DOCSLIB.ORG

Bolt Assistant Animation WALT DISNEY PICTURES Supervisor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bolt Assistant Animation WALT DISNEY PICTURES Supervisor THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/bolt Assistant Animation WALT DISNEY PICTURES Supervisor . DARRELL JOHNSON Supervising CREDITS Presents Animators . MARK ANTHONY AUSTIN LINO DI SALVO RENATO DOS ANJOS BOLT CLAY KAYTIS MARK MITCHELL WAYNE UNTEN Directed by . CHRIS WILLIAMS BYRON HOWARD Sequence Leads. ALESSANDRO JACOMINI Produced by. CLARK SPENCER MOHIT KALLIANPUR Executive Produced by. JOHN LASSETER BRIAN LEACH Screenplay by. DAN FOGELMAN RICHARD E. LEHMANN and CHRIS WILLIAMS ROBERT L. MILES Original Score Composed by. JOHN POWELL OLUN RILEY Associate Producer. MAKUL WIGERT CHRIS SPRINGFIELD Editor . TIM MERTENS Visual Effects Additional Screenplay Supervisor. JOHN MURRAH Material by . BYRON HOWARD Art Director. PAUL FELIX and JARED STERN Director of Look and Lighting . ADOLPH LUSINSKY Post Production Head of Story . NATHAN GRENO Executive . BÉRÉNICE ROBINSON Technical Supervisor . HANK DRISKILL Executive Music Producer . CHRIS MONTAN CG Supervisor . MARK EMPEY Music Supervisor . TOM MACDOUGALL Animation Supervisor . DOUG BENNETT STORY Layout Supervisor. TERRY MOEWS Effects Supervisor. DALE MAYEDA Production Department Managers. SUSAN JONES Lighting Supervisor . ERNEST J. PETTI ANDY TEMESVARY Look and Render Supervisor . SEAN D. JENKINS Story Artists. DANIEL CHONG MICHAEL LABASH Production Manager . JASON HINTZ LLOPIS JOE MATEO AURIAN REDSON Sound Designer. RANDY THOM CHRIS URE Modeling Lead. HAL LEWIS Additional Rigging Lead . RYAN ROBERTS Story Artists . STEPHEN ANDERSON Facial/Technical PAUL BRIGGS Animation Lead . DAVE KOMOROWSKI MIKE GABRIEL Simulation Lead. FRANK HANNER MARK KENNEDY Supervising Painter . COLIN ECKART SAM LEVINE Stereo Supervisor . ROBERT NEUMAN DEAN WELLINS 1 Production Assistant. ERIC ELROD Additional Voices . STEPHEN ANDERSON JUNE CHRISTOPHER EDITORIAL CHRISTIN CIACCIO BRIGGS DAVID COWGILL Production Department TERRI DOUGLAS Manager . CHRISTIN CIACCIO BRIGGS JACKIE GONNEAU CREDITS NATHAN GRENO Associate Editor . SHANNON STEIN FORREST IWASZEWSKI HOLLY KANE Assistant Editors . JOHN WHEELER DANIEL KAZ ANTHONY ROCCO PHIL LAMARR DAVE CHUNG ANNE LOCKHART DARA MCGARRY Dialogue Reader . HERMANN H. SCHMIDT SCOTT MENVILLE JONATHAN NICHOLS Production Assistants . KAREN RYAN PAUL PAPE KRISTEN KOLADA LYNWOOD ROBINSON KAREN RYAN Casting by . CURTIS A. KOLLER TARA STRONG PEPPER SWEENEY CAST JOE WHYTE CHRIS WILLIAMS Bolt. JOHN TRAVOLTA Penny . MILEY CYRUS VISUAL DEVELOPMENT & DESIGN Mittens . SUSIE ESSMAN Rhino . MARK WALTON Production Department Dr. Calico . MALCOLM MCDOWELL Manager . TROY NETHERCOTT The Director. JAMES LIPTON The Agent . GREG GERMANN Character Design . JOE MOSHIER Veteran Cat . DIEDRICH BADER JIN KIM Blake. NICK SWARDSON RAFFAELLO VECCHIONE Tom . J.P. MANOUX CHEN-YI CHANG Billy . DAN FOGELMAN Mindy . KARI WAHLGREN Visual Development & Young