The Fair Dinkum Matilda Denis Gibbons
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(Billy) Mclean
Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History Volume 4 Issue 1 Illawarra Unity Article 4 June 2004 The Shooting of William (Billy) McLean Dennis O'Keeffe Follow this and additional works at: https://ro.uow.edu.au/unity Recommended Citation O'Keeffe, Dennis, The Shooting of William (Billy) McLean, Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History, 4(1), 2004, 64-78. Available at:https://ro.uow.edu.au/unity/vol4/iss1/4 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Shooting of William (Billy) McLean Abstract Billy McLean was born in 1869 and lived at Koroit in Western Victoria. He was cut down in the prime of his life, while defending his union mates during the Shearers Strike of 1894. Keywords trade unions, shearers, strikes This journal article is available in Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History: https://ro.uow.edu.au/unity/vol4/iss1/4 Illawarra Unity Illawarra Unity The Shooting of William (Billy) McLean Dennis O’Keeffe [Note: Except where otherwise indicated all the songs and verse indicated by italics are from songs on Billy Mclean and the Rodney by Dennis O’Keefe and produced in his CD Waltzing Matilda]. They might fool you, but they’ll never fool me, A hero he died, and a hero he will be, Few men will walk where he’s gone, The Union wrote music, young Billy sang the song. -
Concert and Music Performances Ps48
J S Battye Library of West Australian History Collection CONCERT AND MUSIC PERFORMANCES PS48 This collection of posters is available to view at the State Library of Western Australia. To view items in this list, contact the State Library of Western Australia Search the State Library of Western Australia’s catalogue Date PS number Venue Title Performers Series or notes Size D 1975 April - September 1975 PS48/1975/1 Perth Concert Hall ABC 1975 Youth Concerts Various Reverse: artists 91 x 30 cm appearing and programme 1979 7 - 8 September 1979 PS48/1979/1 Perth Concert Hall NHK Symphony Orchestra The Symphony Orchestra of Presented by The 78 x 56 cm the Japan Broadcasting Japan Foundation and Corporation the Western Australia150th Anniversary Board in association with the Consulate-General of Japan, NHK and Hoso- Bunka Foundation. 1981 16 October 1981 PS48/1981/1 Octagon Theatre Best of Polish variety (in Paulos Raptis, Irena Santor, Three hours of 79 x 59 cm Polish) Karol Nicze, Tadeusz Ross. beautiful songs, music and humour 1989 31 December 1989 PS48/1989/1 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Elisa Wilson Embleton (soprano), John Kessey (tenor) Date PS number Venue Title Performers Series or notes Size D 1990 7, 20 April 1990 PS48/1990/1 Art Gallery and Fly Artists in Sound “from the Ros Bandt & Sasha EVOS New Music By Night greenhouse” Bodganowitsch series 31 December 1990 PS48/1990/2 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Emma Embleton Lyons & Lisa Brown (soprano), Anson Austin (tenor), Earl Reeve (compere) 2 November 1990 PS48/1990/3 Aquinas College Sounds of peace Nawang Khechog (Tibetan Tour of the 14th Dalai 42 x 30 cm Chapel bamboo flute & didjeridoo Lama player). -
Jessie Lloyd's Mission Songs Project
7/10/2017 Media campaign: Jessie Lloyd’s Mission Songs Project – Wolfe Words Wolfe Words Writing, Publicity & Media Strategy Media campaign: Jessie Lloyd’s Mission Songs Project February 27, 2017June 1, 2017 The Songs Back Home is a collection of Australian Indigenous folk songs performed from 1900-1999 on Christian missions, settlements and native camps where Indigenous people were relocated. As part of her Mission Songs Project, Jessie Lloyd has spent the past two years faithfully exploring the journey of Indigenous Australian music, connecting traditional with contemporary, and charting continuing cultural practice and oral traditions well into the 21st century. The songs, largely hidden from the outside world, comprise rare and almost-forgotten stories, shedding light onto the history and experiences of Indigenous people, their families and communities. Jessie launched The Songs Back Home, the first of the Mission Songs Project collection, in March 2017 at the Brunswick Music Festival and is touring the album throughout the east coast of Australia. “The 20th Century songs composed and sung on Aboriginal missions and settlements are records of our history and history and tell us about the emotions and aspirations of their composers. Jessie Lloyd’s research to find these songs is a profoundly important contribution to our nation and music.”—Professor Marcia Langton, AM, Mission Songs Project advisor and contributor “Mission Songs Project presents contemporary folk songs that continue the ancient song lines of this country. The songs speak -
Saltbush Bill, J.P. and Other Verses
