Technical Activities 1983 Center for Analytical Chemistry
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Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks -
CDJ-2000 & CDJ-900 Natural Selection
CDJ-2000 & CDJ-900 Natural Selection A new species of CDJ has arrived. Introducing the CDJ-2000 & CDJ-900 multi-format players. Designed for the ever evolving needs of DJs, the new CDJs handle all major music formats from multiple sources including USB and SD memory devices. CDJ-2000 Natural Selection Introducing a major leap forward for our legendary club standard CDJ series: the CDJ-2000 is the new professional player for the digital age. Playback of multiple file formats / Perform off USB storage devices & SD card / rekordbox™ music database management software included / Pro DJ Link allows music data sharing among players from single source / High-quality Wolfson DAC / 6.1 full-colour LCD screen / Rotary selector function for easy track selection / Needle Search bar for rapid track point selection / MIDI & HID control via USB / Hot Cue Banks / Quantize Looping / 4 point Jog wheel illumination with increased tension adjustability / Tag tracks The CDJ-2000 fizzes with fresh DNA and can play music Wolfson DAC which processes high-quality audio files up from multiple sources, including CD, DVD, USB storage to 96kHz and has a signal-to-noise ratio of 117dB (11dB devices and SD memory cards. Simply take your USB higher than the CDJ-1000MK3), giving incredibly accurate device to the club, plug into the CDJ-2000 and play. sound reproduction. Supported file formats include MP3, AAC, WAV and Each CDJ has a built-in 24-bit/48kHz sound card, along with AIFF (both 16-bit and 24-bit), for the next generation of MIDI and HID control over USB. -
Sheer Genius and Totally Cool! It's Zomo!
SHEER GENIUS AND TOTALLY COOL! IT’S ZOMO! CONTENT Furniture 3 Founded in 2003, the Zomo brand is a division of Headphones 12 GSM-Multimedia GmbH. Developed by Dj’s with a total understanding of the club and nightlife scenes. Pro Stands 18 Zomo products - used by serious Dj’s and found in all good record stores. Laptop Stands 20 Equipment Cases 21 Racks & Equipments 42 Record cases 43 Bags 44 CD-Bags & Cases 50 Accessories 52 Snap this QR code and get an instant access to www.zomo.de Capacity 75/25 Trolley 19” Rack Unit Number of items held inside Classic Cut Luxury travelling with trolley 1 unit = 44.45mm Notebook Size 50/50 Adjustable Panel Rotation Maximum notebook size Half cut for perfect storage Adjustable position/location Rotatable Pro Flight Removable Lid Wheels Cable Cover Extreme flight proofed quality Removable top part Wheels for easy transporting Protect & arrange cables Detailed information on all products on www.zomo.de FURNITURE 3 Berlin MK2 Deckstand Miami MK2 Deckstand Detailed information on all products on www.zomo.de 4 FURNITURE Miami MK2 Toxic Deckstand LT D Berlin MK2 Toxic Deckstand LT D Powerkit PK1 Acryl Front Laptop Tray Acryl Headphone Tray Acryl Powerkit PK2 Detailed information on all products on www.zomo.de FURNITURE 5 Milano Studio Desk Vegas Deckstand Detailed information on all products on www.zomo.de 6 FURNITURE Ibiza 120 Deckstand Ibiza 150 Deckstand Detailed information on all products on www.zomo.de FURNITURE 7 Detroit 120 Detroit 150 Detailed information on all products on www.zomo.de 8 FURNITURE -
SL1 Manual for Serato Scratch Live 2.5.0
SETTING THE stanDARD FOR PROFESSIONAL DJS RANE SL1 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.5.0 Important Safety Instructions FCC Statement FCC Declaration of Conformity For the continued safety of yourself and This equipment has been tested and Brand: Rane others we recommend that you read found to comply with the limits for a Class Model: SL1 the following safety and installation B digital device, pursuant to part 15 of instructions. Keep this document in a safe the FCC Rules. These limits are designed This device complies with part 15 of the location for future reference. Please heed to provide reasonable protection against FCC Rules. Operation is subject to the all warnings and follow all instructions. harmful interference in a residential following two conditions: (1) This device installation. This equipment generates, may not cause harmful interference, Do not use this equipment in a location uses and can radiate radio frequency and (2) this device must accept where it might become wet. Clean only energy and, if not installed and used any interference received, including with