Penny. CHLOË MORETZ Matte Painting . JIM D. FINN Thug. RANDY SAVAGE MAC GEORGE Dr. Forrester . RONN MOSS JERRY LOVELAND Penny’s Mom. GREY DELISLE JIM MARTIN Penny’s TV Dad. SEAN DONNELLAN KELLY MCGRAW Vinnie. LINO DISALVO GREGORY MILLER Joey . TODD CUMMINGS KEVIN NELSON Bobby . TIM MERTENS BILL PERKINS Ester . KELLIE HOOVER JEAN CHRISTOPHE POULAIN Martin. BRIAN STEPANEK DAN READ Lloyd . JEFF BENNETT DAVID WOMERSLEY Louie . DARAN NORRIS Saul . JOHN DIMAGGIO Production Assistant . MATT WILSON Assistant Director . JENNY LEWIS 2 MODEL DEVELOPMENT Development TDs . ALLEN CORCORRAN ANDREW KINNEY Production Department JU HEE KWON CREDITS Manager . HOLLY E. BRATTON TAL LANCASTER RAMON MONTOYA VOZMEDIANO Modelers. LEO SANCHEZ BARBOSA ADRIENNE OTHON PHILIPPE BROCHU HEATHER PRITCHETT HIROKI ITOKAZU BRIAN JEFCOAT Look Development ERYN KATZ Trainees . KATHRYN DOWLER JOE KWONG CHRISTOPHER DOEHLING GREG MARTIN DAVID MOOY Production Assistant . RACHEL ILLOWSKY DAN PLATT SAMY SEGURA LAYOUT JAMES E. STAPP CHAD STUBBLEFIELD Layout Lead. SCOTT BEATTIE DAN TANAKA JOE WHYTE Production Department PHIL ZUCCO Manager. AUDREY ELLEN GEIGER Production Layout Artists. THOMAS BAKER Assistant . JILL ELIZABETH GOLDMAN ALLEN BLAISDELL CORY ROCCO FLORIMONTE LOOK DEVELOPMENT MARK HENLEY DANIEL HU Production BRIAN KESINGER Department Manager. JASON I. STRAHS JENNIFER KESINGER NEIL KREPELA Look Development MARCI MATSUI Artists . CHARLES COLLADAY RICK MOORE TRACY LEE CHURCH WILLIAM OTSUKA RYAN DUNCAN DUSTIN PAPPAS EDWIN FONG MERRICK RUSTIA BYUNG GUN JUNG DAVID WAINSTAIN SEAN KENNY DOUG WALKER VICKY YUTZU LIN ANDREA LOSCH Matte Painting Layout . JON AGHASSIAN ERIC MCLEAN JEANNIE YIP MICHELLE LEE ROBINSON Layout ATD . ERIK EULEN LEONARD ROBLEDO MITCHELL ALLEN SNARY Layout Finaling LOPSIE SCHWARTZ ATDs . EDWARD TED BOYKE PAMELA SPERTUS SEAN JOEL GOLDMAN CHUCK TAPPAN MICHAEL GUTTMAN LARRY WU AMINDRA “AJ” JAYASINGHE ELKEER ZALDUMBIDE PRATT ARTHUR SUTHERLAND Look 3 Production Assistants . LARA FILBERT SCOTT ROBIDEAU KRISTIN LEIGH YADAMEC K.C. ROEYER JOE SANDSTROM ANIMATION ERIK SCHMIDT YURIKO SENOO Sr. Production Department MICHAEL SHOW CREDITS Manager. JENNIFER CHRISTINE VERA AMY LAWSON SMEED TONY SMEED Production Department LINDSAY VANDER GALIEN Manager . GENNIE RIM CHRIS WAHL ERIC WALLS Animators . JASON ANASTAS DAN WAWRZASZEK CINZIA ANGELINI DOUGG WILLIAMS JAMES BAKER JOHN WONG MICHAEL BELZER DICK ZONDAG JOE BOWERS RALPH ZONDAG REBECCA WILSON BRESEE DARRIN BUTTERS Fix & Additional KATIE CHEANG Animation. TONY CABRERA KEVIN CHESNOS BEVIN CARNES YOUNGJAE CHOI JOSH GRIDLEY SIMON CHRISTEN BEN KERR CHRISTOPHER CORDINGLEY KIRA LEHTOMAKI BOB DAVIES NETH NOM ADAM DYKSTRA FERNANDA VELOSO BRIAN FERGUSON CHADD FERRON Animation TDs. RICKY RIECKENBERG DAVE GOTTLIEB JIWON PAIK ADAM GREEN JASON HERSCHAFT Animation Shot Support BRENT HOMMAN Technicians . CARL “C.J.” LEPAGE STEPHEN HOOGENDYK DAVID OLIVARES ETHAN HURD JOSHUA PEREZ JOHN KAHRS ANDREW SMITH ANTHEA KEROU ALEX KUPERSHMIDT Production Assistants . KATIE CARTER SCOTT