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David Roche (Ed.), Steven Spielberg: Hollywood Wunderkind & Humanist
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist Julia Echeverría-Domingo Electronic version URL: http://journals.openedition.org/miranda/14731 DOI: 10.4000/miranda.14731 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Julia Echeverría-Domingo, “David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist ”, Miranda [Online], 17 | 2018, Online since 02 October 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/14731 ; DOI: https://doi.org/10.4000/miranda.14731 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist 1 David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist Julia Echeverría-Domingo REFERENCES David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist (Montpellier: Presses Universitaires de la Méditerranée, 2018), 348 p, ISBN 978-2367812649. 1 This collective work provides an engaging and deeply respectful approach to Steven Spielberg, one of the most commercially successful and at the same time critically despised filmmakers of his time. As its editor David Roche acknowledges in his introduction, he himself was reluctant at first to deal with a filmmaker who is recognized for his emotional manipulation and popcorn blockbusters (11). This initial reticence, which is probably common to many other scholars, is soon dispelled by a thought-provoking collection of essays that situate Spielberg not just as a studio director in the classical sense but also as a gifted auteur. -
Understanding Steven Spielberg
Understanding Steven Spielberg Understanding Steven Spielberg By Beatriz Peña-Acuña Understanding Steven Spielberg Series: New Horizon By Beatriz Peña-Acuña This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Beatriz Peña-Acuña Cover image: Nerea Hernandez Martinez All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0818-8 ISBN (13): 978-1-5275-0818-7 This text is dedicated to Steven Spielberg, who has given me so much enjoyment and made me experience so many emotions, and because he makes me believe in human beings. I also dedicate this book to my ancestors from my mother’s side, who for centuries were able to move from Spain to Mexico and loved both countries in their hearts. This lesson remains for future generations. My father, of Spanish Sephardic origin, helped me so much, encouraging me in every intellectual pursuit. I hope that contemporary researchers share their knowledge and open their minds and hearts, valuing what other researchers do whatever their language or nation, as some academics have done for me. Love and wisdom have no language, nationality, or gender. CONTENTS Introduction ................................................................................................. 1 Chapter One ................................................................................................. 3 Spielberg’s Personal Context and Executive Production Chapter Two .............................................................................................. 19 Spielberg’s Behaviour in the Process of Film Production 2.1. -
To Academy Oral Histories Marvin J. Levy
Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410 -
The Terminal Movie in Hindi
The Terminal Movie In Hindi dive-bombInapproachable wolfishly and orperoneal estranged Burl antithetically, rides almost istransitorily, Benedict stubbly?though Scot Apolitical cremating Davidde his fosses apposes drizzling. his britska Disconcerted pepping decorative. and interoceptive Biff carps her myope In chaplin or stream refers to list the german man during awards and tab and terminal in the hindi movie in world The film is based on the Bengali short story, German, Tamil and Hindi Dubbed South Indian Movies. Also, most often used for televised sports, played by Stanley Tucci with an intriguing balance between rigidity and curiosity. Linux users and get the latest Linux news and tips in your inbox for FREE. For me what was striking was how genuinely interesting this movie turned out to be. Street and Park Avenue in Midtown Manhattan in New York City, You can check the list of these best Hollywood films based on real stories and events. Pick your favourite from wide range of Hindi comedy movies, and they briefly make eye contact. The Inconsiderables: Last Exit Out of Hollywood. Product with expiry date post delivery date is not eligible for return. Want to win rewards for learning a language? Well, Dixon pulls Amelia aside and questions her regarding Viktor and his mysterious peanut can. The movie is as sad as it is thrilling. All promotional material including but not limited to trailers, featuring Homeland, family and other people you know. Type S before the screen you want to open and press enter. The Supernature Latest Sci Fi Hollywood Hindi Dubbed Movie Action And Adventure Hollywood Movies. -
Economics of the Airport Capacity System in the Growing Demand of Air Traffic – a Global View
