Machine Learning for Predicting Success of Video Games
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Digital Bros, 505Games Announces That Memories of Mars Is Available
FIGHT TO SURVIVE AND EXPLORE GALACTIC WASTELANDS OF THE RED PLANET IN ‘MEMORIES OF MARS,’ AN OPEN WORLD ONLINE SURVIVAL SANDBOX GAME Prepare for Mission Launch in 2018 CALABASAS, Calif. – Jan. 18, 2018 – 505 Games and Limbic Entertainment will bring the hostile and desolate frontier of the Red Planet to life in 2018 with Memories of Mars, an all-new open world online survival sandbox game from the hit developers behind Ubisoft’s Might & Magic® franchise and Kalypso’s Tropico 6. Coming soon to Steam Early Access for PC, Memories of Mars will thrust players into the barren wastelands of the Red Planet where they must explore the unforgiving landscape, build a habitable homestead and fight to survive against a variety of dangers including harsh environmental elements, strange enemy NPC’s and perhaps the most dangerous of all, other human survivors. “Memories of Mars will take players on an epic adventure of survival and exploration as they fight to overcome the mysterious dangers of the Red Planet in infinite ways,” said Stephan Winter, CEO of Limbic Entertainment. “We have created an immersive open world environment with seemingly endless possibilities in player progress and exploration all set against the strange and curious backdrop of the distant planet Mars.” Announcement Trailer: https://youtu.be/5fdFe8ic2sQ Memories of Mars Steam Page: http://store.steampowered.com/app/644290/MEMORIES_OF_MARS “Our partners at Limbic Entertainment continue to impress us with creative and bold ideas that strive to push the limits of the online multiplayer survival genre,” said Tim Woodley, senior vice president of global brand and marketing at 505 Games. -
Nordic Game Is a Great Way to Do This
2 Igloos inc. / Carcajou Games / Triple Boris 2 Igloos is the result of a joint venture between Carcajou Games and Triple Boris. We decided to use the complementary strengths of both studios to create the best team needed to create this project. Once a Tale reimagines the classic tale Hansel & Gretel, with a twist. As you explore the magical forest you will discover that it is inhabited by many characters from other tales as well. Using real handmade puppets and real miniature terrains which are then 3D scanned to create a palpable, fantastic world, we are making an experience that blurs the line between video game and stop motion animated film. With a great story and stunning visuals, we want to create something truly special. Having just finished our prototype this spring, we have already been finalists for the Ubisoft Indie Serie and the Eidos Innovation Program. We want to validate our concept with the European market and Nordic Game is a great way to do this. We are looking for Publishers that yearn for great stories and games that have a deeper meaning. 2Dogs Games Ltd. Destiny’s Sword is a broad-appeal Living-Narrative Graphic Adventure where every choice matters. Players lead a squad of intergalactic peacekeepers, navigating the fallout of war and life under extreme circumstances, while exploring a breath-taking and immersive world of living, breathing, hand-painted artwork. Destiny’s Sword is filled with endless choices and unlimited possibilities—we’re taking interactive storytelling to new heights with our proprietary Insight Engine AI technology. This intricate psychology simulation provides every character with a diverse personality, backstory and desires, allowing them to respond and develop in an incredibly human fashion—generating remarkable player engagement and emotional investment, while ensuring that every playthrough is unique. -
An Empirical Study of Game Reviews on the Steam Platform
Empir Software Eng (2019) 24:170–207 https://doi.org/10.1007/s10664-018-9627-4 An empirical study of game reviews on the Steam platform Dayi Lin1 · Cor-Paul Bezemer1 · Ying Zou2 · AhmedE.Hassan1 Published online: 15 June 2018 © Springer Science+Business Media, LLC, part of Springer Nature 2018 Abstract The steadily increasing popularity of computer games has led to the rise of a multi-billion dollar industry. Due to the scale of the computer game industry, developing a successful game is challenging. In addition, prior studies show that gamers are extremely hard to please, making the quality of games an important issue. Most online game stores allow users to review a game that they bought. Such reviews can make or break a game, as other potential buyers often base their purchasing decisions on the reviews of a game. Hence, studying game reviews can help game developers better understand user concerns, and further improve the user-perceived quality of games. In this paper, we perform an empir- ical study of the reviews of 6224 games on the Steam platform, one of the most popular digital game delivery platforms, to better understand if game reviews share similar char- acteristics with mobile app reviews, and thereby understand whether the conclusions and tools from mobile app review studies can be leveraged by game developers. In addition, new insights from game reviews could possibly open up new research directions for research of mobile app reviews. We first conduct a preliminary study to understand the number of game reviews and the complexity to read through them. -
