The Virgin Islands Our New Possessions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
By Stuart Thornton
R E S O U R C E L I B R A R Y A RT I C L E Pirate in the Caribbean While not as famous as other Caribbean pirates like Blackbeard and Captain Kidd, French pirate Jean Hamlin ended up eluding capture on St. Thomas with the assistance of the corrupt governor of the island. G R A D E S 6 - 12+ S U B J E C T S Geography, Human Geography, Social Studies, World History For the complete article with media resources, visit: http://www.nationalgeographic.org/article/pirate-caribbean/ By Stuart Thornton Wednesday, June 1, 2011 From the view on top of Blackbeard’s Castle, the red-tiled roofs of the city of Charlotte Amalie ring a blue-green harbor that was once a pirate refuge in the late 1600s. Charlotte Amalie is the capital of the island of St. Thomas, part of the U.S. Virgin Islands. There is no proof the infamous English pirate Blackbeard caroused Charlotte Amalie’s taverns —Blackbeard’s Castle is actually the name of a 10-meter (34-foot) tall Danish watchtower that has no apparent connection to its namesake. Captain William Kidd, a Scottish sailor famously executed for piracy, sailed into the harbor in 1699 to drop off five deserters and a sick man. Yet it’s a lesser-known French pirate, Jean Hamlin, whose presence on St. Thomas is best documented. Hamlin was a successful pirate, having raided English and other European ships off the coast of Jamaica and Hispaniola in the Caribbean Sea. -
May 1, 2016, Lazy Bones Travelogue, Virgin Islands And
May 1, 2016 Lazy Bones Update: British Virgin Islands (BVI’s), U.S. Virgin Islands, and Puerto Rico Our last update left off with us setting sail on March 14th from St Maarten, the most northerly of the Leeward Islands, to the British Virgin Islands (BVI’s). Our destination was the island of Virgin Gorda, 84 miles northwest. We left St. Maarten at 5:30 AM and experienced rain squalls most of the day, but we averaged over eight knots and even hit 10.2 knots! We arrived at Virgin Gorda North Sound at 3:30 PM and anchored off Prickly Pear Island. The next morning we took the dinghy across the sound to Gun Creek and cleared in with customs. We came back to Lazy Bones and motor-sailed over to the Bitter End Yacht Club (BEYC), anchored outside the mooring field, and went ashore for lunch. The BEYC is a unique nautical resort that caters to all yachtsmen. They have a small marina, several restaurants, friendly bars, a small grocery store, bungalows, Wi-Fi, a pool, and much more. It’s a great place to hang out, have some drinks, and enjoy a nice meal. At 4:30 we took the dinghy over to Saba Rock for happy hour. This tiny island was owned by Bert Kilbride, a big enthusiast for SCUBA diving, back in the fifties. In the sixties Bert opened the Pirates Pub, set up a few moorings, and Saba Rock became the local sailors’ hangout. In 1997, he sold out to a developer who built an amazing resort on this tiny piece of rock. -
Hclassifi Cation
Form No. 10-300 &&>•, \Q-' UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS ___________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ I NAME HISTORIC Charlotte Amalie Historic District AND/OR COMMON STREET & NUMBER _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Charlotte Amalie _.VICINITY OF 1 STATE CODE COUNTY CODE Vircrin Islands 78 £+- rPl-»/-Ymae n0an HCLASSIFI CATION CATEGORY OWNERSHIP STATUS PRESENT USE -^DISTRICT —PUBLIC ^.OCCUPIED _ AGRICULTURE _?MUSEUM _ BUILDING(S) —PRIVATE ^.UNOCCUPIED ^COMMERCIAL —PARK —STRUCTURE ^.BOTH —WORK IN PROGRESS ^.EDUCATIONAL ^PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT J^RELIGIOUS —OBJECT _IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED ^-YES. UNRESTRICTED —INDUSTRIAL .