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Google & Paramount Pictures Team up for a First-Of-Its-Kind Movie
Google & Paramount Pictures Team Up for a First-of-Its-Kind Movie Partnership for Christopher Nolan's Film "INTERSTELLAR" MOUNTAIN VIEW, Calif.--(BUSINESS WIRE)-- Google announced today a groundbreaking collaboration with Paramount Pictures for a first-ever multi-platform pact for Christopher Nolan's highly anticipated film INTERSTELLAR. The partnership will feature initiatives delivered across Google platforms, including Google for Education, Google+, Google Play and YouTube. Together, the companies are helping moviegoers connect to the film through immersive experiences, exclusive content and detailed information on how to see the film, find showtimes and purchase tickets. The partnership launched with the INTERSTELLAR SPACE HUB, a first-ever digital initiative supporting a film on a Google domain at g.co/interstellar. As the official website for the film, the INTERSTELLAR SPACE HUB features a Space Hunt content discovery feature and a movie ticket purchasing function, as well as links to a Solar System Builder app available via Google Play. Nolan is working with Google to deliver information about the various film format experiences provided by movie exhibitors. This initiative will provide moviegoers with in-depth information about the distinctions between 70mm, 35mm, 70mm IMAX® film and digital projection, as well as 4k digital and digital motion picture viewing. After audiences have seen the film, they will be encouraged to offer feedback directly to Paramount via the INTERSTELLAR SPACE HUB. Said INTERSTELLAR producer Emma Thomas, "Having the power of Google behind our efforts to inform the audience and enhance their experience of ‘INTERSTELLAR' is an exciting new development in the relationship between filmmakers and audiences. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Sovereign Futures in Neshnabé Speculative Fiction
borderlands DOI | 10.21307/borderlands-2020-009 Vol 19 | No 2 2020 Sovereign Futures in Neshnabé Speculative Fiction BLAIRE TOPASH-CALDWELL Michigan State University, United States Abstract Film has been the primary way dominant society has consumed inaccurate and problematic symbols, images, and stereotypes of Native peoples for over one hundred years. Indigenous-made films, on the other hand, reclaim Indigenous representational space or ‘visual sovereignty’ through narratives of Indigenous experience that highlight culturally relevant stories and contemporary issues they face. In particular, Indigenous-made speculative fiction inspires contemplations of Indigenous agency in alternative realities. Indigenous futurisms expressed in works of speculative fiction is a rejection of theoretical, institutional, and political projects that imagined Indigenous peoples in the past and excluded them from the future. Through a survey of Neshnabé speculative fiction and other art, this article argues that Indigenous futurisms constitute creative approaches to sovereignty in a multiplicity of potential futures and is an analytical framework that illuminates the ever-expanding contours of Indigenous sovereignty in order to imagine an otherwise to present and past circumstances of Indigenous existence. Keywords: Indigenous Futurisms, Science Fiction, Sovereignty, Traditional Knowledge, Speculative Fiction © 2020 Blaire Topash-Caldwell and borderlands journal. This is an Open Access article licensed under the Creative 29 Commons License CC-BY-NC-ND 4.0, https://creativecommons.org/licenses/by-nc-nd/4.0/ Sovereign Futures On a rainy Thursday evening in the spring of 2019, several dozen Pokagon Potawatomi tribal citizens gather at the tribal community center in Dowagiac, Michigan. They are shuffling chairs around as they find places to plop their belongings and greet each other with excited smiles and warm hugs. -
Stills for TV
Stills for TV: https://www.dropbox.com/sh/0crm46s6ukoirs2/AAAVnl3e1bhz0zlvK7ULMwAya?dl=0 Stills for N.O.W.: https://www.dropbox.com/sh/d98xpb4faiv5so4/AAD4BmXMY8NaNPkF2RvRhLTIa?dl=0 TRIBECA FILM FESTIVAL® ANNOUNCES 2019 TRIBECA TV® AND N.O.W. LINEUP; ANNIVERSARY EVENTS FOR GROUNDBREAKING SERIES THE SIMPSONS AND IN LIVING COLOR World Premieres Include Amazon Prime Video’s The Boys; HBO’s Chernobyl and On Tour with Asperger’s Are Us; Netflix’s Tuca & Bertie; Nat Geo’s The Hot Zone and A&E Network’s I Want My MTV A Special Tribeca Talks® Farewell Conversation with the Cast and Creator of Mr. Robot NEW YORK, NY– March 18, 2019 – The 2019 Tribeca Film Festival, presented by AT&T, will debut highly- anticipated new and returning TV series and spotlight creative online storytelling work. The Tribeca TV lineup will include 16 shows made up of eight series premieres, two season premieres, one feature documentary, and five indie pilots. The N.O.W. (New Online Work) section, sponsored by HBO, will showcase 