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Two Caravans Marina Lewycka Author Background • Birth—1946, Germany • Raised—Yorkshire, England • Education—Keele University, University of York, Kings College London • Currently—lives in Sheffield, England Book Groups @ Blue Mountains Library Marina Lewycka was born to Ukrainian parents in a refugee camp in Kiel, Germany shortly after World War II. She and her family emigrated after her birth to England, where she grew up. She graduated from Keele University in 1968 with BA in English and Philosophy and from the University of York with a BPhil in English Literature in 1969. She began, but did not complete, a PhD at King's College London. She was a lecturer in media studies at Sheffield Hallam University until her retirement in March 2012 Her first novel, A Short History of Tractors in Ukrainian, has sold more than one million copies worldwide, has been translated into more than thirty languages, and was nominated for the Booker and Orange prizes. She lives in Sheffield, Yorkshire, with her husband, and has one adult daughter. (adapted from Reading Groups Guides, Wikipedia & author’s website) Two Caravans Marina Lewycka Book Summary Two Caravans (also published as Strawberry Fields) Marina Lewycka, 2008 Penguin 320 pp. ISBN-13: 9780143113553 Book Groups @ Blue Mountains Library On a sunny hillside in Kent, in the Garden of England, a group of nine migrant workers from various parts of the world are picking strawberries for Mr. Leapish, the farmer. Housed in two trailers, and fed a daily diet of bread, margarine, jam, and sausages, life isn’t easy for them. But the friendships they forge, and their dreams of love and hopes for a new life in the West, carry them along. Nineteen-year-old Irina has arrived from Kiev, Ukraine buoyed up by enthusiasm for the Or- ange Revolution, and full of dreams of a romantic and refined life in the West. Andriy, from Donetsk in Eastern Ukraine, has fled a harsher life --- and maybe death --- in one of its failing coal mines. Yola, the sharp-tongued but warm-hearted supervisor, has come from Poland with her gentle niece, Marta, to earn money to support her disabled son. Tomasz, also from Poland, is a latter-day aging hippie and Bob Dylan fan following his own dreams of freedom. With them are two Chinese girls and Emanuel, a devout young Catholic from Africa, seeking his sister, who is working somewhere in England as a nurse. The mysterious Vitaly, of un- known Eastern European origins, and a runaway dog round out the bunch. Although the tone is often humorous, and the action moves fast, there is an underlying seri- ousness in this modern tale of globalization, where people are expendable, and the worst ex- ploiters are often other immigrants, traffickers in cheap labor and worse, who prey on the vulnerable new arrivals. Author Marina Lewycka creates comedy from the language and cultural differences of this ragtag group, while never flinching from describing the horrors they encounter when they are forced to leave their idyllic strawberry field and embark on an adventure which takes them through an England that turns out to be very different from the country of their dreams. Strawberry Fields is both a road story and a love story. As each one of the original strawberry pickers is forced to let go of some of their illusions about life in the West, they gain friendship, love, and a better understanding of their own nature. Before they can finally extricate them- selves from the clutches of the gang masters and go their separate ways, the group has the bittersweet journey of a lifetime, tinged with hope, joy, tragedy, and love. (from Reading Group Guides) Two Caravans Marina Lewycka Discussion Questions 1. Each of the characters in Strawberry Fields has a very distinctive voice. All of the characters’ stories are intertwined, but they each develop separately. How does the fact that each character’s story and voice unfolds independently affect the narrative of the novel as a whole? Does it make it easier or harder to understand how the characters relate to each other? 2. Andriy and Irina are both Ukrainian, but they are clearly from different sides of the tracks. At the beginning of the novel, Irina looks down on Andriy, and Andriy thinks of Irina as stuck-up. But as the story progresses, they grow to appreciate and even love each other. Book Groups @ Blue Mountains Library How did you react to their blooming romantic relationship? Do you think their adventures together allow them to put aside their differences, or did they create an artificial closeness? 3. All of the workers on Leapish’s farm are migrant seasonal labourers, but none of them seem to know exactly what they have gotten themselves into. Was this initial setup believable? Did the following events make the story more or less plausible? 