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Summer 2019 Director’S Letter
Summer 2019 Director’s Letter Dear Members, Summer in the Northwest is a glorious time of year. It is also notoriously busy. If you are like most people, you are eager fill your weekends with fun and adventure. Whether you are re-visiting some of your favorite places or discovering new ones, I hope Maryhill is on your summer short list. We certainly have plenty to tempt you. On July 13 we open the special exhibition West Coast Woodcut: Contemporary Relief Prints by Regional Artists, which showcases some of the best printmakers of the region. The 60 prints on view feature masterfully rendered landscapes, flora and fauna of the West coast, along with explorations of social and environmental issues. Plein air artists will be back in action this summer when the 2019 Pacific Northwest Plein Air in the Columbia River Gorge kicks off in late July; throughout August we will exhibit their paintings in the museum’s M.J. Murdock Charitable Trust Education Center. The show is always a delight and I look forward to seeing the Gorge through the eyes of these talented artists. Speaking of the Gorge — we are in the thick of it with the Exquisite Gorge Project, a collaborative printmaking effort that has brought together 11 artists to create large-scale woodblock prints reflective of a 220-mile stretch of the Columbia River. On August 24 we invite you to participate in the culmination of the project as the print blocks are inked, laid end-to-end and printed using a steamroller on the grounds at Maryhill. -
MAD Visionaries!
Press Release MUSEUM OF ARTS AND DESIGN TO PRESENT ANNUAL VISIONARIES! AWARDS NOVEMBER 20, 2013 The Evening Will Honor Materialise CEO and Founder Wilfried Vancraen, Artist Frank Stella, Vilcek Foundation Executive Director Rick Kinsel, and Designers David and Sybil Yurman NEW YORK, NY (November 5, 2013) – On Wednesday, November 20, PRESS CONTACT 2013, the Museum of Arts and Design (MAD) will host its 2013 Visionaries! Claire Laporte/Carnelia Garcia Gala, celebrating five influential creators and leaders in the art, craft, and Museum of Arts and Design design industries, whose work personifies the Museum’s mission to explore 212.299.7737 and celebrate contemporary creativity across all media: [email protected] • Wilfried Vancraen, Chief Executive Officer and Founder of Materialise, an international additive manufacturing company started in Belgium. MAD PRESS RESOURCES For more than twenty years, Materialise has been working with image library designers and scientists to help expand design, manufacturing, and release as .pdf biomedical research into new frontiers, while remaining committed to artistic creativity, sustainability and the improvement of people’s lives. MAD LINKS • Frank Stella, legendary painter and printmaker, most noted for his Minimalist, Post-Painterly Abstract works has challenged ideas collections database of abstraction and of painting itself by negating the evidence of facebook brushwork and asserting the flatness of the canvas. Today, Stella youtube continues to explore new forms and aesthetic avenues in creating flickr multidimensional, hybrid sculptures that combine painting with twitter geometrical and architectural elements. • Rick Kinsel, Executive Director, The Vilcek Foundation. For more than 10 years, the Vilcek Foundation, under Kinsel's leadership, has been an important philanthropic supporter of the arts and sciences. -
Winter 2011–2012 Dear Members & Friends
Winter 2011–2012 Dear Members & Friends, It’s trulY NOT AN UNDERSTATEMENT to say that Maryhill Museum of Art has had a monumental year. Last fall we received a generous challenge grant from the M.J. Murdock Charitable Trust and in February held a groundbreaking for the first expansion in the museum’s history. On hand for the occasion were numerous members, donors and museum supporters who have worked hard to make the expansion project – many years in the making – a reality. Capital Campaign co-chair Laura Cheney, whose mother, Mary Hoyt Stevenson, provided the $2.6 million lead gift that made this new wing possible, was there to hoist a golden shovel and spoke eloquently about her mother’s dream for Maryhill. Top and bottom right: The Mary and Bruce Stevenson Wing Mary Stevenson became involved at Maryhill first as a volunteer expansion. Drawings by Craig Holmes. and later as a financial supporter of the museum. She served on the museum’s Board of Trustees for nearly 10 years and supported Maryhill Hits Halfway Mark Maryhill through gifts to exhibits, programs, the endowment to Meet M.J. Murdock and Fund for the Future, which she began in 1993 with a gift of Charitable Trust Challenge $1 million. Other gifts followed, many through the Mary Hoyt In January 2011, Maryhill Museum Stevenson Foundation. Mary’s love of art extended beyond of Art’s capital campaign received Maryhill. She served two terms on the Washington State Arts a substantial boost in the form of Commission and on the board of Portland’s Contemporary a 2:1 matching grant from the M.J. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Smithsonian American Art Museum
Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S. -
2014 Annual Report
2014 ANNUAL REPORT Maryhill Museum of Art and the Mary and Bruce Stevenson Wing. Photograph by Steve Grafe, Curator of Art 1 | Page Overview of Accomplishments in 2014 In 2014 the Maryhill Museum of Art welcomed nearly 40,000 people through its doors. Visitors enjoyed brilliant exhibitions, partook of dozens of learning opportunities and enjoyed the gardens and grounds, Loïe’s: The Museum Café, the Museum Store and sites on the ranch such as Stonehenge Memorial or the historic Maryhill Loops Road. While Maryhill enjoyed its second season in the Mary Mission and Bruce Stevenson Wing, the museum continued to address plans to round out the new wing. These included From the unique Columbia River Gorge, continued improvement of the museum’s collection Maryhill Museum of Art collects, presents storage system in the Brim Family Research Center, and preserves art and historical and natural progress made on the west side landscaping plan, and resources to enrich and educate residents improvements in the M.J. Murdock Charitable Trust and visitors of the Pacific Northwest. Education Center. With the support of Weinstein Vision Associates, and technology consultant, Kent Heighton, Maryhill Museum of Art is foremost an the museum was able to install museum-wide Wi-Fi. educational institution delivering quality This was immediately used by visitors, volunteers, exhibits and educational programming trustees, committee members, friends and staff. related to its collections and its history. In The museum met a water challenge in 2014 by studying doing so, it provides opportunities for the museum’s main water system to better serve the people of all ages and backgrounds to needs of the museum building and gardens. -
Press Release for Editing
Moderne Gallery Is Making A Move! - as always...looking forward, taking the lead ---- From Old City to Port Richmond, Philadelphia, in January 2019 Moderne Gallery, recognized internationally as the prime gallery for studio craft furniture, and as the leading Nakashima dealer in the world, is moving to a new center for high end design, art and antiques in the Port Richmond section of Philadelphia, as of January 2019. The new showroom is not open to the public as of yet, but can be visited by appointment only. It is set to open in the Spring of 2019. Moderne Gallery will be the first tenant in the Showrooms at 2220, a newly restored former mill at 2220 East Allegheny Avenue, (Port Richmond) Philadelphia, PA 19134. The 100,000 square-foot building is owned and managed by Jeffrey Kamal and Joe Holahan, co-owners of Kamelot Auction Company, which holds its auctions and has its offices in the building. "We are not downsizing, or giving up our showroom concept with special exhibitions," says Moderne Gallery founder/director Robert Aibel. "And certainly we will continue to build our business through internet sales." Joshua Aibel, Robert's son, is now co-director of Moderne Gallery and helping to develop this combination of sales concepts. "We see this as an opportunity to move to a setting that presents a comprehensive, easily accessible major art, antiques and design center for our region, just off I-95," says Josh Aibel. "The Showrooms at 2220 offer an attractive new venue with great showroom spaces and many advantages for our storage and shipping requirements." Moderne Gallery's new showrooms are being designed by the gallery's longtime interior designer Michael Gruber of Philadelphia. -
Process & Presence
ProCeSS & PreSenCe: Selections from the Museum of Contemporary Craft March 15-July 4, 2011 hroughout history, hand skills Most inDiviDuals now learn craft processes and the ability to make things have been in academic environments, rather than within necessary for human survival. Before the the embracing context of ethnic or other cultural advent of industrial mechanization and traditions. The importance of individual expression the dawn of the digital age, all members of and experimentation has caused the contemporary Tany given community were craftspeople. Everything craft world to come alive with innovation and ever- that was necessary for life—clothing, tools and home changing interpretations of traditional styles, objects furnishings—was made by hand. In America, diverse and techniques. In recent years, the hallowed and populations—Native peoples, immigrant groups and often contentious ideological separation of fine art and regional populations—have preserved and shared craft has begun to ease. Some craft artists have been ancient and evolving traditions of making functional embraced by the fine art community and included in objects for everyday use. the academic canon. Many colleges and universities During the twentieth century, the mass now incorporate crafts education into their overall arts production of utilitarian wares removed the need for curricula and work by studio craft artists routinely functional handmade objects from modern society. appears in art galleries and art museums. This ultimately gave rise to the studio craft movement. PortlanD’s MuseuM of contemporary craft Unlike traditional crafts, studio crafts include visual has long been an important proponent of the studio values as a primary function of creative expression. -