a damp cloth. This equipment may in accordance with the instructions, interference that may cause undesired be used as a table top device, although may cause harmful interference to operation. stacking of the equipment is dangerous radio communications. However, there and not recommended. is no guarantee that interference will Responsible Party: not occur in a particular installation. Rane Corporation Equipment may be located directly above If this equipment does cause harmful 10802 47th Avenue West or below this unit, but note that some interference to radio or television Mukilteo WA 98275-5000 USA equipment (like large power amplifiers) reception, which can be determined Phone: 425-355-6000 may cause an unacceptable amount of by turning the equipment off and on, hum or may generate too much heat the user is encouraged to try to correct and degrade the performance of this the interference by one or more of the equipment. -
3Rd Party Controller Quickstart Guide • Pioneer
3RD PARTY CONTROLLER QUICKSTART GUIDE • PIONEER CDJ-400 • NUMARK DMC2 • • DENON DN-HD2500 • DENON DN-HC4500 • • NUMARK ICDX • SERATO SCRATCH LIVE 3RD PARTY CONTROLLER QUICKSTART 1.8.21 To use a pair of CDJ400s with Scratch LIVE, you Below is the information displayed on the will need at least 3 available USB ports. LCD screen of the Pioneer CDJ-400 when PIONEER CDJ-400 used with Scratch LIVE. If you don’t have 3 ports available you may be able to connect your CDJ400s to a powered Artist name / Song name / Album name. Use the USB hub. It is however, important to always Text Mode / Utility Mode button to toggle* connect your Scratch LIVE hardware directly to your computer. Track number* First, make sure you are running Scratch LIVE BPM - changes in value with pitch slider 1.8.2 or later. (Earlier versions do not movement* support the CDJ400) Tempo % - changes in value with pitch slider Connect your Scratch LIVE hardware (SSL1, movement. TTM57 or the MP4) as per normal into an +- Tempo range. +-6 / +-10 / +-16. Use the available USB port on your computer. Tempo button to toggle. Do the same with both of your CDJ400s, connecting each player to separate USB ports. Time elapsed / Time remaining (Digits) Use the Start Scratch LIVE and set each virtual deck to Time Mode / Auto Cue button to toggle. Internal Mode. Time elapsed / Time remaining (Visual readout) Turn on both CDJ400s, and switch them to USB Use the Time Mode / Auto Cue button to mode by pressing the button in the top left toggle. -
Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2018 Performance in EDM - A Study and Analysis of DJing and Live Performance Artists Jose Alejandro Magana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Performance Commons Recommended Citation Magana, Jose Alejandro, "Performance in EDM - A Study and Analysis of DJing and Live Performance Artists" (2018). Capstone Projects and Master's Theses. 364. https://digitalcommons.csumb.edu/caps_thes_all/364 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Magaña 1 Jose Alejandro Magaña Senior Capstone Professor Sammons Performance in EDM - A Study and Analysis of DJing and Live Performance Artists 1. Introduction Electronic Dance Music (EDM) culture today is often times associated with top mainstream DJs and producers such as Deadmau5, Daft Punk, Calvin Harris, and David Guetta. These are artists who have established their career around DJing and/or producing electronic music albums or remixes and have gone on to headline world-renowned music festivals such as Ultra Music Festival, Electric Daisy Carnival, and Coachella. The problem is that the term “DJ” can be mistakenly used interchangeably between someone who mixes between pre-recorded pieces of music at a venue with a set of turntables and a mixer and an artist who manipulates or creates music or audio live using a combination of computers, hardware, and/or controllers. -
The Underrepresentation of Female Personalities in EDM