12 projects from creators using digital platforms to tell original stories in addition to special spotlight programs. The N.O.W. Creators Market will return to connect online creators with industry professionals. Building on the Festival's successful film reunions, for the first time this year, Tribeca TV will celebrate anniversaries of acclaimed series In Living Color and The Simpsons, the longest-running American sitcom, marking its milestone 30th anniversary. The hit series Mr. Robot will return to Tribeca after its first episode screened at the Festival in 2015 to celebrate the final season with a special Tribeca Talk conversation with stars Rami Malek, fresh off his Oscar win, Christian Slater, Carly Chaikin, and creator Sam Esmail. -
Dr. Strange Geo-Blocking Love Or: How the E.U. Learned to Stop
BATIA M. ZAREH, DR. STRANGE GEO-BLOCKING LOVE, 41 COLUM. J.L. & ARTS 225 (2018) Dr. Strange Geo-Blocking Love Or: How The E.U. Learned To Stop Worrying About Cultural Integration And Love The TV Trade Barrier Batia M. Zareh* ABSTRACT The E.U. Antitrust Case that opened on July 23, 2015 against Sky U.K. and six American studios—Disney, Fox, NBCUniversal, Paramount Pictures, Sony and Warner Brothers—has its structural roots in the Television Without Frontiers Directive, which was vigorously debated as a last-minute standoff that threatened to derail the conclusion of the GATT Uruguay Round of trade negotiations and is still considered to be the cornerstone of the European Union’s audiovisual policy. This Article examines the unique history of a Cultural Exception with respect to audiovisual works as applied in trade negotiations to Hollywood film and television productions, and argues that, rather than violating E.U. regulations, the decades- * Writer / Producer, Dialectic Arts, LLC. The genesis of this article is from 1995, when while at Columbia Law School the author studied International Trade Law as applied to the entertainment industry under Professors Michael K. Young (former Deputy Under Secretary for Economic and Agricultural Affairs, and Ambassador for Trade and Environmental Affairs in the Department of State during the administration of President George H.W. Bush) and Meritt Janow (now Dean of Columbia University’s School of International and Public Affairs). In the portion of her media career focused on feature film and television related transactional work to license and distribute American programming for ex-North American broadcast, the author’s deal roster has included some of the largest distributors in Europe: ARD/Degeto Film GMBH, Arte, BSkyB, Canal+, Columbia TriStar, France 2/France 3, Freemantle, Gaumont, Mediaset, Miramax, Pro7, RAI2, RTL, TF1, and UFA. -
Distracted Spectatorship, the Cinematic Experience and Franchise Films
Distracted Spectatorship, the Cinematic Experience and Franchise Films By Elizabeth Nichols BA, MA Lancaster University 2017 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy This thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere P a g e | ii Contents List of Figures ........................................................................................................................... iv Abstract ...................................................................................................................................... v Introduction: Distracted Spectatorship and the Cinematic Experience ..................................... 1 Chapter One: Defining the Cinematic Experience ................................................................... 17 Section One: Defining the Cinematic ................................................................................... 17 Section Two: Defining Experience ...................................................................................... 22 Chapter Two: Defining Distracted Spectatorship .................................................................... 37 Section One: Defining Spectatorship ................................................................................... 37 Section Two: Defining Distraction ....................................................................................... 49 Section Three: Defining Distracted Spectatorship Throughout -
Pomona College Magazine Spring/Summer 2019: Medical