Saltbush Bill, J.P. and Other Verses Paterson, Andrew Barton (1864-1941) University of Sydney Library Sydney 1997 http://setis.library.usyd.edu.au/ozlit © Copyright for this electronic version of the text belongs to the University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: Prepared against the print edition published by Angus and Robertson Sydney, 1917 Scanned text file available at Project Gutenberg, prepared by Alan R.Light. Table of Contents and Index of First Lines not included in the electronic file. Encoding of the text file at was prepared against pocket print version of 1917, including page references and other features of that work. First Published: 1917 821.89 Australian Etexts poetry 1910-1939 verse Saltbush Bill, J.P. and Other Verses Sydney Angus and Robertson 1917 Note Major A. B. Paterson has been on active service in Egypt for the past eighteen months. The publishers feel it incumbent on them to say that only a few of the pieces in this volume have been seen by him in proof; and that he is not responsible for the selection, the arrangement or the title of “Saltbush Bill, J.P., and Other Verses”. Many of the verses appeared originally in the Sydney “Bulletin”, “Town and Country Journal”, and “The Lone Hand”; others in the “Sydney Mail”, “Evening News” and “Pastoral Review”, to the editors of which thanks are due for permission to reprint. Saltbush Bill, J.P., and Other Verses Song of the Pen Not for the love of women toil we, we of the craft, Not for the people's praise; Only because our goddess made us her own and laughed, Claiming us all our days, Claiming our best endeavour — body and heart and brain Given with no reserve — Niggard is she towards us, granting us little gain; Still, we are proud to serve. -
– FINAL – Festival Performances Directory 2011
– FINAL – Festival Performances Directory 2011 Newport Fiddle and Folk Club www.nffc.org.au Incorporated Association A00522942 June 28, 2011 Contents: Timetable, Performers and Venues Timetable ........................................................................................... 4 Friday .......................................................................................... 4 Saturday ......................................................................................... 5 Sunday ......................................................................................... 6 Performers ........................................................................................... 7 Ann Carey ........................................................................................ 7 Anthony Carey ..................................................................................... 7 Baileys ......................................................................................... 8 Barry Walker ...................................................................................... 8 Blow It Out Your Brass ................................................................................. 8 Brendan Shearson .................................................................................... 8 Bruce Williams ..................................................................................... 9 Bushwackers and Bullockies Bush Band ........................................................................ 9 Choirs festival - led by Alan Davies -
Lesson 1. Introduction to Australia Purpose: to Introduce Students To
Lesson 1. Introduction to Australia Purpose: To introduce students to the continent of Australia. Standards: Goal 2, Standard 2 -To use English to achieve academically in all content areas: Students will use English to obtain, process, construct, and provide subject matter information in spoken and written form. Materials: - items to be put into a travel trunk [a billy (teapot), tea bags, cups, biscuits (crackers), pictures of Australian animals, etc…] - teapot and water - map or globe - construction paper - markers - musical cassette and/or video: Children’s Songs From Around The World (available at local libraries or department stores like Target) Procedures: 1. Before the lesson begins: a. Place the Australian items into the trunk. b. Make tickets to Australia out of construction paper (one for each student). Put a picture of a koala bear on each ticket and write students’ names on them. c. Place a large picture of a koala bear (or other pictures native to Australia) on the trunk. 2. Have students gather around the trunk. Let them guess where their destination might be. Pass out the tickets. 3. Explain that on this adventure, everyone will be a naturalist, (people who are interested in plants and animals around them). 4. Ask what children might know about Australia and record the information (KWL chart). 1 5. Find Australia on a map or globe. a. Identify Australia as a continent b. Look at all the different landscapes (mountains, valleys, rivers). c. Discuss and describe the terms: city, bush, outback, Great Barrier Reef. 6. Examine the trunk. a. Display animal pictures. b. -
