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Press Contacts: Rebecca Brighenti
Press Contacts: Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Christina Riley, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org For Immediate Release, please: Wednesday, November 11, 2014 Berkshire Theatre Group presents Country Rock Bands BlackHawk and the Outlaws Pittsfield, MA– Berkshire Theatre Group presents Country Rock Bands BlackHawk and the Outlaws at The Colonial Theatre on Thursday, December 4 at 8pm. Tickets are on sale now for $39, $59, and $79. Contact the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444. Tickets can also be bought online at www.berkshiretheatregroup.org. The Ticket Office is open Monday-Friday 10am-5pm, Saturdays 10am-2pm or on any performance day from 10am until curtain. About BlackHawk Multi-platinum-selling country group BlackHawk have signed with Loud & Proud Records just released their first studio release in 12 years. The band (guitarist/vocalist Henry Paul and keyboardist/vocalist Dave Robbins) with co-producer Dale Oliver (Casting Crowns, Steven Curtis Chapman),released their new album Brothers Of The Southland in July. “Brothers of the Southland is the product of BlackHawk’s evolution,” says Loud & Proud Owner & President Tom Lipsky. “It represents the band through the years and their many hits, the adversity they faced and Henry and Dave’s decision to continue their musical journey together. BlackHawk’s sound remains a beautiful blend of melody and harmony with genuine and purposeful lyrics and Loud & Proud is excited to be their label partner. We know their legions of fans are going to love experiencing this new music.” “We’re thrilled to be working with Tom Lipsky and Loud & Proud,” says Henry Paul. -
United States District Court Middle District of Florida Tampa Division Outlawlessness Productions, Inc., Band of Outlaws Touring
Case 8:10-cv-00024-RAL-TBM Document 146 Filed 04/06/11 Page 1 of 27 PageID 2925 UNITED STATES DISTRICT COURT MIDDLE DISTRICT OF FLORIDA TAMPA DIVISION OUTLAWLESSNESS PRODUCTIONS, INC., BAND OF OUTLAWS TOURING, INC. and GUITAR ARMY PUBLISHING, LLC, Plaintiffs, v. CASE NO: 8:10-cv-24-T-26TBM HENRY PAUL, MONTE YOHO, CHRIS ANDERSON, BILLY CRAIN, RANDY THREET, JOHN COLEMAN, JOHN GELLMAN, BLACKHAWK, INC., HENRY PAUL BAND and THE LAST OUTLAWS, INC., Defendants. / O R D E R THIS CAUSE comes before the Court on Plaintiffs’ Motion for Partial Summary Judgment and memorandum of law (Dkt. 119) with statement of undisputed facts (Dkt. 124) and Defendants’ response in opposition with exhibits (Dkt. 136) and statement of disputed facts (Dkt. 137). Also before the Court are Defendants’ cross-motion for final summary judgment with supporting exhibits (Dkt. 121) and statement of undisputed facts Case 8:10-cv-00024-RAL-TBM Document 146 Filed 04/06/11 Page 2 of 27 PageID 2926 (Dkt. 122), and Plaintiffs’ response in opposition with supporting exhibits (Dkts. 132 & 134) and statement of disputed facts (Dkt. 135). Background Facts Defendants Henry Paul (“Paul”) and Monte Yoho, together with Hughie Thomasson (“Thomasson”), were three of the five “original” members of the “southern rock” band called the “Outlaws.” The other original members were Billy Jones and Frank O’Keefe, both of whom have passed away. Through the years, the Outlaws band experienced many changes in members of the band, but in every instance, only Mr. Thomasson stayed continuously with the Outlaws band from its first initial successes in the 1970’s. -
BAND of OUTLAWS TOURING, INC.; and GUITAR ARMY PUBLISHING, INC