Mission: from the Unique Columbia River Gorge, Maryhill Museum of Art Collects, Presents and Preserves Art and Historical and Na
Mission: From the unique Columbia River Gorge, Maryhill Museum of Art collects, presents and preserves art and historical and natural resources to enrich and educate residents and visitors of the Pacific Northwest. Values: Accountability · Diversity · Enjoyment · Innovation · Integrity · Welcoming · Quality · Stewardship · Sustainability The Year 2011 at Maryhill Museum of Art ANNUAL REPORT Maryhill Museum of Art, located in Goldendale, Washington is a thriving organization serving Columbia River Gorge residents as well as visitors from Washington, Oregon, and beyond. The museum offers an appealing mix of temporary exhibits, often featuring Northwest artists and contemporary work, with priceless works of American, European, and Native American art from its permanent collection. It provides a diverse range of educational programs directed at thousands of students, families, young adults, and adult learners. It is financially healthy with diversified revenue sources, a growing endowment, and an engaged staff and board. In 2011 it welcomed over 36,000 guests through its doors. It presented several seasonal exhibits and its permanent exhibits featuring the museum’s collections. The museum offered dozens of programs throughout the year. The year was momentous in that construction on the Mary and Bruce Stevenson Wing began. This $10 million dollar addition brings an additional 25,000 square feet to the museum. Key features include a dedicated art education center for a wide range of public programming; a centralized collections suite to house the museum’s world-class collections; an outdoor plaza where visitors can better enjoy Maryhill’s extraordinary setting and outdoor sculpture; and a new café with terrace seating and stunning views of the Columbia River Gorge. -
Théodore Rivière: Sculpture
Théodore Rivière: Sculpture Théodore Rivière: Sculpture Théodore Louis Auguste Rivière (French, 1857‒1912) was born in Toulouse and received his art education there at the School of Fine Arts. He then attended the National School of Fine Arts of Paris. As a young man, Rivière studied under François Jouffroy (French, 1806‒1882), Antonin Mercié (French, 1845‒1916), and Alexandre Falguière (French, 1851‒1900)—who had been a student of both Jouffroy and Albert-Ernest Carrier-Belleuse (French, 1824‒1887). Carrier- Belleuse is known to Maryhill Museum of Art patrons through his Diana, Goddess of the Hunt (1886), which stands opposite the museum’s public entrance. Rivière is remembered for his bronze sculptures, but he also worked in other mediums. His creations are generally associated with the Art Nouveau style and he was a leading French sculptor of Oriental subjects. Rivière drew inspiration from Greek and Roman mythology, biblical narratives, literary texts, and his travels in North Africa, the Far East, and elsewhere. He lived for a while in Carthage (Tunisia), and there completed two Orientalist groups based on Gustave Flaubert’s 1862 novel about Salammbô. These were exhibited to acclaim at the 1894 and 1895 Paris Salons. Maryhill Museum of Art’s Théodore Rivière collection has an interesting—even unusual—history. In 1949, Alma de Bretteville Spreckels wrote to the museum’s director and reported that she had acquired the sculptures in 1915, through Loïe Fuller. Chicago businessman and philanthropist Julius Rosenwald (1862–1932), who was an owner and executive of Sears, Roebuck and Company, was also interested in them, but Alma “begged” Loïe to let her have the works. -
Craft Horizons AUGUST 1973
craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad. -
A Finding Aid to the Jan Butterfield Papers, 1950-1997, in the Archives of American Art
A Finding Aid to the Jan Butterfield Papers, 1950-1997, in the Archives of American Art Megan McShea Funding for the processing of this collection was provided by the Council on Library and Information Resources "Hidden Collections" grant program. 2012 June 27 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Interviews and Lectures, 1959-1997......................................................... 6 Series 2: Writings, 1962-1997................................................................................ 21 Series 3: Project