A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild
ESSAYS IN HONOUR OF STEPHEN A. WILD Stephen A. Wild Source: Kim Woo, 2015 ESSAYS IN HONOUR OF STEPHEN A. WILD EDITED BY KIRSTY GILLESPIE, SALLY TRELOYN AND DON NILES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: A distinctive voice in the antipodes : essays in honour of Stephen A. Wild / editors: Kirsty Gillespie ; Sally Treloyn ; Don Niles. ISBN: 9781760461119 (paperback) 9781760461126 (ebook) Subjects: Wild, Stephen. Essays. Festschriften. Music--Oceania. Dance--Oceania. Aboriginal Australian--Songs and music. Other Creators/Contributors: Gillespie, Kirsty, editor. Treloyn, Sally, editor. Niles, Don, editor. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover photograph: ‘Stephen making a presentation to Anbarra people at a rom ceremony in Canberra, 1995’ (Australian Institute of Aboriginal and Torres Strait Islander Studies). This edition © 2017 ANU Press A publication of the International Council for Traditional Music Study Group on Music and Dance of Oceania. Aboriginal and Torres Strait Islander people are advised that this book contains images and names of deceased persons. Care should be taken while reading and viewing. Contents Acknowledgements . vii Foreword . xi Svanibor Pettan Preface . xv Brian Diettrich Stephen A . Wild: A Distinctive Voice in the Antipodes . 1 Kirsty Gillespie, Sally Treloyn, Kim Woo and Don Niles Festschrift Background and Contents . -
Personal Care Attendant | Winton Shire Council 1
Winton Shire Council LEGENDARY SAFE SCENIC Applications will Remain Open until the Position is Filled. INFORMATION PACKAGE Personal Care Attendant | Winton Shire Council 1 Winton Shire Council Contents SHIRE PROFILE ..................................................................................................................................................................................... 3 About Winton Shire Council ......................................................................................................................................................... 3 Towns of the Winton Shire ............................................................................................................................................................ 4 Winton .......................................................................................................................................................................................... 4 Opalton ....................................................................................................................................................................................... 4 Corfield ........................................................................................................................................................................................ 4 Middleton .................................................................................................................................................................................... 4 THE COUNCIL ORGANISATION -
Extension Activities for Australia Day and Waltzing Matilda
Extension Activities for Australia Day and Waltzing Matilda For use with the Australia Day/Waltzing Matilda lesson found in the January/February 2009 issue of Music Express (Volume 9, No. 4) SCIENCE CONNECTIONS Didgeridoo and Acoustics. Make a didgeridoo or experiment with Boomwhackers. If desired, plan a day for the class to make an elementary didgeridoo. Visit the website www.didjshop.com to see how an authentic didgeridoo is made. You can also experiment with Boomwhackers and other large tubular items to attempt to imitate the didgeridoo sound. The children may enjoy hearing and seeing some of the experimental instruments made by “PDQ Bach.” Of course, nothing substitutes for the real thing, but it can be fun trying! Explore the effect of length and diameter on pitch and the effect of material on timbre by making elementary didgeridoos using tubes of various lengths, widths and materials. Older students may enjoy the section on didgeridoo physics. Marsupials and Biology. Ask students what makes an animal a marsupial? (One distinctive feature is the pouch in which they carry their young.) Find pictures and information on various kinds of marsupials, such as the koala and kangaroo. Coordinate this lesson with a field trip to the zoo, if possible. Billabongs, Geography and Bernoulli’s Principle. Explore how oxbow lakes are created in nature. Simulate the actions of water current on soil in a bend by setting up a miniature example in the classroom using a bowl, water and sand. Find oxbow lakes around the world. Locate on the globe or world map the countries where these oxbow lakes are found. -
Waltzing Matilda: Reading the Myths