Case 8:10-cv-00024-RAL-TBM Document 9 Filed 03/23/10 Page 1 of 5 UNITED STATES DISTRICT COURT MIDDLE DISTRICT OF FLORIDA TAMPA DIVISION OULAWLESSNESS PRODUCTIONS INC.; BAND OF OUTLAWS TOURING, INC.; and GUITAR ARMY PUBLISHING, INC., Plaintiffs, CASE NO.: 8:10-cv-00024-RAL-TBM v. HENRY PAUL; MONTE YOHO; CHRIS ANDERSON; BILLY CRAIN; RANDY THREET; JOHN COLEMAN; JOHN GELLMAN; BLACKHAWK; and THE HENRY PAUL BAND; Defendants. / DEFENDANTS’ MOTION TO DISMISS, OR, IN THE ALTERNATIVE, MOTION FOR MORE DEFINITE STATEMENT AND SUPPORTING MEMORANDUM OF LAW Pursuant to Rules 12 (b)(6) and 12(e), Federal Rules of Civil Procedure, and Local Rule 3.01, Rules of the Middle District of Florida, Defendants, Henry Paul, Monte Yoho, Chris Anderson, Billy Crain, Randy Threet, John Coleman, John Gellman, Blackhawk, and The Henry Paul Band (collectively, the “Defendants”), move on the following grounds for the Court to dismiss the Complaint1 or, in the alternative, to order that the Plaintiffs provide a more definite statement of the Complaint: 1 The Complaint was filed by an attorney not admitted to practice before this Court, via pro hac vice or otherwise. Although Local counsel who is admitted to practice before this Court subsequently appeared, no motion for pro hac vice admission has been filed by Plaintiffs’ lead counsel. This is a continuing concern. Plaintiffs’ lead counsel, not local counsel, was the sole participant for Plaintiffs at the Rule 26 conference. Case 8:10-cv-00024-RAL-TBM Document 9 Filed 03/23/10 Page 2 of 5 1. Plaintiffs filed a six (6) count Complaint, consisting of 148 paragraphs. -
2010-1-5 Complaint
Case 8:10-cv-00024-RAL-TBM Document 1 Filed 01/06/10 Page 1 of 37 UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF FLORIDA, TAMPA DIVISION OUTLAWLESSNESS PRODUCTIONS INC., BAND OF OUTLAWS TOURING, INC., and GUITAR ARMY PUBLISHING, INC. Civil Action No. Plaintiffs v. HENRY PAUL, MONTE YOHO, CHRIS ANDERSON, BILLY CRAIN, RANDY THREET, JOHN COLEMAN, JOHN GELLMAN, BLACKHAWK, and the HENRY PAUL BAND Defendants. PLAINTIFF’S COMPLAINT FOR BREACH OF CONTRACT, COPYRIGHT INFRINGEMENT, TRADEMARK INFRINGEMENT, UNFAIR COMPETITION, CONVERSION, AND TORTIOUS INTERFERENCE WITH A BUSINESS RELATIONSHIP AND WITH A CONTRACTUAL RELATIONSHIP – 1 – Case 8:10-cv-00024-RAL-TBM Document 1 Filed 01/06/10 Page 2 of 37 Table of Contents I NATURE OF THE ACTION 3 II PARTIES 7 III JURISDICTION 9 IV VENUE 10 V BACKGROUND FACTS COMMON TO ALL COUNTS 11 Merchandise 16 Unpublished Musical Works 17 Recording Contract 18 Domain Name and Website 18 Website Store 21 MySpace Page 22 Recordings 23 Blackhawk 23 Henry Paul Band 24 Defendants Financially Benefit . 25 VI CAUSES OF ACTION 25 Count One–Breach of Contract 25 Manufacture of Merchandise Bearing Plaintiff’s Marks 26 Merchandise Sales 26 Recordings 26 GoDaddy Domain Name Registration 27 Count Two–Copyright Infringement 17 U.S.C. § 106 28 Count Three–Trademark Infringement 15 U.S.C. § 1125 28 Merchandise 28 MySpace Page 29 Recordings 29 Domain Name 29 Count Four–Unfair Trade Practice and .. Competition 30 Website Store 30 Blackhawk 31 Henry Paul Band 31 Count Five–Conversion 32 MySpace Page 32 Domain Name 32 Website 32 Count Six–Tortious Interference 33 Choice Merchandise 33 Domain Name 33 VII PRAYER FOR RELIEF 34 – 2 – Case 8:10-cv-00024-RAL-TBM Document 1 Filed 01/06/10 Page 3 of 37 UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF FLORIDA, TAMPA DIVISION OUTLAWLESSNESS PRODUCTIONS INC., BAND OF OUTLAWS TOURING, INC., and GUITAR ARMY PUBLISHING, INC. -
HITS of the WEEK C Inir-1 Cc HELEN REDDY, "GLADIOLA" (Prod.By Joe the TEMPTATIONS, "WHO ARE YOU" (Prod
AP. DEDIC 4TED -0 THE NEEDS OF THE MUD RECORD INDUStRY OCTOBER 23,1976 $1.50 HITS OF THE WEEK c INIr-1 cc HELEN REDDY, "GLADIOLA" (prod.by Joe THE TEMPTATIONS, "WHO ARE YOU" (prod. DONNA SUMMER, "FOUR SEASONS OF Wissert) (writer: Allan Gordon) (Kop- by Tall"T" Prod. & Suzee Ikeda) LOVE." As the title indicates, this is a pelman-Bandier, BMI) (3:27). Star of (writers: English -Leonard -Williams - concept album from a lady many be- stage, screen and television, she is Wright) (Jobete, ASCAP) (3:40). From lieved a one-shot phenomenon but who ablerotranscend audiences and "The Temptations Do The Tempta- has since proven herself a legitimate 0tastes due to material such as this. tions" and one could hardly ask forcontributor to both the disco and pop This