The Underrepresentation of Female Personalities in EDM A Closer Look into the “Boys Only”-Genre DANIEL LUND HANSEN SUPERVISOR Daniel Nordgård University of Agder, 2017 Faculty of Fine Art Department of Popular Music There’s no language for us to describe women’s experiences in electronic music because there’s so little experience to base it on. - Frankie Hutchinson, 2016. ABSTRACT EDM, or Electronic Dance Music for short, has become a big and lucrative genre. The once nerdy and uncool phenomenon has become quite the profitable business. Superstars along the lines of Calvin Harris, David Guetta, Avicii, and Tiësto have become the rock stars of today, and for many, the role models for tomorrow. This is though not the case for females. The British magazine DJ Mag has an annual contest, where listeners and fans of EDM can vote for their favorite DJs. In 2016, the top 100-list only featured three women; Australian twin duo NERVO and Ukrainian hardcore DJ Miss K8. Nor is it easy to find female DJs and acts on the big electronic festival-lineups like EDC, Tomorrowland, and the Ultra Music Festival, thus being heavily outnumbered by the go-go dancers on stage. Furthermore, the commercial music released are almost always by the male demographic, creating the myth of EDM being an industry by, and for, men. Also, controversies on the new phenomenon of ghost production are heavily rumored among female EDM producers. It has become quite clear that the EDM industry has a big problem with the gender imbalance. Based on past and current events and in-depth interviews with several DJs, both female and male, this paper discusses the ongoing problems women in EDM face. -
Models and Algorithms for Control of Sounding Objects
SOb - the Sounding Object IST Project no. IST-2000-25287 Models and Algorithms for Control of Sounding Objects Report Version: 2.0 Report Preparation Date: January 10, 2003 Classification: Pub. Deliverable N. 8 Contract Start Date: 1 Jan. 2001 Duration: 2 years Project Co-ordinator: University of Verona (UNIVR) Partners: University of Udine (UNIUD), University of Limerick (UL), Royal Institute of Technology (KTH) - Stockholm Project funded by the European Community under the ‘Information Society Technologies’ Programme (1998-2002) Contents 1 Introduction 3 2 Toward a new model for sound control 5 2.1 Introduction . 5 2.2 Control models . 5 2.3 Walking and running . 6 2.3.1 Sounds . 6 2.3.2 Tempo . 7 2.4 Controlling the sounds of walking and running . 9 2.5 Pilot experiment: listening to walking and running sounds . 11 2.5.1 Stimuli . 11 2.5.2 Subjects and procedure . 11 2.5.3 Results and discussion . 11 2.6 Conclusions . 12 2.7 Links . 13 3 Scratching: from analysis to modelling 14 3.1 Introduction . 14 3.2 Common set-up for experiments . 14 3.2.1 Method . 15 3.2.2 Material . 15 3.2.3 Instrument line-up . 15 3.3 Experiment 1 - Playing the turntable . 16 3.3.1 Introduction . 16 3.3.2 Equipment . 17 3.3.3 Material . 19 3.3.4 Techniques . 20 3.4 Experiment 2 - Analysis of a genuine performance . 29 3.4.1 Analysis . 29 3.4.2 Method . 29 3.4.3 Equipment . 29 3.4.4 Calibrations . 30 3.4.5 Measurements outline . -
Croconate Salts. New Bond-Delocalized Dianions, &Q
JOURNAL OF RESEARCH of the National Bureau of Standards Volume 85, No.2, March·April1980 Pseudo-Oxocarbons. Synthesis of 2, 1,3-Bis-, and 1, 2, 3-Tris (Dicyanomethylene) Croconate Salts. New Bond-Delocalized Dianions, "Croconate Violet" and "Croconate Blue"* Alexander J. Fatiadit National Bureau of Standards, Washington, D.C. 20234 October 24,1979 Synthesis and characteri zation of new bond·delocalized dianions, e.g., 2, 1,3·bis·, 1,2, 3·tris (di cyanomethyl. ene) croconate salts have been described. The dianions re ported represent a new class of aromati c, nonbenze· noid co mpounds, named pseudo·oxocarbons. A study of their physical, analytical and chemical properties offer a new direction in the chemistry of oxocarbons. Key words: Acid; aromatic; bond·delocalized; croco nic; diani on; malononitrile; nonbenzenoid; oxocarbon; salt; synthesis 1. Introduction molecular properties of the croconic salts (e.g. 2 , dipotas sium salt) were first seriously investigated when a symmetri The bright ye ll ow dipotassium croconate 1 and croconic cal, delocalized structure fo r the dianion 2 was proposed by acid (1 , K = H, 4,5-dihydroxy-4--cyclopentene-l,2,3-trione) Yamada et aJ. [3] in 1958. A few years later [4], the d i anion 2 were first isolated by Gmelin [1]' in 1825, from the black, ex· and the related deltate [5], squarate, rhodizonate, and plosive, side-reaction product (e.g. K6 C6 0 6 + KOC=COK), tetrahydroxyquinone anions were recognized by West et aJ. by the reaction of carbon with potassium hydroxide, in a [2,4] as members of a new class of aromatic oxocarbons pioneer, industrial attempt to manufacture potassium. -
Connections Pioneer CDJ-900/CDJ-2000