COLLEGE MAGAZINE BACK TO THE HOT ZONE A thwarted movie project reborn on TV ANATOMY OF AN OUTBREAK CDC’s Matt Wise ’01 tracks a deadly bug THE FACE OF A PANDEMIC Why was the Spanish flu of 1918 so lethal? Spring/Summer 2019 MEDICAL MYSTERIES [HOMEPAGE] From left: Eric Garcia ’19 and Professor Chuck Taylor Illustration by Steve Stankiewicz 1 From left: Cynthia Nyongesa ’19 and Professor Richard Lewis 2 Illustration by Steve Stankiewicz Spring/Summer 2019 3 From left: Professor Alexandra Papoutsaki and Caroline Chou (CMC ’19) 4 Illustration by Steve Stankiewicz Spring/Summer 2019 5 [STRAY THOUGHTS] [ MEDICAL MYSTERIES ] COLLEGE MAGAZINE DEPARTMENTS A Mystery with a Name Home Page 1 About a dozen years ago, on an ordinary workday morning, as I was following my ordinary Pomona Stray Thoughts 6 workday routine, something inexplicable happened. My wife, a teacher, had already left for SPRING/SUMMER 2019 • VOLUME 55, NO. 2 school. After dressing, I felt a bit odd, so instead of going straight to work, I sat down for a Letter Box 8 moment and opened my laptop. And discovered that I no longer knew how to open a file. My mind had become a hopeless jumble. I couldn’t recall the names of the people I EDITOR/DESIGNER Pomoniana 9 worked with, couldn’t formulate a clear thought or even hold a murky one in my head for Mark Wood ([email protected]) Milestones 12 more than a few seconds at a time. Out of all that confusion, one terrible conviction BOOK EDITOR emerged. This must be what it feels like to have a stroke. -
22-23 Stats 3/26/09 11:07 PM Page 25
Politics, i deas & civic life in Massachusetts Isn’t every child special? The funding tug-of-war between special education and regular education Visit www.CWunbound.org SPRING 2009 $5.00 State reps follow the leader | The limits of green power Hollywood’s view of our film industry tax credit SPRING 2009 CommonWealth 1 CommonWealth editor Bruce Mohl [email protected] | 617.742.6800 ext. 105 executive editor Michael Jonas [email protected] | 617.742.6800 ext. 124 managing editor Robert David Sullivan [email protected] | 617.742.6800 ext. 121 senior associate editor Gabrielle Gurley [email protected] | 617.742.6800 ext. 142 associate editor Alison Lobron [email protected] | 617.742.6800 Realtalk is a lively series about senior investigative reporter Jack Sullivan what young professionals and [email protected] | 617.742.6800 ext. 123 art director Heather Hartshorn working adults can do to make a contributing writers Dave Denison, Dan Kennedy, Neil Miller, Laura Pappano, Robert Preer, Phil Primack, B.J. Roche living, raise a family, and build washington correspondent Shawn Zeller stronger communities for us all. proofreader Jessica Murphy Join in the discussion and become editorial advisors Mickey Edwards, Ed Fouhy, Alex S. Jones, Mary Jo Meisner, Daniel Okrent, Ellen Ruppel Shell, Alan Wolfe one of the more than 1,000 publisher Gregory Torres [email protected] | 617.742.6800 ext. 103 participants involved in RealTalk. sponsorship and advertising Rob Zaccardi [email protected] | 617.742.6800 ext. 101 For information about upcoming circulation Krisela Millios RealTalk programs—including our [email protected] | 617.742.6800 ext. -
Hollywood Counterterrorism: Violence, Protest and the Middle East in U.S
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Hollywood Counterterrorism: Violence, Protest and the Middle East in U.S. Action Feature Films Jason Grant McKahan Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES HOLLYWOOD COUNTERTERRORISM: VIOLENCE, PROTEST AND THE MIDDLE EAST IN U.S. ACTION FEATURE FILMS By JASON GRANT MCKAHAN A Dissertation submitted to the College of Communication and Information in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2009 The members of the committee approve the dissertation of Jason Grant McKahan defended on October 30, 2009. ____________________________________ Andrew Opel Professor Directing Dissertation ____________________________________ Cecil Greek University Representative ____________________________________ Donna Nudd Committee Member ____________________________________ Stephen McDowell Committee Member Approved: ____________________________________________ Stephen McDowell, Director, School of Communication ____________________________________________ Lawrence Dennis, Dean, College of Communication and Information The Graduate School has verified and approved the above-named committee members. ii I dedicate this to my mother and father, who supported me with love and encouragement. iii ACKNOWLEDGEMENTS I would like to express thanks to Dr. Andy Opel, my committee chair. Since I first stepped into his office in 2003, Andy inspired me with his rebellious free thinking and encouraged me to see the deeper connections between things too often taken in isolation. Together, Andy and I daily observed an absurd world with deteriorating human rights and environmental catastrophe and sought to expose injustice and counter arrogance with resistant voices and compassionate values. -
“The Melissa Mccarthy Effect”: Feminism, Body