song's light pop flavor is sea- anything more. The group's distinct worlds. "Spring Affair," "Summer soned by Helen's cool vocal timbre vocal range is given a workout over Fever," "Autumn Changes" and "Win- which continues to take her to the a sharp and penetrating beat. Gordy ter Melody" are her seasonal moods of top of ;he charts. Capitol P 4350. G. 7152F (Motown). love. Casablanca NBLP 7038 (6.98). OLUVIA NEWTON -JOHN, "EVERY FACE TELLS A JOHNNY GUITAR WATSON, "SUPERMAN "BURTON CUMMINGS." The man re- STORY" (prod. by John Farrar) (writ- LOVER"(prod.by Johnny Guitarsponsible for the early successes of the ers: M.Allison -F. Sills -D.Black) Watson) (writer: Johnny Guitar Wat- Guess Who debuts a brand new label (Chrysalis / Bruce Welch / Dejamus, son) (Vri-John, BMI) (3:18). -
Aug-Sept 1982
MODERN DRUMMER VOL. 6 NO. 6 Cover Photo by David Gahr FEATURES: COLUMNS: CHARLIE WATTS EDITOR'S OVERVIEW 2 Although he would be the last person to READER'S PLATFORM 6 admit it, Charlie Watts' no-nonsense drumming with the Rolling Stones has JAZZ DRUMMERS WORKSHOP been a major influence in rock drumming Exploring Self-Awareness for almost twenty years. Charlie talks by George Marsh 34 about the drummers he admires, his phi- UNDERSTANDING RHYTHM losophies about drumming, and his role in Whole Notes and Half Notes "The Greatest Rock and Roll Band In the by Nick Forte 36 World." by Robyn Flans 8 CONCEPTS Drum Books and Learning by Roy Burns 40 A CONVERSATION WITH PORTRAITS CHARLIE WATTS Paulinho Da Costa by Scott K. Fish and Max Weinberg 13 by Michael Rozek 42 DRIVER'S SEAT Basic Chart Reading ED MANN by Eliot Zigmund 66 As percussionist for Frank Zappa, Ed Mann is called upon to play virtually all UP AND COMING types of music while using every possible John Hernandez percussion instrument. In this exclusive by Susan Alexander 70 MD interview, Ed describes what is in- PRODUCT CLOSE-UP volved in maintaining the ability to play so Bass Drum Pedals II many instruments, and offers a glimpse by Bob Saydlowski, Jr 72 into the inner workings of one of the most unique bands in contemporary music. ROCK 'N' JAZZ CLINIC by Rick Mattingly 14 Rudiments—Inspiration For Innovators: Part II by Sal Sofia 80 THE HISTORY OF ROCK COMPLETE PERCUSSIONIST DRUMMING Voicings for Mallets Part III: The Sixties by David Samuels 82 by Scott K. -
ADA Leslie Odom Jr 2020 Christmas One Sheet Layered.Jpg
ada–music.com @ada_music NEW RELEASE GUIDE October 30 November 6 ORDERS DUE SEPTEMBER 25 ORDERS DUE OCTOBER 2 2020 ISSUE 23 October 30 ORDERS DUE SEPTEMBER 25 3LP | List Price: $59.98 Release Date:10/30/20 Discount: No Discounts Packaging: 20pp Bookpack 180g 3LP UPC: 4050538587227 Returnable: NO ACE OF SPADES Box Lot: 1 | Units Per Set: 3 (40TH ANNIVERSARY) File Under: Rock H 3LP & 2CD formats plus US only 1LP & 1CD H 3LP & 2CD formats contain 17 previously unreleased tracks 1LP | List Price: $24.98 Release Date: 10/30/20 Release Date: 10/30/20 Discount: No Discounts Packaging:180g 1LP n 40th Anniversary of this Iconic Rock album UPC: 4050538606553 n 3LP and 2CD Formats include previously unreleased 17 track Live Returnable: NO From Belfast album recorded during the Ace Up Your Sleeve tour’ Box Lot: 25 | Units Per Set: 1 File Under: Rock n All LP releases use new half speed master created from the original tapes, pressed on 180g heavyweight vinyl “Ace Of Spades”—the title track of Motörhead’s 1980 iconic, game changing album isn’t just one of the greatest hard rock songs ever written— it has truly become a lifestyle anthem for several generations of rockers, metalheads, punks, bikers, athletes, rebels, outcasts, and freethinkers all around the world. Few songs in modern history can instantly ignite the adrenaline of music fans the way the song’s opening dirty bass riff, and drum roll can. From zero to 100 mph in a matter of seconds. That speaker- destroying opening riff is unstoppable. -
Brevard Live October 2010
