Title: Robert M. Doty Records

Date: July 19, 1977 to March 4, 1988

Creator(s): Doty, Robert M. 1933-1992

Extent: 1.5 linear feet

Repository: Currier Museum of Art Reference Library and Archives

Abstract

From 1977 to 1987, Robert M. Doty served as the Director of the Currier Museum of Art. During his directorship, Doty guided the museum through major exhibitions, art purchases, fundraising and building projects. The Robert M. Doty Records document Doty’s efforts towards expanding the museum’s photography, folk art and contemporary art collections. Comprised primarily of correspondences, Doty’s records also include notes and contracts from a Lotte Jacobi lecture series, agendas and offers of works for sale. Doty’s correspondents include directors, antique collectors, private collectors, scholars, curators and artists.

Historical Note

Robert M. Doty was born in Rochester, New York on December 23, 1933. He was educated at , where he received a B.A. in 1956 and at the University of Rochester, where he studied the history of photography and received a M.A. in 1961.

Doty held administrative and curatorial positions at several art institutions. He worked at the George Eastman House, where he organized exhibitions of the work of Lewis Hine (1957), the Photo-Secession (1960) and Bill Brandt (1962). Doty then went on to the Whitney Museum of American Art as an associate curator in 1966 and later became curator in 1970. At the Whitney, he organized several exhibitions, including Human Concern/Personal Torment: The Grotesque in American Art (1968) and Contemporary Black Artists in America (1971). He also organized a retrospective of the work of Lucas Samaras in 1972 and the Whitney's first historical survey of American photography in 1974.

Doty left the Whitney in 1974 to become the director of the Akron Art Institute (now the Akron Art Museum), a position he held for three years. He then went to the Currier Museum of Art to serve as the museum’s director from 1977 until his retirement in 1987.

Under Doty’s leadership, the Currier’s collection benefitted from private donations and major purchases, which were aided by grants and private gifts. Will Barnet’s Awakening, Alexander Calder’s Petit Disque Jaune, an eighteenth-century Portsmouth side chair by John Gaines III, and

Robert M. Doty Records 1 paintings by Tom Blackwell, Richard Estes, , and Neil Welliver were some of the many works and objects brought into the collection.

Under his directorship, the physical building of the museum also grew with the addition of two new pavilions designed by the architectural firm of Hardy Holzman Pfeiffer Associates. Major interior renovations throughout the original building were also executed.

Doty organized and curated a number of exhibitions at the Currier, including several retrospectives of important contemporary artists, including Will Barnet, Tom Blackwell, Jane Freilicher and Neil Welliver. In 1985, he coordinated, in cooperation with the Shaker Village, Inc., The Canterbury Shakers, an exhibition that showcased life in the Shaker community of Canterbury, , through photographs and examples of Shaker furniture. Doty also focused attention on regional artists with the 1988 juried show New England Now: Contemporary Art from Six States.

Doty was an admirer of photography, as well as an advocate of its importance as artistic medium. During his tenure at the Currier, he promoted the exhibition of photography, which helped establish the museum’s reputation as a resource for the study of this medium. Photography and historical surveys at the Currier included The Photo-Secession: The Golden Age of Pictorial Photography in America in 1983. Several photography exhibitions of the work of Lotte Jacobi were also presented, including a display of selected prints and photographs from her private collection in 1982, a one woman showing or her work in 1984, and an exhibition of her collection of theater and dance photographs in 1986. Gifts in 1982 and 1984 from Vincent Vallarino and his mother Edith also benefitted the museum’s photography holdings. Over a hundred photographs and portfolios from the Vallarino’s collection, representing the entire history of photography, were donated.

In 1987, Doty resigned as the director of the Currier. After his resignation, he continued to pursue an active career in the arts. He worked part time as the acting director of the New England College Gallery in Henniker, N.H, and he offered his services as a freelance guest curator. Doty also wrote several magazine articles, exhibition catalogue essays and books, including writings on the Photo-Secession and the artists Will Barnet and Jane Freilicher. He also contributed to the Currier’s first Handbook of the Collection in 1979.

Doty died in Manchester, New Hampshire on November 22, 1992.

For further historical and biographical information on Doty’s life and directorship see: Eaton, Aurore Dionne. The Currier Gallery of Art A History: 1929 – 1989. The Currier Museum of Art: Manchester, NH, 1990, pp. 57 - 65

Robert M. Doty Records 2

Information for Researchers

Access Restrictions:

This collection is open for research.

Use Restrictions:

The Robert M. Doty Records are the physical property of The Currier Museum of Art, Archives. The Museum holds literary rights only for material created by Museum personnel or given to the Museum with such rights specifically assigned. For all other material, literary rights, including copyright, belong to the authors or their legal heirs and assigns. Researchers are responsible for obtaining permission from right holders for publication and for other purposes where stated.

Preferred Citation:

Robert M. Doty Records, Currier Museum of Art, Archives

Administration Information

Processed By:

Rose Zevos King (04/25/2014)

Scope and Contents Note

Three boxes within the Currier Museum of Art, Archives contain the Robert M. Doty Records. The records date from July 19, 1977 to March 4, 1988. The documents within each box consist of letters mainly addressed by Robert M. Doty. The materials are arranged in reverse chronological order. Some records are original documents, while other documents are xeroxed copies. There are significant duplications of materials throughout the three boxes.

Important topics include:

Letter to Mrs. Edith Vallarino, dated April 22, 1986, mentions the Lotte Jacobi exhibition (1 April – 18 May, 1986). Doty asks for support. Letter located in Box: 3 Folder: February – April 1986

Letter to Mr. Rick Beard of the Hudson River Museum, dated April 4, 1986, discusses the Board of Trustees’s complaints about the amount of photography in the museum’s collection. Letter located in Box: 3 Folder: February – April 1986 --- Another letter, dated March 31, 1986, states a similar issue. Letter located in Box: 3 Folder: February – April 1986

Robert M. Doty Records 3

Letter to Samuel P. Hunt Foundation, dated April 4, 1986, thanks the Foundation’s for its contribution towards the installation of insulating windows. Letter located in Box: 3 Folder: February – April 1986

Letter to Mr. KS Zachos, dated March 28, 1986, sends thanks to Lucille Zimmerman for her check in support of the Currier’s sculpture collection. Letter located in Box: 3 Folder: February – April 1986

Letter to Mrs. John Hunter, dated March 26, 1986, mentions a gift of 51 works on paper from Lotte Jacobi. Letter located in Box: 3 Folder: February – April 1986

Letter to Elizabeth Johanson (c/o James Aponovich), dated March 10, 1986, discusses show and drawings. Letter located in Box: 3 Folder: February – April 1986

Letter to Mrs. John Hunter, dated February 25, 1986, discusses the expansion of the Currier’s contemporary collection. Doty offers thanks for several donations and gifts, including works by John Hatch, Robert E. Mueller, and Kurt Roesch. Letter located in Box: 3 Folder: February – April 1986

Letter to Peter B. Baruzzi, dated February 24, 1986, praises Malcolm Cochran as “the best young artist working in America”. Letter located in Box: 3 Folder: February – April 1986

Letter to Marius Peladeau, dated February 24, 1986, mentions small works by Neil Welliver. Letter located in Box: 3 Folder: February – April 1986

Letter to Henry Petzal, dated October 9, 1986, discusses aspects of Petzal’s monograph, including its size, quantity, introduction, pages, and binding. Letter located in Box: 3 Folder: September – October 1986

Letter to Grace Borgenicht Brandt, dated October 8, 1986, mentions the acceptance of a gift - Construction No. 195 by Jose de Rivera. Doty says this work “fills a major gap” in Currier’s contemporary art collection. Letter located in Box: 3 Folder: September – October 1986

Letter to Bonnie Clearwater of the Mark Rothko Foundation, dated October 6, 1986, asks for funding and support towards the Fannie Hillsmith retrospective. Letter contains biographical information about Hillsmith, including remarks about her contribution to American Art. A budget of the retrospective’s principle expenses attached. Letter located in Box: 3 Folder: September – October 1986

Letter to Frank Ribelin, dated October 6, 1986, mentions Will Barnet’s Awakening. Doty offers an analysis of the painting. He also discusses the painting’s significance as an American work of

Robert M. Doty Records 4 art and why it should be preserved in a public institution. Letter located in Box: 3 Folder: September – October 1986

Letter to Joyce B. Dole, dated September 23, 1986, mentions the Currier’s acceptance of two gifts - an untitled gouache by Joseph Kaplon and a watercolor, Tunisle Series, by Leo Manso. Letter located in Box: 3 Folder: September – October 1986

Letter to Patricia Hayes, dated May 21, 1986, states the insurance value of the permanent collection. Letter located in Box: 3 Folder: May – June 1986

Letter to John W. Kuykandall, dated May 21, 1986, provides Doty’s opinion of the new building additions and renovations at the Currier. Letter located in Box: 3 Folder: May – June 1986

Letter to John A. Thomas, dated May 21, 1986, mentions the approval of a number of gifts, including works on paper by Oskar Kokoschka (Hallas No. 11) and Jacques Ernotte’s illustrations for Wuthering Heights. Letter located in Box: 3 Folder: May – June 1986

Letter to Jacquelyn Bass, dated May 21, 1986, mentions artist Varujan Boghosian and the desire to produce an exhibition of his work. Letter located in Box: 3 Folder: May – June 1986

Letter to the Registrar of Probate, dated August 6, 1986, mentions the publication of the 38th account for the will of Hannah Currier and its verification. Letter located in Box: 3 Folder: July – August 1986

Letter to George Zink, dated August 1, 1986, contains biographical material on Lotte Jacobi. Letter located in Box: 3 Folder: July – August 1986

Letter to Robb Hankins, dated July 3, 1986, offers an overview of the museum’s mission as an art institution, as well as a reflection about the activities and accomplishments of the previous year. Doty writes, “… [there are] many indicators pointing to the fact that the Currier Gallery of Art is a growing, vibrant institution”. Letter includes information about acquisitions, major exhibitions, the museum’s support of artist James Aponovich, and the establishment of public programs catered towards ethnic groups. Letter mentions Paul Manship retrospective and Jane Freilicher: Paintings exhibition. Letter includes the 1985 visitor attendance count. Letter located in Box: 3 Folder: July – August 1986

Letter to Beverly Zagor, dated July 1, 1986, mentions Classic Landscape by John Moore. Doty discusses the prospect of displaying this work as a temporary loan and his hope of adding it to the Currier’s permanent collection. Letter located in Box: 3 Folder: July – August 1986

Letter to Bea Jordon, dated December 23, 1986, mentions the acceptance of a gift - Umbrian City by Nora Unwin. Letter located in Box: 3 Folder: November – December 1986

Robert M. Doty Records 5

Letter to Mr. and Mrs. Will Barnet, dated December 23, 1986, mentions Will Barnet’s Awakening and its acquisition. Doty writes, “…[it is] good to have a picture which demonstrates the new ideas that were being developed in the 1940s”. Doty discusses the Currier’s Modern Art collection and calls it “weak”. Letter located in Box: 3 Folder: November – December 1986

Letter to Mr. and Mrs. Tessin Zorach, dated December 23, 1986, mentions the acceptance of a gift - New England Family, a print by Marguerite Zorach. Doty discusses its place within the museum’s American Art collection. Letter located in Box: 3 Folder: November – December 1986

Letter to Lt. Colonel and Mrs. Daniel McNerney, dated December 23, 1986, mentions the acceptance of a number of gifts - two photographs by Paul Wolff. Doty discusses the Currier’s photography collection and writes, “It is relatively small, but thanks to donors, it has grown to the extent that it is a comprehensive survey of the medium”. Doty also discusses Paul Wolff’s impact on the history of photography. Letter located in Box: 3 Folder: November – December 1986

Letter to the Grants Office, Reports Section National Endowment for the Arts, dated December 5, 1986, provides final report on a grant awarded to the Currier for the organization the exhibition Jane Freilicher: Paintings. Letter offers an overview of the exhibition and how the public and the media received it. Letter located in Box: 3 Folder: November – December 1986

Letter to Henry Petzel, dated December 3, 1986, thanks Petzel for his donation, which will be used towards the 1987 budget. Letter located in Box: 3 Folder: November – December 1986

Association of Art Museum Directors Survey, dated November 1986, to the Currier, completed by Robert M. Doty, provides data pertaining to the contemporary art purchased by the Currier in 1985 and 1986. Doty details the advantages of adding work by contemporary artists to a museum collection. Letter located in Box: 3 Folder: November – December 1986

Letter to Mr. and Mrs. Warren R. Hedden III, dated November 26, 1986, mentions the approval of a number of gifts, including five graphic prints by artists unknown; two works by James S. Baillie; three works by D.W. Kellogg; John Childs; Joseph Jeakes, after Spilsbury and Orme; Currier and Ives; and C. Tomkins. Doty offers reflection about the Currier’s graphic art collection. Letter located in Box: 3 Folder: November – December 1986

Letter to Mr. and Mrs. Charles D. Carey, dated November 26, 1986, mentions the acceptance of gifts, including works in glass by Carl Erikson. Doty discusses the Currier’s 20th century glass holdings and mentions that this gift is the first gift of modern glass in the collection representing Swedish developments in modern design. Letter located in Box: 3 Folder: November – December 1986

Robert M. Doty Records 6

Letter to Mrs. Wiley Forman, dated November 26, 1986, mentions the acceptance of gifts, including works by Carl Erikson. Letter located in Box: 3 Folder: November – December 1986

Letter to Mrs. Paul Bohanon, dated November 26, 1986, mentions the acceptance of a gift - a painting - Discipline with a Lump of Sugar by Abbott Handerson Thayer. Letter located in Box: 3 Folder: November – December 1986

Letter to Dudley W. Orr, dated November 4, 1986, discusses the Board of Trustees’s feelings towards a bequest from Marion J. Kimball. Doty also mentions a Chandler clock and Swiss music box as “fine additions”. Letter located in Box: 3 Folder: November – December 1986

Letter to Philip W. Bourne, dated November 4, 1986, mentions the acceptance of two gifts - two paintings by Gertrude Beals Bourne, individually titled Early Spring and South Ackworth, New Hampshire. Doty refers to the paintings as “…excellent examples of landscape painting in the early part of the 20th century”. Letter located in Box: 3 Folder: November – December 1986

Letter to Michiel van der Sommen, dated January 27, 1987, discusses the contemporary art market in New Hampshire. Letter located in Box: 3 Folder: January – February 1987

Letter to Dr. Donald J. Dean, dated January 14, 1987, thanks Dean for his donations. Doty reflects upon the year of 1986 at the Currier. He discusses attendance, public programs, recent acquisitions and prospects for the year 1987. Letter located in Box: 3 Folder: January – February 1987

Documents dated January 14, 1987, to various individuals, regards the Currier’s Advisory Council. Document outlines the Council’s mission, as well as the responsibilities of prospective council members. Letter located in Box: 3 Folder: January – February 1987

Letter to Beverly Zagor, dated January 14, 1987, searches for Maurice Richard Grosser’s obituary. Doty discusses his working relationship with Grosser and the artist’s presence within the Currier’s collection. Letter located in Box: 3 Folder: January – February 1987

Letter to Anne d’Harnoncourt of the Philadelphia Museum of Art, dated January 14, 1987, contains information regarding fundraising and sponsorship at the Currier. Doty says that fundraising is a “relatively new activity at the Currier” and that the museum relies on NEA funding for major exhibitions. Letter located in Box: 3 Folder: January – February 1987

Letter to Christy Stewart, dated January 9, 1987, discusses upcoming issue of the Bulletin and mentions that Roger Dunn will write an article on Claude Monet’s The Seine at Bougival. Letter located in Box: 3 Folder: January – February 1987

Robert M. Doty Records 7

Letter to Susan Bonaiuto, the Director of the New Hampshire State Council on the Arts, dated August 14, 1987, discusses art funding in New Hampshire. Letter located in Box: 3 Folder: August 1987

Letter to Henry Petzel, dated October 29, 1987, mentions the acceptance of gift - a covered tobacco jar in sterling silver by Henry Petzel. Letter located in Box: 3 Folder: September – October 1987

Letter to Mr. and Mrs. Daniel Roderick, dated October 29, 1987, mentions the acceptance a gift - a Tonalist rag rug by Helen Chandler. Doty discusses its significance within the collection. Letter located in Box: 3 Folder: September – October 1987

Letter to Mr. and Mrs. Warren Stetson, dated October 29, mentions the acceptance of a gift - a Gothic revival chair. Doty discusses its significance within the collection. Letter located in Box: 3 Folder: September – October 1987

Letter to Mrs. Chester C. Eaton, dated October 29, 1987, mentions the acceptance of a gift - a silver pie server by Shrever, Crump and Low. Doty discusses its significance within the collection. Letter located in Box: 3 Folder: September – October 1987

Letter to Mr. Aruthur Freedman, dated October 29, 1987, mentions the acceptance of a porcelain vase by Gerry Williams. Doty discusses Gerry Williams’s contribution to New Hampshire art and 20th century ceramics. Letter located in Box: 3 Folder: September – October 1987

Letter to Donna Carlson from the Art Dealers Association of America, dated October 6, 1987, offers a condition report of John Moore’s Classical Landscape. Letter located in Box: 3 Folder: September – October 1987

Letter to Henry Fuller, dated November 30, 1987, compares Aretas Blood to Moody Currier. Letter located in Box: 3 Folder: November 1987

Letter to Ruth Nathan, dated November 25, 1987, provides information about the artistic career and aesthetic of John Button. Letter compares Button to both Constable and Church, and mentions an upcoming exhibition of his work at the Currier. Letter located in Box: 3 Folder: November 1987

Letter to Mrs. Robert L. U. French, dated November 10, 1987, outlines the duties and responsibilities of the Advisory Council. Letter located in Box: 3 Folder: November 1987

Robert M. Doty Records 8

Letter to Eleanor Briggs, dated December 24, 1987, mentions the acceptance of a number of gifts - four photographs by Eleanor Briggs. Doty discusses the significance of her work and her contribution to art in New Hampshire. Letter located in Box: 3 Folder: December 1987

Letter to Mr. and Mrs. Donald Tomb, dated December 24, 1987, mentions the acceptance of a gift - Eroica by David Chamberlain. Letter located in Box: 3 Folder: December 1987

Letter to Dr. and Mrs. Robert A. Johnson, dated December 24, 1987, mentions the acceptance of a gift - Homeward Bound (1867) by Winslow Homer. Letter mentions other acquisitions of Homer illustrations and engravings. Letter located in Box: 3 Folder: December 1987

Letter to Mr. and Mrs. Paul Nathan, dated December 24, 1987, mentions the acceptance of two gifts - a print by Levon West and a photograph by Carl van Vechten. Doty says that West and van Vechten are “often overlooked”. Letter located in Box: 3 Folder: December 1987

Letter to Donna Carlson of the Art Dealers Association of America, dated December 24, 1987, mentions an Alexander Calder picture and its potential appraisal [note: title of Calder picture is not specified or stated]. Letter located in Box: 3 Folder: December 1987

Letter to Ms. Beverly Zagor, dated December 24, 1987, mentions the acceptance of two gifts - two paintings by George Nick. Letter located in Box: 3 Folder: December 1987

Letter to Mr. and Mrs. Sam Gruber, dated December 24, 1987, mentions the acceptance of a gift - Yellow Journal, State I by Frank Stella. Letter states that this is the first work by Stella in the museum’s collection and was offered in recognition of Doty’s work at the Currier. Letter located in Box: 3 Folder: December 1987

Letter to Henry M. Fuller, dated December 22, 1987, offers thanks for a donation, which will go towards American art purchases. Doty offers reflections about purchasing art in the late 1980s. Letter states another donation will go towards an exhibition catalogue on the work of Janet Bleicken. Letter located in Box: 3 Folder: December 1987

Letter to Mrs. Isadore Zimmerman, dated December 22, 1987, offers thanks for a donation. Doty praises Zimmerman’s character, her interests, and her contribution to the Currier. He says that without her help the museum would have never obtained two works by Jose de Rivera. Letter located in Box: 3 Folder: December 1987

Letter to Hon. John H. Sununu, Governor of New Hampshire, dated December 11, 1987, thanks the governor for his support of the arts in New Hampshire. Doty says that he hopes Sununu will continue to recognize the importance of the state’s cultural institutions. Letter located in Box: 3 Folder: December 1987

Robert M. Doty Records 9

Letter to Mr. and Mrs. Donald R. Chase, dated September 24, 1985, offers an overview of the Currier as an art institution. Letter located in Box: 1 Folder: C

Letter to Ron Cayen, dated April 30, 1984, mentions a picture by William Preston Phelps, which will no longer be pursued, because of the museum’s efforts towards acquiring a major Alexander Calder work. Ron Cayen’s original letter attached, includes details about the William Preston Phelps painting. Letters located in Box: 1 Folder: C

Letter to Mrs. Alda A. Colokathis, dated December 21, 1983, asks Colokathis to make a donation, so the museum can purchase a work by Alexander Calder. Letter located in Box: 1 Folder: C

Letter to Mr. and Mrs. Philip Clark, dated October 25, 1983, thanks couple for lending Will Barnet’s Old Man’s Afternoon for an exhibition. Letter located in Box: 1 Folder: C

Letter to Dr. John Campbell, dated February 10, 1982, discusses collecting Folk Art and its appeal. Letter also mentions the Currier’s building projects and renovations. Letters located in Box: 1 Folder: C

Letter to Thomas W. Leavitt, dated February 5, 1985, declines offer to show exhibition of Betty Parsons. Doty offers an opinion about the artist and discusses his business relation with her. Original letter from Thomas W. Leavitt attached. Letters located in Box: 1 Folder: H

Letter to Katherine Oliver, dated November 14, 1984, mentions the frame of the Shute portrait and removing its strips. Letter located in Box: 1 Folder: H

Letter to Lotte Jacobi, dated January 9, 1984, mentions the ‘Manahan Photos’. Letter located in Box: 1 Folder: J

Letter to Lotte Jacobi, dated August 19, 1982, discusses a recent exhibition and its success. Letter located in Box: 1 Folder: J

Letter to Hon. Louis Georgopoulous, dated April 12, 1982, urges Georgopoulous to not sell his collection, but if he does so, the Currier would be interested in the following works: various watercolors by Varujan Boghosian, prints by Ivan Albright and a self-portrait by James Aponovich. Attached to the document are two letters: one from Georgopoulous to Kim Zachos, dated April 2, 1982 concerning the possibility of selling his collection and another letter to Doty from Zachos regarding Georgopoulous’s idea, dated April 6, 1982. Letters located in Box: 1 Folder: J

Folder containing notes and lecture contracts from a Lotte Jacobi lecture series. Folder and materials located in Box: 1 Folder: J

Robert M. Doty Records 10

Letter to Mrs. Francis McKay, dated May 16, 1987, mentions sideboard given by McKay. Doty discusses the piece’s significance and its restoration in 1983. Letter located in Box: 1 Folder: M

Letter to Mr. and Mrs. James Rosati, dated June 13, 1984, commends Rosati’s contribution to art, specifically post-war American art. Letter located in Box: 1 Folder: R

Letter to Mr. James Rosati, dated January 29, 1982, commends a recent show and catalogue of Rosati’s work. Doty says he would like to represent Rosati with a show at the Currier, especially a show of his small works. Letter located in Box: 1 Folder: R

Letter to Mr. Ronald Lightbown of the Victoria and Albert Museum, dated January 2, 1986, discusses the institution of the museum and its challenges. Doty discusses the competition for private support and government funding. Letter located in Box: 2 Folder: UVM

Letter to Neil Welliver, dated July 1984, mentions an enclosed snapshot (not located in folder) of Welliver’s portrait by Alex Katz. Doty discusses work’s condition and repairs. Letter located in Box: 2 Folder: UVM

Letter to Mr. Dorothy Ahlgren, dated November 29, 1982, praises photography as an artistic medium. In letter, Doty accepts to present a lecture on the work of Lotte Jacobi in a “humanist context”. Doty writes of Jacobi and her contribution to art. Letter located in Box: 2 Folder: UVM

Letter to Neil Welliver, dated November 3, 1982, provides feedback on a new work by the artist. Document mentions a “lovely picture”. Letter located in Box: 2 Folder: UVM

Letter to Robert M. Doty from Arthur Yanoff, dated April 27, 1987, praises Doty’s work at the Currier and his commitment to contemporary art. Yanoff says he will give Doty a watercolor on his behalf. Letter located in Box: 2 Folder: XYZ

Letter to Professor Tod Papageorge of the Chair Appointments Committee – Yale School of Art, dated March 18, 1987, discusses the artistic role of Robert Reed. Letter located in Box: 2 Folder: XYZ

Robert M. Doty Records 11

Box l Folder l Author/Title

1 C Robert M. Doty Records: December 31, 1981 – March 1, 1988

1 G Robert M. Doty Records: September 21, 1977 – January 20, 1988

1 H Robert M. Doty Records: June 26, 1978 – October 29, 1987

1 I Robert M. Doty Records: August 18, 1982 – April 8, 1986

1 J Robert M. Doty Records: April 6, 1982 – April 15, 1987

1 K Robert M. Doty Records: February 18, 1982 – October 29, 1987

1 L Robert M. Doty Records: October 7, 1982 – October 20, 1987

1 M Robert M. Doty Records: April 14, 1981 – December 29, 1987

1 O Robert M. Doty Records: February 1, 1982 – May 11, 1987

1 P Robert M. Doty Records: July 29, 1982 – August 19, 1987

1 Q Robert M. Doty Records: January 19, 1983 – July 27, 1984

1 R Robert M. Doty Records: January 29, 1982 – December 22, 1987

1 T Robert M. Doty Records: December 8, 1981 – November 18, 1987

2 UVW Robert M. Doty Records: May 5, 1982 – November 30, 1987

2 XYZ Robert M. Doty Records: November 15, 1978 – November 18, 1987

3 1980 Robert M. Doty Records: February 25, 1980 – February 29, 1980

3 May-June1986 Robert M. Doty Records: May 1, 1986 – June 30, 1986

3 Feb.-April 1986 Robert M. Doty Records: February 18, 1986 – April 25, 1986

3 July-Aug. 1986 Robert M. Doty Records: July 1, 1986 – August 28, 1986

3 Sept.-Oct. 1986 Robert M. Doty Records: September 2, 1986 – October 3, 1986

3 Nov.-Dec. 1986 Robert M. Doty Records: November 4, 1986 – December 23, 1986

3 Jan.-Feb. 1987 Robert M. Doty Records: January 9, 1987 – February 4, 1987

3 August 1987 Robert M. Doty Records: August 5, 1987 – August 19, 1987

Robert M. Doty Records 12

3 Sept.-Oct. 1987 Robert M. Doty Records: September 9, 1987 – October 29, 1987

3 Nov. 1987 Robert M. Doty Records: November 3, 1987 – November 30, 1987

3 Dec. 1987 Robert M. Doty Records: December 3, 1987 – December 31, 1987

3 March 1988 Robert M. Doty Records: March 4, 1988

Robert M. Doty Records 13