The Pennsylvania State University The Graduate School “THE MELISSA MCCARTHY EFFECT”: FEMINISM, BODY REPRESENTATION AND WOMEN-CENTERED COMEDIES A Dissertation in Mass Communications by Catherine Bednarz © 2020 Catherine Bednarz Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2020 ii The dissertation of Catherine Bednarz was reviewed and approved by the following: Matthew P. McAllister Professor of Communications Chair of Graduate Programs Dissertation Adviser Co-Chair of Committee Michelle Rodino-Colocino Associate Professor of Communications Co-Chair of Committee Kevin Hagopian Teaching Professor of Communications Lee Ahern Associate Professor of Communications iii Abstract Immediately following its release in 2011, Bridesmaids was met with enormous critical praise as a woman-centered and feminist comedy. This praise was due to the largely female cast of characters in a major film comedy, a rarity in Hollywood. Women face sexism at every level of Hollywood, especially in comedy, so the success of a woman-led movie within the comedy genre was significant. Reviewers described the triumph of Bridesmaids as a game changer, claiming it would open the door to other woman-fronted comedies. This potential was labeled the “Bridesmaids Effect” (Friendly, 2011) by reviewers. However, while some comediennes may have benefitted from the success, I argue that the influence may be more accurately described as a “Melissa McCarthy” effect. This is particularly significant because though there have been several notable and successful female comedians before Melissa McCarthy, very few would be considered fat and feminist. The presence of fat women is not accurately reflected in mass media (Henerson, 2001). -
The Goldbergs
THE GOLDBERGS • Half-Hour Single Cam Comedy Series • Written/Executive Produced by Adam Goldberg (Breaking In) • Directed/Executive Produced by Seth Gordon (Breaking In, Identity Thief) • Executive Produced by Doug Robinson (Rules of Engagement, Breaking In) • Starring: Jeff Garlin, Wendi McLendon-Covey, George Segal, Troy Gentile, Hayley Orrantia, A singleSean cameraGiambrone, comedy and Patton series Oswalt set in(VO) the 1980s, centering on a the youngest child in a crazy family who is mystified as to how he managed to grow up to be a relatively normal person. Tuesdays at 9:00 PM BAD TEACHER • Half-Hour Single Cam Comedy Series • Written/Executive Produced by Hilary Winston (Happy Endings, Community) • Directed by Don Scardino (The Incredible Burt Wonderstone) • Executive Produced by Lee Eisenberg & Gene Stupnitsky (Bad Teacher, The Office), Jimmy Miller (Bad Teacher, The Life and Times of Tim), Sam Hansen • Starring: Ari Graynor, Kristin Davis, Sara Gilbert, David Alan Grier, Ryan Hansen, Sara Rodier A single camera comedy series based on the film, centering on a foulmouthed, ruthless, inappropriate teacher who discovers she can make a difference in young students’ lives. Midseason RAKE • One-Hour Drama Series • Written/Executive Produced by Peter Tolan (Rescue Me), Peter Duncan (Rake, Children of the Revolution) • Executive Produced by Michael Wimer, Greg Kinnear (The Kennedys, Little Miss Sunshine), Ian Collie (Saving Mr. Banks), Richard Roxburgh (Rake) • Directed by Sam Raimi (Spider-Man, Evil Dead) • Starring: Greg Kinnear, Necar Zadegan, Miranda Otto, Bojana Novakovic, John Ortiz, David Harbour, Ian Colletti, Tara Summers Based on the hit Australian TV series, RAKE centers on a brilliant but helplessly self-destructive defense attorney who relies on his wit and charm to defend his clients. -
The Writer's Journey : Mythic Structure for Writers / Christopher Vogler
THE WRITER'S JOURNEY MYTHIC STRUCTURE FOR WRITERS THIRD EDITION CHRISTOPHER VOGLER SCREENWRITING/WRITING Christopher Vogler explores the powerful relationship between mythology and storytelling in his clear, concise style that's made i this book required reading for movie executives, screenwriters, playwrights, fiction and non-fiction writers, scholars, and fans of pop culture all over the world. Discover a set of useful myth-inspired storytelling paradigms like • "The Hero's Journey," and step-by-step guidelines to plot and character development. Based on the work of Joseph Campbell, The Writers Journey is a must for all writers interested in further developing their craft. This updated and revised Third Edition provides new insights and observations from Vogler's ongoing work on mythology's influence on stories, movies, and man himself. In revealing new material, he explores key principles like polarity and catharsis, plus: • A revised chapter which looks back at the Star Wars phenomenon and analyzes the six feature films as an epic on the theme of father-son relationships • New illustrations and diagrams that give additional depth to the mythic principles • A final chapter, "Trust the Path," an inspiring call to adventure for those who want to discover themselves through writing "This book is like having the smartest person in the story meeting come home with you and whisper what to do in your ear as you write a screenplay. Insightfor insight, step for step, Chris Vogler takes us through the process of connecting theme to story and making a script come alive. " - Lynda Obst, Producer, Sleepless in Seattle, How to Lose a Guy in 10 Days; Author, Hello, He Lied "This is a book about the stories we write, and perhaps more importantly, the stories we live.