Brevard Live October 2010 - 1 2 - Brevard Live October 2010 Brevard Live October 2010 - 3 4 - Brevard Live October 2010 Brevard Live October 2010 - 5 6 - Brevard Live October 2010 October 2010 • Volume 19, Issue 7 • Priceless FEATURES page 51 WINNERS! WINNERS! WINNERS! OKTOBERFEST If you missed Brevard’s most glamor- Get a little insight about the history about Columns ous event, here’s what you missed. If you this German festival that sells the most Charles Van Riper beer and attracts 6 million people. Then were one of the many attendants, relive Political Satire the great moments of the Brevard Live take this knowledge and soak it in some 32 Music Awards where everyone was a brewskies at our Brevard Oktoberfests. Calendars winner. Page 31 Page 9 Live Entertainment, 25 Theatre, Concerts, STYX STAN SOLOKO Festivals, Arts Spawned from a suburban Chicago base- He’s traveled, lived an exciting and in- ment in the early 70s, STYX would even- teresting life, and has shared the stage Brevard Scene tually transform into the virtual arena rock with Larry Corryell, Jockamo Gates, 34 What’s hot in prototype by the late 70s and early 80s. Richie Cole, Ira Sullivan, and others. Brevard Over the course of their career they’ve Page 37 released 15 studio albums, 6 best-of com- Modern Woman pilations, 4 live albums and has sold over BOBBY Q. BROWN It’s a woman’s life 30 million albums worldwide. 35 by Misti Blu Day Page 15 A few years ago Bobbi began to deviate from the realistic style of painting that she was known for. -
1970'S Southern Rock and W.J. Cash's Hell Uva Fella
BURKHART, THAD A., M.A. 1970’s Southern Rock and W.J. Cash’s Hell uva Fella. (2007) Directed by Dr. Scott Romine. 72 pp. 1970’s American Southern Rock was a musical phenomenon as unique, diverse, and dynamic as the politically and racially tumultuous region from which it hailed. This region has been portrayed in popular culture via a male stereotype that almost seventy years ago Southern ethnographer W.J. Cash dubbed the “hell of a fellow [hell uva fella].”Even in the post-bellum South of the late Civil Rights Era, the values of the ruggedly individualistic frontiersman survived and developed into a unique concept of regional masculinity. The Southern man portrayed in 1970’s Southern Rock is a unique, regionalized aggregate of the American South’s cultural heritage, its dynamic values in the 1970s, and the incorporation of characteristics found in Cash’s decades older hell uva fella tradition, all of which embody an individualism that is both personally and politically self-destructive. 1970’s SOUTHERN ROCK AND W.J. CASH’S HELL UVA FELLA by Thad A. Burkhart A Thesis Submitted to the Faculty of The Graduate School at the University of North Carolina at Greensboro in Partial Fulfillment the Requirements for the Degree of Master of Arts Greensboro 2006 Approved by ____________________________ Committee Chair Dr. Scott Romine © 2007 by Thad A. Burkhart APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. Committee Chair ____________________________________ Committee Members ____________________________________ ____________________________________ ____________________________________ ____________________________ Date of Acceptance by Committee ii TABLE OF CONTENTS Page CHAPTER I. -
February 2021-Outlaw
WITH A NEWLY RELEASED ARCHIVAL CONCERT ALBUM, THE OUTLAWS RIDE AGAIN. BY LEE ZIMMERMAN Southern Rockers Reborn n the annals of Southern Song,” “(Ghost) Riders in the Sky” and Rock — that particular genre “Green Grass and High Tides,” as well Idefined as much by the grit, growl as the fact they were the first signing to and sheer verbosity of its music as much Clive Davis’ Arista Records label. Given as by its native origins — the Outlaws Davis’ reputation as a credible hitmaker were destined to be a minor-league team during his fabled ’60s tenure as president for the most part, often overshadowed of Columbia Records, the band should by A-players like The Allman Brothers have excelled to a greater degree. (Ac- Band, Lynyrd Skynyrd, The