^TRANSPORTATION _NO ^.MILITARY —OTHER: Multiple Ownership STREET & NUMBER CITY, TOWN STATE VICINITY OF LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS,ETC. Recorder of Deeds STREET & NUMBER ,..,.18; Kongens Gade CITY, TOWN STATE Charlotte Amalie, St. Thomas U.S. Vi-rm'n QQ801 El REPRESENTATION IN EXISTING SURVEYS TITLE Select properties within the district have been surveyed by HABS DATE x—FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS National Park Service and Library of Concjress CITY. TOWN STATE Washington D.C. DESCRIPTION CONDITION CHECK ONE CHECK ONE X_EXCELLENT ^DETERIORATED ^.UNALTERED ^ORIGINAL SITE X_GOOD -
Tucson Art Academy Online Skip Whitcomb
TUCSON ART ACADEMY ONLINE SKIP WHITCOMB PAINTS WHITE Any good to professional quality Titanium or Titanium/Zinc White in large tubes(150-200ML) size. Jack Richeson Co., Gamblin, Vasari, Utrecht, Winsor & Newton are all good brands, as are several other European manufacturers. I strongly recommend staying away from student grade paints, they do not mix or handle the same as higher/professional grade paints. YELLOWS Cadmium Yellow Lemon Cadmium Yellow Lt. (warm) Cad. Yellow Medium or Deep Indian Yellow ORANGES Cadmium Yellow Orange (optional) Cadmium Orange REDS Cadmium Red Light/ Pale/ Scarlet (warm) Cadmium Red Deep Permanent Alizarin Crimson Permanent Rose (Quinacridone) BLUES Ultramarine Blue Deep or Dark Cobalt Blue Prussian Blue or Phthalo Blue GREENS Viridian Viridian Hue (Phthalo Green) Chrome Oxide Green Olive Green Sap Green Yellow Green VIOLETS Mauve Blue Shade (Winsor&Newton) Dioxazine Violet or Purple EARTH COLORS Yellow Ochre Raw Sienna Raw Umber Burnt Sienna Terra Rosa Indian Red Venetian Red Burnt Umber Van Dyke Brown BLACKS Ivory Black Mars Black Chromatic Black Blue Black MARS COLORS Mars Yellow Mars Orange Mars Red Mars Violet IMPORTANT TO NOTE!! Please don’t be intimidated by this list! You will not be required to have all these colors on hand for our class. This is intended to be a recommendation for the studio. Specific colors on this list will come in handy for mixing in certain color plans. I will be happy to make suggestions along the way A good working palette for the studio would be: Cad. Yellow Lemon, Cad. Yellow Pale(warm), and/or Cad. -
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart Derivan Americana Derivan Americana Matisse Flow Acrylics Matisse Flow Acrylics Alpine Green 2 - DAO82 Evergreen Brilliant Alizarine 2 - DA179 Alizarin Crimson 1 - DA144 Yellow Light 1 - DA159 Cherry Red Antique Blue 1 - DAO38 Wedgewood Blue Burgundy 1 - DA140 Red Violet 1 - DA166 Deep Midnight Blue 1 - DA165 Napa Red 1 - DA172 Black Plum Antique Gold 1 - DA146 Antique Gold Deep Burnt Sienna DA223 Traditional Burnt Sienna ato - DAO67 Lamp (Ebony) Black Antique Green 2 - DA105 Blue Grey Mist Burnt Umber 2 - DA221 Traditional Burnt Umber 1 - DAO84 Midnite Green 1 - DA160 Antique Maroon Antique White 2 - DA239 Warm White Cadmium Orange 8 - DA228 Bright Orange 1 - DAO3 Buttermilk 1 - DAO10 Cadmium Yellow Aqua Green Light 2 - DAO1 Snow (Titanium) White Cadmium Red Medium DAO15 Cadmium Red 1 - DAO47 Bluegrass Green Ash Pink 4 - DA164 Light Buttermilk Cadmium Yellow Light DA144 Yellow Light 3 - DA189 Summer Lilac 2 - DA186 French Mauve Aureolin Yellow 4 - DA144 Yellow Light Cadmium Yellow Medium DA227 Bright Yellow 1 - DA146 Antique Gold Deep 1 - DAO10 Cadmium Yellow Australian Olive Green 10 - DA113 Plantation Pine Carbon Black DAO67 Lamp (Ebony) Black 1 - DAO67 Lamp (Ebony) Black Australian Red Violet DA140 Red Violet Cerulean Blue DAO36 True Blue Australian Sap Green 2 - DA113 Plantation Pine Chromium Green Oxide 2 - DAO51 Leaf Green 1 - DA144 Yellow Light 1 - DAO53 Mistletoe Australian Sienna 1 - DA223 Traditional Burnt Sienna Cobalt Blue 2 - DA141 Blue Violet 1 - DA194 Marigold -