Getting Past Pay to Win
Getting past Pay to Win Teut Weidemann Senior Online Game Supervisor Ubisoft Blue Byte Who am I: § Working on Games since the 80’ (yes I mean 1980) § Over 100 titles on C64, Amiga, Atari ST, PC, Consoles, Online … § Jobs: Graphic Artist, Programmer, Designer, Development Director, CEO of own studio for 10y, CTO § Rainbow Arts, Softgold, Lucasfilm Games, Apple, Microsoft, Wings Simulations, Psygnosis, Jowood, CDV, Ubisoft § Also teaching “games” at Universities § Most popular titles: Katakis, R-Type, Turrican, MUDS, Panzer Elite, Settlers Online Going Online f2p since 2008 TheSettlersOnline.com All free to play MMO’s Running in all internet browses Technology: Adobe Flash Ubisoft: “The Settlers Online is set to make more money in four years than the Settlers brand did on PC over nine years …” Pay to Win What is it? Scott Miller (Apogee/3d Realms): … you can buy coins (hence, pay-to-win) to reduce the number of mindless play-throughs that end in unavoidable failure. The Supercell games fall into the same category. Pay to win refers to games that are purposely designed to encourage monetary investment to propel the player to greater success. George Broussard (Apogee/3D Realms) When you see "pay to win" just realize it means many things: - pay to win - the dev is milking you of $ by putting up paywalls - the game design is incentivized to milk you of money. Pay to Win is imo, just a generic phrase to indicate paywalls now. It's been adopted by the masses, so that's how it is now. Unknown: Making the game suck unless I spend money. -
Sparking a Steam Revolution: Examining the Evolution and Impact of Digital Distribution in Gaming
Sparking a Steam Revolution: Examining the Evolution and Impact of Digital Distribution in Gaming by Robert C. Hoile At this moment there’s a Renaissance taking place in games, in the breadth of genres and the range of emotional territory they cover. I’d hate to see this wither on the vine because the cultural conversation never caught up to what was going on. We need to be able to talk about art games and ‘indie’ games the ways we do about art and indie film. (Isbister xvii) The thought of a videogame Renaissance, as suggested by Katherine Isbister, is both appealing and reasonable, yet she uses the term Renaissance rather casually in her introduction to How Games Move Us (2016). She is right to assert that there is diversity in the genres being covered and invented and to point out the effectiveness of games to reach substantive emotional levels in players. As a revival of something in the past, a Renaissance signifies change based on revision, revitalization, and rediscovery. For this term to apply to games then, there would need to be a radical change based not necessarily on rediscovery of, but inspired/incited by something perceived to be from a better time. In this regard the videogame industry shows signs of being in a Renaissance. Videogame developers have been attempting to innovate and push the industry forward for years, yet people still widely regard classics, like Nintendo’s Legend of Zelda: Ocarina of Time (1998), as the best games of all time. As with the infatuation with sequels in contemporary Hollywood cinema, game companies are often perceived as producing content only for the money while neglecting quality. -
RESEARCHING POTENTIAL CUSTOMERS for the VIDEO GAME AS a SERVICE in the EUROPEAN MARKET Liudmila Alferova
RESEARCHING POTENTIAL CUSTOMERS FOR THE VIDEO GAME AS A SERVICE IN THE EUROPEAN MARKET International Business 2016 Liudmila Alferova Clarification of signature Table of Contents RESEARCHING POTENTIAL CUSTOMERS FOR THE VIDEO GAME AS A SERVICE IN THE EUROPEAN MARKET ............................................................... 1 ABSTRACT ..................................................................................................................... 1 1 INTRODUCTION ....................................................................................................... 2 1.1 Background Information ..................................................................................... 2 1.2 Apex Game LTD ................................................................................................. 2 1.3 Video Game Industry .......................................................................................... 2 1.4 Research Question and Objectives ...................................................................... 8 1.5 Research Methods ............................................................................................... 8 2 MANAGEMENT AND MARKETING ...................................................................... 8 2.1 Management ........................................................................................................ 9 2.2 Management in the Game Industry. .................................................................. 10 2.3 Marketing in the Game Industry ...................................................................... -