C. LEMMER KELLY EISERT SAM MARIN BRITT CARDUCCI ALEXANDER MARK BRIAN F. MENZ RIGGING SET-UP AND STEVEN J. MEYER TECHNICAL ANIMATION MARLON NOWE JOE OH Production Department PATRICK OSBORNE Manager . HEATHER LANZA HYRUM VIRL OSMOND KEITH PACIELLO REBECCA PEREZ IRENE PARKINS NIK RANIERI CLARENCE “BOOLA” ROBELLO 4 Character TDs . VIRGILIO JOHN AQUINO FX ATDs. BRAD ACHORN KATHLEEN M. BAILEY DARA MCGARRY CARLOS CABRAL CREDITS JESUS CANAL Production Assistant . QUERQUIA BACKMAN JESSE CARLSON CRAIG CATON-LARGENT LIGHTING GLEN CLAYBROOK WILLIAM D. KASTAK Production Department Manager DALE BRODT AVNEET KAUR LAUREN CARR KIRBY Lighters. JOAN ANASTAS CLAIRE LAWRENCE-SLATER MAURICE BASTIAN KIM LORANG ERIK J. BORZI JEFF MACNEILL AMY EDWARDS KENT F. MARTIN KATIE A. FICO PETE MEGOW DARREN FISHER CANDICE MILLER ANDY GARCIA DARREN MORTILLARO ADAM GARZA JOHN EDGAR PARK PAULA GOLDSTEIN YORK NAYLOR SCHUELLER JIM GREEN AMY SHIMANO GEOFF HARVEY RUSSELL L. SMITH EARL HUDDLESTON TIMMY TOMPKINS JOHN HUIKKU HIDETAKA YOSUMI ROGER HUYNH STEPHEN V. HWAN Production Assistant . SAN THACH ADRIAN ILER IVA ITCHEVSKA-BRAIN EFFECTS ANIMATION JONGO HANS-JOERG KEIM Effects Lead . MICHAEL KASCHALK NOAH KLABUNDE KEVIN KONEVAL Production Department GINKA KOSTOVA Manager . DEBBIE VERCELLINO FRANCES KUMASHIRO MICHAEL LEUNG Effects Animators. BRETT BOGGS RICHARD LIUKIS IAN J. COONY JASON MACLEOD PATRICK DALTON WILLIAM MCCRATE PETER DEMUND JORGE OBREGON DAVID HUTCHINS YUKO OKUMURA TED KIERSCEY CARA PAUL BILL KONERSMAN AMY PFAFFINGER KEVIN K. LEE ALAN PRECOURT JAMES DEV. MANSFIELD ROMAN ROBBINS TIMOTHY MOLINDER WALLY SCHAAB DANIEL NAULIN MARK SIEGEL MIKE NAVARRO JOSH STAUB SIMON O’CONNOR BROCK J. STEARN ROBERT ROSENBLUM DAVID TANNER KEE NAM SUONG UMAKANTH THUMRUGOTI D. ERICH TURNER LISA TSE CESAR VELAZQUEZ JIMMY VALLADAO BRUCE WRIGHT 5 SONDRA VERLANDER Assistant to the Producer WAYNE VINCENZI and Directors. EILEEN AGUIRRE KRISTI HANSEN WALVOORD Assistant to the KATHY WHITE Production. STEPHANIE ANNE DEJOHN MARK A. WILSON Sweatbox CREDITS Lighting TDs . MIKE HARRIS Production Assistant . JUSTIN BRUNETT JEFF SADLER General Production LEWIS N. SIEGEL Assistants. STEVEN ROYCE AVILA BRIAN SILVA LEANNE K. TANIZAWA YUN-CHEN SUNG PRODUCTION RESOURCES Production Assistant . MIKE HUANG Vice President RENDER TEAM of Production. CAROLYN SOPER Manager. TANJA KNOBLICH Render Lead . SCOTT KERSAVAGE Administration Manager . KELSI TAGLANG Production Department ANIMATION TECHNOLOGY Manager . COLLIN LARKINS STRIKE TEAM Lighting ATDs . DOUGLAS ADDY Technology Manager . ERICK MILLER BRIAN BLASIAK KEANAN CANTRELL BRETT ACHORN TOM CRAIGEN, JR. DAVID AGUILAR HEIDI FRIESE BRENT BURLEY ROBERT GARCIA TINA PEDIGO BROOKS MARIBETH GLASS ELENA DRISKILL NATHANIEL LANE BRENDAN DUNCAN ROBERT LARIZ YUN-PO PAUL FAN CHRISTOPHER J. LOGAN EVAN GOLDBERG AMOL SATHE PAUL HILDEBRANDT PRAGYA TOMAR TONY KAAP JENNIFER YU CATHERINE LAM MATTHEW E. LEVINE PRODUCTION YING LIU JOSEPH M. LOHMAR Production JOHN LONGHINI Finance Lead . BARDO S. RAMÍREZ THADDEUS P. MILLER