHQW\)LUVW&HQWXU\ The Song of Machines: Yu-Chen Wang 3 Holland-Hibbert, London, 24 May – broadly focused on wellbeing. The Whilst Cassell and Hussain use Explosion! Painting as Action 30 Fabian Marcaccio: Some USA Stories 26 Daniel Spoerri: in the Natural History Museum – 13 July 2012. four participant groups came from an Incompetent Dialogue? 28 very different artistic media, both are Hans-Peter Feldmann: Catalogue 31 -DVRQ0DUWLQ ,Q¿QLWLYH a wide range of settings, allowing Nick Stewart – WHICH IS THE: 49 Views 12 inspired by their ancestral heritage, the research to look for common Rose Finn-Kelcey 50 Anthony McCall: Five Minutes of Pure Sculpture 34 5LGLQJKRXVH.DUVWHQ6FKXEHUW+D]OLWW+ROODQG Imogen Stidworthy: (.) 42 +LEEHUW DQG,VODPLFLQÀXHQFHVIURPSDWWHUQ WKHPHVWKDWPLJKWGH¿QHWKHYDOXH The First Cut 41 Paul McCarthy & Damon McCarthy: Caribbean Pirates 13 Video Projections 34 Stroll 21 ISBN 9781905464586 and architecture resonate throughout of this approach and its possibilities Urs Fischer: Madame Fisscher 31 softback 128 pages their work. This richly illustrated Dieter Meier: Works 1968–2012 and the Yello Years 34 Sturtevant: Image over Image 21 for learning. Theory (including Nina Fischer / Maroan el Sani: Spelling Dystopia 14 illustrated in colour and b&w publication charts Araam from its neuroscience and environmental John Myers: Middle England 10 Larry Sultan and Mike Mandel 38 270 x 232 mm Morgan Fisher: Two Exhibitions 31 inception and development of project psychology) and practice were Der Nackte Mann / The Naked Man 45 Swandown 4 FLUXUS AT 50 24 partnerships with contemporary art Tal R: Man Over Board 38 examined including relevant examples Jens Nagels: Floating 26 Forget Fear: 7th Berlin Biennale for Contemporary Art 32 establishments in Pakistan, through Wolfgang Tillmans: FESPA Digital / Fruit Logistica 39 from Galleries, Creative Partnerships New Relations in Art & Society 17 The FutureEverything Manual (2011) 7 to the subsequent artist residency and Forest Schools. The context of Ante Timmermans 22 David Noonan 18 SURJUDPPHDQG¿QDOO\WKHUHVXOWLQJ Stour Valley Arts is a 1500 acre forest The Future Will Be... China: Thoughts on What’s to Come: Curated by Hans Ulrich Obrist 32 7RZQ*RZQ&RQÀLFW and much acclaimed exhibition and which sites commissioned works Nothing – and Everything: The De-Stijl Artist Friedrich Vordemberge-Gildewart 26 Alison Turnbull: Sea the Stars 42 tour. of contemporary art and includes a Cyprien Gaillard: The Recovery of Discovery 32 Navid Nuur: PHANTOM FUEL 47 Anya Gallaccio 51 The Universal Addressability of Dumb Things: strong environmental component. Mark Leckey Curates 9 Obsessions: R.B. Kitaj (1932–2007) 27 Shisha £10.00 Dan Graham: Not Yet Realised – Pavilion Drawings 40 Utopia Gesamtkunstwerk 39 Paulina Olowska 18 ISBN 9780956775511 6WRXU9DOOH\$UWV Great Lengths 2012: An Artist Residency on Venice Takeaway: Ideas to Change British Architecture 2 softback 88 pages ISBN 9780955871948 the Olympic Park 4 Roman Ondak. Observations 35 76 colour illustrations softback 108 pages Joana Hadjithomas & Khalil Joreige 15 Stuart Whipps: Why Contribute to the Spread of Ugliness? 11 210 x 210 mm Yoko Ono: TO THE LIGHT 35 21 colour illustrations Bedwyr Williams: My Bad 9 250 x 200 mm Anthea Hamilton: Sorry I’m Late 5 Luigi Ontani: CoacerVolubilEllittico 18 Wonder Chamber: Karen Ingham 5 Nigel Henderson & Eduardo Paolozzi: Hammer Prints Limited THE OPÉRA: Annual Magazine for Classic & 1954–74 6 Contemporary Nude Photography Volume I 27 YOU KILLED ME FIRST: The Cinema of Transgression 39 52 Anton Henning: Chapardages, style & volupté 24 Other Spaces: Jo Longhurst 5 Igor Zabel: Contemporary Art Theory 22 Cornerhouse Publications 70 Oxford Street Manchester M1 5NH England tel +44 (0)161 200 1503 fax +44 (0)161 200 1504 [email protected] ZZZFRUQHUKRXVHRUJERRNV Contemporary Visual Arts and Photography Distribution and Publishing