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The Attorney General's Ninth Annual Report to Congress Pursuant to The
THE ATTORNEY GENERAL'S NINTH ANNUAL REPORT TO CONGRESS PURSUANT TO THE EMMETT TILL UNSOLVED CIVIL RIGHTS CRIME ACT OF 2007 AND THIRD ANNUALREPORT TO CONGRESS PURSUANT TO THE EMMETT TILL UNSOLVEDCIVIL RIGHTS CRIMES REAUTHORIZATION ACT OF 2016 March 1, 2021 INTRODUCTION This is the ninth annual Report (Report) submitted to Congress pursuant to the Emmett Till Unsolved Civil Rights Crime Act of2007 (Till Act or Act), 1 as well as the third Report submitted pursuant to the Emmett Till Unsolved Civil Rights Crimes Reauthorization Act of 2016 (Reauthorization Act). 2 This Report includes information about the Department of Justice's (Department) activities in the time period since the eighth Till Act Report, and second Reauthorization Report, which was dated June 2019. Section I of this Report summarizes the historical efforts of the Department to prosecute cases involving racial violence and describes the genesis of its Cold Case Int~~ative. It also provides an overview ofthe factual and legal challenges that federal prosecutors face in their "efforts to secure justice in unsolved Civil Rights-era homicides. Section II ofthe Report presents the progress made since the last Report. It includes a chart ofthe progress made on cases reported under the initial Till Act and under the Reauthorization Act. Section III of the Report provides a brief overview of the cases the Department has closed or referred for preliminary investigation since its last Report. Case closing memoranda written by Department attorneys are available on the Department's website: https://www.justice.gov/crt/civil-rights-division-emmett till-act-cold-ca e-clo ing-memoranda. -
The Social Consciousness of Mark Twain
THE SOCIAL CONSCIOUSNESS OF MARK TWAIN A Thesis Presented to the Faculty of the School of Social Sciences Morehead State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in History by Rose W. Caudill December 1975 AP p~ ~ /THE ScS 9\t l\ (__ ~'1\AJ Accepted by the faculty of the School of Social Sciences, Morehead State University, in partial fulfillment of the require ments for the Ma ster of Arts in Hist ory degree. Master ' s Commi ttee : (date TABLE OF CONTENTS INTRODUCTION • • • • • • • • • • • . • • • • • • • • . • • . I Chapter I. FEMINISM . 1 II. MARK 1WAIN 1 S VIEWS ON RELIGION 25 III. IMPERIALISM 60 REFERENCES •••• 93 Introduction Mark Twain was one of America's great authors. Behind his mask of humor lay a serious view of life. His chief concern, . was man and how his role in society could be improved. Twain chose not to be a crusader, but his social consciousness in the areas of feminism, religion, and imperialism reveal him to be a crusader at heart. Closest to Twain's heart were his feminist philosophies. He extolled the ideal wife and mother. Women influenced him greatly·, and he romanticized them. Because of these feelings of tenderness and admiration for women, he became concerned about ·the myth of their natural inferiority. As years passed, Twain's feminist philosophies included a belief in the policital, economic, and social equality of the sexes. Maternity was regarded as a major social role during Twain's lifetime since it involved the natural biological role of women. The resu·lting stereotype that "a woman I s place is in the home" largely determined the ways in which women had to express themselves. -
High School Audience Discussion Guide
Mike Wiley – The Playwright and Actor Actor and playwright Mike Wiley has spent the last decade fulfilling his mission to bring educational theatre to young audiences. In the early days of his career, Wiley found few theatrical resources to shine light on key events and fig- ures in black history. To bring these often ignored stories to life, Wiley started his own production company. Through his work, he has introduced countless students to the sto- ries and legacies of Emmett Till, the Tuskegee Airmen, Henry “Box” Brown and more. Mike Wiley has a Masters of Fine Arts from the University of North Carolina at Chapel Hill. Wiley has also appeared on the Discovery Channel, The Learning Channel and the National Geographic Channel and was recently profiled in Our State magazine. Timothy B. Tyson – The Author Tim Tyson, noted author and historian, was born and raised in North Carolina. He received his Ph.D. from Duke University in 1994 and currently serves there as a Senior Research Scholar at the Center for Documentary Studies and also holds positions in the Duke Divinity School and the Department of History. His memoir Blood Done Sign My Name won the Southern Book Award, was a finalist for the National Book Critics Award and received the Louisville Grawemeyer Award in Religion from the Louisville Presbyterian Theological Seminary. The book has also been selected for the reading programs of a number of communities and colleges (including The University of North Carolina at Chapel Hill, Villanova University and The University of Iowa). A movie based on the book is sched- uled for release in the coming months. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Behold the Corpse: Violent Images and the Case of Emmett Till
Behold the Corpse: Violent Images and the Case of Emmett Till Harold, Christine. DeLuca, Kevin Michael. Rhetoric & Public Affairs, Volume 8, Number 2, Summer 2005, pp. 263-286 (Article) Published by Michigan State University Press DOI: 10.1353/rap.2005.0075 For additional information about this article http://muse.jhu.edu/journals/rap/summary/v008/8.2harold.html Access provided by Penn State Univ Libraries (18 Mar 2013 10:52 GMT) BEHOLD THE CORPSE: VIOLENT IMAGES AND THE CASE OF EMMETT TILL CHRISTINE HAROLD AND KEVIN MICHAEL DELUCA The widely disseminated image of Emmett Till’s mutilated corpse rhetorically transformed the lynched black body from a symbol of unmitigated white power to one illustrating the ugliness of racial violence and the aggregate power of the black community. This reconfiguration was, in part, an effect of the black community’s embracing and foregrounding Till’s abject body as a collective “souvenir” rather than allowing it to be safely exiled from public life. We do not know what the body can do. Spinoza Society is concerned to tame the Photograph, to temper the madness which keeps threatening to explode in the face of whoever looks at it. Roland Barthes If the men who killed Emmett Till had known his body would free a people, they would have let him live. Reverend Jesse Jackson Sr. “ had to get through this. There would be no second chance to get through Ithis. I noticed that none of Emmett’s body was scarred. It was bloated, the skin was loose, but there were no scars, no signs of violence anywhere. -
Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2013 "History Written with Lightning": Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr David Michael Kidd College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons, Ethnic Studies Commons, and the United States History Commons Recommended Citation Kidd, David Michael, ""History Written with Lightning": Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr" (2013). Dissertations, Theses, and Masters Projects. Paper 1539623616. https://dx.doi.org/doi:10.21220/s2-5k6d-9535 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “History Written With Lightning”: Religion, White Supremacy, and the Rise and Fall of Thomas Dixon, Jr. David Michael Kidd Norfolk, Virginia Master of Arts, University of Florida, 1992 Bachelor of Arts, Auburn University, 1990 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies The College of William and Mary May, 2013 © 2013 David M. Kidd All Rights Reserved APPROVAL PAGE This Dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy David Michael Kidd Approved by the Committee, April, 2013 Committee Chair Professor of American Studies and English, Susan V. -
Killian Chavez-Lavelle Geo 406 Dr. Phillips 11-27-2017 1 the Legal
Killian Chavez-Lavelle 1 Geo 406 Dr. Phillips 11-27-2017 The Legal Lynching of Ray Ross in Fayette County, Kentucky Introduction The purpose of this paper is to explore the system of legal lynchings conducted in Lexington, Fayette County, Kentucky. Legal lynchings used the guise of a court trial to sentence people to death, disproportionately targeting the African-American community. For this narrative we will look at the trial and sentencing of Ray Ross and African-American house painter from Kentucky who was accused of raping a 9-year-old African-American girl and who was sentenced to death, and the first under an amended 1910 death penalty statute (section 1137) in Kentucky of hanging those who were found guilty of rape and rape & murder following the 1920 rape of a 9 year old white girl by an African-American man, Will Lockett. Lynching is defined as someone being put to death, by a mob, and prominently features hanging among other forms of torture, usually without repercussion from the law. Lynchings were commonplace in the south mostly after the civil war, when white southerners displeased with the governments passing of the 14th amendment giving full citizenship to former slaves. The roots of lynching comes from the former days of slavery, when a slave would escape and be re- captured, the slave master would hang the individual from a tree so to make an example for the rest of the slaves so that they would not try and escape and face a similar punishment. Many of the recorded lynchings were a spectacle of the town or city where they took place; families would come out, politicians, officers of the law and shopkeepers. -