JOHN ROBERT PERRY General Production DMITRIY PINSKIY Department Manager . TIM PAUER MATTHEW SCHNITTKER Sweatbox Department TODD SCOPIO Manager . MARIA R. MORGAN MARYANN SIMMONS Publicity Department EUGENE STRULYOV Manager . TOM MEREDITH WENDY M. TAM ROY TURNER Administration Manager . VICKI CASE TAMARA VALDES AOHAN ZHAO 6 MUSIC Music Business Affairs . DONNA COLE-BRULÉ “BARKING AT THE MOON” Music Production CREDITS Written and Performed by. JENNY LEWIS Coordinator . ASHLEY CHAFIN Produced by . GILLIAN WELCH Executive Music Assistant . JILL HEFFLEY & DAVID RAWLINGS Music Production with JENNY LEWIS Assistant . SIOBHAN SULLIVAN & JOHNATHAN
Load more

Recommended publications
  • THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
    ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art.
    [Show full text]
  • Here Comes Television
    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
    [Show full text]
  • Digital Surrealism: Visualizing Walt Disney Animation Studios
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • Suggestions for Top 100 Family Films
    SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT..
    [Show full text]
  • The Fisher King
    Movies & Languages 2017-2018 Zootropolis About the movie (subtitled version) DIRECTOR Byron Howard (story), Rich Moore (story), Jared Bush (story & screenplay) YEAR / COUNTRY 2016 / USA GENRE 3D American computer-animated Comedy- Adventure film ACTORS Voice cast: G. Goodwin, J. Batemen, I. Elba, J. Slate, N. Torrence, B. Hunt, D. Lake, T. Chong, J.K. Simmons, O. Spencer, A. Tudyk and Shakira PLOT Zootopia takes place in a world of anthropomorphic mammals living in an intricate network of ecosystems like ritzy Sahara Square and frigid Tundratown, where mammals co-exist (more or less) despite numerous class distinctions. The story focuses on Judy Hoops a plucky rabbit who becomes Zootopia’s first official bunny cop thanks to a “Mammal Inclusive Initiative” focused on recruiting cops of diverse backgrounds. Assigned to Zootopia’s police precinct, Judy shows up for work, the tiniest recruit in a field dominated by rams, elephants, lions etc.! But the life lessons continue to accumulate when gruff bullheaded Chief Bogo (a cape buffalo) assigns Judy to menial parking ticket duty rather than allow her to work on a mammal-missing case, unwilling to acknowledge Judy as a real officer because of her species. Judy soon realizes that the city’s “perfection” falls a little too short and learns that Zootopia isn’t at all like her idealized version. Predators (10%) and prey (90%) do not all get along like a big commune: there are tensions, prejudices among all the animals. Among other things, Judy also has to overcome unfair preconceptions about her own abilities. However, determined to prove herself, Judy volunteers to undertake the mammal-missing case and given 48 hours to solve the case or resign.
    [Show full text]
  • Animated Stereotypes –
    Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes.
