The NDSU Library Instruction Book
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The Bulletin of the Irish Science Fiction Association ,1 ' ;I
>. The Bulletin of The Irish Science Fiction Association ,1 ' ;i ¥¥¥» MV¥¥O WMM¥¥ >/M'^^Vi('i'iV;I-.>C\‘¥MM¥¥¥*M»¥¥¥¥M¥¥¥»>MM¥:M¥¥»l»¥Mi::¥<»¥¥ir¥¥M¥M¥’>MU¥vW¥¥¥¥¥¥V¥¥¥¥¥¥¥ February/March 1982. Welcome again to the Newsletter. This issue features that most controversial subject - your Top Ten Films, along with a discussion of Isaac Asimov's SF / Mystery novels and short stories, and the Good Doctor is himself the subject of the Outline as well. On the Short Story Competition front, you'll be pleased to note that we've extended the closing date to 1st March. This is to allow for any late entries (due to our beloved Post Office or otherwise 1) Library news: From 1st December, 1981, tl._the fees2__ ' _______for taking a book from the ISFA library have been increased by 100%! _However ____ ’ , that's the first increase since about 1978 and only brings the charge up to 20p per book A few members have asked about Artwork in the Newsletter. With this in imind I've decided to put in a couple of small illustrations which, I hope, will add to the appeal of the Newsletter. So if there are a ny budding artists out there who want their name in print (this ’issue's art was done by Michael Fitzgerald) let me have the fruits of your labour before the end of March Please make them small however - ideally 1/4 of an A4 page. Recent Meetings: Although not quite a meeting, a group of film fans from the Association decided to go to "Heavy Metal" in early January.The reports from other members had mostly been favourable and we went there expecting a good film. -
A Holmes and Doyle Bibliography
A Holmes and Doyle Bibliography Volume 2 Monographs and Serials By Subject Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2010 A Holmes & Doyle Bibliography Volume 2, Monographs & Serials, by Subject This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. This second volume presents the exact same information arranged by subject. The subject headings used below are, for the most part, taken from the original De Waal bibliography. Some headings have been modified. Please use the bookmark function in your PDF reader to navigate through the document by subject categories. De Waal's major subject categories are: 1. The Sacred Writings 2. The Apocrypha 3. Manuscripts 4. Foreign Language Editions 5. The Literary Agent (Sir Arthur Conan Doyle) 6. The Writings About the Writings 7. Sherlockians and The Societies 8. Memorials and Memorabilia 9. Games, Puzzles and Quizzes 10. Actors, Performances and Recordings 11. Parodies, Pastiches, Burlesques, Travesties and Satires 12. Cartoons, Comics and Jokes The compiler wishes to thank Peter E. Blau, Don Hobbs, Leslie S. Klinger, and Fred Levin for their assistance in providing additional entries for this bibliography. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 01A SACRED WRITINGS -- INDIVIDUAL TALES -- A CASE OF IDENTITY (8) 1. Doyle, Arthur Conan. A Case of identity and other stories. -
Chapter 1: Introduction
Notes CHAPTER 1: INTRODUCTION I. E.g. Brian Aldiss, ed., Introducing SF: a Science Fiction Anthology, p. 10, says that the stimulus ofa science fiction story comes from the fact that 'it is about what is happening toyou'; Ursula Le Guin, Introduction to her TheLeft Hand ofDarkness, no page, declares, 'Science fiction is metaphor'; Samuel Delany, Thejewel-Hingedjaw: Notes ontheLanguage ofScience Fiction, p. 178, maintains that 'Science fiction is the only area of literature outside poetry that is symbolistic in its basic conception. Its stated aim is to represent the world without reproducing it.' Aldiss , however, can also say, 'T he images are what attract me in science fiction, more even than the surprises and the ideas and the crazy plots' (Aldiss, ed., Yet More Penguin Science Fiction, p. 9 et seq .). 2. I am thinking here particularly of David Ketterer's fine New Worlds for Old: theApocalyptic Imagination, Science Fiction, andAmerican Literature. 3. Compare Mark Rose, Alien Encounters: Anatomy ofScience Fiction , which is a systematic account of the alien as metaphoric projection of the unknown or the 'void ' in our lives and our desire to overcome it. 4. As for example in Herbert's Dune, between the melange spice and oil. But to read only in these terms is mistaken. 