I. J. Schwartz in Lexington Joseph R
The Kentucky Review Volume 3 | Number 1 Article 3 1981 I. J. Schwartz in Lexington Joseph R. Jones University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the United States History Commons, and the Yiddish Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Jones, Joseph R. (1981) "I. J. Schwartz in Lexington," The Kentucky Review: Vol. 3 : No. 1 , Article 3. Available at: https://uknowledge.uky.edu/kentucky-review/vol3/iss1/3 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. I. J. Schwartz in Lexington Joseph R. Jones For Louis Birch Unlikely as it may appear, a volume of poetry once described as the "first important work of Yiddish literature in America"1 was written in Lexington between 1918 and 1922. The author of this gathering of narrative poems, issued in New York in 1925 with the title Kentucky, was an immigrant named Israel Jacob Schwartz, who came to Lexington to open a millinery shop, which he operated until the beginning of the Great Depression. When he arrived in Lexington in 1918, he was already a distinguished figure in Yiddish literary circles, a member of an influential group of poets who had, a decade earlier, set out to sing America's praises under the inspiration of Walt Whitman, 2 and he deserves recognition among the lesser-known authors who have contributed to the rich and varied literature about Kentucky. -
Journalism, Racial Violence, and Political Control in Postbellum North Carolina
ABSTRACT BENTON, ANDREW MORGAN. The Press and the Sword: Journalism, Racial Violence, and Political Control in Postbellum North Carolina. (Under the direction of Dr. Susanna Lee.) Political tension characterized North Carolina in the decades after the Civil War, and the partisan press played a critical role for both parties from the 1860s through the turn of the twentieth century: Republican papers praised the reforms of biracial Republican legislatures while Democratic editors harped on white fears of “negro rule” and black sexual predation. This study analyzes the relationship between press, politics, and violence in postbellum North Carolina through case studies of the 1870 Kirk-Holden War and the so-called Wilmington Race Riot of 1898. My first chapter argues that the Democratic press helped exacerbate the Kirk-Holden War by actively mocking black political aspirations, criticizing Republican leaders such as Holden, and largely ignoring the true nature and scope of the Klan in the 1860s. My second chapter argues that rhetoric played a crucial role in the way the violence in Wilmington transpired and has been remembered, and my conclusion discusses the ways that the press manipulated the public’s historical memory of both tragedies. It is not my intention to argue direct causation between racist rhetoric and racial crimes. Rather, I argue that North Carolina’s partisan press, and especially its Democratic editors, exacerbated pre-existing racial tensions and used images and language to suggest modes of thought—defense of white womanhood, for example—by which white supremacists directed and legitimized violence. The Press and the Sword: Journalism, Racial Violence, and Political Control in Postbellum North Carolina by Andrew Morgan Benton A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the Degree of Master of Arts History Raleigh, North Carolina 2016 APPROVED BY: Dr. -
January 9, 1920 Mrs
