View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks @ UVM University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2016 Missing The urC few: A Cultural History Case For Re-Reading Thomas Gray's Most Famous Line Michael Joseph Thomas University of Vermont Follow this and additional works at: http://scholarworks.uvm.edu/graddis Part of the English Language and Literature Commons Recommended Citation Thomas, Michael Joseph, "Missing The urC few: A Cultural History Case For Re-Reading Thomas Gray's Most Famous Line" (2016). Graduate College Dissertations and Theses. Paper 590. This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact
[email protected]. MISSING THE CURFEW: A CULTURAL HISTORY CASE FOR RE-READING THOMAS GRAY’S MOST FAMOUS LINE A Thesis Presented by Michael Thomas to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements for the Degree of Master of Arts Specializing in English May, 2016 Defense Date: March 23, 2016 Thesis Examination Committee: Eric Lindstrom, Ph.D., Advisor Dona Brown, Ph.D., Chairperson Dan Fogel, Ph.D. Cynthia J. Forehand, Ph.D., Dean of the Graduate College ABSTRACT Virtually all nineteenth and twentieth century accounts of Thomas Gray’s “Elegy Written in a Country Churchyard” find in the Curfew bell of the opening lines primarily a figure of death evoked by the growing darkness, the fading sounds, the emptying landscape and ultimate solitude of the speaker, and most of all the funerary associations of tolling bells and the “passing bell” tradition.