Approved Gold Sealed Accommodations Tortola
Approved Gold Sealed Accommodations Last Updated March 3, 2021 @ 9:58am Tortola 21 Spyglass 27 Spy Glass Alfresco Allamanda Estate Anniversary House Applesurf Ocean Mist Applesurf Seabreeze Aqua Vista Villa Arawak House Azure Vista Azure Wish Villa Beachstone House Black Beard Blue Latitude Bougainvillea Villa Brewers Bay Beach House BVI Village Caleso Cane Garden Bay Cottage Capoon's Bay Hideaway Captains House Carrie's Island Comfort Inn Casa Caribe Loft Casa Caribe Sea level Casa Jodek Cena'a Beach Rentals Cooper Bay Villas Cooten House Columbus Sunset Apartments Cottage Angelica Dragon Fly Villa Dream Turquoise Elm’s Beach Suites Elysium Endless Summer Villas Ewing House Fabred's Place Far Pavillon Flamingo Sunset House Flamingo Villa Fort Burt Hotel Four Winds Villa Grape Tree Vacation Rentals Green Leaf Oasis Gustalt Heritage Inn Hibiscus Villa 7 High Point Villa Hummingbird House Indigo Manor Villas/Blue Ocean Indigo Manor/Sunset Safari Kerensa Villa Kingston Inn Holding Ltd Limeberry Villa Lime Leaf Cottage Long Bay Beach Resort Long Bay Villas - #133 #137 Lucian Turbull’s Apartments Magic Castle McNamara Estate House MMDS Properties Moonstone Garden Suite Moonstone Penthouse Murray House Myetts Garden Inn Nanny Cay Resort & Marina Otis House Palm Grove Villa Papaya Pelican Peak Percy's Deck House Pineapple Villa (Coconut Breeze Villas) Pretty View Villa Quito’s Beach House Rouges House Sana Souci Scottland Villas Sea Breeze & Ocean View Villas (Coconut Breeze Villas) Sea Fan Sea View Hotel Seven Peaks Villa Smuggler’s Lookout -
How the Colonies Were Actually Governed
1 THE DANISH WEST INDIES UNDER COMPANY RULE (1671-1754) INTRODUCTION: GEOGRAPHICAL AND HISTORICAL If Belgium has been described, and not inaccurately, as “the cockpit of Europe,” the West Indies may be regarded as “the cockpit” of sea power. The islands and mainland of the Caribbean and Gulf regions have been among the prizes for which European states have contended in practically every war of consequence that has been fought during the seventeenth and eighteenth centuries. Just why Spaniards, Frenchmen and Englishmen, Dutchmen and Danes, Swedes and Brandenburgers, and even Knights of Malta and Courlanders, should all at one time or another have directed their energies to West Indian commerce and commercial exploitation is a question that very few, beyond a limited number of specialists, are able intelligently to answer. The heterogeneous character of the West Indian political map of to-day has behind it an interesting story, and one thoroughly worth studying, for those who wish to grasp understandingly the reasons for European interest in America before Spain lost her various American Colonies on the mainland. So far as the immediate effects upon Europe were concerned, the beating back of the Spanish frontier in the Caribbean regions by Spain’s commercial rivals was far more important at the time than the distant frontier struggles of Spaniards, Frenchmen, and Englishmen on the mainland of America. The present study is an attempt to separate from the tangled skein of West Indian history the single small thread that concerns the early efforts of Denmark-Norway to establish itself in those distant regions. -
Everything In