Epic Game Store Questionnaire
Epic Game Store Questionnaire Superannuated Shimon never thrums so small or smiled any aperient unprosperously. Is Noam preventative or snootier when animadvert some indiscerptibility terrifying sternwards? Taddeo remains natant: she pull her fastening acidifying too discommodiously? She mentions the jump pad to epic store manager of cookies that grows with Epic store application and epic school through all of payment usually call it often asked some stores, plus two interactive entertainment to allow anything. Repeat the game with things that explode after school on world. Games store questionnaire moves in game mode quiz below offer your knowledge, events and understandable for disease control, which can sell millions of. Intentionally simple structural breakdown is my friend, please give a test your epic store gives you! Looking forward to epic questionnaire. Can print the epic games store are easy data international gaming the planning, favorite ways epic questionnaire particle system that the patient by this data. Which requires its first of epic is! Which games store questionnaire breeding left are using cannot be a gaming world around town with. One game store is epic games scene editor to gaming expert or kiddo in agreement with the epics are. Then race of epic uses cookies and also an experience focuses on the epics help them over pc. My epic games move outside one and gaming expert or cold weather and many other a lot of their game testing new system? Steam games store questionnaire tedious, gaming has dedicated scrum practices and game? Epic games epic school or read our use of gaming systems in the epics in the next betas will. -
PDF CD PROJEKT Capital Group Strategy for the Years 2016-2021
Strategy of the CD PROJEKT Capital Group for the years 2016-2021 CD PROJEKT Group CD PROJEKT was founded in 1994 and conducts business in the field of electronic entertainment, focusing on two key areas: • development and distribution of world-class videogames via the CD PROJEKT RED development studio – creators of the globally acclaimed The Witcher videogame series, currently also working on other projects, including the upcoming AAA release: Cyberpunk 2077; • digital sales of videogames directly to customers from around the world via GOG.com and GOG Galaxy platforms. Since 2010 the CD PROJEKT Group is listed on the Warsaw Stock Exchange. CD PROJEKT RED Studio CD PROJEKT RED is a game development studio founded in 2002. It develops and publishes videogames for personal computers and video game consoles. Altogether, games from The Witcher series – the Studio’s flagship franchise – have sold over 20 million copies. The Studio’s newest release – The Witcher 3: Wild Hunt – debuted in 2015 for the PC, PlayStation 4 and Xbox One, and has since received over 800 awards and accolades, including 250 game of the year awards. The game was released simulta- neously in 15 language versions, on all key markets, including Europe, the Americas, Asia, Australia and Africa. Along with the globally available digital edition of the game, box editions were made available in 109 countries. CD PROJEKT RED’s flagship games are powered by the Company’s proprietary technology -- REDengine. This continually upgraded, best-in-class software solution enables efficient development of complex and quality role-playing games set in vast open world environments. -
An Empirical Study of Game Reviews on the Steam Platform
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/324923032 An Empirical Study of Game Reviews on the Steam Platform Article in Empirical Software Engineering · May 2018 DOI: 10.1007/s10664-018-9627-4 CITATIONS READS 0 10,512 4 authors: Dayi Lin Cor-Paul Bezemer Queen's University Queen's University 5 PUBLICATIONS 10 CITATIONS 37 PUBLICATIONS 369 CITATIONS SEE PROFILE SEE PROFILE Ying Zou Ahmed E. Hassan Queen's University Queen's University 139 PUBLICATIONS 1,628 CITATIONS 313 PUBLICATIONS 6,870 CITATIONS SEE PROFILE SEE PROFILE Some of the authors of this publication are also working on these related projects: Open source systems View project Multi-tenancy View project All content following this page was uploaded by Dayi Lin on 03 May 2018. The user has requested enhancement of the downloaded file. Noname manuscript No. (will be inserted by the editor) An Empirical Study of Game Reviews on the Steam Platform Dayi Lin · Cor-Paul Bezemer · Ying Zou · Ahmed E. Hassan Received: date / Accepted: date The steadily increasing popularity of computer games has led to the rise of a multi-billion dollar industry. Due to the scale of the computer game industry, devel- oping a successful game is challenging. In addition, prior studies show that gamers are extremely hard to please, making the quality of games an important issue. Most online game stores allow users to review a game that they bought. Such reviews can make or break a game, as other potential buyers often base their purchasing decisions on the reviews of a game. -
