GLIMPSES of UNFAMILIAR JAPAN First Series by LAFCADIO HEARN
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VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
Matsue Cityguide Newsletter
For International Visitors 10 Things to Know About Matsue, and Residents of Matsue City an International City of Culture and Tourism SAVE CRUISE Matsue City offers significant No trip to the City ofWater discounts to foreign residents and would be complete without a MATSUE CITY GUIDE visitors at several sightseeing pleasure boat trip around the castle facilities. See the list below. and within the city, or on Lake Shinji. NEWSLETTER Issue No.1 - 2013 January/February/March ENJOY TASTE RELAX Lake Shinji is one of the top Matsue is renowned for the Blessed with many hot springs spots in Japan for spectacular Seven Delicacies of Lake Shinji, (onsen), Matsue give the visitors sunsets. In the early morning, you such as Shijimi clams. The city also the chance to soak in mineral-rich can enjoy the scene of the Shijimi is also proud of its thriving traditional waters, or relax for free at friendly boats and fishers. It’s free! tea and confectionary culture. outdoor footbaths (ashiyu). Thanks for taking a copy of CREATE CONNECT FEEL Matsue is famous for its The shrines in Matsue and the Acastle town founded 400 the first Matsue City Guide traditional confectioneries and for surrounding area have close years ago, Matsue still offers an newsletter! Whether you are Magatama, magical comma-shaped connections with the mythological atmosphere reminiscent of Edo era just passing through or jewels. There are workshops around origins of Japan. The region is well- Japan. Don’t be surprised ifyou run reside in Matsue, we hope the city where you can try your known for En-musubi, a divine into samurai, ninja, rickshaws, and this will be a valuable hand at making them. -
Japanese Literature Quiz Who Was the First Japanese Novelist to Win the Nobel Prize for Literature?
Japanese Literature Quiz Who was the first Japanese novelist to win the Nobel Prize for Literature? ① Yasunari Kawabata ② Soseki Natsume ③ Ryunosuke Akutagawa ④ Yukio Mishima Who was the first Japanese novelist to win the Nobel Prize for Literature? ① Yasunari Kawabata ② Soseki Natsume ③ Ryunosuke Akutagawa ④ Yukio Mishima Who was the second Japanese novelist to win the Nobel Prize for Literature? ① Yasushi Inoue ② Kobo Abe ③ Junichiro Tanizaki ④ Kenzaburo Oe Who was the second Japanese novelist to win the Nobel Prize for Literature? ① Yasushi Inoue ② Kobo Abe ③ Junichiro Tanizaki ④ Kenzaburo Oe What is the title of Soseki Natsume's novel, "Wagahai wa ( ) de aru [I Am a ___]"? ① Inu [Dog] ② Neko [Cat] ③ Saru [Monkey] ④ Tora [Tiger] What is the title of Soseki Natsume's novel, "Wagahai wa ( ) de aru [I Am a ___]"? ① Inu [Dog] ② Neko [Cat] ③ Saru [Monkey] ④ Tora [Tiger] Which hot spring in Ehime Prefecture is written about in "Botchan," a novel by Soseki Natsume? ① Dogo Onsen ② Kusatsu Onsen ③ Hakone Onsen ④ Arima Onsen Which hot spring in Ehime Prefecture is written about in "Botchan," a novel by Soseki Natsume? ① Dogo Onsen ② Kusatsu Onsen ③ Hakone Onsen ④ Arima Onsen Which newspaper company did Soseki Natsume work and write novels for? ① Mainichi Shimbun ② Yomiuri Shimbun ③ Sankei Shimbun ④ Asahi Shimbun Which newspaper company did Soseki Natsume work and write novels for? ① Mainichi Shimbun ② Yomiuri Shimbun ③ Sankei Shimbun ④ Asahi Shimbun When was Murasaki Shikibu's "Genji Monogatari [The Tale of Genji] " written? ① around 1000 C.E. ② around 1300 C.E. ③ around 1600 C.E. ④ around 1900 C.E. When was Murasaki Shikibu's "Genji Monogatari [The Tale of Genji] " written? ① around 1000 C.E. -
Through the Case of Izumo Taishakyo Mission of Hawaii
The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible. -
Meguro Walking Map