University of Texas at El Paso ScholarWorks@UTEP Open Access Theses & Dissertations 2020-01-01 Everything In Greg Chavez University of Texas at El Paso Follow this and additional works at: https://scholarworks.utep.edu/open_etd Part of the Creative Writing Commons Recommended Citation Chavez, Greg, "Everything In" (2020). Open Access Theses & Dissertations. 3149. https://scholarworks.utep.edu/open_etd/3149 This is brought to you for free and open access by ScholarWorks@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of ScholarWorks@UTEP. For more information, please contact [email protected]. EVERYTHING IN GREG CHAVEZ Master’s Program in Creative Writing APPROVED: Sylvia Aguilar-Zéleny, MH, MFA, Chair Jeffrey Sirkin, Ph.D. Annika Mann, Ph.D. Stephen L. Crites, Jr., Ph.D. Dean of the Graduate School Copyright © by Greg Chavez 2020 EVERYTHING IN by GREG CHAVEZ, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO December 2020 Acknowledgements I wish to express my sincerest gratitude for the entire creative writing community at UTEP. Your invaluable feedback and encouragement along the way has helped guide my writing into and out of spaces it had feared to tread. Special thanks to all my UTEP professors who challenged me to see writing and literature from perspectives never imagined. To my thesis committee, Professor Sylvia Aguilar-Zéleny, Dr. Jeffrey Sirkin, and Dr. -
Color Chart Includes Those Colors Made from Inorganic Pigments, That Is, Metal Ores Dug from the Earth
GAMBLIN ARTISTS COLORS GAMBLIN ARTISTS OIL COLORS Artists Oil mineral inorganic colors modern organic colors Colors • All colors made from metals (Cadmium, Cobalt, Iron, etc.) are “inorganic” • Carbon based pigments are “organic” • 19th century colors of the Impressionists and the colors of Classical and Renaissance era painters • 20th century colors • High pigment load, low oil absorption • Most pigments available in a warm and cool version (ex. Phthalo Green, Phthalo Emerald) • Colors easily grey-down in mixtures, excellent for painting natural colors and light • Best choice for high key painting, bright tints • Mostly opaque with a few semi-transparent and transparent colors • Mostly transparent, with some semi-transparent colors Impressionist 20th Century CADMIUM CHARTREUSE CADMIUM LEMON CADMIUM YELLOW LIGHT CADMIUM YELLOW MEDIUM CADMIUM YELLOW DEEP HANSA YELLOW LIGHT HANSA YELLOW MEDIUM HANSA YELLOW DEEP INDIAN YELLOW CADMIUM ORANGE CADMIUM ORANGE DEEP CADMIUM RED LIGHT CADMIUM RED MEDIUM CADMIUM RED DEEP PERMANENT ORANGE TrANSPARENT OrANGE NAPTHOL RED NAPTHOL SCARLET PERYLENE RED white · grey · black ALIZARIN CrIMSON MANGANESE VIOLET COBALT VIOLET ULTRAMARINE VIOLET ALIZARIN PERMANENT QUINACRIDONE RED QUINACRIDONE MAGENTA QUINACRIDONE VIOLET DIOXAZINE PURPLE TITANIUM WHITE RADIANT WHITE TITANIUM ZINC WHITE QUICK DRY WHITE FLAKE WHITE REPLACEMENT ULTRAMARINE BLUE COBALT BLUE PrUSSIAN BLUE CERULEAN BLUE COBALT TEAL INDANTHRONE BLUE PHTHALO BLUE CERULEAN BLUE HUE MANGANESE BLUE HUE PHTHALO TURQUOISE FASTMATTE TITANIUM WHITE ZINC WHITE -
The Pirates' Who's Who, by Philip Gosse 1
The Pirates' Who's Who, by Philip Gosse 1 The Pirates' Who's Who, by Philip Gosse The Project Gutenberg EBook of The Pirates' Who's Who, by Philip Gosse This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Pirates' Who's Who Giving Particulars Of The Lives and Deaths Of The Pirates And Buccaneers Author: Philip Gosse Release Date: October 17, 2006 [EBook #19564] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE PIRATES' WHO'S WHO *** Produced by Suzanne Shell, Christine D. and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note. Many of the names in this book (even outside quoted passages) are inconsistently spelt. I have chosen to retain the original spelling treating these as author error rather than typographical carelessness. THE PIRATES' The Pirates' Who's Who, by Philip Gosse 2 WHO'S WHO Giving Particulars of the Lives & Deaths of the Pirates & Buccaneers BY PHILIP GOSSE ILLUSTRATED BURT FRANKLIN: RESEARCH & SOURCE WORKS SERIES 119 Essays in History, Economics & Social Science 51 BURT FRANKLIN NEW YORK Published by BURT FRANKLIN 235 East 44th St., New York 10017 Originally Published: 1924 Printed in the U.S.A. Library of Congress Catalog Card No.: 68-56594 Burt Franklin: Research & Source Works Series 119 Essays in History, Economics & Social Science -
Matisse Structure & Flow Formula
MATISSE STRUCTURE & FLOW FORMULA STRUCTURE FORMULA: ALL COLOURS AVAILABLE IN 75ML & 150ML TUBES and 250ML & 500ML JARS C dolour Car WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR OR 4LT TUBS. FLOW FORMULA: ALL COLOURS AVAILABLE IN 75ML & 500ML JARS WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR TUBS. Titanium White ● Iridescent White ● Antique White ● ASTM 1 S1 NT S4 ASTM 1 S1 Pure Brilliance.Pure Quality Australian Ghost Gum ● Unbleached Titanium ● Naples Yellow Light ● ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 Nickel Titanate ● Yellow Light Hansa Bismuth Yellow ● Cadmium Yellow Light ● Primary Yellow ● Yellow Mid Azo ● Cadmium Yellow Medium ● ASTM 1 S4 ASTM 2 S2 ASTM 1 S5 ASTM 1 S4 ASTM 2 S2 ASTM 1 S2 ASTM 1 S4 Aureolin Yellow Yellow Deep ● Iso Yellow ● Australian Salmon Gum ● Cadmium Orange ● Matisse Orange DPP ● Permanent Orange ● BWS 8 S7 ASTM 1 S2 ASTM 1 S6 ASTM 1 S2 ASTM 1 S4 BWS 8 S7 ASTM 1 S3 Vermillion (Azo) ● Cadmium Orange Deep ● Naphthol Scarlet ● Matisse Red Light ● Matisse Scarlet DPP ● Primary Red ● Cadmium Red Medium ● ASTM 1 S3 ASTM 1 S4 ASTM 2 S3 ASTM 1 S4 ASTM 1 S7 ASTM 1 S4 ASTM 1 S4 Quinacridone Red Naphthol Crimson ● Brilliant Alizarin (Crimson) ● Australian Red Violet ● Matisse Rose Madder ● Magenta Quin Violet Magenta Light ● ASTM 1 S4 ASTM 2 S3 ASTM 2 S3 ASTM 1 S6 ASTM 1 S7 ASTM 1 S3 BWS 8 S2 Ash Pink ● Venetian Red ● Transparent Venetian Red Permanent Maroon ● Deep Rose Madder (Perm) Burgundy ● Dioxazine Purple ASTM 1 S2 ASTM 1 S2 ASTM 1 S3 ASTM 1 S6 ASTM 1 S4 ASTM 2 S2 ASTM 2 S3 Permanent Light Violet ● Australian Sky Blue -
Textures of Williamsburg Handmade Oil Colors
Textures of Williamsburg Handmade Oil Colors VERY FINE FINE MEDIUM COARSE Alizarin Orange Permanent Red-Orange Brown Umber Alizarin Crimson Brown Pink Bismuth Vanadate Yellow Permanent Yellow Deep Burnt Sienna Alizarin Yellow Dutch Brown (Transparent) Brilliant Yellow Extra Pale Permanent Yellow Light Burnt Umber Bohemian Green Earth Italian Pink Brilliant Yellow Pale Permanent Yellow Medium Cadmium Green Brown Ochre Olive Green Carl’s Crimson Persian Rose Cadmium Green Light Cyprus Orange Stil De Grain Cerulean Blue French Phthalo Blue Cadmium Lemon Earth Green Chromium Oxide Green Phthalo Green Cadmium Orange French Ardoise Grey Cinnabar Green Light Phthalo Green-Yellowish Cadmium Purple French Brown Ochre Cobalt Blue Phthalo Turquoise Cadmium Red Deep French Burnt Ochre Cobalt Blue Deep Provence Violet Bluish Cadmium Red Light French Burnt Umber Cobalt Green Provence Violet Reddish Cadmium Red Medium French Light Sienna Cobalt Teal Bluish Prussian Blue Cadmium Red Purple French Ochre Havane Cobalt Teal Greenish Pyrrole Orange Cadmium Red Vermilion French Raw Sienna Cobalt Turquoise Bluish Pyrrole Red Cadmium Yellow Deep French Raw Umber Cobalt Turquoise Greenish Quinacridone Magenta Cadmium Yellow Extra Deep French Rouge Indien Cobalt Violet Deep Quinacridone Red Cadmium Yellow Light French Terre Verte Cobalt Violet Light Quinacridone Violet Cadmium Yellow Medium French Yellow Ochre Deep Courbet Green Sevres Blue Canton Rose German Earth Dianthus Pink SF Cerulean Blue French Cerulean Blue (Genuine) Graphite Grey Egyptian Violet SF