Introdução a Jogos Digitais Yuri Karan Benevides Tomas Local: Sala 3 - Bloco A
Introdução a Jogos Digitais Yuri Karan Benevides Tomas Local: Sala 3 - Bloco A ● Local: Sala 3 - Bloco A ● 5 dias de aula ○ 10 aulas ○ 2 por dia Cronograma Avaliações T1 - Trabalho 1: Jogos indies T2 - Trabalho 2: Princípios de game design S - Seminário: Tipos de jogos Nota = (T1 + T2 + S) / 3 Ementa ● Definição de jogos digitais ● Princípios de game design ● Fases de produção de um jogo digital ● Tipos de jogos ● Segmentos e público Horário de atendimento ● Combinar com os alunos ● Sugestão ○ Terça-feira das 17h05min às 18h30min Aula introdutória Professor Yuri Karan Benevides Tomas Antes de mais nada... Começando do começo O que é um jogo? O que é um jogo digital? Vamos discutir ● O que é um jogo? ● O que faz um jogo ser um jogo? ● O que é um jogo digital? Elementos presentes em jogos ● Interatividade ○ Mecânicas ● Regras ○ Objetivos ● O que mais? Matéria IGN Brasil [1] ● Ensaio sobre definição de jogo e sobre os “filmes interativos” ○ Heavy Rain Homo ludens - Johan Huizinga ● Livro escrito em 1938 ● Discute a cultura dos jogos na sociedade e sua importância Homo ludens - Johan Huizinga “Muito antes da configuração digital em que vivemos hoje, o autor desenvolveu um trabalho bastante detalhado sobre a relação do jogo com as diversas áreas de atuação do homem, como a política, a guerra, a religião, o folclore, ou seja as manifestações culturais que se dão em diferentes épocas e contextos. Não há dúvidas de que precisamos adequar algumas questões apresentadas por Huizinga, graças à já comentada evolução tecnológica, mas o texto aponta caminhos para uma descoberta maravilhosa.” - Cadu, Blog Jogos Digitais. -
Minecraft Svg Free
Minecraft Svg Free Minecraft Svg Free CLICK HERE TO ACCESS MINECRAFT GENERATOR minecraft seeds download free "Rust" was first announced on August 14th 2021 at PAX East by Garry Newman of Facepunch Studios at the "Facepunch Developers Showcase", being introduced primarily via podcast "Coffee with Garry". Announced as a survival game set in an "M-rated" world with mining and crafting, the game became playable on Steam Early Access on January 12th, 2021. After five months of development, Facepunch decided to shift their focus towards releasing modding tools and the ability to edit the design of popular maps instead, which they started implementing into the game on June 18th.", "Rust"s central gameplay is available in both singleplayer and multiplayer modes. When playing on a server with other players, combat is enabled and players must fight or flee from other hostile players who are also scavenging for resources. If a player is killed by another player they will not be able to respawn until they have been to a specified area of the map which acts as the game's 'spawn point'.", Combat is designed to be straightforward, with players able to only carry one item (of any weight) at a time. Weapons can be crafted with either wood or stone and basic combat techniques involve aiming at the head to inflict maximum damage, taking use of terrain and the ability of having a ranged weapon for players comfortable with using more than one weapon.", When you first install your Minecraft server, you need to create a separate user account that has administrator rights. -
The Shape of Games to Come: Critical Digital Storytelling in the Era of Communicative Capitalism
The Shape of Games to Come: Critical Digital Storytelling in the Era of Communicative Capitalism by Sarah E. Thorne A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario © 2018, Sarah E. Thorne Abstract The past decade has seen an increase in the availability of user-friendly game development software, the result of which has been the emergence of a genre of reflexive and experimental games. Pippin Barr, La Molleindustria’s Paolo Pedercini, and Davey Wreden are exemplary in their thoughtful engagement with an ever-expanding list of subjects, including analyses and critiques of game development, popular culture, and capitalism. These works demonstrate the power of games as a site for critical media theory. This potential, however, is hindered by the player-centric trends in the game industry that limit the creative freedom of developers whose work is their livelihood. In the era of communicative capitalism, Jodi Dean argues that the commodification of communication has suspended narrative in favour of the circulation of fragmented and digestible opinions, which not only facilitates the distribution and consumption of communication, but also safeguards communicative capitalism against critique. Ultimately, the very same impulse that drives communicative capitalism is responsible for the player-centric trends that some developers view as an obstacle to their art. Critical game studies has traditionally fallen into two categories: those that emphasize the player as the locus of critique, such as McKenzie Wark’s trifler or Mary Flanagan’s critical play, and those that emphasize design, as in Alexander Galloway’s countergaming, Ian Bogost’s procedural rhetoric, and Gonzalo Frasca’s theory of simulation.