Pioneer CDJ-900/CDJ-2000 Scratch Live Connection Guide Connections Connect the Multi Player (or players, if more than one are to be connected*) to the computer with the use of a USB cable. The example here is for connecting to CDJ-900, but the method is the same for CDJ-2000. *Up to 3 Multi Players can be connected to the Scratch Live. Connecting with Serato Scratch Live Computer Scratch Live USB cable USB cable USB cable Scratch Live SL1/SL3 LEFT DECK RIGHT DECK 3456 Audio cable to Amp POWER R L DIGITAL AUDIO OUT CONTROL OUT CDJ-900 DJ mixer CDJ-900 Power cable To an AC outlet * Scratch Live is a registered trademark of Serato Audio Research. 1 Using Multi Players as Scratch Live Controllers Switch on the power to all units once the connections have been made. Then, set up the Multi Players in accordance with the following procedures. [MENU] button [LINK] button UTILITY BACK TAG TRACK BROWSE TAG LIST INFO MENU /REMOVE OFF POWER ON LINK STANDBY USB DISC EJECT STOP USB ROTARY SELECTOR DISC 1 / 16 1 1 / 4 TIME AUTO VINYL MODE CUE SPEED ADJUST TOUCH/RELEASE 1 / 8 2 1 / 3 IN / CUE OUTRELOOP/EXIT CUE/LOOP DELETE MEMORY 1 / 4 4 1 / 2 LOOP CALL JOG MODE IN ADJUST OUT ADJUST 1 / 2 3 / 4 SLIP 8 VINYL AUTO BEAT LOOP Press the [LINK] button on the Multi Player. When [CONTROL MODE (HID STANDARD] is displayed 1 BEAT SELECT on the Multi Player’s main display area, press and hold the [MENU] button for at least one second to DIRECTION TEMPO 6 10 16 WIDE REV advance to the [UTILITY] mode. -
Jaume Parera Bonmati
DJ Codo Nudo: a novel method for seamless transition between songs for electronic music Jaume Parera Bonmati MASTER THESIS UPF / 2016 Master in Sound and Music Computing Master thesis supervisors: Perfecto Herrera Sergi Jordà Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona ii Acknowledgements I would like to thank to Perfecto Herrera and Sergi Jordà to give me the chance of working on this project, and to give to me the necessary support during the process. I know it was not easy to deal with a psychologist. Also thanks to Microfusa team, especially Eduard Gramund to give me the opportunity to participate to the Professional DJ course, I saw a deep passion for music on him, and the will of opening any door to new improvements. To Adriana López for her enthusiasm and patience to transmit the knowledge of her work and passion to me, and the hours of answering my non-stop questions. I want also to give tanks and congratulate to the Neukom Institute for Computational Science at Dartmouth College to propose the Algorithms contest, to give us the opportunity to participate, and for appreciating our job. To all my friends to believe, listen and understand to me, and to Pritish Chandna for these weeks programming together long hours, we got it! Finally thanks to my family for their blind trust on my projects, I really appreciate that. Abstract This thesis presents a novel methodology for selecting, ordering and mixing songs, in an effort to emulate a human DJ. The algorithm presented herewith builds on work done on these individual tasks and combines them. -
Novel Non-Aqueous Symmetric Redox Materials for Redox Flow Battery Energy Storage
Novel Non-Aqueous Symmetric Redox Materials for Redox Flow Battery Energy Storage Craig G. Armstrong This dissertation is submitted for the degree of Doctor of Philosophy January 2020 Department of Chemistry The search for ‘electrochemically promiscuous’ redox materials… - Craig Armstrong, 2017 ii Declaration This thesis has not been submitted in support of an application for another degree at this or any other university. It is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated. Many of the ideas in this thesis were the product of discussion with my supervisor Dr Kathryn E. Toghill. Dr Ross W. Hogue assisted in the acquisition of experimental results in chapters 4, 6 and 7. He is also credited for co-writing [3], of which Chapter 6 is based, and is a second author on [4]. Excerpts of this thesis have been published in the following academic publications [1–4]. [1] C.G. Armstrong, K.E. Toghill, Cobalt(II) complexes with azole-pyridine type ligands for non-aqueous redox-flow batteries: Tunable electrochemistry via structural modification, J. Power Sources. 349 (2017) 121–129. doi:10.1016/j.jpowsour.2017.03.034. [2] C.G. Armstrong, K.E. Toghill, Stability of molecular radicals in organic non- aqueous redox flow batteries: A mini review, Electrochem. Commun. 91 (2018) 19–24. doi:10.1016/j.elecom.2018.04.017. [3] R. Hogue, C. Armstrong, K. Toghill, Dithiolene Complexes of First Row Transition Metals for Symmetric Non-Aqueous Redox Flow Batteries, ChemSusChem. (2019) 1–11. doi:10.1002/cssc.201901702.