Australian Folklore 24, 2009 39 Waltzing Matilda: Reading the Myths Diannah Johnston ABSTRACT: This paper discusses: the ‘myths’ surrounding the words for and the production of Waltzing Matilda; ideas from the late Russel Ward about the tune; these being perpetuated by coinage/ bank-note images, the Australian Stockman’s Hall of Fame, etc. Essentially the process of ‘elevation’ of the piece contains a sequence of steps obliterating a truer history of the Waltzing Matilda tune, and of its seminal place in the evolution of Australian culture. * Only after a culture has grown to maturity is there any question as to the ‘truth’ embodied in its myths (Danesi and Perron, Analysing Cultures, 1999, p. 248). Most of our national myths constructed in the 1890s produced a masculinised character and identity of/ for Australianness. This paper seeks to decode the myths surrounding Waltzing Matilda in order to demonstrate how Christina Macpherson’s fate is to a degree symbolic of a larger silencing of women in Australia’s cultural history. Texts containing mythic material may be analysed to show how codes/ their messages are transformed, produced and shared to promulgate national culture and identity. An unravelling/ deconstruction of the mythology surrounding Waltzing Matilda reveals how a masculinised reality is privileged/ foregrounded and a feminised reality is (largely) suppressed within the specific contexts. This essay will examine how masculine bush myths pervade Australian culture and how women are obscured in/ erased from them by examining the evidence in specific historical events and texts. Roland Barthes claimed myth to be a ‘type of speech chosen by history’ and that, for myth to evolve, it ‘can only have an historical foundation’ (Mythologies (1993), p. -
Goddess Pf 1967 Music Credits
music composer Jen Anderson Music Supervisor Christine Woodruff Music engineers Ross Cockle Jen Anderson Music Mixer Ross Cockle Keyboard Programming Jen Anderson All Instruments Played by Jen Anderson except: Marianella Percussion Alex Pertout Shakuhachi & Ocarina Ann Norman Cello Helen Mountford Piano Accordion Mark Wallis Nylon String Guitar & Dan Tranh Michael Livett MUSIC Junk City Written by Rick Brewster/Bob Spencer/Bernard "Doc" Neeson © 1989 Frilanded Pty Ltd/Rondor Music (Used by Permission of Rondor Music (Aust) Pty Ltd)/ Universal Music Publishing Pty Ltd/Empire Music Pty Ltd. (All rights administered by EMI Songs Australia Pty Ltd.) Performed by The Angels Courtesy of Shock Records Piano Sonata in C Minor KV 457 Written by W. A. Mozart Performed by Jeno Jando Courtesy of Naxos Dogs Are Talking Written by Rick Brewster/Bernard "Doc" Neeson/Jim Hilburn/ Brent Eccles/Bob Spencer © 1990 Frilanded Pty Ltd/Rondor Music. (Used by Permission of Rondor Music (Aust) Pty Ltd.)/ Empire Music Pty Ltd (All Rights Administered by EMI Songs Australia Pty Ltd) & EMI Music Publishing Australia Pty Ltd/Universal Music Publishing Pty Ltd/ Rough Cut Music Pty Ltd Performed by The Angels Courtesy of Shock Records Der Fliegende Hollander (The Flying Dutchman) Written by Richard Wagner Performed by Muff/Haubold/Knodt/Seiffert/ Budapest Radio Chorus/ORF Symphony/Steinberg Courtesy of Naxos Walk Don't Run Written by John Smith peermusic Pty Ltd Performed by The Ventures (P) 1960 Liberty Records, a division of EMI Records USA Licensed courtesy of EMI -
ANDREW PENDLEBURY Biography
ANDREW PENDLEBURY Biography Frequently cited as one of the finest guitarists in the nation, Andrew Pendlebury has always seemed destined towards a career in music. From age four he studied violin under the auspicious direction of Nathan Gutman, and at an early age played Vivaldi and Bach with the prowess of someone far beyond his tender years. Andrew is the son of two celebrated Australian artists, Laurence Scott Pendlebury and Nornie Gude . It is little wonder that Andrew also possesses a great talent with the brush, and that his sister Anne was encouraged in her career as an actress with stage and TV credits. After leaving school Andrew set about forging a career for himself in the art world. He held a number of successful exhibitions of his impressionist style works, but music still held his attention. Exposed to Django Reinhardt by a friend of his father who was a dance band guitarist in WW2, and excited by the new sounds evolving from players like Jimi Hendrix bursting onto the scene, Andrew began to focus his creative energy into the guitar. Despite his early classical training, Andrew is a self-taught guitarist and he set about creating a voice for himself through the instrument. He was enthused by players like Lenny Breau, Les Paul, James Burton, Jimmy Bryant and Chet Atkins, but like the painter is inspired by other artforms, Andrew also finds inspiration in the work of many styles of music and instruments. He has broad tastes ranging from a great appreciation of trumpet player Miles Davis to his pop sensibilities towards the Rolling Stones and the Beatles.