The Pioneer News, 1920 - J. W. Barrall, Editor Transcribed from Microfilm by Edith Blissett in the year 2004 January 9, 1920 Mrs. Samuel Hornbeck died at her details have been printed in full and home here Christmas day. She is the whole reading public should be School News survived by a husband and several ready for something decent. children. Miss Virginia Foreman, the popular Marriages young teacher at Sugar Valley near Mrs. Hornback was a very quiet Arnold - Lowe Smithville has just sent up an woman, but one of the fairest and additional check for the Kentucky most excellent women that ever Miss Beulah Arnold, of Cupio, and Children’s Home Society for $9.00, lived in Bullitt County. Mr. Chas. H. Lowe were quietly making the full amount of the quota married Dec. 1. She raised a large intellectual family for that district. and every son and daughter were at The bride is the beautiful and Miss Nellie May Scott gave her some time during their lives charming daughter of Mrs. Bert people at Beech Grove a nice connected with the schools and the Arnold, of Cupio, and is one of the Christmas tree and an entertainment educational affairs of this county. finest young ladies of this county. on the night of Dec. 24th. The friends of Prof. J. H. Sanders, as Mr. Lowe was one the 1st Ky boys. Miss Ruby Perry, who has been a small token of their appreciation of The Pioneer News wish both Mr. teaching at Lotus this year his services to this town, school and and Mrs. -
Military History of Kentucky
THE AMERICAN GUIDE SERIES Military History of Kentucky CHRONOLOGICALLY ARRANGED Written by Workers of the Federal Writers Project of the Works Progress Administration for the State of Kentucky Sponsored by THE MILITARY DEPARTMENT OF KENTUCKY G. LEE McCLAIN, The Adjutant General Anna Virumque Cano - Virgil (I sing of arms and men) ILLUSTRATED Military History of Kentucky FIRST PUBLISHED IN JULY, 1939 WORKS PROGRESS ADMINISTRATION F. C. Harrington, Administrator Florence S. Kerr, Assistant Administrator Henry G. Alsberg, Director of The Federal Writers Project COPYRIGHT 1939 BY THE ADJUTANT GENERAL OF KENTUCKY PRINTED BY THE STATE JOURNAL FRANKFORT, KY. All rights are reserved, including the rights to reproduce this book a parts thereof in any form. ii Military History of Kentucky BRIG. GEN. G. LEE McCLAIN, KY. N. G. The Adjutant General iii Military History of Kentucky MAJOR JOSEPH M. KELLY, KY. N. G. Assistant Adjutant General, U.S. P. and D. O. iv Military History of Kentucky Foreword Frankfort, Kentucky, January 1, 1939. HIS EXCELLENCY, ALBERT BENJAMIN CHANDLER, Governor of Kentucky and Commander-in-Chief, Kentucky National Guard, Frankfort, Kentucky. SIR: I have the pleasure of submitting a report of the National Guard of Kentucky showing its origin, development and progress, chronologically arranged. This report is in the form of a history of the military units of Kentucky. The purpose of this Military History of Kentucky is to present a written record which always will be available to the people of Kentucky relating something of the accomplishments of Kentucky soldiers. It will be observed that from the time the first settlers came to our state, down to the present day, Kentucky soldiers have been ever ready to protect the lives, homes, and property of the citizens of the state with vigor and courage. -
Trouble No More Anthony Grooms Kennesaw State University, [email protected]
Kennesaw State University DigitalCommons@Kennesaw State University Faculty Publications 1-2006 Trouble No More Anthony Grooms Kennesaw State University, [email protected] Follow this and additional works at: http://digitalcommons.kennesaw.edu/facpubs Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Grooms, Anthony. Trouble No More. Kennesaw GA: Kennesaw State Univ Pr, 2006. Print. This Book is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Faculty Publications by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Anthony Grooms’s first collection of stories takes place mostly in the South of the 1960s, a time when the “colored” sign at a fast-food restaurant may have been removed, but “still people knew which line was which.” And the talk that animates these vignettes—from lunch counters to juke joints to family dinner tables—is an affecting reminder of the quiet courage, ingrained wariness, and rueful humor with which such individual decisions reshaped an uncertain community. —Alida Becker, The New York Times Book Review These stories all take risks by going into virtually unexplored corners of race relations at a time when critics have declared the subject mined out… Grooms’s stories take us to the center of the phenomenon with an honesty and courage long overdue. —Phil Garner, Atlanta Journal and Constitution It is to Grooms’s credit that he has demonstrated in this collection the insider’s profound knowledge of the history and the struggles of African Americans, while consistently managing to circumscribe his breadth of understanding with a tender story-telling art.