    [Show full text]
  • The Diving Bell and the Butterfly June 2016
    PROGRAMME THE DIVING BELL AND THE BUTTERFLY JUNE 2016 “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards 2014 JUNE 2016 • ISSUE 135 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN JUNE CONTENTS Films At A Glance 16-17 Rants and Pants 26-27 BOX OFFICE: 01442 877759 Mon to Sat 10.30-6.30 The Diving Bell and The Butterfly Sun 4.30-5.30 Remains one of our most powerful, beautiful films. (2008) Don’t miss. Page 18 SEAT PRICES Circle £9.00 FILMS OF THE MONTH Concessions £7.50 Table £11.00 Concessions £9.50 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 All matinees £5, £6.50, £10 (box) Disabled and flat access: through SEE more. DO more. the gate on High Street (right of apartments) Truman Mustang 50% OFF YOUR SECOND PAIR A fabulous South American tragi- They’re saying this is the must-film Terms and conditions apply Director: James Hannaway comedy embracing all the worth in to see… so come and see. 01442 877999 life and death. Page 10 Page 13 Also available with Advertising: Chloe Butler 01442 877999 (From Space) Artwork: Demiurge Design 01296 668739 The Rex High Street (Three Close Lane) Berkhamsted, Herts HP4 2FG www.therexberkhamsted.com Troublemakers: Race The Story Of Land Art The timely story of Jesse Owens. “ Unhesitatingly The Rex Miss this and you might as well Hitler should have taken more 24 Bridge Street, Hemel Hempstead 25 Stoneycroft, Hemel Hempstead is the best cinema I have stop breathing… Breathtaking care of his skin.
    [Show full text]
  • El Cine De Animación Estadounidense
    El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice
    [Show full text]
  • 89Th Annual Academy Awards® Oscar® Nominations Fact
    ® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010).
    [Show full text]
  • DAVID FLUHR (Continued)
    David E. Fluhr, C.A.S. Re-Recording Mixer Awards & Nominations 1 CAS Award; 6 CAS Nominations 9 Emmy Awards; 38 Emmy Nominations (1984-1998) Selected Credits Director/Picture Editor/Production Co. TINKER BELL AND THE GREAT FAIRY RESCUE Bradley Raymond/ Lisa Linder & Kevin Locarro/Disney Toon Studios TANGLED Nathan Greno & Byron Howard/Tim Mertens/ Walt Disney Pic STEP UP 3-D John Chu/Andrew Marcus/Walt Disney Pic PREP & LANDING Kevin Deters & Stevie Wermers/William Caparella/ Walt Disney Pic THE PRINCESS AND THE FROG Ron Clements & John Musker/Jeff Draheim/ Walt Disney Pic SURROGATES Jonathan Mostow/Kevin Stitt/Walt Disney Pic TINKER BELL AND THE LOST TREASURE Klay Hall/Alan Stewart/Disney Toon Studios THE JONAS BROTHERS 3D CONCERT Bruce Hendricks/ Michael Tronick/Walt Disney Pic THE UNINVITED (addl. re-recording) Charles & Thomas Guard/Jim Page/ DreamWorks SUPER RHINO (Short Film) Nathan Greno/ Shannon Stein/ Walt Disney Pic BOLT Byron Howard & Chris Williams/Walt Disney Pic HANNAH MONTANA BEST OF BOTH Bruce Hendricks/Michael Tronick/Walt Disney Pic WORLDS CONCERT TOUR-3D COLLEGE ROAD TRIP Roger Kumble/Roger Bondelli/ Walt Disney Pic ENCHANTED (music re-recording mixer) Kevin Lima/Gregory Perler/Walt Disney Pictures THE GUARDIAN Andrew Davis/Dennis Virkler/Touchstone Pictures MEET THE ROBINSONS Stephen Anderson/Ellen Keneshea/Walt Disney Pic THE LOOKOUT Scott Frank/Jill Savitt/Miramax, Spyglass BARNYARD Steve Oedekerk/Paul Calder/Paramount BLACK SNAKE MOAN Craig Brewer/Billy Fox/Paramount CHICKEN LITTLE Mark Dindal/Dan Molina/Walt Disney Pictures THE GREAT RAID John Dahl/Pietro Scalia/Miramax THE GREATEST GAME EVER PLAYED Bill Paxton/Elliot Graham/Walt Disney Pictures THE ALAMO John Lee Hancock/Eric Beason/Imagine Ent.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]