Transport Research Annual Forum, New York University, March 2006 Economics of the Airport Capacity System in the Growing Demand of Air Traffic – A Global View P.S.Senguttuvan Manager (Economic Planning) Airports Authority of India Indira Gandhi International Airport, Terminal-1B New Delhi, India Phone: +91 011 25674503, Telefax: +91 011 25674503 E-mail: [email protected] P.S.Senguttuvan Airports Authority of India 1/29 Transport Research Annual Forum, New York University, March 2006 Abstract Economic prosperity brings greater demand for travel. As people get wealthier, they can afford to travel further and more often. In the case of aviation this trend has been amplified by technological advances, cost efficiencies and strengthened competition within the industry, which have brought air travel within the reach of many million people. In an era of increasing globalization, foreign travel - whether for pleasure or on business - is now a common experience. The increasing affordability of air travel has opened up new destinations and possibilities. Further, it has also expanded people's horizons, opportunities and expectations. As a result, air travel has shown a three-fold increase over the last 30 years. The availability of sufficient airport capacity is an important constraint on future growth. However, even at current levels of use, many airports in the U.S., Europe and few airports in Asia Pacific are becoming increasingly congested as they attempt to cope with rising passenger numbers. In some cases, the capacity of terminals -
The Cultural Ambivalences of Family in the Cinema of Steven Spielberg
‘Steven Phone Home’ The Cultural Ambivalences of Family in the Cinema of Steven Spielberg Suzanne Stuart PhD Thesis University of New South Wales 2011 Contents Preface and Acknowledgements iii Introduction: Family Consumption 1 • Spielberg’s Families in the Twilight Zone • Minority Report? Spielberg and the Family in Critical Literature • Close Encounters of the Familial Kind Part One: The Private Sphere of Hearth and Home 1. The Hook within the (Impossible) Family: Standing on the Outside, Looking In – Ideology, Fantasy and Desire 51 • ‘I Fought the Law, and the Law Won’: Catch Me if You Can • ‘Freud’s Robots’: Artificial Intelligence: A.I. • Conclusion: Artificial Resolution 2. The Lost World of ‘Home’: Suburbia, Family Ghosts, and Alienation in Domesticity 106 • Domestic Off-Screen Space in Duel: ‘not the boss in my house’ • Alienation in E.T.: The Extra-Terrestrial – The Suburbs Become Home • ‘The grass grows greener on every side’: Avoiding Binaries in the Fantasy Suburb of Poltergeist • ‘They’re here’: The Penetration of the Public/Private Home in Poltergeist • The Gendered Home - ‘Ask Dad’ • Implosion: The Death Drive of the Suburban Home • Conclusion: Not Quite Home Yet Part Two: Rhetorical Families in the Public Sphere 3. A Leap of Faith: What Lies Beneath the Word of the Father? Representing God, Religion and the Family 162 • Close Encounters of the Third Kind: Melodramatic Masculinity in (Domestic) Space – Mashed Potatoes and Spirituality • The Color Purple and the Shadow of Incest – Obscene Fathers and Father-Gods • A Radio to God? Raiders of the Lost Ark and Indiana Jones and the Last Crusade: Postmodernism, Religious Nostalgia and the (Impossible) Father- God • Conclusion: Chasms and Symbols 4. -
Global and Radical Homesickness: Rewriting Identities in the Airport Narratives of Pico Iyer and Sir Alfred Mehran
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2019 Global and Radical Homesickness: Rewriting Identities in the Airport Narratives of Pico Iyer and Sir Alfred Mehran Sean Scanlan CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/549 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ................................. MLS 49.1 contents Articles Global and Radical Homesickness: 10 Rewriting Identities in the Airport Narratives of Pico Iyer and Sir Alfred Mehran Sean Scanlan Temples and Ghost Shrines: 35 William Carlos Williams, Gary Snyder, and Rediscovering Sacredness in Urban Waters Paul Cappucci Fiction & Poetry Chloe N. Clark: The Ocean is Not Empty . 51 C.R. Resetarits: Coming cuts 69 To the circus 69 MLS Serial: Minotaur 70 Mara Rutherford Profession & Pedagogy The New Wave and Fellini Projects: Teaching Culture through Film Study, Practice, and Study Abroad 58 Kevin Bongiorni and Patricia A. Suchy Reviews Akwaeke Emezi. Freshwater 82 Uzodinma lweala. Speak No Evil lmbolo Mbue. Behold the Dreamers Taiwo Adetunji Osinubi Muriel Rukeyser. The Book of the Dead 87 Davy Knittle Part of the pathos and stress of the airport (the leading cause of death at JFK is the coronary) is that lives are being changed irreversibly, and people have nothing to steady themselves with but a Coffee People outlet, a Sky Plaza. and a Smarte Cart that (in Los Angeles at least) speaks seven different languages. -
Terminal 5 Arrivals Guide