Marshall cording to legend, Davis first spied them Tucker Band, 38 Special and Molly opening for Lynyrd Skynyrd and was Hatchet. Nevertheless, they did manage subsequently told by the band’s Ronnie to make an imprint on the mainstream Van Zant, “If you don’t sign the Outlaws, market courtesy of a series of album rock you’re the dumbest music person I’ve MICHAEL PUTLAND/GETTYMICHAEL IMAGES standbys, “There Goes Another Love ever met — and I know you’re not.”) 52 FEBRUARY 2021 goldminemag.com 52_926 Outlaws.indd 52 12/9/20 7:54 AM The Outlaws performing in Los Angeles, California, during the early 1980s. Vocalist/ guitarist Freddie Salem, shown at far right. Indeed, as the band’s recently released three most essential albums: Outlaws legacy to live on a little longer. -
2020 Lyric Mag SPRING.Indd
Letter from the Executive Director “Spring is nature’s way of saying, Let’s party!” — Robin Williams This spring, get your groove on with some Shredding, Stepping & Spacing Out at The Lyric! We have an impressive lineup of musicians, comedians, dance troupes, and even an astronaut Ricky Skaggs & and an explorer! The Outlaws, Tom Rush and Matt Kentucky Thunder Nakoa, John Mayall, The Duprees, Bruce Hornsby, APR 5, 2020 | 4pm & 7pm Sierra Hull, Paula Poundstone, Jimme Vaughn, Ricky Skaggs & Kentucky Thunder, Bela Fleck & Abigail Kia Fontaine Washburn and I’m only calling out a few! Check out all of the upcoming shows on Page 6. Our Family Fun Series is springing into some inspiring and action-packed entertainment with National Geographic Live!: View From Above with NASA Astronaut Terry Virts, “the Contents future of chamber music,” string quartet Brooklyn Rider in their program Healing Modes inspired by the healing properties of music, and the high-energy percussive dance and 3 Letter from the Executive Director storytelling of The StepCrew. 4 Board of Directors & Staff, We have added some cool entertainment this summer with R&B and soul vocalist and Season Sponsors musician Aaron Neville, the tight rhythm of The Motowners and party with The Fabulons. But 6 Shredding, Stepping & Spacing Out wait, we are not done! Be sure to connect with us and stay tuned for more summer shows… 8 Historical Timeline th On behalf of The Lyric League, I am excited to announce the 4 annual Youth Arts 10 Be a Lyric Star Celebration on Saturday, April 4th benefiting The Lyric Theatre’s Arts & Education Programs. -
Consumer Advocate Nadsr Fights Standardized Tests Tenure
i 'Argo' Is watching. "Alga" in ni aa officia! publication of Stockton State College, bat I» pabllahed by aa r »J a« L » # a « iad.pcad.at crporatio. ««.«a u. nj Vtfome 20 Number 9 Pomona N.J. 08240 fnû*v November 16 , 1979 Controversy Rumbles Over Faculty Dismissal By Jay Felsberg concentrate on Art History courses) while Dr. Wenzel's case was still in going on, I cannot comment any to show "disrespect" toward her the process of review. However, further. I'm disappointed in the first A serious controversy involving the fellow professors. The memorandum Dean Jones did state that Dr. step--the negative recommendation firing of a popular Art History charges that Dr. Wenzel's unprofes- Wenzel would have the capacity to by the ARHU Faculty Review teacher is arising withing the Arts sional conduct was detrimental to appeal any decision made in the Committee (which recommended and Humanities Department her performance as a faculty mem- process, and the matter would yet that Dr. Wenzel not be retained). I (ARHU). ber. have to go before President Peter still have faith in the process, and The controversy involves Dr. Carol In an interview with Dr. Wenzel, Mitchell or the Board of Trustees, can only trust that the individuals Wenzel, an instructor in History, she agreed that all of the above the latter of which would make the who will subsequently review my who has allegedly been fired as of charges were made, but that final decision on Dr. Wenzel. file will take the time to read the file June, 1980.