5. A sane and wide-ranging account of the history of science fiction can be found in Brian Aldiss, Billion Year Spree : the TrueHistory ofScience Fiction; see also Robert Scholes and Eric S. Rabkin, 'A BriefLiterary History of Science Fiction', Science Fiction: History, Science, Vision, pp. 3-99. The nineteenth century development of the genre in Britain is well covered in Darko Suvin's Victorian Science Fiction in theU.K.: TheDiscourses ofKnowledge andofPower:and that in America by H. -
DOCUMENT RESUME ED 308 861 IR 032 803 AUTHOR Hollenhorst
DOCUMENT RESUME ED 308 861 IR 032 803 AUTHOR Hollenhorst, Kathryn A. TITLE Library Instruction Workbook. A Self-Directed Course in the Use of the NDSU Library. INSTITUTION North Dakota State Univ., Fargo. Univ. Library. PUB DATE 87 NOTE 58p.; Some pages of small type may not reproduce clearly. PUB TYPE Guides - Classroom Use - Materials (For Learner) (051) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Academic Libraries; Higher Education; *Library Instruction; *Library Services; *Online Catalogs; *Reference Services; Workbooks ABSTRACT This workbook in library skills is designed to acquaint students with the facilities and resources of the North Dakota State University Library. Each chapter includes a brief discussion of the topic and a worksheet. The following topics are covered: (1) library tour;(2) the online catalog; (3) term and subject searches using the online catalog; (4) advanced use of the online catalog; (5) locating books; (6) how to check out books and other circulation procedures; (7) how to locate reserve readings; (8) reference room; (9) dictionaries; (10) encyclopedias; (11) almanacs; (12) biographies; (13) periodical indexes; (14) locating periodicals; (15) newspaper indexes and current events reference sources; (16) "Resources in Education" (RIE); and (17) interlibrary loan. (MES) - Reproductions supplied by EDRS are the best that can be made from the original document. U 111 DEPARTMENT Of EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOUR (ERCES INFORMATION CENTERICI *This document has been reproduced as received from the person or organization originating it Minor changes have been made to improve reproduction dualdV Points of view or opinzins stated in this docu- ment do not necessarily reptemint official OERI position or policy t_ .4 "PERMISSION TO REPRCIOUCE THIS MATERIAl. -
ISAAC ASIMOV MYSTERIES Introduction
A devil's dozen of the Masters Mysteries Dr Isaac Asimov is renowned the world over as creator of the magnificent Foundation trilogy, a galaxy-spanning saga of warfare and political intrigue. He has also virtually pioneered the mystery story as a distinct branch of science fiction with such novels as The Naked Sun and The Caves of Steel. Thirteen ingenious stories of crime, murder, puzzlement and detection in the far reaches of space and centuries in the future by perhaps the most famous and consistently entertaining science fiction author of today. This volume is a superb showcase of Asimov's brilliant storytelling talent. 'Any thriller fan with a side interest in sci-fi, or vice versa., will enjoy Asimov's Mysteries,thirteen of the master's stories, 'all observing the rules of the detective story, but all with the additional fillip of the sci-fi setting' ISAAC ASIMOV MYSTERIES Introduction There is a tendency for many people who don't know any better to classify science fiction as just one more member of the group of specialized literatures that include mysteries, westerns, adventures, sports stories, love stories, and so on. This has always seemed odd to those who know science fiction well, for s.f. is a literary response to scientific change, and that response can run the entire gamut of the human experience. Science fiction, in other words, includes everything. How does one differentiate between a science fiction story and an adventure story, for instance, when so much s.f. is so intensely adventurous as to leave the ordinary stories of the type rather pale ? Surely a trip to the moon is first of all an adventure of the most thrilling kind, whatever else it is.