Meguro Walking Map Meguro Walking Map Primary print number No. 31-30 Published February 2, 2020 December 6, 2019 Published by Meguro City Edited by Health Promotion Section, Health Promotion Department; Sports Promotion Section, Culture and Sports Department, Meguro City 2-19-15 Kamimeguro, Meguro City, Tokyo Phone 03-3715-1111 Cooperation provided by Meguro Walking Association Produced by Chuo Geomatics Co., Ltd. Meguro City Total Area Course Map Contents Walking Course 7 Meguro Walking Courses Meguro Walking Course Higashi-Kitazawa Sta. Total Area Course Map C2 Walking 7 Meguro Walking Courses P2 Course 1: Meguro-dori Ave. Ikenoue Sta. Ke Walk dazzling Meguro-dori Ave. P3 io Inok Map ashira Line Komaba-todaimae Sta. Course 2: Komaba/Aobadai area Shinsen Sta. Walk the ties between Meguro and Fuji P7 0 100 500 1,000m Awas hima-dori St. 3 Course 3: Kakinokizaka/Higashigaoka area Kyuyamate-dori Ave. Walk the 1964 Tokyo Olympics P11 2 Komaba/Aobadai area Walk the ties between Meguro and Fuji Shibuya City Tamagawa-dori Ave. Course 4: Himon-ya/Meguro-honcho area Ikejiri-ohashi Sta. Meguro/Shimomeguro area Walk among the history and greenery of Himon-ya P15 5 Walk among Edo period townscape Daikan-yama Sta. Course 5: Meguro/Shimomeguro area Tokyu Den-en-toshi Line Walk among Edo period townscape P19 Ebisu Sta. kyo Me e To tro Hibiya Lin Course 6: Yakumo/Midorigaoka area Naka-meguro Sta. J R Walk a green road born from a culvert P23 Y Yutenji/Chuo-cho area a m 7 Yamate-dori Ave. a Walk Yutenji and the vestiges of the old horse track n o Course 7: Yutenji/Chuo-cho area t e L Meguro City Office i Walk Yutenji and the vestiges of the old horse track n P27 e / S 2 a i k Minato e y Kakinokizaka/Higashigaoka area o in City Small efforts, L Yutenji Sta. -
Harvesting Tradition
VOLUME 7 NO. 16 SEPTEMBER 11 – SEPTEMBER 17, 2020 SUBMIT STORIES TO: [email protected] STRIPESJAPAN.COM FACEBOOK.COM/STRIPESPACIFIC FREE INSIDE INFO HARVESTING ZAMA VETS GAIN TRUST WITH FURRY FRIENDS, HUMANS PAGE 3 TRADITIONDig deep into Japan’s lesser-known fall holidays Speakin’ Japanese Pages 8-9 AUTUMN AUDIBLES PAGE 4 WHY JAPANESE LUCKY CHARMS ARE AMAZING! PAGES 6-7 LIMITING PLASTIC USE IN JAPAN PAGES 10-11 Midnight and Mt.Fuji, full moon. Barbecues help Yokota’s new MELON PAN airmen get through quarantine MADNESS BY SETH ROBSON, U.S. personnel arriving in Japan must PAGES 12-13 STARS AND STRIPES spend 14 days in quarantine, which the Published: September 4, 2020 military calls “restriction of movement” or ROM, that’s designed to stop them YOKOTA AIR BASE — Some summer spreading the coronavirus to others at barbecues at the home of U.S. Forces Ja- their new home. pan in western Tokyo are To make sure the ex- a little out of the ordinary EXCLUSIVE NEWS FROM: Business cards, flyers, perience doesn’t feel like invitations and more! this year. a short stint in jail, the Contact The events for newly Air Force has come up arrived airmen are cho- with all sorts of things to printshop.stripes.com reographed affairs where 042-552-2510 (extension77315) amuse quarantined single airmen, in- the guests of honor don masks and keep cluding fortnightly barbecues. 227-7315 Volunteers dish out comfort food to quarantined service members at Yokota Air Base. their distance from the folks cooking Photo by Theron Godbold, Stars and Stripes their food. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Ningyo: Destined for the Trash Can? Anita Y.K
University of North Florida UNF Digital Commons All Volumes (2001-2008) The sprO ey Journal of Ideas and Inquiry 2002 Ningyo: Destined for the Trash Can? Anita Y.K. Davis University of North Florida Follow this and additional works at: http://digitalcommons.unf.edu/ojii_volumes Part of the Social and Behavioral Sciences Commons Suggested Citation Davis, Anita Y.K., "Ningyo: Destined for the Trash Can?" (2002). All Volumes (2001-2008). 114. http://digitalcommons.unf.edu/ojii_volumes/114 This Article is brought to you for free and open access by the The sprO ey Journal of Ideas and Inquiry at UNF Digital Commons. It has been accepted for inclusion in All Volumes (2001-2008) by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2002 All Rights Reserved Ningyo: Destined for the Trash Can ? history of their makers and their uses. Then we explore the disappearance and changes Anita Y. K. Davis Ningyo are undergoing within the context Faculty Sponsor: Dr. Ron Lukens-Bull of globalization. Finally, we examine the Assistant Professor of Anthropology future of Ningyo and suggest paths for preserving their appreciation. Abstract Japanese Ningyo (dolls) are static Research Methods art, individual sculptures and expressions of creativity. This paper Six weeks of field study in Japan explores the loss of these wonderful during the summer of 2000 provided works of art. While western dolls fetch follow-up comparisons for fourteen years high prices and are highly sought after if of observations begun when the fIrst author even a few decades old, we explore the lived in Japan. -
Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles. -
The Miare Festival Is an Expression of the Living Faith of Local Fishermen. Chapter 3 Justification for Inscription
The Miare Festival is an expression of the living faith of local fishermen. Chapter 3 Justification for Inscription 3.1.a Brief Synthesis 3.1.b Criteria Under Which Inscription is Proposed 3.1.c Statement of Integrity 3.1.d Statement of Authenticity 3.1.e Protection and Management Requirements 3.2 Comparative Analysis 3.3 Proposed Statement of Outstanding Universal Value The Sacred Island of Okinoshima and Associated Sites in the Munakata Region Chapter 3 Justification for Inscription Justification for Inscription 3.1.a Brief Synthesis The Sacred Island of Okinoshima and Associated Sites in the Munakata Region is located in the western coastal area of Japan. It is a serial cultural property that has eight component parts, all of which are linked to the worship of a sacred island that has continued from the fourth century to the present day. These component parts include Okitsu-miya of Munakata Taisha, which encompasses the entire island of Okinoshima and its three attendant reefs, located in the strait between the Japanese archipelago and the Korean peninsula; Okitsu- miya Yohaisho and Nakatsu-miya of Munakata Taisha, located on the island of Oshima; and Hetsu-miya of Munakata Taisha and the Shimbaru-Nuyama Mounded Tomb Group, located on the main island of Kyushu. Okinoshima has unique archaeological sites that have survived nearly intact, providing a chronological account of how ancient rituals based on nature worship developed from the fourth to the ninth centuries. It is of outstanding archaeological value also because of the number and quality of offerings discovered there, underscoring the great importance of the rituals and serving as evidence of their evolution over a period of 500 years, in the midst of a process of dynamic overseas exchange in East Asia. -
The Hina-Doll Crafting the Oyama-Doll Is a Starting Point of Our Business As a the Hina-Doll Has Its Root in Heian Period
The Oyama-doll The Hina-doll Crafting the Oyama-doll is a starting point of our business as a The Hina-doll has its root in Heian period. dress company. Recently, the number of artisans who craft dolls Noble people made Hina-dolls for their health for Kabuki, Japanese dancing, and traditional events has been and well-being. In detail, on the day of Joshi (i.e. Jomi), decreasing. We have been trying to preserve those culture. people floated simple dolls into a river as a sacrifice Understanding and respecting for them. The tradition has been passed down to other parts of Japanese culture, such as dances themselves, would following periods, and in Edo period, it was formed be our first steps. into a culture as we see today. Currently, Hina-dolls are displayed in a house with hoping The Ichimatsu doll children would grow healthy. We try to hand down The origin of Ichimatsu-dolls is such heartfelt culture to next generations. in Edo period. When a woman leaves her house to marry into the other families, her parents handed their daughter the doll that, on their wishes, would be a close friend for their daughter. Also, the Ichimatsu-doll has been regarded as a doll that watches over the growth and happiness of a girl. Our believes .. Within this workshop, both well-experienced craftsmen, Ay a (Ball joint doll) craftswomen, and talented youth have You can freely adjust posture, worked together and made every dolls clothes, and hairstyles of the with their hands. With determination, doll. All types of clothing cordiality, consideration, and from western clothes to craftsmanship, we have been trying Japanese kimono would fit to generate beautiful dolls, sophisticate each Aya dolls. -
Shanghai, China Overview Introduction
Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers.