Summary of Proceedings
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PLAZA HOTEL INTERIOR Designation Report
PLAZA HOTEL INTERIOR Designation Report New York City Landmarks Preservation Commission July 12, 2005 Designation List 366 LP-2174 PLAZA HOTEL INTERIOR: TABLE OF CONTENTS Site Description 2 Testimony at Public Hearing 2 Essay Summary 3 Fifth Avenue and the Site 4 Construction and Opening of Plaza Hotel 4 Hotel Architecture 5 Frederic Sterry 6 Henry Janeway Hardenbergh 6 Warren & Wetmore 7 The 1905-07 Design of the Plaza Hotel’s Interiors 8 1919-1922 addition and 1929 Grand Ballroom 11 The Hilton Plaza (1943-1953) 13 Plaza Hotel (1953 to present) 14 Plaza Hotel Social History 14 Site Plans 21 Individual Room Entries The Edwardian Room 24 59th Street Lobby 29 Fifth Avenue Lobby and Vestibules 31 Grand Ballroom 35 Corridor and Foyer Main Corridors 44 The Oak Bar 49 The Oak Room 52 The Palm Court 57 Terrace Room 62 Corridor, Foyer Stairways Findings and Designation 72 Report researched and written by Research Department Mary Beth Betts, Director of Research, Michael Caratzas, Gale Harris, Virginia Kurshan, Matthew A. Postal, Donald Presa, and Jay Shockley All photos by Carl Forster PLAZA HOTEL INTERIOR Plaza Hotel, ground floor interior consisting of the Fifth Avenue vestibules, Lobby, corridor to the east of the Palm Court, the Palm Court, Terrace Room, corridor to the north of the Palm Court connecting to the 59th Street Lobby and the Oak Room, foyers to the Edwardian Room from the corridor to the north of the Palm Court and the 59th Street Lobby, the Edwardian Room, 59th Street Lobby and vestibule, the Oak Room and the Oak Bar, corridor -
American Osler Society
47th Annual Meeting of the American Osler Society Sunday, April 9th – Wednesday, April 12th, 2017 Emory Conference Center Hotel Atlanta, Georgia The image on the cover is of Sir William Osler and is on display on the Emory University campus in the James B. Williams Medical Education Building. The artist and history of the piece is unknown. 47th Annual Meeting of the AMERICAN OSLER SOCIETY Sunday, April 9th - Wednesday, April 12th, 2017 Emory Conference Center Hotel Atlanta, Georgia Photo courtesy of Osler Library of the History of Medicine, McGill University Course Objectives Upon conclusion of this program, participants should be able to: Describe new research findings in the history of medicine. Outline the evolution of medicine in a particular disease. List professional contributions made by others in medicine. Intended Audience The target audience includes physicians and others interested in Osler, medical history and any of the medically oriented humanities who research and write on a range of issues. Attendees will acknowledge the diversity of topics discussed and the spectrum of research techniques employed to investigate hypotheses, frame arguments, and draw conclusions. The themes addressed are comprehensible to all health care providers, making the content and conclusions accessible to the participants regardless of their main professional identity. CME Accreditation and Designation This activity has been planned and implemented in accordance with the accreditation requirements and policies of the Accreditation Council for Continuing Medical Education (ACCME) through the joint providership of The University of Arizona College of Medicine – Tucson and the American Osler Society. The University of Arizona College of Medicine - Tucson is accredited by the ACCME to provide continuing medical education for physicians. -
Post-Secular Space: on the Strange Place of Contemporary Art in Old Active
Post-Secular Space: On the Strange Place of Contemporary Art in Old Active Churches in Germany, 1987–2017 Inaugural dissertation to complete the doctorate from the Faculty of Arts and Humanities of the University of Cologne in the subject Art History presented by Lilia Sokolova born on 17.05.1992 in Yoshkar-Ola, Russia Cologne, 14.10.2018 Primary advisor: Prof. Dr. Norbert Nußbaum Second advisor: Prof. Dr. Christian Spies Third advisor: Prof. Dr. Stefanie Lieb Oral examination: 14.12.2018 - Von Franz Marc ist der Ausspruch bekannt, daß er hoffe, die Bilder der neuen Kunst würden einmal auf den Altären der Zukunft ihren Platz haben. - Franz Marc hat selbstverständlich recht, Herr Schreyer. Aber ich bin nüchterner als Franz Marc. Die Zukunft hat bereits begonnen. Sie ist schon heute da. Und es bedarf nur eines kleinen Mutes einiges einsichtiger geistlicher Herrn, um der Kunst des 20. Jahrhunderts in den Kirchen Raum zu geben. Die Kunst [dieses] Jahrhunderts aber bestimmen wir. - There is a well-known claim by Franz Marc, that he hoped for the examples of new art to be one day placed at the altars of the future. - Franz Marc was indeed right, Mr. Schreyer. But I am more prosaic than he was. The future has already begun. It is already here today. And what is needed in order to set the art of the twentieth century in a church space is merely a bit of courage in a single insightful spiritual man. The art of [this] century, though let us specify. Conversation between Lothar Schreyer and Wassily Kandinsky, Weimar, 1922 from Lothar Schreyer, Erinnerungen an Sturm und Bauhaus (1956). -
Codart Courant 4-5/December 2002
codart Courant 4-5/December 2002 codartCourant contents Published by Stichting codart P.O. Box 76709 2 A word from the director 8 Amsterdam, Rijksmuseum: All the nl-1070 ka Amsterdam 2 An appeal to all codartmembers paintings online The Netherlands 3 Visitors programs to the Netherlands and 8 Romania Flanders 8 Bucharest, Library of the Romanian Editors: Gary Schwartz 3 News from and about members Academy: Work visit by Catarina Wietske Donkersloot 3 Belgium Macovei to the Netherlands t +31 (0)20 3054 515 3 Antwerp, Rubenshuis: Offer of 8 United Kingdom f +31 (0)20 3054 500 discount on purchase of exhib. cat. 8 Christopher Brown and Julia Lloyd e [email protected] Early Netherlandish drawings Williams knighted by Queen Beatrix 3 Brazil 9 Edinburgh, National Gallery of codart board: 3 Recife, Albert Eckhout returns to Scotland: Offer of discount on Henk van der Walle, chairman Brazil, 1644-2002 purchase of exhib. cat. Drawing on Wim Jacobs, director of operations of the 3 Rio de Janeiro, Museu Nacional de Italy Netherlands Institute for Cultural Belas Artes: codartexhibition of 10 codartactivities in 2002 Heritage (Instituut Collectie Dutch and Flemish paintings 10 Study trip to Moscow, 2-6 March 2002 Nederland), secretary-treasurer 5 Cuba 13 codart vijf: Early Netherlandish Rudi Ekkart, director of the Netherlands 5 Havana, Museo Nacional de Bellas art and its dispersal, 10-13 March 2002 Institute for Art History (Rijksbureau Artes: Report by Foundation for 14 Preview of the Rubenshuis exhibition of voor Kunsthistorische Documentatie) -
Night Windows: Portraits of Loneliness in the Frames of Edward Hopper
Night Windows: Portraits of Loneliness in the Frames of Edward Hopper and Film Noir An Honors Thesis By Anthony Miglieri Thesis Advisor Dr. Richard Edwards Ball State University Muncie, Indiana May 2019 Expected Date of Graduation May 2019 Abstract Loneliness is a common state of feeling as recognizable as any other. Painter Edward Hopper explores the theme of loneliness in the vast majority of his works, pinpointing especially the effect of urbanization and other phenomena that took root in the early to - mid-twentieth century in America. Similarly, the cinematic genre film noir has offered countless portraits of loneliness in and around the city, although focusing more on overt violence and sex than does Hopper. The following project is an exploration of the theme of loneliness through the images of isolated individuals in Edward Hopper’s paintings and films noir in order to explain the rise of alienation in early to mid-twentieth century America. Acknowledgements I would like to thank Dr. Richard Edwards for advising me through this project. Had he not so graciously offered me his knowledge about writing (especially in such a long form), film noir, and Edward Hopper, I would have struggled mightily to complete this project. He has been one of my most cherished mentors during my college experience. I also need to thank my mom, my dad, Matthew, Josh, and Emma for always providing me emotional support and strength as I battled this behemoth of a paper. 1 Process Analysis Statement My idea for this project was born from my love of Edward Hopper’s paintings. -
Xerox Univereity Microfilms 300 North Zoob Road Ann Arbor, Michigan 48106 RODRIGUEZ, Fernando, 1933- IHE ART of CLAUDE SIMON: a DUAL PERSPECTIVE
INFORMATION TO USERS This material was produced from a microfilm copy of tha original document. While the most advanced technological meant to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Paga(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a smaiJ overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Success Story
SUCCESS STORY T ennessee Valley Authority Builds Coalition to Protect Indian Images Marshall County, Alabama “Having the opportunity THE STORY Indian tribes have occupied Marshall County, Alabama, for millennia, and for 600 of those to engage in face-to-face years, a pair of bluffs overlooking the Tennessee River have provided a glimpse into their consultation on this project history. Although visible for ages, etched and painted images on the “Painted Bluff,” as the site has come to be known, were first documented the 1823 bookThe Natural and was very valuable, because Aboriginal History of Tennessee. it gave us the chance to talk The movement of settlers into the area during the 19th century resulted in displacement through the impacts, and to of the original inhabitants. As a consequence, many of the tribes that originally occupied have an open dialogue about this area have moved further south and west, but their ancestral, cultural, and spiritual ties to the traditional cultural and sacred places in this area remain strong. how we should best manage such a significant site.” As the centuries wore on, impacts from man and nature alike took their toll on the sacred images. The effects of modern-day graffiti on the more than 80 animal effigies, — Erin PritCHARD ovals, circles, and other abstract symbols were documented in the 1950s. Senior Archaeological Specialist, Tennessee Valley Authority Half a century later, in 2004, a team of archaeologists from the University of Tennessee noted that, in addition to damage from vandalism and rock climbing at Painted Bluff, humidity and erosion were causing pictographs at the National Register of Historic Places-eligible site to chip and flake. -
Pca-Aca-2013
NATIONAL CONFERENCE NATIONAL CONFERENCE MARCH 27-30, 2013 WASHINGTON MARRIOTT WARDMAN PARK Joseph H. Hancock, II National PCA/ACA Interim Executive Conference Planner & Organizer Drexel University Lee K. Halper National PCA/ACA Interim Associate Conference Planner & Organizer Alex Lamberti Program Layout Designer Izzat Ibrahim Editor Wiley-Blackwell Copyright 2013 PCA/ACA Additional information about the PCA/ACA available at www.pcaaca.org T able of Contents Conference Administration 7 Area Chairs 7 Officers 17 Board Members 18 Gary Hoppenstand: A Special Thank You 19 2013 Ray & Pat Browne Lecture 20 Oliver Stone 20 Peter Kuznick 21 Oliver Stone: Special Sessions 22 Program Schedule Overview 24 Exhibits & Paper Table 24 Business & Board Meetings 25 Dinners, Get-Togethers, Receptions, & Tours 27 Film Screenings 30 Special Sessions 34 Round Tables 42 Subject Area Overview 47 Schedule Overview 99 Daily Program Schedule 176 Wednesday - 1:15 PM 176 Wednesday - 3:00 PM 187 Wednesday - 4:45 PM 198 Wednesday - 8:15 PM 209 Thursday - 8:00 AM 214 Thursday - 9:45 AM 226 Thursday - 11:30 AM 238 Thursday - 1:15 PM 250 Thursday - 3:00 PM 263 Thursday - 4:45 PM 276 Thursday - 6:30 PM 288 Thursday - 8:15 PM 299 Friday - 8:00 AM 308 Friday - 9:45 AM 320 Friday - 11:30 AM 333 Friday - 1:15 PM 345 Friday - 3:00 PM 356 Friday - 4:45 PM 367 Friday - 8:15 PM 367 Saturday - 8:00 AM 368 Saturday - 9:45 AM 376 Saturday - 11:30 AM 385 Saturday - 1:15 PM 394 Saturday - 3:00 PM 400 Saturday - 4:45 PM 405 Saturday - 6:30 PM 409 Saturday - 8:15 PM 411 2013 Financial Review 414 Index 416 Notes 479 Advertisements 486 Conference Administration Conference Administration Area Chairs Academics and Collegiate Aging and Senior Culture Culture Frederick J. -
Paul Muldoon and the Language of Poetry
Paul Muldoon and the Language of Poetry <UN> Costerus New Series Editors C.C. Barfoot (Leiden University) Michael Boyden (Uppsala University) Theo D’haen (Leuven University, and Leuven University) Raphaël Ingelbien (Leuven University) Birgit Neumann (Heinrich-Heine-University Düsseldorf) volume 228 The titles published in this series are listed at brill.com/cos <UN> Paul Muldoon and the Language of Poetry By Ruben Moi leiden | boston <UN> This is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. Cover illustration: Letter Composition (2013) from “LETTERS OF INTENT” (https://staringpoetics.weebly .com) [Digital media] by Nico Vassilakis. Library of Congress Cataloging-in-Publication Data Names: Moi, Ruben, author. Title: Paul Muldoon and the language of poetry / by Ruben Moi. Description: Leiden ; Boston : Brill Rodopi, [2020] | Series: Costerus new series, 0165–9618 ; vol. 228 | Includes bibliographical references and index. Identifiers: LCCN 2019043272 (print) | LCCN 2019043273 (ebook) | ISBN 9789004355101 (hardback) | ISBN 9789004355118 (ebook) Subjects: LCSH: Muldoon, Paul--Criticism and interpretation. | Muldoon, Paul--Literary style. Classification: LCC PR6063.U367 Z83 2020 (print) | LCC PR6063.U367 (ebook) | DDC 821/.914--dc23 LC record available at http://lccn.loc.gov/2019043272 LC ebook record available at https://lccn.loc.gov/2019043273 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. ISSN 0165-9618 ISBN 978-90-04-35510-1 (hardback) ISBN 978-90-04-35511-8 (e-book) Copyright 2020 by Ruben Moi. -
The Date-A-Base Book 2015
The Date-A-Base Book 2015 Copyright © Dave and Kate Haslett 2014 First published in Great Britain in 2014 by ideas4writers 2a New Street Cullompton Devon EX15 1HA The right of Dave and Kate Haslett to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved No part of this publication may be stored, copied or reproduced in any form without the express written permission of the authors Please help support ideas4writers by telling people about this book! Introduction Welcome to the eighth edition of The Date-A-Base Book! As always, every entry has been cross-checked in Encyclopaedia Britannica and on official websites and other sources. This is not an easy process as there’s an awful lot of “disinformation” out there, and it’s definitely getting worse. Whenever there was doubt – which there frequently was – we’ve tried to go back to the original source. Even so, we advise you to double-check each date before using it, and satisfy yourself that it is 100% correct. If you come across any mistakes please let us know. We’ll post any corrections we hear about on the official ideas4writers blog: http://ideas4writers.wordpress.com As far as possible we’ve used New Style (NS) dates from the Gregorian calendar. Celebrities are notorious for knocking a few years off their ages. Wherever possible we’ve given both their real and claimed dates of birth, and noted which is which. Similarly, they don’t always go by their real names, so we’ve used the names by which they are most commonly known. -
Thinking out Loud
Thinking Out Loud The bulletin reflections of Msgr. William Fitzgerald Thinking Out Loud The bulletin reflections of Msgr. William Fitzgerald as written for the parishioners of St. Philip Parish in Battle Creek, Michigan Diocese of Kalamazoo 1992 …………………………………………………. 1 – 16 1993 ………………………………………………….. 17 – 41 1994 ………………………………………………….. 42 – 65 1995 ………………………………………………….. 66 – 94 1996 ………………………………………………….. 95 – 131 1997 ………………………………………………….. 132 – 165 1998 ………………………………………………….. 166 – 208 1999 ………………………………………………….. 209 – 269 2000 ………………………………………………….. 270 – 288 2001 ………………………………………………….. 289 – 311 1. “Be patient” Dear People of God: Some weeks ago, we invited input about Spirit, our parish newsletter. The response was not voluminous, but we found it very helpful and directive. The Pastor letter, the calendar, WSO news, and liturgical articles were most welcomed: Requests included information about more parish groups, human-interest articles, more on music and prayer, workings of Parish Council, futuring and dreaming. People asked to feel more included in big decisions, better informed. Respondents asked us to find ways to be timely, comprehensive and cost effective. There was a good deal of concern about expense in duplicating and mailing. Someone said, "You should simply expand the bulletin." We think we can best respond to your suggestions by doing just that. We are now in process of changing the format of our weekly bulletin, so that it can become a weekly newsletter. That will necessitate some changes in the bulletin we have grown accustomed to take home on Sunday. In the new format, our weekly Mass calendar will be abbreviated. The full list for the week will be posted on the bulletin boards. The listing of liturgical ministers will be eliminated. -
Eskenazi Museum of Art Indiana University – Bloomington, IN
DRIVNG TRIPS VISITING GREAT ART MUSEUMS WITHIN A 290 MILE RADIUS OF CINCINNATI ELEVEN MUSEUMS Cincinnati Art Museum – Local Taft Museum of Art – Local Dayton Art Institute – 51 miles Speed Museum of Art (U. of Louisville, KY) – 104 miles Columbus Museum of Art – 107 miles Indianapolis Museum of Art- 120 miles Eskenazi Museum of Art (U. Indiana Bloomington) – 132 miles Toledo Museum of Art – 200 miles Allen Memorial Art Museum (Oberlin College) Oberlin, OH – 217 miles Cleveland Museum of Art – 252 miles Butler Institute of American Art – Youngstown, OH – 278 miles Cincinnati Art Museum Cincinnati Art Museum “Blue Hole of the Little Miami River” 1851 Robert S. Duncanson (1821-1872) Cincinnati Art Museum “Whistling Boy” 1872 Frank Duveneck (1848-1919) Cincinnati Art Museum “Guard of the harem” 1880 Frank Duveneck (1848-1919) Cincinnati Art Museum “Elizabeth Boott” 1886 Frank Duveneck (1848-1919) Cincinnati Art Museum “Spring Time” 1884 John Twachtman (1853-1902) Cincinnati Art Museum “Into the Under Growth” 1887 Vincent van Gogh (1853-1890) Cincinnati Art Museum “Daughters of Revolution” 1932 Grant Wood (1891-1942) Cincinnati Art Museum “Still Life with Lemon and Glass” 1910 Pablo Picasso (1881-1973) Cincinnati Art Museum “Sun on Prospect Street” 1934 Edward Hopper (1882-1967) Cincinnati Art Museum Prospect Street 1984 Cincinnati Art Museum “Max Jakob” 1916 Amadeo Modigliani (1884-1920) Cincinnati Art Museum “Virginia Landscape” 1943 Arshile Gorky (1904-1948) Cincinnati Art Museum “Horizontal Rust” 1960 Franz Kline (1910-1962) Cincinnati Art Museum “Bridge” 2002 Sean Scully (b.1945) Cincinnati Art Museum “Pete Rose” 1985 Andy Warhol (1928-1987) Taft Museum of Art Taft Museum of Art “Man Rising from Chair” 1633 Rembrandt van Rijn (1606-1669) Taft Museum of Art “Cobbler’s Apprentice” 1872 Frank Duveneck (1849-1919) Taft Museum of Art Robert S Duncanson Murals 1835 Taft Museum of Art “Queen Maria Luisa of Spain” 1800 Francisco Goya (1748-1828) Taft Museum of Art “Robert Lewis Stevenson” 1887 J.