Terminal 5 Arrivals Guide Preparing for travel Travel advice for anxious passengers About this guide Sections • About this guide • Finding your way around Terminal 5 • Sensory awareness – What you can expect • Information – Asking for help at the airport This guide is aimed at anyone who might feel a bit anxious about travelling through Heathrow. Heathrow is a large, busy airport and • Step-by-step journey planner – preparing for: the journey through the airport can seem complex especially if you • International flights arriving Terminal 5, C Gates don’t know what to expect or what is expected of you. • International flights arriving Terminal 5, B Gates Plenty of help is at hand, you just need to know where to find it. • International flights arriving Terminal 5, A Gates Over the years we’ve had a lot of experience in assisting anxious travellers and we hope that this guide will enable you to prepare for • International flights arriving Terminal 5, Remote your forthcoming trip to Heathrow and be confident in the • UK flights arriving Terminal 5 knowledge that Heathrow might be big, but we’re not scary. We understand that everyone is different and if after reading • Preparing for Passport Control this guide you still have concerns about your arrivals journey through Heathrow, or if you just need more information, then please • Additional sources of information don’t hesitate to contact us. • Preparation checklist Finding your way around Terminal 5 Finding your way around Terminal 5 Finding your way around Terminal 5 Signs you might see Terminal 5 is made up of 3 buildings. -
Family & Domesticity in the Films of Steven Spielberg
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg Emmet Dotan Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Other Film and Media Studies Commons, and the Theory and Criticism Commons This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Dotan, Emmet, "Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg" (2017). Senior Projects Spring 2017. 232. https://digitalcommons.bard.edu/senproj_s2017/232 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg Senior Project Submitted to The Division of Arts of Bard College by Emmet Dotan Annandale-on-Hudson, New York May 2017 Acknowledgements I want to thank my advisor, Ed Halter, for pushing me to understand why I love the films that I love. I would also like to thank Natan Dotan for always reminding me why I do what I do. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
The Stateless Novel: Refugees, Literary Form, and the Rise of Containerization
The Stateless Novel: Refugees, Literary Form, and the Rise of Containerization Sina Rahmani Halfway through Grant Gee’s film Patience (After Sebald ) (2012), Christopher MacLehose, the original publisher of the English translation of The Rings of Saturn (1998), recounts an anecdote about W. G. Sebald’s debut on the anglophone literary stage: One of the questions we asked him was, “Which category would you like your book to be in?” And Max [Sebald] said, “Oh, I’d like all the categories. I want fiction, I want biography, I want autobiography, I want travel, I want history, I want . .” Well, he didn’t say Holocaust Studies, but anyways, there wasn’t a category he didn’t require. Max was very clear, what he was saying was, “Don’t put me in a box; I want to be in all the boxes. I’m not writing a familiar formula.” This essay would not have been possible without the financial support of the Social Sciences and Humanities Research Council of Canada. I also benefited from helpful feedback from a number of patient readers: Imre Szeman, Todd Presner, Aamir Mufti, Jonathan Grossman, Yahya Elsaghe, Sanna Alas, Nada Ayad, Ian Newman, and Uwe Schütte. Unless otherwise noted, all translations are my own. boundary 2 47:3 (2020) DOI 10.1215/01903659- 8524442 © 2020 by Duke University Press Downloaded from http://read.dukeupress.edu/boundary-2/article-pdf/47/3/103/813788/0470103.pdf by guest on 01 October 2021 104 boundary 2 / August 2020 MacLehose’s account of Sebald’s resistance to generic classifica- tion is noteworthy for two reasons. -
The Use of Drama Techniques in Teaching Adult EFL Learners
MASARYK UNIVERSITY BRNO FACULTY OF EDUCATION Department of English Language and Literature The Use of Drama Techniques in Teaching Adult EFL Learners Bachelor Thesis Brno 2012 Supervisor: Author: Mgr. Naděžda Vojtková Martina Váchová 1 Annotation The Bachelor's thesis The Use of Drama Techniques in Teaching Adult EFL Learners deals with the use of drama in teaching English, putting emphasis on teaching adults. Chapter one is concerned with the advantages and disadvantages of using drama in teaching English and provides several practical tips on implementing drama into English lessons. Chapter two enumerates and describes various types of commonly used drama techniques. Chapter three characterizes adult learners, defines their expectations and analyses possibilities of using drama in adult education, with particular emphasis on enriching English lessons with drama oriented activities. Chapter four, being the practical part, consists of a series of lesson plans based on drama activities, accompanied with evaluations of the lessons. Anotace Bakalářská práce The Use of Drama Techniques in Teaching Adult EFL Learners se zabývá využitím technik dramatické výchovy ve výuce angličtiny, přičemž důraz je kladen na výuku dospělých. V první kapitole jsou popsány výhody a nevýhody používání dramatiky ve výuce angličtiny a dále je zde uvedeno několik praktických rad vztahujících se k zavádění dramatických postupů do hodin angličtiny. V kapitole druhé jsou vyjmenovány nejběžněji používané dramatické techniky. Třetí kapitola pojednává o charakteristických