4. Vitaly is a strange character --- first he seems to be one of the Leapish crew, but then he seems to turn against them, becoming a “mobilfonman.” He coerces many of his less savvy friends into bad jobs in worse conditions. And yet, as we find out something about Vitaly’s life, we learn that he has been just as much a victim of the system as those he is taking advantage of. Did you sympathize with Vitaly? Do you think he could have helped his behaviour? How would you have acted in his situation? 5. In the novel’s epigraph, Lewycka quotes Chaucer: “For myn entente is nat but for to pleye.” The tone of the book is indeed light-hearted, but Lewycka brings up some very serious social and political issues. Does her political stance come across strongly? How did some of the situations she presents in the novel change your mind about real-world politics? 6. Like many novels, Strawberry Fields is about a journey. In what ways do the real journeys the characters take --- from their native lands to Leapish’s farm, to various parts of Europe, and sometimes back home --- stand in for their emotional or psychological journeys? 7. Vulk is obsessed with “making possibility” with Irina. He is a frightening and revolting character, but he seems to have a genuine crush on Irina. Because of this, is he a sympathetic figure? What are some of the characteristics that would elevate him from the position of merely “bad guy”? 8. One of the stranger episodes in the novel occurs when Emanuel, Irina, Andriy, and Dog show up on Toby Mackenzie’s doorstep. Toby’s family seems stereotypical --- an overbearing father, a repressed but kind mother, and a rebellious, drug-using teenage son. Was the author’s description of the family funny, upsetting, or a combination of both? What about the immigrants’ reactions to the family? In what ways was the scene realistic? 9. Discuss Emanuel’s and Marta’s religious convictions. Do their religious beliefs make them harder or easier to understand? Why do you think the author chose to include two devout Catholics from such different backgrounds? 10. Do you think the subject matter of the book works best as a novel? Would it have been more powerful as non-fiction --- for example, an exposé of immigrant life? 11. What did you think of the characters’ reactions to Western culture? Were their impressions accurate? 12. Which character did you relate to best and why? Was there any character you disliked? Did the story have a clear hero? A villain? (from Reading Group Guides) Two Caravans Marina Lewycka Reviews 'English men are supposed to be incredibly romantic. There is a famous folk-legend of a man who braves death and climbs in through his lady's bedroom window just to bring her a box of chocolates.' So muses Irina after 42 hours on a coach from Kiev, arriving in Dover to begin a summer as a seasonal agricultural worker in the country of her dreams and excited by the promise of adventure and possibly even romance with an Englishman as handsome and dashing as Mr Brown from her textbook, Let's Talk English. Met off the boat by Vulk, a greasy-haired, gun-toting gangster who instantly Book Groups @ Blue Mountains Library confiscates her passport and working papers, Irina is deposited in a sunlit corner of Kent where two caravans house a motley collection of migrant strawberry pickers, all chasing similar dreams of a better life in opportunity-rich Britain. There is Yola, the Polish supervisor who is having an affair with the farmer; her religious niece, Marta; Tomasz, who is infatuated with Yola and guilty of stashing a purloined pair of her knickers under his bed; Emmanuel, an improbably naive Malawian who has come in search of his sister; two Chinese girls known only as Chinese Girls One and Two; and finally Andriy, a Ukrainian who falls for the beautiful Irina at first sight, despite his own fantasies about the natives. But it seems Irina has attracted the attention of more than just Andriy and soon, Vulk has returned in an attempt to exploit her charms in one of his more profitable, if less salubrious, business ventures. As in her bestselling first novel, A Short History of Tractors in Ukrainian, Marina Lewycka's talent for comic writing is apparent from the beginning. With their assorted levels of English, the strawberry pickers have echoes of Jonathan Safran Foer's Ukrainian translator in Everything Is Illuminated, as language is creatively mangled, often stretched to fit images that could not otherwise have come to life. This is a more difficult novel than its predecessor, however. As it progresses, Lewycka attempts to delve into the darkest facets of economic migration and Western capitalism - the brutality of intensive poultry farming; the slum-like immigrant hostels on the coast; the vicious exploitation of illegal workers; and, most sinister of all, human trafficking.

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